La Negra is pretty much modblog royalty at this point, and as such deserves to be immortalized as a work of art. As a community defined by taking artistic expression to the extreme by permanently wearing the art, it should come as no surprise many in this community are also involved in other forms of art as well. When one person can bring fine arts and body arts together, it is particularly appealing.
This particular work of art is a watercolor & pencil piece by Jennie Philpott.
As I mentioned earlier this week you’re going to be getting a look at some of the stuff Samppa Von Cyborg has been doing while on the road in the US. Today’s post is about a recent performance Samppa and Aneta did as part of their recent NYC tour stop. The centerpiece of the show was a blood painting that Samppa did of himself, Steve Haworth, and Lukas Zpira, using Aneta’s blood. The painting is now up for auction, with all proceeds going towards relief efforts in Japan.
Keep on reading to see some shots from the performance as well as how you can own this painting. Fair warning though, it is pretty bloody.
Well it looks like the beautiful Sarah B. has been busy yet again. This time, with the help of photographer Ray Del Mar, the two of them have re-imagined a couple of pieces of art into something fresh.
Is that statue in the way? Don’t worry, keep reading and you can see the original photo, without that pesky statue.
Back in February, our very own Tristan made generous offer. He would paint a commissioned portrait and in return donate the funds to the BME Legal Defense Fund. Tristan sent me some photos of one such portrait to share with all of you.
Detail shots after the jump!
What’s that you say? I can have my portrait painted and help BME at the same time? Tell me more! That’s right readers, our very Tristan, who you may remember from such posts as this one, has sent us the following:
A portrait of Robin Henry-Wilson
11 x 14
oil on board
I finished this painting in under 20 hours; record shattering speed for me. I’ve never painted someone while they were around to watch the progress or even stand over my shoulder. It was surreal. I loved watching the look on her face as she’d run by and point, “that’s me!”
I’m donating my time to help the BME Legal Defense Fund. For $200 + s/h, I’ll paint a 9″ x 12″ portrait from a photo. 100% of that $200 goes to the BME Legal Defense Fund and you keep the original painting.
I understand money is tight right now for everyone so this is a test. I’m doing one painting on a first come first serve basis. After that painting is complete, If others would like to participate I’ll paint more. If you have any questions please email me at thewhiteleaf at gmail dot com.
You can see more of Tristan’s stunning work at his website. IAM members can contact him directly through his IAM page. Non-IAM members can use the email listed above or through his website.
Don’t forget, BME’s Internship 2.0 applications need to be in by Saturday (my birthday, you know)! Keep those applications coming.
So, you want a tattoo celebrating one of your favorite movies, but one that alludes to other artists as well? What to do?
I really wanted a Star Wars tribute tattoo, and my artist really wanted to do one. I didn’t want anything overused or anything, like the insignia or a lightsaber, and I didn’t want a huge scene with ships and everything, so we decided to kind of create something. I liked the shape of the AT-AT walkers, but they were kind of beefy. I was thinking I wanted something more slender, like a Dali elephant, and here it is! I’m so happy with how it turned out, and I’m really glad to have something completely original on my body.
(Star Wars/Salvador Dali mash-up tattoo by Paul at Old School Tattoo in Bellingham, Washington.)
See more in “Sci-Fi Tattoos“ (Tattoos)
It can be a crap-shoot when adapting a painting into a tattoo, trying to balance which elements can be translated effectively and which will require certain modifications. Consider what Wil from Randy Adams Tattoo in Ft. Worth, Texas, did to interpret Dali’s The Ship here. Everything seems a little more “solid” in the tattoo than in the original (Ed. note: I am not a student of visual art and there is not even a slight chance that I’ll use the proper terminology here), and that it was consciously “tattooified” (Ed. note: This, however, is a perfectly cromulent art term) rather than the artist making an effort to create a carbon-copy of the source material. In this case, this seems like an appropriate course to take. What do you all think? About this interpretation, about adapting paintings into tattoos in general, about the world … let’s chat, ModBlog.