DRAGON-FISH

The Curious Story of a Sub-Clavicle Piercing

“as each piece of my work continues, it becomes more and more cruel; all games can ultimately be lethal.”
- He Yun Chang

As a follow up to Jordan Ginsberg’s expose on sub-clavicle piercings, I am writing this article after a few strange occurrences in my piercing clinic a few days ago. It is now a well known fact, following the article on sub-clavicle piercings “WHYNOTHOWTO”, that I no longer perform this particular piercing for one reason or another, and indeed to quote Jordan, “[Sarge] has ceased performing the piercing altogether — no matter how frequent or demanding the requests.”

Well... this is the story of how I came to break that rule.

Requests for this piercing keep on coming in at a steady rate of about two per week, as a direct result of that particular article. I’m still being polite about it and carrying out a lot of clavicle surface piercings instead (ie. above the bone, not around it). That was, until I was contacted by a company based in Newcastle upon Tyne called Amino. A guy called Ben Ponton asked me about the sub-clavicle piercings and whether I would be interested in doing one, to which I gave my standard well rehearsed answer, and directed him to Jordan’s article.

When he explained the circumstances, I stopped in my tracks. Amino were hosting a live performance artist called ‘He Yun Chang’ from China who wanted a sub-clavicle piercing specifically for his work entitled ‘Dragon-Fish’ that he was performing there, and hinted that the piercing was something that was very important to the artist and a short explanation that this piercing may have some roots in North Korea — naturally I was very intrigued.

Anyone who has read Jordan’s article can see that no-one is laying claim to actually ‘inventing’ that piercing — the way I found it was through my friends interest in the character ‘D’argo’ from Farscape and his insistence that we go for it... little did I know of its true and rather gruesome history.

After looking through their website, and seeing that they worked with no other than the great Franko B, I have to admit I was totally sold on the idea. Live performance art has that sort of effect on me — it fires me up, and after doing a little research on Mr. Yun Chang on the net, here’s some of his work. And here’s the furore he caused at Niagara Falls!

I wanted in!

Ben emailed me the dates that they would come down to my clinic and I received the press release:

“He Yun Chang will write the two Chinese characters that form the words Dragon Fish on the ground then run around them in a circle for 24 hours continuously.

With the head of a dragon and the body of a fish, the Dragon Fish is one of the nine sons of the legendary dragon of Chinese mythology.

In a remarkable feat of physical endurance, China’s leading performance artist, He Yun Chang, will perform his new work Dragon Fish in Newcastle this weekend. This will be a unique live presentation of the latest work in a series of physically extreme performances with which He Yun Chang has been testing his own endurance and persistence for over 10 years. This has included having himself cast inside a concrete block for 24 hours, wrestling 100 people in 66 minutes and staring at 10,000 watts of light for an hour in order ‘to make his eyesight become worse’.

Whilst running in a circle around Dragon Fish he will be attached to a fine cord, one end of which will be fixed high above him in the atrium of Central Square, the other end will be attached to his naked body by a sub-clavicle (behind the collar bone) piercing. This a rare and unusual piercing which will be undertaken two days before the performance by the world renowned body piercer, Sarge, at Metal Fatigue in Bournemouth, UK.

This event is open to visitors at any time over the 24 hours of its performance.“

So the date was set for the 9th of March, and at two o’clock our guests arrived.

Sub-clavicle piercing beind performed on He Yun Chang by Sarge

After our initial greetings, I just had to conduct a little interview for BME with Ben, He Yun Chang and his girlfriend Hong. He Yun Chang didn’t speak English but Hong translated for us during the interview.

Sarge: On the phone you hinted that the sub-clavicle piercing had a history that I may have not been aware of that was told to you by He Yun Chang — I’m intrigued.

Ben: Ok, yes, the story is that over the years people from North Korea have been trying to escape from the oppressive North Korean regime by illegally crossing the border to China, and when the Chinese authorities catch them, they return them to the authorities in North Korea. When the authorities there get hold of them, they view this very badly, and I guess as a form of punishment. [to Hong] Is this right?

Hong: Yah, the North Korean police do this.

Ben: They essentially ‘chain’ these people together by piercing them behind the collarbone on each one.. Hong, what do they use?

Hong: [Talks to He Yun Chang] It’s a steel line, like wire, and very thick.

Ben: It sounds like a very thick steel cable, that they use. Actually, He Yun Chang drew a little diagram of the way they do this on a napkin back in Newcastle, how they link these people together — under one person’s collar bone, then over the shoulder and into the next, linking them all together. Hong, does He Yun Chang know what happens to these people after?

Hong: [Talks to He Yun Chang] It’s to take them to prison.

Ben: Hong, He Yun Chang heard this from a friend?

Hong: Yes, his friend lives very near the border of North Korea.

Sarge: Is the symbolism of putting this ‘cord’ under his collarbone and the 24 hour Dragon-Fish performance a kind of protest?

Ben: I think its more of an inspiration than making the performance symbolic in that sense, and in fact Yun Chang was quite keen that that this side of the story isn’t exposed particularly in the presentation of the piece. Most of the work that you see in the book is, the way I see it, he is more interested in blinding the role the original source material played in developing the work that he makes, and letting people react to the actual performance itself.

There followed a conversation where we tried to explain Body Modification Ezine to He Yun Chang and Hong, where He Yun Chang agrees that I can write about his piercing and the conversation about the Korean aspect of the sub-clavicle piercing, although during this conversation it is stressed that unfortunately they have no proof of these occurrences.

Sub-clavicle piercing beind performed on He Yun Chang by Sarge

...although after having a quick scout about the internet I found these rather disturbing articles suggesting it is not just an urban legend.


The Dragon Fish Performance

Dragon Fish performance by He Yun Chang

“Starting at 17:45 on 11 March 2006, 15 minutes later than advertised, He Yun Chang began the 24 hour performance of Dragon Fish. Amino’s Lee Callaghan tied one end of the 20 metre length of scarlet twine around the steel balls at the ends of the PTFE rod in Achang’s sub-clavicle piercing, the other end was attached to a specially rigged steel cable stretched taut across the atrium of the Central Square building.

Dragon Fish performance by He Yun Chang

Once secured, Achang strode, naked, into the centre of the performance space to where two sheets of paper had been fixed to the floor. With a stick of blood red pastel he quickly and unceremoniously, scribbled the two Chinese characters that form the words Dragon Fish and then casually sauntered off to the edge of the invisible circle he would follow over the next 24 hours. He began jogging in an almost indifferent way, in an anticlockwise direction, in a circle about 10 metres across, around the Dragon Fish, on a journey to nowhere that would last through the night and into most of the following day.”
- Ben, Amino

- Sarge
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Sarge has been head piercer of Metal Fatigue in its many guises and locations since 1989, The Metal Fatigue Bournemouth Body Piercing Clinic is now in its 4th successful year at its present location. As well as running his clinic Sarge is a musician and occasional compere, in and around the Dorset area in the UK.

Article copyright © 2006 Metal Fatigue and BMEZINE.COM. Permission is granted to reprint this article in its entirety as long as credit is retained and usage is non-commercial. Requests to publish edited or shortened versions must be confirmed in writing. For bibliographical purposes this article was first published September 16, 2006 by BMEZINE.COM in Toronto, Ontario, Canada.

   

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