Modified Does Not Equal Apathetic [Guest Column]

Modified ≠ Apathetic
 

“Never doubt that a small group of thoughtful, committed citizens can change the world; indeed it is the only thing that ever has.”

Margaret Mead

 

(CLICK PHOTOS TO ACCESS IAM PAGE) 


massaarKyle is an eighteen year old male from Barrie, Ontario, Canada. He currently lives at home with his parents and due to him recently relocating he is unemployed. He co-founded Skate-4-Cancer with his friend Rob Dyer in July 2003. He currently has four piercings (tongue, nipples, and his lobes stretched to 00 gauge). He has three tattoos: words on his stomach, Sailor Jerry flash on his back, and stars on his arms. The co-founder of the Skate-4-Cancer charity has stretched lobes, a nipple piercing, and multiple tattoos including a 3/4 sleeve in progress.

TattoodRedHeadLiz is a 35 year old female real estate broker who formerly worked in the music business for Capitol and Virgin Records in NYC. She graduated with a BA in Media studies and currently lives in Boston, Massachusetts, USA with her husband. Liz has approximately 60 hours of tattoo work, she has half sleeves, a nostril piercing, and a vertical hood piercing.

nycnickNick is a 45 year old male and living in New York City, New York, USA. He has a degree in Architecture from New York’s Cornell University and is currently a very successful and sought after architect. Considering Nick only started his journey into modification in 2003 he is heavily modified with 52 tattoos including full sleeves, and multiple piercings including a 0 ga Prince Albert, 0 ga labret (recently retired due to gum recession), and 3/4″ stretched lobes — When asked why he got his mods so late in life he replied, “It just felt right, and of course a lot of iam people inspired me! My parents were dead against it, so I waited till they were dead.

 

This article is not here (only) to showcase these individuals. It’s here to say, “hey, maybe it’s fun to get involved in my comunity” — and more importantly, that it’ normal to be involved!

 

Communities tend to react to “aberration” with distrust and ostracism. This ostracism can result in an individual or group being perceived as responsible for the problems in the community, greedy consumption of charitable services they don’t need, behaving in a manner the majority of the community feels is unacceptable, and having an unacceptable appearance.

We in the body modification community have all experienced this ostracism for being “different”. People think we’re violent, mentally ill, unemployed, and addicted to all sorts of illicit drugs simply because of the modifications we’ve made to our bodies and how we dress. Our appearance seems to give those who don’t understand permission to label us with various negative and undeserved attributes.

Historically, while community service and volunteerism has always been a valued trait, actual practice has lagged in recent years, and organizations in need of volunteers often find themselves short-staffed and under-funded as a result. Since his inauguration, American President George W. Bush has issued repeated challenges to the American people to increase the amount of volunteer work being done in the country. Nothing much happened, although the events of 9/11/01 saw volunteerism rates peak for a few months and then slowly decline to the present.

People in the mainstream tend to expect the modified to be among the least likely people to provide any type of community service or volunteer work. However, a surprising number of people involved in body modification feel the motivation to give back to their communities; communities that to a large extent tend to discriminate against them. The people in this article go above and beyond to provide invaluable volunteer services in a variety of areas to the communities in which they live.

They have not only helped their communities but they have gone well beyond the expectations of others by founding a variety of charities and organizations and continuing to work in the non-profit or volunteer sector while maintaining active participation in the modified community. While non-profit work and volunteering isn’t for everyone it does strike a chord with these individuals. At the foundation of all of these people is a willingness and desire to help others through any means possible.


BME: How did you originally get involved with non-profit volunteer work and what was your role in the groups you were with?

Kyle: I never really did much charity work, just the usual stuff they made me do at school: cleaning up roads, picking up litter, and so on. I went down to Toronto once for three days to help feed homeless people and help out at some shelters as well. Up until when Skate

4Cancer was started, I had never really done anything on my own time.

My friend, Rob Dyer, and I started Skate4Cancer together back in July of this year. He originally had the idea about two years ago, and actually tried to start it up but it never took off because he didn’t really have anyone helping him. He mentioned the idea to me during the summer, and I decided I really liked it and offered to help him out by building a website. From there, it just sort of progressed into what it is now.

Skate4Cancer is a charity that was started to raise youth awareness and fund for cancer research. Starting in March of 2004, we will be skateboarding from Los Angeles to Toronto. The entire trip is roughly 5,000 kilometers (3,000 miles) in length.

My role now is maintaining the website, and I continue to help plan what we will be doing and helping out as much as I can at fundraisers and various publicity events. Once we get started on the trip, I will principally be the bus driver and webmaster of the site.

Liz: In 1999 I co-founded a group called Fanseverywhere as a result of the rapes and sexual assaults that happened at Woodstock ’99. I still, to this day, answer email from young girls and women who have been sexually molested and raped at rock concerts.


“I was so offended by what was happening to the women at Woodstock ’99.”
 

The police weren’t any help and women (some as young as thirteen) were being assaulted while crowd surfing or sleeping in their tents. It was outrageous and these women needed somewhere to go to, someone to speak with. I was the Co-Founder and main contact for these women. I conducted letter writing campaigns to NOW and RAINN to alert them of the issues and to record labels and concert promoters urging them to be aware of what was going on at many shows.

Nick: I serve as a Board Member on the NYC City council, for community Board 9, I serve on the Landmarks committee for Manhattan, NYC District 9. I am completing my Police Officer Training, and will serve in the NYPD auxiliary program, walking a beat as a cop in Manhattan.

“I wanted to give to my community.”

BME: Have you been involved in other non-profit work other than what you described above?

Kyle: Honestly, I have never done anything like this before. I mean, I’ve given to food drives and donated some money before, but nothing really significant to a non-profit organization.

Liz: I started working with the Milarepa Group to help the Tibetans in 1996 working at the Tibetan Freedom Concerts in SanFrancisco, NYC and Washington DC. I moved on to help an agency called the Tibetan Refugee Health Care Project. I was motivated by my desire to help people in need. I know that I am lucky to have the things that I have and some aren’t so fortunate. I felt compelled to help out where I could.

I volunteered my time with the Milarepa Group from 1996-1998 and assisted with the development of the Tibetan Freedom Concerts. I worked with the Tibetan Refugee Health Care Project from 1998-2000.

The Tibetan Refugee Health Care Project is a non-political organization funded entirely by private donations. It was created in response to the dire and growing need for public health care for the Tibetan community-in-exile, living both in resettlement camps in India, and throughout the world, and to be a support for The Tibetan Government-in-exile, His Holiness The Dalai Lama and the Tibetan Department of Health. All projects are reported to them.

Its mission is to facilitate medical treatment of the Tibetan people as well as to educate them about disease prevention. One of the goals of the project is to encourage Tibetans to learn skills that enable them to help other Tibetans. This is done by training qualified Tibetans so that they may become practitioners, skilled laborers, or volunteers who go back to work in their communities. I volunteered my time to help with anything that needed to be done. I sat in protest of the Chinese government. I ran sound and lights for speeches. I coordinated email campaigns. Helped in the offices. Passed out flyers. For Milarepa, I donated my time to help coordinate other volunteers for the Tibetan Freedom Concerts. This came out to about fifteen hours a week.

BME: What originally prompted you to choose the groups you ultimately worked with?

Kyle: I chose to become involved with Skate4Cancer because I felt it was a worthy cause, and I believe that we can make a difference in the world. I decided early in my life that I would not just be one of those people who graduate high school, maybe go to college and then work a desk job for the rest of their lives. I feel that this might be something I could do for the rest of my life, and this will allow to wake up every morning believing that I have a purpose in my life and I ’m making a difference in other peoples lives.

Liz: Passion. Passion to try to make things better for someone other than yourself. Bring issues to the public eye.

Nick: My architectural background enable me to help the landmarks committee, and the community board, I really wanted to prove to myself that I could become a cop, and am just about complete with my training.

BME: Have you ever had any memorable reactions to your modifications during your volunteer work?

Kyle: Besides the, “Oh, cool tattoos!” comments that are fairly usual, I personally haven’t, but I know Rob (the co-founder of Skate4Cancer) has. I know he’s experienced some negative reactions to his tattoos and even the way he dresses.

Liz: Never anything negative. I would say it has been pretty neutral territory as far as my charity work has been concerned.

Nick: Well, the NYPD did ask me to remove a lot of the metal, but I was more than willing to do that! For my police training I keep the tatts generally covered as much as possible.

BME: Have you found that your modifications have helped or hindered you in this work?

Kyle: I think that they help more than they hinder, because we’ve found what’s key to making Skate4Cancer work is getting the kids to notice it, and then they tell their parents about it. Tattoos are noticed alot of the youth of today because they are ‘in’, most of the youth think they are cool, so they may notice us for our mods, then hear about what we are doing and really like the idea, then helping us spread the word. But on the other side, they have hindered us at times because for the most part, the older generation isn’t too keen on body modification, and thus they don’t think we are serious about it, making them reluctant to donate or preach to others about us.

Liz: Definitely helped for Fanseverywhere. The girls would see the tattoos and would feel comfortable because I was “one of them”

Nick: Neither really. I like trying to break though peoples perceptions of what a tattooed person should or shouldn’t do. But actually no, no problems at all. Everyone remembers me, and that might not be bad!

BME: Why do you donate your time, energy, and resources? What is the primary reason?

Kyle: The main reason I do this is to help myself feel good. As I mentioned before, I want to make a difference to people in my life, and I think this could be something that really changes people and makes them examine themselves.

Secondary to that, I believe that cancer is an epidemic that has to be stopped. SARS was made into such a big deal by the media, but it wasn’t as bad as they made it seem. I don’t want to make it seem like I’m belittling SARS, but on average 185 Canadians die of cancer each day. That’s just in Canada, just think of how many die worldwide. I don’t think many people realize how bad cancer really is.

Liz: I am fortunate in my life, and sometimes someone just has to show you the way up and out of a bad situation. I hope that I have offered that kind of assistance to just one person. Life is what you make of it.

Nick: I love to help others!

BME: What is one thing that stands out that you have learned from your volunteer work that has helped you in other aspects of your life?

Kyle: I’ve learned that no matter how bad my life seems, there is always someone who is worse off then me. I shouldn’t complain about the little things that don’t matter, when my little things are a life-or-death matter to someone else.

Liz: Compassion to others. You never know when your situation is going to become bad and you will need the help of kind strangers. Everyone deserves a chance.

Nick: That I’m a really fortunate guy!

BME: If you could create your own charitable organization what would it be?

Kyle: I haven’t thought about creating other charities at this point, one is enough work right now! but we have a couple ideas on how to expand Skate4Cancer after this initial run, and that should keep me and everyone else busy enough for a little while at least haha.

Liz: To provide inner city school children with all the resources they need to learn music and art. Those programs are being taken away and need to be given back to those who could benefit from them the most.

Nick: I would like to create a foundation to help people to decide to do the right thing, so they can have productive lives.


The people we’ve talked to above are only a brief mentioning of the many volunteers we know that are also BME members. It seems despite the undeservedly grim and often outright bigoted opinions in many articles published in the mainstream media it seems that the modified are doing more than just volunteering in their communities; they are starting organizations to help others, extending their own resources to give others a chance.

They are most definitely not apathetic or “not playing the game of life” as has been suggested, but are instead giving back in ways the “average person” seems either unwilling or unable to do. The communities to which these individuals belong would do well to respect, admire, recognize and aspire to the shining example these people represent not only to their communities, not only to the modified, but to humanity in general.

[Ed note: This is an abridged version of this column; click here for the “director’s cut”]

 

 


Danielle (iam: Vanilla) and Chris (iam:serpents) Clark

Copyright © 2004 BMEzine.com LLC. Permission is granted to reprint this article in its entirety as long as credit is retained and usage is non-commercial. Requests to publish edited or shortened versions must be confirmed in writing. For bibliographical purposes this article was first published January 9th, 2004 by BMEzine.com LLC in Toronto, Ontario, Canada.

Chris and Danielle Clark

 

 

Straightedge and Modified [The Publisher’s Ring]


Straightedge and Modified

“Those drugs are gonna kill you if I don’t get to you first
Make the wrong choice and I’m gonna judge you
I hope that fucked up head can tell you what to do.”

- JUDGE, You’ve Lost My Respect

Straightedge appears as an interesting connundrum — it advocates a strong sense of community, yet it willfully isolates itself from the mainstream. It advocates clean-living while over-indulging in risky behavior like body modification, glorification of violence, and even body rites. Its adherents aim for serenity while often embracing conflict and choosing fashion statements of guerrilla warfare and gangsterism… Earlier this year BME did a series of interviews on the subject, and, after sitting on my desktop for six months, I’ve finally had a chance to put them together for you here.

Straightedge (sXe) – Straightedge is a philosophy of “clean living” that espouses a total ban on drugs and alcohol (usually including cigarettes and caffeine), as well as promiscuous (or even pre-marital) sex and other “risky” behavior. The name is based on song lyrics describing the philosophy, and members identify themselves with X’s, often on the back of their hands (mimicking the X’s put on underage attendees at an all-ages show — indicating that they may not be served alcohol).

