Three new tattoos by Lionel Fahy

I’m sorry posts are a bit light right now, I’m busy and Rob is temporarily away — we are being joined by some new writers soon that I’m greatly looking forward to. But tonight I wanted to leave you with a few tattoos from one of the very first French art tattooists I met, and still one of my favorite, the wonderful Lionel Fahy (who is also an extremely talented musician and author — his veins are just pulsing with creativity). I want to being by mentioning that you can follow his adventures and work in great detail at, and today I’m going to post just three recent pieces that caught my imagination. The first one, this charming and funny octopus, was tattooed at this year’s Nantes Tattoo Convention.

This endearing backpiece, as many of Lionels pieces, evokes memories of childhood and loves. The swing set reads “a vous tous” or “to all of you”.

Finally, I was especially struck by the strong graphic design in this wrist/palm tattoo, one hand a hanging lantern light, and the other an electricity tower, with a power line connecting the tattoo. I love the way that the lines extend onto the hands, powerfully integrating the piece into the wearer’s anatomy and also adding a sense of symmetry to two otherwise graphically unbalanced elements. Take the time to zoom this for a better look.

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About Shannon Larratt

Shannon Larratt is the founder of BME (1994) and its former editor and publisher. After a four year hiatus between 2008 and 2012, Shannon is back adding his commentary to ModBlog. It should be noted that any comments in these entries are the opinion of Shannon Larratt and may or may not be shared by LLC or the other staff or members of BME. Entry text Copyright © Shannon Larratt. Reproduced under license by LLC. Pictures may be copyright to their respective owners. You can also find Shannon at Zentastic or on Facebook.

One thought on “Three new tattoos by Lionel Fahy

  1. I love all 3 of these. The swing in the back piece, the seat looks almost like an optical illusion. Like the How many lines are there really ones.

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