Militant Straightedge (aka “Hate Edge”) – While most straightedge members chose the lifestyle for personal reasons and are largely concerned with how they lead their own lives, some “militant” members feel that the entire world should agree with them. They adhere to oppressive slogans such as “bring back prohibition” and are known for hateful and anti-social acts such as violently assaulting strangers leaving bars. These groups often choose names including words like “courage”, “honor”, and “discipline”, suffixed with “crew”, giving the public impression that they are a “gang” or militia unit (the literal “Courage Crew”, who the media often pins much of the blame on, encourage their members to be physically imposing and become proficient in “self defence” skills — whether this is an offensive or defensive strategy depends on who you talk to). Instead of focussing on their own problems (and successes, other than edge in and of itself) they focus on the “war” they perceive is going on between those who drink and those who do not.

A number of governments, including the United States, consider forms of militant straightedge a terrorist or cult movement akin to eco-terrorism. Many members glorify the violence by choosing tattoos and icons of brass knuckles, knives, guns, and bats, often festooned with straightedge slogans, while dressing like ‘terrorists’ or ‘guerrillas’ with bandanas hiding their faces and so on. There is a strong neo-nazi element, and their community often suffers from other hate disorders such as homophobia and racism, sometimes echoing oft-co-opted working-class iconography such as the white pride/power movement’s Hammerskins crossed hammers logo.


VIOLENT TATTOO IMAGRY FROM THE
BME ARCHIVES AND OTHER ONLINE POSTINGS.

What’s interesting about hate edge is that it’s almost come full circle from where it all started. Straightedge was “founded” in part to combat the nihilism of early punk, but hate edge embraces this nihilism. It should be noted that sXe founder Ian MacKaye — who has repeatedly said it’s “not about rules” and you can still have an occasional beer (it’s about having a clean life, not blindly following) — doesn’t think much of where sXe has gone.

“I’m a person just like you, but I’ve got better things to do than sit around and smoke dope, ’cause I know that I can cope ... I’ve got the straight-edge.”

- Ian MacKaye (Minor Threat)

“Losing/Breaking Edge” – In an almost cult-like fashion, members may be “shunned” if they “break edge” and have a beer or otherwise slip. Often this can result in insults, homophobic accusations (ie. “drinking is gay you fag”), a total removal from the peer group, and even violence.

Straightedge till 21 – Over the past decade, straightedge has increasingly become a youth fashion movement as much as a philosophy of clean living. Because of this, some young people will adhere to straightedge while they’ve got nothing to lose by doing so, and then “lose the edge” when they are old enough to drink legally.

Well over a decade ago I spent a year — as an artist — researching LSD use in combination with bloodletting in the development of both an artistic and a spiritual voice. As a result I was offered and accepted a full fine arts scholarship to York University and there was able to pursue modifications more seriously, and I also met my current business partner as well as a friend who’d later help me create BME (as I didn’t own a computer at the time suitable for publishing). My conclusion from all of my experiences is that — when used responsibly — the role of psychotropic and psychedelic drugs is very similar in destination to body-oriented ritual. I also believe from my personal experiences that the psychiatric effects — the “redefinition of self” — that comes with mind-altering drug use echoes the redefinition that comes with body modification.

In addition, my feeling is that even without these similarities, straightedge was incongruous with body modification since it involved injecting foreign substances into the body and certainly fell into the same “risky behavior” category as sex — and one could argue that there were “addiction” issues as well. Body ritual I figured was a definite no-no on account of willfully inducing altered states!

Because of that, it came as a surprise when one of the most visible and vocal body modification groups that developed as tattoos and piercings popularized was the straightedge movement. At this point “drug free” subcultures represent between 10% and 15% of IAM’s membership. Most of the encounters that I recognized as being with straightedge people were militant — typically after they’d gotten in one dispute or another. To cite a recent example, after being asked why he had posted death threats against members of BME involved with drugs*, and how he would feel if the situation were reversed, Danny “I wear the X as a symbol of war” Trudell (of Seventh Dagger) wrote me,

If you want the right to say “look at me I have cut off my genitals and am an utter freak” then you would have to extend the same privelige [sic] to others and their views and lifestyle choices. Grow up and hey while you are at it get the mother of your deformed child not to drink while she is pregnant next time.

Not that it’s a sin unique to edge, but apparently he didn’t understand that there is a difference between loving yourself, and hating others!


* To avoid accusations that I’m misleading you, the issue began with a graphic shirt he was promoting on IAM saying “KILL YOUR LOCAL DRUG DEALER”. Like it or not, IAM, like all large international communities, has many members who are involved in drug trafficking, sometimes legally, sometimes not, depending on the culture they live in. Whether you agree with the act or not, one of IAM’s core philosophies is that you can’t threaten to murder your fellow members!

These sorts of baseless (outside of anything else, my wife doesn’t drink and my daughter is high-functioning and certainly not “deformed”) and bizarre attacks — reflex-like anger responses really — had me believing the stereotype (perhaps falsely) that most people were straightedge because of some sort of internal conflict, self-esteem issues, or childhood trauma that was making them unable to think clearly on the subject. These interactions seemed to typify the relationship that the militants were fostering with mainstream society, needlessly alienating themselves and non-militant straightedge in the process — as they say, the squeaky wheel gets the grease… and a bad apple ruins the lot.

Of course, on the other hand I knew people like Phish of Slave to the Needle in Seattle, or Brian Decker (“xPUREx”) of Sacred Body Arts in Manhattan, both very talented piercers and modification artists — and of course Emrys Yetz, the driving force behind the influential suspension group Rites of Passage, to name just a few of many. All are vehemently straightedge, but sane, lucid, and deeply involved with body modification and mind-altering body ritual. I decided to sit down with them and others to talk about how their straightedge lifestyle fit in with their body modifications. After a little arguing back and forth, we were also joined by Danny Trudell who I quoted earlier.

PHISH… is a 35 year old professional body modification artist who loves guns, poker, pitbulls, and extreme body modification, and hates drunks, backstabbers, bad piercers, and Freddie Prinz Jr.. He’s also a member of BME’s QOD staff.
(CLICK THE PICTURES FOR IAM PAGE LINKS)

EMRYS… is a body modification artist and founder and main force behind the suspension group Rites of Passage. He has helped hundreds of people around the world take that first leap into the air
BRUCE (“Dr. Scorpio”)… is, in his own words, “a pervert, a poet, a painter, a jackass, and a psychic”. He is also a heavily modified performance artist
JASON (“Grazer”)… is an Ohio-based artist and one of the core voices in the suspension group iHung. He has travelled the continent bringing the joy of suspension to others.
BRIAN… is a piercer and modification artist in Manhattan and an experienced body performance artist with Rites of Passage. He’s known among other things for the advances he’s contributed to the field of surface piercing, and for his trademark one-hook suspensions.
DANNY… has been straightedge for fifteen years (nearly half his life) and is currently working on a book on modern straightedge culture.

BME: Tell me a little about what straightedge means to you, and why you chose it for yourself?

PHISH: To me, straightedge is not indulging in mind altering addictive substances that will affect my quality of life — or the lives of those around me. This includes alcohol and all drugs that aren’t prescribed to me for strictly medical use. It also includes tobacco. I saw my own life and the lives of my friends and family being so drastically affected by my early drug use, that I made a pledge to stay away from things that affected me in that way.

EMRYS: Straightedge is a drug free lifestyle. Some say you can’t drink caffeine, some say no sex before marriage, and some people go as far as saying you need to be vegan as well. In my eyes as long as you’re free of drugs and alcohol you can call yourself straightedge. I usually just say I’m “drug free” — not “straightedge” — to avoid the stereotypes.

BRIAN: I also usuaully use “drug free” or “poison free” over straightedge to describe myself nowadays. A stigma has been attached to that term that exudes such a negative characterization. I am not this person — don’t let the militant groups give me a bad name, cuz I’m not a bad guy!

Anyway, it’s a drug-free path which allows me to deal with life — its problems and its fun — with clear judgement 100% of the time. I chose it because if I can’t see something for what it really is, without distortion, I don’t need to see it at all. I know myself to be a fun and outgoing person without ever needing the “help” that some people have told me they need to find this person inside themselves. I like to think I’m a stronger person because of it.

JASON: For me it’s trying your hardest to live a low-risk lifestyle and keep your body clean, natural, and healthy. By low risk I mean sickness and disease — no promiscuous sex! I also feel that veganism is a natural extension of sXe since meat is merely an intermediary between you and chemicals, at least as far as agri-business is concerned.

I decided to stop drinking after a really drunk night in college — when I figured it would be a good idea to attend the riot I heard about on the news. At the end of it I’d been shot by the police and beaten extensively with batons! Alcoholism runs in my family, as does being a violent drunk, so I figured it would be for the best if I stopped drinking then. At about the same time I met other like-minded people at college and discovered the straightedge community. Before long it was just second nature not to drink, and just chill with friends.

Being straightedge has cleared my mind and body and made me a much more conscientious person. I feel more in touch with my environment and my friends. It’s given me hope and strength where religion has failed me, and it’s taught me to believe in myself. I used Catholicism as a crutch in hard times in the past, but this is not the same escapism.

EMRYS: I was at a very low part of my life — I was motherless, fatherless, and left to raise myself. I was in a haze of drugs, trying to run from my problems, and was about to end up dead like my parents, or in jail. I decided that if I was going to prosper in life I’d have to sober up. I didn’t want to work a dead end job just to make enough money for my next fix, even if it was just cigarettes. I lost a lot of friends when I made that choice, but I feel more alive than ever. I have more energy, I’m able to remember things, and I achieve my goals — I think if I hadn’t become straightedge I’d have slipped deeper into drugged states. Being edge gave me something to work towards, something that no one could take from me, that I could be proud of — I overcame my addictions, and I face my problems sober.

JASON: Straighedge has its downsides as well — I grew up in Dayton (home of the “Courage Crew”, an aggressive straightedge gang) and have gotten a lot of negativity from people who found out I was edge. I’ve even been sucker punched for it — “Do you want a beer?” “No thanks, I’m edge” — WHAM! and I’m on the floor. Through IAM I met a lot of really cool edge people that weren’t militant and just wanted to have fun — then I started calling myself edge again. I’m vocal about it now because I want to show people that there are straightedge people out there who aren’t assholes — straightedge should be something good, not something condescending.

BRUCE: I don’t identify as straightedge — I just haven’t done drugs or alcohol for the last six years in order to save my life. I grew up in the DC hardcore scene in the early 1980s where Ian MacKaye of Minor Threat coined the phrase in the first place, so I’ve probably been around straightedge for over twenty years now — back then it was just a way to alienate yourself from the norm. The community was very tight-knit and cliquish, and very anti-woman.

Now there seems to be an underbelly of violence and preachyness — today’s mosh pits with the thrown punches and karate kicks which purposely do harm to others… When it was just dancing and thrashing sometimes people did get hurt but when someone went down others picked them up — the last pit I was at when someone went down they got kicked in the ribs. You see it in the violent symbols they choose — bats, brass knuckles, knives, and so on. Those were not part of the old movement of politically conscious human rights oriented goals!

It doesn't take a big man to knock somebody down
Just a little courage to lift him off the ground

- DROPKICK MURPHYS, Fightstarter Karaoke

BME: And what drew you to body modification?

PHISH: My first lobe piercing was in 1979 when I was eleven. I watched a lot of pirate movies and always liked them. When I was fourteen or fifteen I was at a party and saw a tattoo that a friend of my older sister’s had — I can remember the design as if it was yesterday — and started becoming really interested in tattoos.

BRIAN: When I was about ten years old I was going to all the kickass 80s metal shows. You know, Motley Crüe, Skid Row, Van Halen, Metallica, and all that. The older (and so much cooler) people at the shows proudly exhibited their piercings and tattoos. I looked up to them a lot. When I got a little older, the metal turned into punk and hardcore. All the piercings and tattoos were still there — even more so. So, I guess the music I listened to and the people I revered in the bands and in the crowds drew me towards modifying myself for status.

Now, I am modified for the sole purpose of showing off who I am to myself, to my friends, to my family, and to strangers. My drug free tattoos are there to tell myself and remind others how strong I am for what I can do, and the things I’ve achieved. I hear far too often, “You do what with hooks where? You know you have to be fucked up for that. What kind of drugs are you on?” My proud response… none. Suspending is another way I prove to myself how much I can accomplish with my mind.

EMRYS: When I was nine years old I carved “EY” into my forearms with my first pocket knife. When it healed I did it again and again until it stayed. It hurt more to cut it deep so it would stay, but the pain of cutting it was made worth it by the pleasure of having the marks. After I did it I felt energized.

Growing up, my mother hung out with a lot of bikers so I was always around pierced and tattooed individuals. The piercings I wanted most were my nipples because I thought guys had no reason for having nipples — if I decorated them with jewelry, they would serve a purpose. So, when I was thirteen years old I got my nipples pierced, and the woman who did them later apprenticed me!

BRUCE: When I took the drugs and alcohol out of my life, there was a huge void. I didn’t know what to do with myself! I became aware of things in the world I hadn’t really thought about. For some reason piercings and tattoos stood out as a way to separate me from the norm… Within six months I had my lobes pierced and three tattoos and started feeling better about myself. My self-esteem started to rise, and the natural endorphin rush of getting tattooed was a thrill I enjoyed when I thought I’d given up all the things that got me off — yes, it got me off.

JASON: My first piercings were done with a gun the day before I left for college — my girlfriend and another close friend all did it to show we’re together, no matter where we were. I met a few kids at college who were more into mods and discovered BME (this was late 1996). I became immediately fascinated. Like a lot of modded people, I’d read National Geographic all my life, but not until BME did I realize how normal this was — I was addicted and spent hours pouring over the texts and pictures. Slowly the “I would never do that” turned into the “I’m not sure I’m ready for that… yet!

I got my tragus pierced first, and not long after, another cartilage piercing, and after some encouragement from my friend Ian I plunged into genital piercing, getting a few scrotal piercings, a lorum, an a frenum. Then came July 1, 2001 and iWasCured.

I drove six and a half hours after being told I could do a flesh pull — it seemed like the logical extension after being relatively pierced and tattooed. The drive was horrible, and I was manic the entire time — I kept bouncing between thinking about how amazing this was going to be, and flipping out about what the hell was wrong with me for wanting to so something like this.

But it turned out great.

After a few more visits with iWasCured, Phil [Barbosa] asked me why I didn’t start doing suspensions back in Ohio. I told him I wouldn’t know how, and immediately the crash course in suspension started. Not long after, iHung was born.

Suspension has become my obsession in life. Everything that I see that is taller than me, I quickly analyze it to see if I could feasibly hang from it. Suspending puts me into my mind’s space like nothing else has ever done. I have clarity, and it shows me what my life really means — enjoyment, good friends, and family. After my first suspension in your back yard, I was addicted… I knew it… I was able to think about my life and see myself from an outside perspective — I was able to just witness myself being myself and not trying to be anything else.

Suspending and piercing have helped me get through a lot of rough times. In the past I used the pain of getting pierced to remind me that I was in control of my life, and those moments helped me get my life back in order. These days suspending is even more important in my life because I travel and am able to give others the opportunity to suspend — I see people’s eyes as I hold thier hands when their feet leave the ground. That brief shimmer of reality that overwhelms every sitcom that they have ever been brainwashed by. The tears of pain and joy that people shed, I shed as well… When I assist someone with a suspension, a small part of me is hanging with them. I feel it.

Being raised Catholic I was used to ritualism — when I stopped believing in Christ I began to miss the ritualism of Mass. I think suspensions helped fill that gap. On the same thought, drugs have similar rituals with them — packing the pipe, lighting it for someone else, passing it around the circle. I can definitely see the correlations between drugs and rituals of the flesh… They are different doors to the same room.


BME: I guess what I don’t understand is that if promiscuous sex, putting drugs into the body, and so on are “bad”, then why isn’t “damaging the body” and inducing drug-like states from endorphins (ie. body modification) a bad thing as well?

BRUCE: Hey, I love promiscuous sex! But I can’t argue this point — I’m fucking high as a kite when I do a hard pull. There’s a great picture of me at LexTalonis’s second social with my cheeks skewered. I look stoned out of my mind and pretty much was.

JASON: My friends who do drugs have the same conversations with me about their experiences with psychedelics as I do with them about suspension. We each found a path that works for us and there are parallels between these paths. The difference is that with drugs there is an outside chemical being introduced into the body to achieve altered states, whereas with ritual like pulling and suspending, these use the body to achieve those states.

As it relates to straightedge, it is possible to get addicted to the adrenaline or endorphin rush — that’s where the old adage “all things in moderation” comes into play… or is that a cop out? Addiction is addiction no matter what the substance is. So maybe it’s “not straightedge”… But I don’t feel that it makes me any less edge since you can achieve similar feelings through hard workouts, skateboarding, or other rigorous exertion.

Suspensions are like exercise to me — I get a nice workout from it and I feel better afterwards.

PHISH: I don’t believe modifications control our lives like drugs and alcohol do — mods affect us in a positive way. They become part of us — I’m not talking about the spiritual sense, I’m talking about the rather obvious physical way. They raise self-esteem and confidence in ways that drugs can only do for short periods (which are just illusions anyway — and often end in the opposite emotion).

EMRYS: Modifying the body isn’t contrary because you’re changing your body in a way that will eventually heal and sometimes better your body and raise your self-esteem. Drug use on the other hand breaks down the body and causes irreversible damage such as destruction of brain cells, liver cells, and so on — modification practiced responsibly won’t cause any problems like this.

As far as body rites giving a drug-like state, that is your body’s natural reaction to what you are putting yourself through — not something you are taking. It’s produced inside the body. That said, if you’re doing the body rite purely “for the high” then that’s probably not very edge.

BME: I see a lot of young straightedge youth getting new mods constantly — is there a worry that maybe one addiction is being traded for another?

PHISH: I’ve never really subscribed to the “mods are addictive” philosophy. Addiction is a compulsive need and is characterized by things like withdrawal pains — and I’ve never seen anyone have even psychological withdrawal from lack of mods! Anyway, lots of groups patronize our business, not just sXe’rs.

EMRYS: …And not everyone who does drugs is addicted to them. If this is an addiction (and I don’t think it is), this is an addiction that betters me, not one that destroys me.

DANNY: Straightedge, simply put, is abstaining from drugs and alcohol. End of story. Getting too many tattoos is not hazardous to my heath, nor do they adversely affect my ability to function.

BME: Well, it does make it hard to integrate into mainstream society…

DANNY: If I wanted to do that I would drink and watch the Cubs game. I am not interested in mixing in with this society — clean living does not mean “fitting in with society”. I am straightedge, not a member of the Boy Scouts or Young Republicans. Straightedge has nothing to do with fitting in or mixing well with society. If anything, it is totally against fitting in becasue the norm is using drugs, drinking, or smoking, and sXe as a philosophy says, “stop and think about what you are doing, and the consequences it may have — don’t mindlessly consume”.

Society teaches from day one that these destructive behaviours are acceptable, just like they teach you to go to church, get married and have two point five children, animals are for food, or any number of other social “norms” beaten into you from birth. Everywhere you turn society is pushing drugs, but despite society’s desire for me to be unhealthy and appathetic I refuse to join in.

But to return to your original question, anything can be addictive. It is not the purpose of this movement to contol all addictive tendencies — though I would say that the discipline I have learned through sXe has tought me to moderate everything in my life.

BRUCE: With my own mods I have really had to contemplate the consequences before I go through with them. There are mods I like a lot that I won’t get because I would be crossing lines into addiction. So I don’t.

JASON: Straightedge isn’t really about “life without addiction”, it’s about being substance-free… Most sXe kids aren’t willing to talk about this — often times, at least in Dayton, kids claim edge because they don’t know anything else. They go to shows and see the tough guys who dominate the dance floor and want to be them. It’s sort of an upper crust that people flock to without giving it much critical thought. This leads to a lot of “sell outs” since they didn’t really know what they were getting into.

People rarely admit that there are flaws in their decisions, and the addiction trade-off is no different. I know several edge people who drink Mountain Dew (heavily caffeinated) like it is their job — to me that’s pretty un-edge. But edge is a personal decision and not some hard-line rules.

BME: Have your modifications played a spiritual role?

PHISH: My spirituality is from my sense of self; I don’t get it from mods or ritual play.

BRUCE: I think I have become more spiritually in-tune with my body. I just know it better.

EMRYS: By concentrating on my body and modifying it the way I have, it keeps my mind and body working together — it reconnects them when they start to fade apart. I feel in control and more aware of my body as I change it to how I want it to be. When my body is in pain when I’m doing a body rite, my mind has to take care of my body, and my body and mind talk to each other to handle what’s going on — I am aware of both of their messages because they’re working together on a level that they normally don’t achieve.

JASON: Spiritually, modification and body play has given me faith in myself again. After I gave up on organized religion I was deeply depressed — probably because I didn’t have anything to believe in and didn’t have faith in myself. Catholicism had let me down when I realized what it had done to other cultures, and straightedge had let me down due to ignorant assholes stigmatizing it. I’d let myself down and was failing school, and I felt like I was letting down my friends and family as well.

Body modification pulled me out of that shell and when I was emotionally level I did my first pulling. That opened my eyes to the natural energies of people — never before had I felt so at peace and completely moved at the same time. At that moment I realized that there is far more to the world than what I had ever been taught or really told about.

BRUCE: Twenty years ago I took a 30-day mountaineering course — complete outback, backpacking, with no contact with the outside in the Cascade mountain range. Two weeks into the course while crossing a boulder field I fell — my sternum hit a boulder and I was driven into the ground with an eighty pound pack on my back. I was hurt (but not as bad as I made it seem) and had to stay out for two days while the course went on — I gave up. I felt weak and like shit. My younger brother was a professional climber in the Himalayas and I had failed a backpacking course because I couldn’t handle the discomfort.

This tormented me for years, knowing I was weak and weak willed, knowing that I failed, and feeling like the only one who had failed. This hurt and I got therapy, but nothing helped. My self-esteem was obliterated.

That moment I said “take me up”, with the hooks in my back and my feet off the ground, and I swung back and forth, all thoughts of personal weakness were gone — my self-esteem has risen ten-fold since then. I feel worthwhile. I’m not a failure. I kicked motherfucking ass! I’m so glad my life doesn’t revolve around mind-altering substances — I’m so fucking happy I can’t stand it! If that’s not spiritual re-birth, I don’t know what is.

BRIAN: When I ready myself for a modification or suspension, I promise myself I will not back down until I get what I want or need from the experience. I get panic attacks pretty regularly and if I can prove to myself that I can overcome the pain, anxiety, and suffocation that comes from hanging from a single hook over my sternum, then I should be able to deal with a racing heartbeat and unexplainable fears that I know will be gone in five minutes so I can make it to work on the subway in the morning.

BME: And how has being straightedge changed the way that you perceive mind altering ritual play?

BRUCE: Without giving up the drugs and alcohol I would never have known or been aware enough to be involved in these things. Giving up the drugs and alcohol actually opened up something in my life that I now know I could not live without. I went from a used up worthless human being to someone who cares, is strong, and open to a daily world filled with life. I can’t even imagine how I lived with the blinders on for so many years.

JASON: It definitely helped me. I can’t imagine suspending while under the influence of any substances. To me it would dilute the effects of the suspensions and make it more difficult to obtain the clarity that I have during rituals. Then again, it could add a whole other level to it!

PHISH: Straightedge does help me because I can experience all of life in a coherent state of mind. I like to remember all of my experiences. If there is going to be a “spiritual” experience, I’d prefer having it from the experience itself, not from chemicals.

EMRYS: Yes — it’s simple — being sXe meant my mind was clear and my body was clear. I was more able to comprehend and understand what was taking place and happening to me.

BME: Given that rituals traditionally used to seek enlightenment involved drug-assisted altered states, or even non-drug altered states, is there a worry that there could be a conflict if you pursued such a path?

DANNY: I don’t have a lot of experience with this so excuse my ignorance. However, I am an avid runner. I run every day so the closest I can come to understanding what you are talking about is what they call “runner’s high”, when your endorphins kick in from the physical stress of running, making your aches and pains less painful, and making you feel like you can run more. I don’t see this as dangerous — that is not ingesting a mind altering substance, and it’s not engaing in an addictive or destructive passtime.

JASON: For me, being straightedge helps keep me on that path, and I know I’m not being influenced by the substances. If I was asked to take part in a ritual that involved taking drugs, I would politely decline but take in as much of it as possible through observation — I’ve done this with friends on hallucinogens. If I was traveling and had the opportunity to take part in an indigenous ritual that involved some drug use, I’m not certain what I’d do — declining such a once in a life time opportunity would be tough.

EMRYS: As someone who is planning his own version of the Sundance, I’ve had to face whether I want to include tobacco and other mind altering substances to follow the tradition of the ritual. After long thought and a lot of discussions I’ve come to the conclusion that technically it is “breaking edge”, but because it’s in a controlled manner where you’re using the substances for their intended purpose, I don’t think it would be a violation of my beliefs. I have chosen that when the time comes I will stay true to the ritual.

BRIAN: I admit, I take a prescription med every morning, to help keep my heart beating at a “normal” rate, and my tension down — I could easily take the easy way out and drink and use heavier drugs to deal with my problems with anxiety. I know a lot of people who do. I definitely think I’m a much stronger person for doing it “on my own”.

BRUCE: My past altered states achieved through LSD, mescaline, scopolamine, and so on were, to me, false altered states — just dreams. Taking those things out of my system has allowed me to go inside, to discover myself, who I am; not a lie. I do achieve some altered perceptions through body rites, but I view them as clean and pure, because they are totally me. I could never achieve them through drugs.

PHISH: Personally, I’ve participated in a lot of mod-related rituals and have yet to have a truly “altered” state of being. I have had an inflated sense of happiness, well being, and accomplishment… but I don’t view those as altered states of being. I’m not saying these rituals hold no spiritual value, but I believe that many people exaggerate these experiences to fit what they’re seeking.


BME: What made you decide to commemorate your straightedge lifestyle with a publicly visible tattoo?

EMRYS: For me there were two reasons — like I said, I used to be big into drugs and knew I had to get myself out. But I’m only human and have desires, so I got my “xDRUGxFREEx” tattoo in small sittings even though it could have been done in one. Every time I got the urge to use drugs or drink I would get the tattoo artist to cancel an appointment. Through the pain it would help remind me of my commitment I made to myself, and also remind me of the pain drugs brought me.

Second, whenever people at the shops I worked at asked me for an idea for a tattoo, I told them, “pick something that you are proud of or want someone to know about you just by looking at you” — I’m very proud of overcoming drug and alcohol addiction on my own.

PHISH: I wear my heart on my sleeve not so much for other people but to remind myself of my strength and pride in myself — there is pride in being able to resist the temptation of substances. I’ve never cared if someone else wanted to drink or drug so I don’t really care if someone else notices my tattoos or not. Most of them are hidden — the XXX under my chin, a sober heart on my chest, and sXe bombs on my thumbs. The tattoos are there for me, not for someone else.

DANNY: The tattoos are an extension of who I am and what is a huge part of my life. I’ve poured tons of time and energy into promoting this lifestyle, so naturally I will tattoo my convictions on myself. It’s no different than tattoos involving my decision to live vegan, or my faith in God. Tattoos being a permanent mark on my body blend idealistically with my permanent decision to abstain from what I believe to be a dangerous way of living.

I’ve always loved tattoos, so it’s natural that I blend the things I permanently believe in with that love.

BME: Do you think that’s why most people get the straightedge tattoos?

EMRYS: It comes down to the pride of being straightedge. Most people choose that label for a reason, for themselves, so they want people to know. I think also for a lot of people once you get it tattooed there’s no turning back — it shows another level of dedication that some people aren’t willing to take.

So many people say “I used to be straightedge”, but if you aren’t now you never were, because it’s a lifetime lifestyle and dedication. The people getting tattooed are showing they’re not “true till 21”, they’re “true till death” — and if they’re not, they are left with that tattoo, or the one that covers it, as a constant reminder that they sold out.

PHISH: I think the abundance of tattoos comes more from the scene (EC hardcore) that gave birth to straightedge, rather than the lifestyle itself. But a lot of straightedge kids of very proud of their achievements and it’s logical to fly a flag of pride.

JASON: Many edge people get their tattoos out of competition and peer pressure I think — that’s why they get them in such visible places. It gets them respect in the community, but it also makes them visible targets if they lose edge. I find it sad that so many people who are edge are pushed to get visible work — I know a lot of people that have deep regrets about their knuckles, chests, throats, and hands. It’s also the more militant members that seem to get these, as if to say, “yeah, I’m edge — you got a problem with that?

If you look at the general trend of edge tattoos, they tend to be aggressive — it’s about creating a “tough” image. I think that some people get edge tattoos to affirm their belief with others, and so they don’t have to be critical of themselves — if they’re not confident of their edge, but have the tattoos to “prove it”, then their peers will keep them in line, if that makes sense… Like the man who gets married to prove that he’s in love instead of getting married because he knows he’s in love.

DANNY: I will say upfront that a lot of kids get crazy straightedge tattoos way too early in an effort to appear cool or tough.

JASON: It’s been my experience that people with the less aggressive straightedge tattoos — simple X’s or “pure” and other variations — are more passionate about their lifestyle and less passionate about “the scene”. They tend to be the clear thinkers, strong in their personal convictions without preaching to others.

BME: Why do you think so many get the tattoos on their throats?

DANNY: How does anyone end up with a throat tattoo? I started with my legs and arms and before you know it, I’ve got tattoos on my hands and throat. I don’t think it’s inherently sXe to get these things. Whether I’d been involved in sXe or not I would have tattoos in these places — I’ve loved tattoos since I was a small child.

BME: Any last words?

JASON: When I am in need of strength I think about all I have done with my body — what I have endured and what I have felt from other people. It makes me realize that whatever is bothering me is probably rather petty in the grand scheme of things. Through body ritual, my eyes, heart, and mind have all been opened up to a greater presence in life and an awareness of those lives. Being edge gave me the clarity to understand what I saw.

EMRYS: Question: “Why do straightedge kids that break edge go emo?”
Answer: “Because it’s easy to cover X’s with stars.”


I’ve avoided turning this into a debate because my goal hasn’t been to suggest that straightedge is for everyone, or that drugs universally enhance ritual. I think though that one overwhelming suggestion comes forward no matter who you talk to: be yourself, tackle life with a clear head, and enjoy and learn from what it gives you.

Straightedge, especially when combined with the tools that modification and body rites have to offer, can be an effective way of helping achieve that — as long as it doesn’t degrade into joyless and narrow-minded oppressive militancy. I think the reason that path so obviously fails is that you can’t define yourself by what you’re not — that is, saying “I don’t do drugs” isn’t who you are. It’s who you are not. The individuals I spoke to above used their straightedge lifestyle to give them clarity which allowed them to find purpose — rather than attempting to have straightedge be their purpose in and of itself.

Body modification fits well with that, because it’s also a tool with a great deal of application in self-discovery and self-improvement. But ultimately, one must always remember that all of these things — even drugs — when used correctly do not add anything. They simply help you to bring out the best in yourself.


Shannon Larratt
BMEzine.com

PS. All stories have another side — if you have experiences combining drugs with body rites to achieve spiritual enlightenment, please contact me so I can interview you for that side of things!


While most of the feedback I’ve received on this column has been overwhelmingly positive, it has generated some anger as well, mostly due to the sidebar. The sidebar information is collected from news articles and web sites discussing the subject — people are certainly welcome to dispute them, but please understand that I’m simply repeating what’s already considered fact by the majority of the sources I could find, and not inserting my own opinions or notions. My goal was simply to frame the article with some information that would put it into context for people not experienced with the subject.

Most of this feedback is probably due to the sidebar which speaks negatively of militant straightedge. The sidebar has been edited since this was first published, but since this feedback is from that sidebar I am including the original version here for clarity:

While most straightedge members chose the lifestyle for personal reasons and are largely concerned with how they lead their own lives, some “militant” members feel that the entire world should agree with them. They adhere to oppressive slogans such as “bring back prohibition” and are known for hateful and anti-social acts such as violently assaulting strangers leaving bars. These groups tend to choose honor-implying names such as “courage crew” and instead of focussing on their own problems they focus on the “war” they perceive is going on between those who drink and those who do not.

A number of governments, including the United States, consider forms of militant straightedge a terrorist or cult movement akin to eco-terrorism. Many members glorify the violence by choosing tattoos and icons of brass knuckles, knives, guns, and bats, often festooned with straightedge slogans, while dressing like ‘terrorists’ or ‘guerrillas’ with bandanas hiding their faces and so on. There is a strong neo-nazi element, and their community often suffers from other hate disorders such as homophobia and racism, sometimes echoing iconography such as the white pride/power movement’s Hammerskins crossed hammers logo.

Anyway, on with the feedback:

From: Sean Rivers
Subject: response to article

Serisously what in the hell moved you to write that rediculous article. Ive been sxe for almost six years now, and im also courage crew. I can tell that everything you have said in that article is hear say, cause if you honestly new any one in courage crew, you wouldnt have labeled us that way. Like my good friend Kramer said, most of us all have lives and are all grown up. Me myself have a wife and kid and I work my ass off to provide for them. It serisously disturbs me when I see shit like this, how people just out of no where like to bring up lame ass shit like this. You must have no kind of life to actually spend six months to produce that garbage, journalism was obviously not your major. Im a member of the United States Navy, and it really gets me to know that I might have to actually die defending a piece of trash such as yourself. My advice to you would be retract that article, write and apology and get a fucking life. Grow up and stop causing unnecessary shit. But im fine, cause i know just how many people you pissed off, and i have a smile on my face knowing that you'll be looking behind your back for a lonnnnnnnng time. Just remember this, someone knows someone, who just might possibly know you.

ITSN Rivers, United States Navy USS Ford FFG 54

# # #

From: jill encarnado
Subject: you are full of crap!

you are full of shit..you and your article. What do you want to prove?..what's with the edge anyway? is it a crime not to intoxicate yourself? or to fuck or to become a vegan? is it affecting your life?! This morons or idiots who claim to be a straight edge is an impostor! i think no real edge would exagerate himself just to get attention..you're doing this for yourself...stop your crap and get on with your life!!!!

# # #

From: "Ozzy Edge"
Subject: your article fabricates the truth a bit too much!!

You should be ashamed of yourself for putting such horse shit in you article. I guess it's not your fault because it's evident you're an idiot already, but prejudging, and generalizing sxe as a movement. First off Straight Edge is inside of me, i'm not apart of some sxe movement. There are a lot of sxe kids that I very much dislike. There's no leader, there never was. Again, every arguement made is not legitimate. Anyone can write an article that is truly opinion, and you have down so, with the most ignorant of opinions. I don't know why i'm even bothering with idiots like you because usually I don't care what worthless people would classify me as.

Another fase analysis, the part about why people go straight edge. You're right by accident in one part saying that many fall into because it may seem like a trend to them. However, if we look at that at a national level that's absurd. I was maybe the 2nd person to claim edge in my city, and I know I had to deal with a lot of ignorant people like you saying stuff to me, and maybe that's why now when people are like "ohhhhhh sxe, I heard they're racist, and homophobic""""""""""""';and on 20/20 they said they're idiots" I don't blame them, because idiiots like you mold their perception on straight edge. FUCK YOU. I am not racist, I'm a turkish Canadian and have definetly fought racism with my own hands. I am not Homophobic you asshole, the word fag may slip from my mouth but i have many friends who are gay and i'm all for it..

The whole violence thing: Another false claim. Hate edge. hahah. that's great you almost make people believe that straight edge kids are hateful because of straight edge and not who they were before. You idiot! There are good cops, bad cops. Probobly because maybe 1% is like this, really violent, and aggressive I've never herad of kids waiting after bars to beat up drunk people. That's the biggest fabrication of the truth, ever! Sure some straight edge kids may fight, I will fight to defend my friends, and family. Also, if you ever have been in a part of town that is known for "clubbing" or people getting drunk. You should also take note, you got a pen and pencil chump??? Alright, you should know that drunk people start fights, and maybe sxe kids more often than other kids won't back down. Maybe they're sick of everyone starting fights. Me and my friends never start fights, and half of my friends aren't straight edge. However, people have started with us and we've all fought TOGETHER to ensure the safety of each other. So what if we look out for each other it doesn't mean much... ANd idiot, if you say we're neo-nazia's again, i willl practise this Militant sxe style and say that I spit in your face and punched you because you're not edge. But Reallly it will be the same reason why anyone gets beats up, because they're idiots.

I Hope you make a follow up article, and that's the only way i'll let this shit slide. I can even help you out on that big guy. If not FUCK YOU, you're just as ignorant and as much of an idiot as 70% of the people out there.

love,
XOzzy ErenX The turkish Neo-Nazi ( that makes a lot of sense, just like your article 🙂 ) and don't forget that i was being sarcastic, it seems you wouldn't catch that because of your stupidity.
XXX

# # #

From: joshua kramer
Subject: straightedge

I would like to state that your article on straightedge left me deeply offended. I myself am Courage Crew and are in no way militant. I grew up in a household surrounded with smoke and alcohol and decided that i didn't want my life to be like that, for me to be militant i would have to turn my back on my family and some friends. I have been straightedge for 10 years and i couldnt imagine my life any other way.I don't know who you have met that is courage crew or what you have seen but i believe you are deeply mistaken. It seems nowadays when anything involving straightedge and violence it is always blamed on us. Granted there are instances when individuals that belong to this crew have resorted to violence to solve a problem but that is not always the case and has not been for years. For your information we all have similar beliefs and morals in the courage crew. Everyone that is part of this is either in college , over seas fighting, running their own business , or has a trade of some sort, we all follow a lifestyle dedicated to being physically fit, living drug free, training in some sort of self defense and a strong sense of self sufficiency and self worth. Several of the members of of this crew are grown men with families and are in their thirties... an age where violence has a much deeper penalty and could result in the loss of their families and/ or their businesses. I dont understand how any act of violence is concidered militant.If I was in a situation where i was threatened no matter if they are black, white, sober, or drunk i will not hesitate to defend myself as i assume many people straightedge or not would do. The reference to being neo nazis with hammerskin tattoos was absurd, our crew has people of all races and so does straightedge in general, the hammers are from the Judge album and have been adopted to be used as X's since then. I know members of your site that are cxc and are tattoo artists or body piercers that also find this article offending. I don't quite know what your point to writing this was, it seems to me like you wanted to exploit our lifestyle and misrepresent us in a fashion that makes us look like weak barbarians or hypocrites. As far as i can see you know nothing more about straightedge than you did before you wrote your article. This is a belief that thousands hold dear and it should not be made a mockery. "true till twenty one" I have no clue where this "form" of straightedge was concocted but as far as anyone that is straightedge is concerned if you are not now you never were. I have a feeling that you will just take this letter and exploit it on your website somehow and that is fine with me because hopefully the next person who reads this is a bit more opened minded and realizes that there is another way.

sincerely, Josh Kramer


William Rafti: Piercing Visionary or Scumbag Con-Artist? [The Publisher’s Ring]



William Rafti:
Piercing Visionary or Scumbag Con-Artist?

“I’m not afraid of making a fool of myself, I’ve done worse.”

– William Rafti

Those of you in the APP know about William Rafti because of his constant baseless attacks on APP members, his cold-calling harassment of those associated with the APP, and his relentless attacks on respected members of the piercing community such as Sky Renfro. Others may have seen his “ebook”, “The Body Piercing Encyclopedia” — which he for a time marketed as the “replacement” for the APP manual — in various online catalogs, through which he portrays himself as one of the leading minds in modern body piercing.

  

The photo William Rafti submitted (him in Unimax’s showroom) when he tried to use the BME personals to spam for “trainees” for his non-existent piercing school

The truth is, William Rafti is at best an unstable asshole with a wavering grip on reality, if you’re to believe the vast majority of the piercing industry. While he’s willing to go on at length about how he’s the most important thing to happen to piercing, even using the references he provided me with, I couldn’t find a single person willing to say nice things about him or even qualify him as an expert. But still, I decided to give him a chance and asked for a copy of his ebook for review — after all, very occasionally an insane asshole does produce something of value.

What I received was emphatically not something of value.

In the mail I received a palm-sized plastic bag with a small unlabelled CD-R, which was wrapped in a low-quality print out informing me that I’d need Microsoft Word to view it. When I inserted the CD there was no installation process or welcome message — upon opening it I discovered that to access the documents, I’d have to copy the contents into “C:\Volume” and load the bits of the book into Word from there.

When I finally got the book loaded, I found a chaotic mess of documents with constantly changing font sizes and colors, strange hyperlinks (sometimes to various Internet sites), and broken layout. It was riddled with spelling errors and grammatical confusion, and there was an abundance of unrelated files — everything from outdated shareware applications to “jokes” to chat logs of Rafti slandering various well known body modification figures. I was rather shocked at the un-professionalism of it, but still, I tried to give it the benefit of the doubt.



A strange part of the ebook called “Shop Wench”, which numerous readers have expressed disgust at (and others have been forced to say “sad but true” to).



An excerpt from the “Pain Management” section, which includes text apparently stolen from drbiba.com.



An odd section of text, seemingly unrelated to his book — and stolen from an article published in the far-right online magazine WorldNetDaily in October of 2002.



The credits and thank you part, where Rafti thanks for their help numerous people who have no idea who he is and that he’s never met.

The feeling that you get when reading the “book” is that Rafti just downloaded every bit of body piercing related information online, and then tried to patch it together into a single project under his own name. Not only do the fonts change from “pasting to pasting”, but the style of writing changes as well, implying strongly that large portions of this book are plagiarized. In addition, I noticed that in some sections he would flip between referring to tools by their name (ie. 8mm Dermal Punch) and some sort of product code (ie. #DERM-8MM). I can think of no explanation for this other than cutting and pasting from a manufacturer’s catalog and attempting to disguise it as his own work.

And then I read something familiar.

William Rafti was stealing material from the old BME glossary, making minor changes to it, erasing my name, and inserting his own as the author instead!

I don’t generally mind when people use BME as a basis for their own research — that’s what it’s there for. But what I do mind is when people actually claim that they wrote it. If you want to use someone else’s material, cite it properly! It’s one thing when someone plagiarizes on a school project… but for Rafti to steal BME’s material and try and criminally sell it under his own name takes some real gall.

In the tables below, entries from the outdated BME glossary (Rafti did not have access to the new files in the still fledgling BME encyclopedia project at the time) are shown on the left. Entries taken from Rafti’s ebook are shown on the right — please note that in both cases I’ve not always included the entire entry for the purposes of clarity.

I have highlighted direct plagiarism in yellow, and I have highlighted indirect plagiarism (where synonyms and alternate phrases have been inserted) with pink. These are only a small number of the examples that I found — my analysis suggests that the bulk of the ebook is plagiarized from various sources (not just BME). I even found some examples where he copied my typos!

Fistula
 
A healing tunnel of skin. When a piercing is performed, a crescent hole is carved, leaving a raw length of flesh filled with jewelry. As the piercing heals, new skin is grows. This “tube” is initially fragile and tugging violently on the jewelry will tear it.
Flesh Tube

A healed tunnel of flesh.
When a piercing is performed, a crescent hole is carved, leaving a raw length of flesh filled with jewelry. As the piercing heals, new skin is grown. This ‘tube’ is initially fragile and rotating the jewelry without lubrication can tear it.

 
Changing the title and a couple words doesn’t make a person an author… It makes them a thief (and what’s with substituting “grows” for “grown”?).

Blowout

When a piercing is stretched too quickly (a rate which is different for everyone), the skin tunnel can be forced out the back of the piercing by the pressure. The result is an unsightly “lip” around the edge. If stretching continues, this lip can grow dramatically.

Downsizing the piercing (ie. putting in smaller jewelry) so that the deformed tissue can reabsorb into the body.

 
Blowout

When a piercing is stretched too quickly (a rate which is different for everyone), the jewelry tunnel can be forced out the back of the piercing by pressure resulting in an unsightly “lip” around the edge. The best solution is to put smaller jewelry in the piercing so that the deformed tissue can go back into proper position.

Again, it’s clearly the same text, with only the most minor of editing to disguise the theft.

Flexible Bar Piercing

Another method of doing surface piercings is to use flexible jewelry. The theory is that because the jewelry flexes and moves freely with the body, it will cause minimal irritation. This is true in part, but there will still be more pressure on the exits than with surface bars. Note also that not all flexible jewelry is created equal. The two most common materials are probably nylon (fishing line) and tygon (a kind of plastic tubing). Tygon is drastically more flexible.

 
Flexible Bar

A kind of barbell that has a flexible shaft that is made out of plastic. The two most common materials are nylon (fishing line) and Tygon (a kind of plastic tubing). Tygon is much more flexible than Nylon. The flexibility of the plastic reduces pressure that the skin places on a new piercing, but there is still more pressure on the exits than with a properly fitting surface to surface bar.

One of the things that Rafti doesn’t seem to clue in on is that BME “wrote the book” on many of these subjects and still remains the only source for information on them. Because of that, BME often uses unique terminology, and when I see someone else using it, there is really only one possible source! Here he’s “cleverly” changed the focus of the entry from the procedure to the jewelry (and been more sneaky in re-odering the text), but it’s still the same entry, and no one is fooled when they see both I think.

Emla Cream

It should be noted that while EMLA cream is over-the-counter in Canada, it is a prescription-only substance in most countries, including the US. In addition, it’s application may be illegal for piercers or tattooists to do.

 
Emla Cream

EMLA cream is over-the-counter in Canada, but it is a prescription-only substance in most other countries, including the US. It’s application may be illegal for piercers or tattooists to do.

Come on. It’s not like it’s hard to write entries on these subjects. Why steal?

Epinephrine

Epinephrine is commonly combined with injectible anesthetics due to its vascular constrictive properties. That is, it causes blood vessels to shrink closed. This means first that the anesthetic will last longer (since it is not carried away in the blood), and second, the procedure will bleed less.

It should be noted that because of its vasoconstrictive properties should be avoided in extremities and digits since the small blood vessels can be permanently collapsed. It should be probably also be avoided by those with heart conditions — injecting 5cc’s of Xylocaine with Epinephrine into your balls will make you feel like you’ve just run around the block.

 
Epinephrine

Epinephrine is commonly combined with injectable anesthetics due to its vascular constrictive properties. That is, it causes blood vessels to shrink closed. This means first that the anesthetic will last longer (since it is not carried away in the blood), and second, the procedure will bleed less.

It should be noted that because of its vasoconstrictive properties should be avoided in extremities and digits since the small blood vessels can be permanently collapsed. It should probably also be avoided by those with heart conditions.

Wow. A whole entry copied word for word… Minus the last sentence, which I guess Rafti thought wouldn’t be right for his readers — although Rafti makes the disturbing and unfounded claim in his ebook that 60% of piercers become piercers due to deviant sexuality including sadism, masochism, and voyeurism.

Xylocaine

Xylocaine (lidocaine) is one of the common kinds of anesthetic. In it’s most popular form, it is a liquid injectable anesthetic, usually in a 2% or 1% strength solution. It is often combined with epinephrine.

It should be noted that xylocaine is, in most countries, by prescription only and may only be administered legally by doctors. Clients should be wary of any piercing studio that offers it in these countries.

 
Xylocaine

Xylocaine Also known as Lidocaine; is one of the common kinds of anesthetic. In it’s most popular form, it is a liquid injectable anesthetic, usually in a 2% or 1% strength solution. It is often combined with epinephrine. Lidocaine toxicity can occur when a very large amount of Lidocaine is injected. A common procedure requiring vast amounts of Lidocaine is Super-Wet Technique Liposuction. It should be noted that Xylocaine is, in most countries, by prescription only and may only be administered legally by doctors.

What’s funny about this particular entry is what he didn’t steal from me, he stole from rhinoplasty4you.com. Note the two sentences starting Rafti’s second paragrah. Now note this text from the plastic surgery site:

“Lidocaine toxicity is something that can occur with way too many injections of Lidocaine. A common procedure requiring vast amounts of Lidocaine is Tumescent and Super-Wet Technique Liposuction.”

Sound familiar? It really gets me wondering whether Rafti wrote any of the text in this ebook.

Marcaine

Marcaine, while usually not as “powerful” as Xylocaine, does last longer. It is often given to patients coming out of surgery to ease recovery.

Marcaine has a higher LD50 than Xylocaine, and is not usually appropriate for body modification procedures.

 
Marcaine

Marcaine also known as Bupivacaine Not as “powerful” as Xylocaine but lasts longer. It is often given to patients coming out of surgery to ease recovery. Marcaine has a higher LD50 than Xylocaine, and is not usually appropriate for body modification procedures.

Does this guy really have so little knowledge on anesthetics that he has to rip all this off?

Soap

cleansing agent
Many people choose to clean their piercings with an antibacterial soap (such as Dial), but this is widely regarded as unnecessary. Regular soaps work just as well. Saltwater is often preferred, and won’t irritate or dry the piercing as will many soaps.

 
Hand Soap

For cleaning piercings
Many people choose to clean their piercings with an anti bacterial soap (such as Dial), but this is widely regarded as unnecessary. Regular soaps work just as well. Salt Water is often preferred, and won’t irritate or dry the piercing as will many soaps.

Maybe he thinks changing the heading makes him the author of the definition text? Let’s see now, “he” says that salt water is “preferred”… I wonder what he has to say about that subject?

Salt Soaks

Soaking an angry or new piercing in warm saltwater is one of the best things you can do for it. Many use saltwater as their only cleanser. Hot, it’s a natural astringent and can be helpful in drawing out infection and pus.

Most piercers prefer non-iodized sea salt; although some people have found that normal table salt can be an effective substitute. Conversely, most agree that epsom salts should not be used.

The most common mix is a quarter teaspoon of salt per 8oz of water. The solution should taste as salty as your tears.

 
Salt Water

Soaking a new piercing in warm salt Water is one of the best things you can do for it. Many use salt water as their only cleanser. Warm Water is a natural antiseptic and astringent helpful in loosening dried lymph, blood etc.

Most use non-iodized salt; but normal iodized table salt is also effective.

Epsom salts are not nearly as suitable for soaking new piercings and should not be used.

Saline solution or a salt Water soak can be used; a quarter teaspoon salt to 8 Oz. Water, 8 Oz is equal to one cup, the solution should be no more salty than your tears.

I found this entry copied at least five times in difference places, including his collection of recommended legal forms (ie. aftercare). I have to admit that on top of everything else, I find the bizarre capitalization (Water is a proper noun in Rafti-land I guess) rather amusing and perplexing.

Cyanoacrylate

Superglue (cyanoacrylate) is an incredibly powerful and versitile glue capable of acting as a suture replacement, both for play and for medical care. Medically approved superglue is available as Dermabond, but differences between it and over-the-counter superglue are relatively minor.

Using glue as a suture alternative, when properly applied, results in dramatically less scarring than sutures (stitches). Superglue was used by soldiers in Vietnam to treat small wounds, and is currently used by many medical and pseudomedical practioners such as midwives who use it as an alternative treatment for vaginal tears.

In addition, some men enjoy using glues for infibulation bypushing the genitals up and wrapping them in pubic and scrotal skin, and then gluing the whole thing together. This generally lasts a few days at most, and relatively painless separation is possible before that with care… assuming the person shaved fully!

 
Cyanoacrylate

Cyanoacrylate (Superglue) is a powerful glue that usually holds skin together for less than a day. Medically approved superglue is available as Dermabond, but the differences between it and superglue are relatively minor. Cyanoacrylate is used by many personal care givers to treat small wounds and tears of the skin surface such as vaginal rips caused from child birth.

Using glue as a suture alternative; when properly applied Cyanoacrylate results in less scarring than suturing a wound closed. Some men use glue to glue their scrotal sack over the penis making it impossible to get an erection until the glue releases. Relatively painless separation is possible before the glue naturally gives way, if the person was fully shaved before the gluing slowly pulling the skin apart may be possible.

At least in the epinephrine entry he took out the part about ball torture… Here for some reason he left in my commentary on that subject, which has nothing to do with piercing.

Gauge

The Browne&Sharpe gauge system is used in North America to denote the diameter of the wire used to make a specific piece of body jewelry. The larger the gauge, the smaller the diameter.

 
Gauge

American gauge (also known as Browne&Sharpe gauge) system is used in North America to denote the diameter of the wire used to make a specific piece of body jewelry. The larger the gauge, the thinner the wire.

Ooh, what a change. This is such a simple entry, that you’d think he could at least come up with his own text for this one! I’d expect them to be similar, but the same sentences? Unlikely.

Skin

An interesting side note here is that if you wash your hands, you actually end up with more bacteria on the surface of your hands than before you washed. This is because by sluffing off the dead cells, you expose the critters growing inside you — however, these bacteria are largely harmless to you (but not neccessarily to others).

 
Washing Hands

If you wash your hands, you actually end up with more bacteria on the surface of your hands than before you washed. This is because by removing some of the dead cells you expose more of the bacteria that is growing inside the surface of your skin, luckily these bacteria are largely harmless to you, but are much more likely to be harmful to others, so wearing gloves is vital no matter how clean you think your hands are.

See, now this is worrying. These are really basic subjects. Why is someone who claims endlessly to be an “expert” unable to write their own entries on these simple issues? Just think — this guy is trying to con people into letting him train them.

Nitrile

latex-free material often used in gloves
Many piercers are switching over to nitril gloves. Due to their latex-free nature, they are less problematic for people with (the relatively common) latex allergies. In addition, tears and other defects are easier to notice in nitrile gloves.

 
Nitrile, and
Glove, Acceptable Quality Level

Also known as “Nitril”. An alternative synthetic rubber like material that is latex-free and does not cause contact sensitivity as latex can. In addition, tears and other defects are easier to notice in Nitrile gloves. This is currently the preferred choice for most piercers.

Due to their latex-free nature, they are less problematic for people with (the relatively common) latex allergies. In addition, tears and other defects are easier to notice in Nitrile gloves.

This is actually one BME entry converted into two Rafti entries — getting his money’s worth I guess (oh wait, the BME glossary is free). In the first one, he’s done some rewriting, but I guess he forgot about the second one and just left it as a pure word for word copy.

Again, this is only a fraction of the plagiarism I discovered from BME and other sources in Rafti’s ebook. The rest are reserved for the lawyers should it come to that.

OK… So do I sue this thief into the stone age? I’m a pretty laid back guy, so I decided to do an interview with him about his book and see what he had to say — I was placing bets with myself on whether Rafti would come clean, “be a man”, and apologize, or whether he’d try and keep the lie going as long as possible.

BME: Large parts of the document are directly based on and plagiarized from my own site and from other sites. Why have you stolen other people’s work and presented it uncited and as your own? Did you really believe no one would notice?

RAFTI:All mankind is of one author, and is one volume” – John Donne

BME: No, I’m serious. Why did you steal my articles and say you wrote them?

RAFTI: As far as anything that I am aware of that I used from others I had permission.

BME: No, you did not have permission. Why did you steal my articles?

RAFTI: With over six billion people in the world thinking millions of thoughts each there is probably no thought that you can think that hasn’t been thought before by someone else. If you mean to imply my thoughts and words are not my own then we are all guilty by circumstance of the same thing.

BME: Look, you copied word for word. Don’t try and pretend it was just a coincidence. Did you really think I wouldn’t notice?

RAFTI: No one else had a problem like this.

BME: They probably don’t know you stole their material. Maybe I should let them know? Again — why did you think you could steal my material and get away with it?

RAFTI: Nothing in my book was taken from you. Everything I know to be true tells me the opposite of what you presume.

BME: You stole entries from the glossary for example.

RAFTI: I went through every entry in your glossary with the intent of purging anything that I thought might be considered “stolen” from you. My entries were very different than what you had.

BME: Let me be clear here — I am going to publish information on your theft and it’s very clear and obvious. I’m trying to give you a chance here to come clean.

RAFTI: Stop lying. I can find no grounds for these accusations. This is war, [and] I’m making a list of names. The people caught on the losing side will face the obligatory mob reaction, same old story.

So it’s clear that Rafti is either too much of a scumbag to admit his theft, or so insane and unprofessional that he’s totally unaware of it. Either way, it was clear that this line of questions wasn’t going to get anywhere. On his website and in his book, Rafti claims to be the world’s leading expert on body piercing and states that he’s endorsed by many respected industry figures — so let’s ask him about some of those people.

BME: You’ve said on numerous occasions that industry respected individuals are endorsing your book, yet your book appears to be somewhat misleading as to who is actually supporting you — you’ve even implied that I supported it, before I’d even seen a copy! Who are your allies on this project, and who is endorsing it?

RAFTI: I have a list of people who said positive things about my book on my web site.

BME: Those are anonymous names — it’s not as if “branded bitch”, “Brandy H. (IL)”, or “name withheld at request” are people who are recognized, let alone confirmable. Seriously, tell me some people I call and check with.

RAFTI: The people who I have the most respect for in the industry support what I’m doing, including Kim Morin of Prick Magazine (I told her a thing or two she said was worth exploring), and Creeper of Starborn Tattoo in Las Vegas (I went from studio to studio in Las Vegas and could not find anyone who had his experience and knowledge).

There is also Wes of Unimax who is my biggest supporter. John Seaton of the Suffolk Country Department of Health personally told me he’d gladly endorse me. He told me that he had been waiting twenty years for something like this to happen.

David Klaus Pavin Jr (aka Kivaka) — 13 years experience — will bring much useful information to the Rafti Institute school. [And] Jim Ward is a dear friend of mine.

BME: So Jim got you into piercing?

RAFTI: He was my first contact in the world of piercing. I met him in David M.’s studio after Jim invited me to attend a piercing clinic he was offering, where they were using Betadine to sterilize and used no gloves. It turned out to be a frightening experience — I was the only heterosexual there and felt obliged to tell them so. Lots of leathermen went “oooooooh” in unison when they saw me lie down.

Jim invited me to the opening party of Gauntlet, where I also met Elayne [Angel] who personally told me and the whole room that I was “Gauntlet’s second customer, yay!

OK, time to make some phone calls and emails and see if these stories check out. “Dear friend” of Jim Ward is a pretty big claim, so let’s talk to Jim and Elayne first.

BME: I’m doing an interview with William Rafti, and he’s using you as a reference. Would you say it’s accurate for him to describe you as a “dear friend”?

WARD: If he were a “dear friend” I’d think I’d remember him. The only thing I remember about this guy is that he [recently] sent me a couple of emails asking questions about Doug [Malloy].

BME: He says you guys met at David Menkes and that you’d invited him to the Gauntlet opening and early piercing seminars — and that you all made a big fuss out of him being straight.

ANGEL: He may have been at the NY opening. Probably close to hundreds of people were there…

WARD: I don’t recall inviting him to Gauntlet’s seminars, and, frankly I can’t imagine anyone caring whether he was gay or not.

BME: He also said that you weren’t using gloves or properly sterilizing things.

WARD: There was a period in Gauntlet’s early years when we didn’t use gloves, but I always took care to make sure the implements were sterilized.

ANGEL: While things have dramatically improved since those days (1991 or so), we were pretty state-of-the-art at that time. Gauntlet has definitely used gloves since before my time there (in the 80s).

BME: I assume you know that he also personally thanks Richard Simonton (although he misspells it) in his book…

WARD: I kind of figured this guy for a phony, and not all that in tune with what’s going on. If memory serves me correctly, he initially contacted me saying he wanted to know more about Doug and his connection to the organ world.

As you probably already know Doug Malloy was not his real name. It was the name Richard Simonton used for his piercing exploits. Rafti couldn’t understand why I persist in calling him Doug Malloy when that wasn’t his real name. I thought that was pretty clueless and wrote back that I didn’t think he’d call Mark Twain “Samuel Clemens” in the context of his writing, so why would I call Doug “Richard” in the context of piercing? Don’t know if he got it, but I haven’t heard from him since.

No surprises there. Let’s check with Wes at Unimax.

BME: Were you aware that Rafti stole large parts of his book?

UNIMAX: I’m not even sure that he’s aware of that.

BME: Rafti lists you as his primary reference and biggest supporter, and he quotes you as saying that anyone who doesn’t buy his book has no interest in piercing.

UNIMAX: Well, I changed that. I took that off of my site when I saw that it was a little overbearing. That was just advertising.

BME: Am I correct in assuming your relationship with him is basically the same as you’d have with any of the authors who’s books you sell?

UNIMAX: Yes, but when he showed me the book I was very impressed with the amount of material he compiled.

BME: Well, I think it’s important to note that he didn’t actually write it. I mean, I can’t just go buy a tattoo magazine, scan the photos, and make my own magazine.

UNIMAX: No, definitely not!

BME: Anyway, Rafti says you’re his biggest supporter. Is that accurate?

UNIMAX: I’ve been a supporter of his efforts. I support anybody’s efforts! But I don’t stand behind his work. I’m not saying that. I can’t vouch for his work. I didn’t even read his whole book, it’s impossible to read.

BME: What do you think of Rafti? I can’t tell if he’s crazy or lying.

UNIMAX: He’s a little strange… you know… he’s a strange kind of person. [laughs] Just to refresh. I support anybody’s efforts if they’re doing it legitimately. That was my support of him and it’s as far as it goes. I don’t support anybody who’s doing anything illegal. I never have.

True to his word, as soon as Unimax found out about Rafti’s fraud, they removed his book from their catalogs (Mario from WoodBodyJewelry did the same after finding out about Rafti’s scam). Maybe we’ll have more luck checking with Prick Magazine. Or is that wishful thinking?

BME: I’m trying to get in touch with Kim Morin of Prick Magazine.

PRICK: She hasn’t worked for me for quite a while now.

BME: William Rafti is using her as a reference. Do you know him?

PRICK: William Rafti? Naw, I can’t say that I do, unless he goes by “Billy” and he’s a fat bald guy.

BME: Well, he is kind of fat, but he has hair. How do I get in touch with Kim?

PRICK: Kim didn’t exactly leave on the best of terms… I can’t speak for either one of them. If you could pass it along that they should stop using [Prick] as a reference, I would really appreciate it. But Kim is a good piercer, and if he worked for her…

BME: Oh, he’s never been a piercer.

PRICK: [laughs] Well, what’s he trying to pitch then?

BME: He’s got this thing called the Rafti Institute which wants to offer piercing training courses, and he’s got a plagiarized book about piercing that he tells people he wrote.

PRICK: Weird… I think I remember a guy wanting to get involved with us, starting to talk about publishing a book. But he was a little too far out there for me to deal with.

BME: Yeah, that would be Rafti.

PRICK: Just tell him to cease-and-desist mentioning Prick Magazine next time you talk to him.

No surprises there — although I have to admit that I find it surprising that someone would give out references that aren’t going to say nice things! I tried to track down Kim Morin to hear if she had anything to add, but unfortunately had no luck in doing so.

Next I decided to see if I could find “Kivaka”, who Rafti had said was going to be one of his instructors at the school — touting his 13 years of experience (which I would later find out from Kivaka’s website was an inflated claim). Kivaka works at Tattoo City in Lockport, IL and we had a brief chat about Rafti’s statements — Kivaka had just woken up and seemed a little dazed, but I got the impression he was a nice soft-spoke guy who’d simply been tricked by Rafti’s emails.

BME: William Rafti is listing you as one of his primary references, so I wanted to ask you a little more about that.

KIVAKA: Oh, right on.

BME: How would you characterize his skills as a piercer, and as someone qualified to lead the piercing world forward?

KIVAKA: Well, I’m pretty sure he’s not a piercer…

BME: Have you ever even met Rafti?

KIVAKA: No, I’ve never met him… No… We just corresponded a little across the Internet.

Big surprise… ha.

Next I called Starborn Tattoos in Las Vegas, a shop that Rafti said was the only studio in Las Vegas that was good enough to get an inspection certificate from him. After a bit of phone tag I managed to get in touch with Creeper, an experienced — albeit retired — piercing artist from “the old days”.

BME: William Rafti said you’d act as a reference for him.

CREEPER: Yeah, I know him…

BME: Would you say he’s qualified as one of the best piercing instructors?

CREEPER: Well, no… I was taught by the best years ago. The way all these piercers are nowadays is why I’m not in the business any more.

BME: You don’t pierce any more?

CREEPER: No. The way piercers are taught nowadays I just don’t agree with it. My piercers have to apprentice for a year before I even let them pierce.

BME: You know that Rafti’s school is just a $15 certificate, right?

CREEPER: I didn’t know that… So he’s a scam…


Sample “scam” certificates avaiable from Rafti, available without inspection. BME: You’ve met Rafti in person?

CREEPER: Yeah, he came in here and looked around. But there wasn’t a piercer here at the time when he came in.

BME: There was no piercer working?

CREEPER: Nope.

BME: And I guess you can’t really vouch for Rafti’s skills or knowledge?

CREEPER: No.

BME: Has he asked you to instruct at his school?

CREEPER: He asked me something about it, but I said “no way”. I’m just not interested in the piercing thing any more. It’s gone way too wild for me! I pierced for ten years and apprenticed a lot of piercers. I don’t even do it any more. I just tattoo now.

Well, that’s the end of Rafti’s industry references.

Getting in touch with John Seaton of the Suffolk County Health Department was extremely difficult — I called for days, every few hours, and no one was able to ever find him (even Rafti had warned me that he was extremely busy). On my last day of research, when I was ready to write off Seaton as unreachable, he answered and I was able to ask him about Rafti’s credentials.

BME: Do you know William Rafti?

SEATON: I have a disc [from him]; he gave me a disc but I haven’t looked at it yet.

BME: He told me you would vouch for him as a piercing instructor…

SEATON: [laughing]

BME: …and that you’d been waiting 20 years for something like this to happen?

SEATON: [laughing hysterically] …You know, I hate to tell you: the guy came in, he showed a bill of goods, and I looked at him and it just sounded too fishy. You know when something appears to be too good to be true?

BME: He says you trained him and endorse him as qualified?

SEATON: [laughs] He may have been through my certification course and earned a certificate.

BME: What does that course involve?

SEATON: Knowledge of bloodborne pathogens. I teach a little course — a couple hours.

BME: So it’s not something that qualifies someone as a piercer; it just covers the basics of contamination control and so on?

SEATON: Yes — that’s all we can certify. As to skill as a piercer, the law doesn’t address that.

I’m sure no one is shocked at this point, but Rafti’s claims to be endorsed by the Suffolk County Board of Health as a piercer let alone an instructor are stretching the truth pretty thin. He simply took the afternoon bloodborne pathogens course offered by the county to anyone who wants to take it.

So what of Rafti’s lofty credentials? Perhaps he’d at least tell me where his degree was issued — after all, he was claiming not only to be a dude writing a book, but also a scientific researcher (he made the preposterous claim that soaking a piece of body jewelry in brine solution could detect how well it would fare in the body — anyone with even basic knowledge of implant standards as they apply to metallurgy and biology knows the notion is foolish).

BME: You claim to be an expert in this field — what is your actual experience that backs that up?

RAFTI: Thanks for implying that I’m an expert, you can also call me handsome if you want. I claim to be what I already said.

BME: I didn’t imply that you’re an expert, and you didn’t answer my question. Anyway, have you done other research-oriented writing that prepared you for this book?

RAFTI: I’ve written for other publications that would not like being associated with piercing or tattooing in any way, shape, or form so I will not mention them. I have a wall full of credentials — I have credentials for all kinds of things. My mentor, who’s name I am not going to mention, was an international attorney.

I studied anatomy — but don’t quiz me on it. I took a first aid course but my certification expired, and I was certified to run an air compressor.

BME: Ah, so you’re “qualified”, but it’s a secret. I see. In your book you say that you are a piercer and a tattoo artist. Who trained you and where have you worked?

RAFTI: I worked “underground”. The people who I’ve pierced came to me because they thought I would do a good job, distrusted the local studio, and gave me lots of understanding when things occasionally didn’t go as hoped.

I was strongly encouraged to go into piercing professionally — one of the studios that was going to hire me (no apprenticeship) instructed me to answer the phone by saying “Hello asshole, this is asshole speaking, what do you want?

I will be doing a few tattoos within the next year on people who don’t care if it comes out right. [Editor’s note: That is not a typo — he actually said this!]

BME: Um… Ok. Sounds like you have high standards. So how many piercings have you actually done?

RAFTI: I’ve done about seventy to seventy-five actual piercings on living people and currently have no plans to do any more.

BME: So what makes you qualified to design and run a piercing school, let alone have the egomania to call it “the most advanced piercing course” available?

RAFTI: I’ve done at least seventy piercings, and I wrote my ebook.

BME: Whether you wrote that ebook or not is for the courts to decide. Anyway, have you ever even seen or attended any of the other courses available?

RAFTI: I have not received piercing certificates from any place other than myself, and that was a conscious decision based on my personal beliefs. I do have a proficiency test of my own creation but it is proprietary.

BME: How many students have taken your course?

RAFTI: None.

BME: Sounds successful… so basically, you can’t tell me anything about your imaginary school (or your credentials to run it), other than it’s the best, but the proof is top secret?

RAFTI: I will divulge the collagen aspect of my “most advanced piercing course”. What I am working with is so new that it doesn’t really have a name — I call it a “Matrix Resistance Simulator”. The trick to simulating mucosa surface lies in growing a kombuka hongo into a proprietary substrate matrix under a steady temperature. By using different frequencies of temperature change various densities can be achieved.

The advantage of my Matrix Resistance Simulator is that although it is very much like skin it is instantly self healing — unfortunately it can dry out to a scab-like crust long before it gets pierced to pieces, [so] it is best to keep it covered with saran wrap between uses. My program involves practicing the techniques in sets like a weightlifter does — can you do it ten times in a row without making a mistake? Can you perform a random series of piercings? I don’t want to see anyone piercing a person until they find their inner grace. It’s best that if a student can’t develop the eye-hand coordination that they fail.

BME: Well that’s about the goofiest training idea I’ve ever heard. It doesn’t make any sense at all — and there’s no such thing as “kombuka hongo”, so you may want to check with your alien advisors on that.

Do you even have any piercings?

RAFTI: That’s a rude question. I have one piercing, an 8ga frenum. I did pierce my ear once with a sewing needle, and with a thumb tack, and also with a staple. I also used an ear piercing gun.

Would you want a brain surgeon who’s never undergone surgery on his own brain to operate on you?

BME: You’re comparing apples and oranges — that analogy doesn’t make sense. A better question would be “would you get a massage from a masseuse that’s never had a massage” or “would you go to a restaurant where the chef has never tasted food?

RAFTI: Thanks for contributing your own false analogy.

BME: Thanks for avoiding the question. Let’s move on. Ignoring the issues of your total incompetence in running it, if you have plans to run a legitimate piercing school, why do you sell “professional piercer, certified by the William Rafti Institute” certificates to anyone with $15?

RAFTI: I am also willing to make custom certificates for shops that offer their own training — the shop gets their name on their own certificate!

BME: But doesn’t that kind of invalidate the whole legitimacy of your potential school?

RAFTI: I believe that most of the piercers out there are qualified whether they have official certification or not. I believe piercing certificates are modern day talismans — they tend to bring on a desired calming effect that leads to better results. I believe that it is part of our tribal instinct to require talismans, as they enrich and empower us.

BME: Um… OK… You have to understand that it’s getting harder and harder not to laugh at your every response… So why have a school at all then if piercers are already mostly qualified, and all it takes to make them better is hanging up the magic “talisman” certificate you offer? Do the students even need you then?

RAFTI: When the students are ready the teacher will appear, or when the teacher is ready the students will appear — either way works for me.

BME: Now I understand, sensei. “If you build it, they will come.

  
Important Update
DECEMBER 9, 2003 One of the odd thing about Rafti’s piercing responses was that he seemed to alternate between “insane buffoon” and “experienced piercer” mode. Some of the responses were dead on what I’d expect from a piercer, but others were nonsensical.

After this article was published, I started getting contacted by piercers who informed me that in the roughtly 48-hour period between me giving Rafti the questions and him replying, that they had been contacted by him about the questions — and that their answers appeared in this interview as his!

Now, I want to be very clear on one thing: I don’t think Rafti is an idiot. In fact, I think if you can ignore his overwhelming and eclipsing mental — and ethical — problems, he’s a lot sharper than many would give him credit for. He just happens to be crazy, and not in a good way. When I asked Rafti a question set that I ask of people who ask to become part of BME’s QOD staff he did far better than I expected he would — no better than the average piercer, and with some deranged rants thrown in, but better than I expected:

BME:I have a 6 ga Prince Albert. I was interested in getting it changed to an apadravya, but both the piercers at the studio I go to say that isn’t possible — can you think of any reason why that would be?

RAFTI: It’s possible that the studio is not comfortable using a 6 ga needle. Some studios prefer to go no thicker than 8 ga. You should give them a call or stop by the studio and ask them your question. Try to establish better communications with these piercers, you might learn a lot.

Another possibility is that your PA was pierced too close (shallow) to the tip of the penis, making proper placement of a apadravya impossible. A PA is normally placed about 5/8” to 3/4” back from head. Sometimes a studio may hesitate to tell you that you had your PA pierced too shallow out of fear that they might be insulting another piercer’s work. You might want to consider asking your piercer if it would be a better idea to do the apadravya behind the PA.

BME: Good answer, although I don’t think I’ve ever heard of a piercer trying to avoid saying something bad about another’s work.

Next question: “I have my nipples pierced right now (healed) and I wanted to get a second set. I wanted to get the second barbell nice and deep, so the old one pierces the full width of the nipple tip, and the new one pierces the full width of the areola. Would that work?

RAFTI: I find the “pierces the full width of the nipple tip” part of the statement confuses me, but I think I understand the question. It could work, but only if your nipples are large enough. You don’t state whether both piercings are going to be aligned the same (horizontal or vertical). You are more likely to have enough room if the second piercing is done at opposing angles to your existing piercing, this is especially true if you prefer to wear barbells.

BME: Actually, this is a horrible idea — when you pierce a nipple this deep, you risk damaging and blocking milk ducts. In this commonly occuring problem, an infection can be trapped inside the breast (mastitis) and even lead to mastectomy. You really shouldn’t be recommending this depth of piercing to people.

Next question: “My piercer told me there’s aluminum in the jewelry he’s selling (along with titanium). I heard that aluminum exposure can lead to Alzheimer’s Disease… Should I use different jewelry then? Isn’t that a needless risk?

RAFTI: I have personally tested a number of batches of titanium barbells, including anodized titanium and from my findings believe that titanium is at least equal to 316LVM for inertness.

BME: Well, the medical industry (and the piercing industry) has known for a long time that titanium is far superior to stainless steel for implantation use.

RAFTI: Here is an eye opener, there is a range of acceptable proportions for each alloy, and each batch of metal does not necessarily have the exact same properties as every other made by the “same” recipe. I could teach a seminar on this, it’s got interesting implications for all of us.

BME: Actually, metals made and certified for implant use are manufactured with very rigorous adherence to quality and there are not notable variations between batches.

Next question: “I heard recently that tools can’t be guaranteed sterilized if they’re in a pouch, but everyone says that I should be sure to watch them open the pouch in front of me so I know the tool is just for me… Who’s right?

RAFTI: Neither, the best way to tell is to look at the sterilization indicator mark on the pouch. Tell the piercer you are a naturally “paranoid” person who doesn’t want to have nightmares weeks from now, and refer to your “phobia” of dirty needles. This will gain the sympathy of any piercer that I’d trust.

Then tell them to show you the mark on an unused pouch (the pouch will be labeled as to what kind of change to expect), and then [do] a visual examination of the sterilization mark on the sterile pouch that will be used in your procedure. If you do not see a distinct difference in color then you should be very concerned that sterilization is not what it should be.

BME: Well, that’s not true at all — those “sterilization marks” (they’re actually heat and pressure indicators) on the pouches are not reliable indicators of sterility.

Next question: “How often does the water in an autoclave need to be changed?

RAFTI: It depends on the autoclave. If you are using a Prestige autoclave try not to leave water in it overnight. With many other kinds of self heating autoclaves it’s more important to keep the autoclave properly filled with water than to change it, as this prevents corrosion on the coils.

BME: Not changing the water in an autoclave is extremely dangerous! The endotoxins that build up in the water resevoir survive the sterilization cycle and can contaminate the tools and jewelry.

Next question: “I tend to get really woozy even watching a piercing. I want to get my rook pierced, but I don’t really want to pass out… What can I do to keep this from happening?

RAFTI: Make sure to eat a meal an hour or so before getting pierced, eat a candy bar, or some sweet cookies (Oreos seem to be a blood bank favorite). Glucose tablets are also helpful for a lot of people, and are easily portable.

There is also a high glucose energy soda available that I saw in the supermarket — it cost $7.50 (US) for a one liter bottle. You might also want to look for this kind of thing in health and nutrition stores. A warning for vegetarians and vegans: glucose is blood sugar.

BME: Are you insane? While the common expression “blood sugar” does refer to glucose levels, glucose is not distilled from blood!

Glucose being made of blood because of the expression “blood sugar”… Classic!

Anyway, not that I think being able to answer these questions decently justifies his glaring theft and deception.

Talking to William Rafti turned out to be one of the biggest wastes of time for me in 2003. That said, while his ravings may seem like a combination of funny, pathetic, and ignorant, there’s actually a danger in lunatics like Rafti being around, especially when they persist in trying to create schools with false and stolen credentials. I realize that the average BME reader can see through him in a second, but not all clients — let alone potential piercers — are that well informed.

It’s often difficult for people to find an apprenticeship, and many people will jump at the opportunity to take part in a sham school like Rafti’s — after all, if you don’t know that it’s stolen, and you’re not familiar with computers, his book could give one the false impression that he is a leading author on the subject (rather than simply identifying him as a nut and a petty thief).

Rafti is a very sad case, because it’s pretty clear after speaking with him that he’s not particularly lucid, and really doesn’t have much of a grasp on reality — there really is a possibility that he genuinely believes that he wrote this book, and that his references check out, and that he has a lofty (albeit top-secret) set of credentials. I’ve been a little split on whether I should even publish this article, because it’s really making me feel like I’m beating up on a mentally handicapped kid (I feel even worse launching legal action against an invalid, but what choice might I have?). When it comes down to it, he is potentially endangering the public — at a minimum he is misleading them and stealing their money (and mine as well I suppose).

In any case, I hope this illustrates how important it is for consumers to be informed — scam artists and liars are rife in this industry (and in many others as well), and they’re not always easy to detect from afar.

Sincerely,

Shannon Larratt
BMEzine.com


Update

After I made it clear to Rafti that I wasn’t going to roll over on the copyright issues, and I informed his distributors and eliminated the majority of his ability to sell the book, he posted the following note on his website’s order page:

On of December 5, 2003 I became aware that some of the material I used in this book was improperly cited, this is very bad for me to have done. Over the last several years I have greatly improved my ability to organize things on the computer; this does not excuse any of the mistakes that I made along the way at all, even if I was unaware that I made them until now.

I sincerely believe that I’m doing very good work here, but I have a greater obligation to properly credit my sources than to add on top of something that obviously “stinks”, for this reason I am no longer making the Body Piercing Encyclopedia available for distribution in any format.

This project can not continue until I properly locate and credit sources that I have plagiarized. The problem in doing this obligatory task is that I have to compare all the information in my book, to all the information that is outside my book- logistically this is impossible for me to do.

If you support what Im trying to do, then I need each and everyone of you to send me any information that you can find of any material that I used without properly citing my source. I simply can not do this all by myself alone any longer, without your help the Body Piercing Encyclopedia Volume 1 is dead.

Please send constructive criticism only (please) to me at [email protected]

I wish to thank Mr. Shannon Larratt of BME for being the first to bring this to my attention, he does a lot of good work, Im sorry that I got some of his work confused with my own.

While I do appreciate that the stolen material is no longer being sold, it’s really “too little, too late”. The fact is that the result of my investigations into the text of the book strongly imply that it is nearly all stolen and from a myriad of sources — most of whom have no idea who Rafti even is (it’s not as if the webmasters of rhinoplasty4you are going to be buying his book). And I’m really not sure I buy his newfound “me so sorry” routine. I just can’t quite convince myself that one can “accidentally” commit fraud on this level and be totally unaware of doing it.

In cases of mass plagiarism it’s not enough to just say “let me know if you see anything stolen” — a request which makes it very clear that Rafti really has no idea where his text starts and the stolen text ends. I came into this review hoping that there would be something salvageable from this book, that my comments would result in improvements. However, I have come to the unavoidable conclusion that this book is rotten to its core and can not be saved.

Then of course there’s the matter of the money — Rafti has potentially made thousands of dollars by selling BME’s and other people’s work as his own. Personally I’m not in it for the money — I’ve always felt that this information should be as free as possible which is why BME/News, BME’s FAQs, glossary, risks, and encyclopedia projects have always been publicly accessible without charge and advertising-free. So while I may be entitled to it, I am not demanding at this moment that Rafti send me his profits. That said, if he wants to ethically purge himself I would encourage him to donate the proceeds to a suitable charity such as The Planetary Society, Antiwar.com, Adopt-a-minefield, or AIDS.org (and provide proof).

My only hope in all of this is that this “tough-love kick-in-the-ass” will help Rafti address these serious issues, both in his research methods and his deception about his potential skills. It’s clear from talking to him that Rafti is a driven individual who desperately wants to produce this project — and that’s a good thing. I do believe that Rafti has a better comprehension of the subject than most, and if he started over from scratch, being careful to properly document his sources, he might actually be able to produce something of real value.

That said, I don’t believe that Rafti is now or ever will be qualified to teach a piercing school and I think it’s a mistake for him to continue pursuing that path. I also think his needless confrontations with influential and integral individuals and organizations in the piercing world are constantly burning bridges and creating enemies where he should instead be fostering alliances and finding people to help him.

I think Wes Wood had the right idea when he said that he supported everyone who was working legitimately. I’m dismayed that Rafti is not. I’ll be surprised if he turns himself and this project around, but still, I hope he does.

The Beginnings of the Modern Body Piercing Movement [Running The Gauntlet – By Jim Ward]


3: The Beginnings of the
Modern Body Piercing Movement

Just for the record, I do not claim, nor have I ever claimed that I single-handedly started the modern body piercing movement. I was fortunate to be in the right place at the right time to focus and channel forces that were already at work in the world. Would the movement have happened without me? Possibly, but if it had, it probably wouldn’t look quite like it does today.

Body piercing has been around for countless millennia. However, in the early 1970’s it was practiced, in the Western world at least, largely by a handful of widely dispersed and closeted hardcore fetishists. At that point in my life I never really thought that there might be a lot of other people in the world who found piercing as erotic as I did.

In 1973, my first year in Los Angeles, I was pretty much immersed in Primal Therapy. I rented a small apartment in West Hollywood a short walk from the Primal Institute and kept pretty much to the neighborhood.

Towards the end of the year, a fellow patient named Diane told me about a small two-bedroom house that was for rent about a block away. I had seen it often enough on walks around the neighborhood. It dated from the teens when West Hollywood — then called Sherman — had been a whistle stop on the railroad between Los Angeles and Santa Monica. Aside from its ramshackle condition and the Christmas tree dying in a pot by the front steps, its most memorable feature was a concrete shrine in the front yard where a votive candle burned day and night to the Virgin Mary.

For decades an elderly Italian woman had occupied the house. I don’t recall if she died or had been put into a home, but the property had been sold. An eccentric old couple, Velma and Carl Henning were managing it. Mrs. Henning looked like Ma Kettle and was so stingy she would scrounge through the supermarket dumpster for food. Her husband was an old Nazi with a handlebar moustache who had migrated to the States after the war. While he may have left the vaterland behind, his racist viewpoints were still as fresh as ever, and he was only too happy to share them whether one was interested or not.

Once they took over, the Hennings made some changes to the property. They cleaned up the house and demolished the shrine in the front yard, leaving a pile of concrete rubble. A sheet of plywood was laid over the rotting boards on the front porch to keep people from falling through. Always looking for ways to make a little extra money, Mrs. Henning rented yard space next to the house to a hippie couple to park their old school bus home. Arrangements had been made for them to use the toilet, which was just inside the back door.



The old West Hollywood house shortly before it’s demolition.

Rent on the house was little more than I was paying for my tiny apartment, so I signed a lease on it and moved in. There was a certain squalid charm about the place, but there was much about it that made living there a challenge. Chief among its shortcomings was a total lack of insulation or heat. One always thinks of Southern California as a land of eternal warmth and sunshine, but my first winter in the old house shattered that illusion.

West Hollywood at the time was still unincorporated, but the community was already beginning to exhibit the signs of change that, in a few short years, would turn it into the cold, impersonal city it has become today. Many small charming homes that dotted the township were being torn down and replaced by ugly apartment buildings.

Diane and I took great pleasure in rummaging through the abandoned old homes before they were torn down. Frequently we’d return home with odds and ends and, occasionally, useful junk. Rifling through the trash piles at construction sites I scrounged enough insulation to keep some of the cold out of my house.

I had a large back yard with a rundown shed — once possibly a garage for a Model A — and a huge avocado tree that bore wonderful fruit in summer assuming the squirrels didn’t ruin it first. There was lots of space for a garden, and Diane and I attempted, with limited success, to grow a variety of vegetables and flowers. Not only was the soil poor and the snails and slugs abundant, but the yard was something of a cross between a dump and an archeological dig. One could scarcely turn a shovel of earth that didn’t contain some bit of junk, mostly old bottles and broken crockery.

Amongst the debris was an old enameled cast iron toilet tank. Possessed by some perverse ingenuity I turned it into a small wood burning stove, attaching a stove pipe which I ran outside through one of the living room windows. Fueled with wood scraps from construction sites, it provided a source of free heat. By some miracle I didn’t asphyxiate myself. The first time I built a fire in the stove I had to run for cover. As the cast iron heated up and expanded, bits of enamel began to fly like shrapnel.

The necessity to earn an income encouraged me to seek employment. My experience in picture framing lead to a job with a snooty frame shop in West Hollywood. Among their clientele were a number of well-known museums and celebrity artists. While the occasional treasure passed through our hands, most of what we handled was high priced crap masquerading as art. I realized that this was not a profession I wished to pursue as a lifetime career. But what did I want to do? I remember thinking at the time I’d like to have a profession where I could use my hands and what I worked with would be small and fit into them. I also thought it would be wonderful if it had a sexual dimension as well. Little did I realize what was soon to materialize in my life.

Diane came up with the idea that we should enroll in court reporting school. After all, it was a well paying profession with great job security. There likely would be a demand for court reporters well into the future.

So we signed up and started learning the fundamentals of stenotype. It didn’t take Diane long to lose interest and drop out. I stuck with it for almost a year, reaching a level where I could take about 120 words a minute and type up a transcript at about 100 words a minute. The beginning months had been filled transcribing innocuous clerical material along the lines of, “Dear Mr. Smith: Please send me ten cases of tea.” What kept me intrigued as long as it did was the very weirdness of stenotype itself — I remember seeing a license plate bearing the letters TPUBGU; in stenotype that spells, “fuck you.” But that could hold my interest just so long. When the teacher began dictating actual court material I realized just how deadly boring the life of a court reporter could be. I doubt many of them get to take down juicy Perry Mason cases.

But my stint at court reporting school was not a total loss. We were required to take and pass a comprehensive class in English grammar and punctuation. The class was well taught and unlike the boring classes I’d suffered through in high school, actually made sense. Little did I realize that it wouldn’t be long before what I’d learned would come in handy when I started a magazine about piercing.

For the first year of so, most of the friends I made were people from the Institute. The main exception was my friend Rod from Denver. He had been married for some years and had several grown children. Approaching middle age, he was no longer willing to deny the gay side of his nature. The year before I moved to LA, he packed a few essentials, said goodbye to wife and family, climbed on his Harley, and headed for California settling down in Los Angeles with a succession of male lovers. Soon after arriving he took a job as a bus driver.

I’ve often marveled at that thing we call fate. Is there really such a thing, and if not, how do we explain those amazing coincidences that happen in our lives?

Rod’s regular bus route was between Hollywood and downtown Los Angeles. One day an amiable long-haired gentleman boarded his bus, and taking a seat near the driver, struck up a conversation. The man’s name was Tom and he worked as a librarian at the downtown public library. Tom became a regular commuter on Rod’s bus, and one morning as they were chatting en route to downtown, a man with a pierced ear boarded the bus. The conversation turned to the subject of piercing and Rod said, “I have a friend with pierced nipples,” to which Tom replied, “I’d like to meet him.”

I must confess that I secretly hoped that Tom would be a sexy hunk, but instead I met a rather plain, round-faced, slightly heavy set man in need of dental work. Whatever he lacked in looks was offset, to some extent, by a sunny disposition and a passion for piercing. He shared with me a collection of letters and photographs from a number of fellow enthusiasts who, at the time, were unknown to me. Among these was one “Rollie Loomis” who would soon become known as Fakir Musafar. The photographs of him that Tom showed me were truly awesome. I’d never seen anything like them. They made me aware that there were many more piercing possibilities than I had ever dreamed of.

Another of Tom’s correspondents was a man named Doug Malloy. He was supposedly some well-traveled expert on the subject of piercing. Since he lived locally Tom arranged for us to get together one evening so I could meet him. We were to rendezvous at the public library where Tom worked and then go out for dinner.



Doug Malloy (left) and Alan Oversby aka Mr. Sebastian (right).

Doug arrived with a guest, a man named Alan Oversby. Over dinner I learned that Doug had recently written a short autobiographical account of his piercing exploits called The Adventures of a Piercing Freak. A somewhat sleazy fetish publisher had purchased it and to add visual interest had included a number of photographs bearing no relation to the text.



Alan showing his art work.

Alan, it turned out, was from England where he worked as a tattoo artist who also did some body piercing. His professional name was “Mr. Sebastian.” Doug had corresponded with him, and Alan had shown a great deal of interest in learning more about the art and technical aspects of piercing. Using the money from the sale of his book, Doug had paid for Alan to come to the States.

It was a pleasant evening. We parted company, and I heard nothing further from either Doug or Alan.

During my Primal Therapy experience I became a very good friend with another patient named Jim. After a couple of years at the Institute, he decided it was time to get on with his life and moved to San Francisco. Periodically I would fly up to spend a weekend with him. He would show me the sights. Sometimes we’d smoke a little grass and hit the gay nightspots.


Eric. In a way he started it all.

On one of these outings a guy named Eric came on to me. We spent some time together, and though the chemistry wasn’t exactly ideal, we started to see each other on a regular basis, sometimes in San Francisco, sometimes in LA. Eric was very turned on by my nipple piercings and called me to see if I would pierce his nipples the next time he came to LA. While I was certainly willing, I realized that my pushpin-and-wine-bottle-cork method left a lot of room for improvement. I also knew from my brief meeting with Doug that earrings were not the right jewelry for the job. Since a more knowledgeable source was close by, it made sense to see if I could get a little guidance.

I called Tom and, after explaining the situation, asked if he would give me Doug’s phone number. This he did, and I gave Doug a call, asking if he would be willing to share some of his piercing techniques with me and tell me where I might be able to purchase appropriate jewelry. He couldn’t have been more accommodating. The techniques he’d developed over the years were at my disposal. All I needed to do was let him know when Eric would be in town and we’d set something up.

As for jewelry there weren’t many choices. Doug knew of a jeweler in San Diego who would make gold rings, but the guy was asking $200 apiece for them. This was much more than I was willing to pay. Having taken several jewelry making classes in New York, including one for professionals, I had a pretty good idea what it would take to make a pair of nipple rings, and $400 was way out of line. As I got to thinking about it, I realized that for a fraction of that amount of money I could buy the raw materials and the necessary tools as well.



The nipple retainer, my very first body piercing jewelry design.

Doug and I had several discussions about the best kind of jewelry to use for new nipple piercings. There was some question whether they would heal better with a curved ring or something that was straight. In the end we decided that maybe something straight would be the better choice. With that in mind I set out to design something appropriate. Thus came into being my first pieces of body piercing jewelry. I called them “nipple retainers.”

Consulting the Yellow Pages I discovered a lapidary shop in nearby Hollywood. They were able to supply enough gold wire for the project and the various tools I needed, all for under $50.

Early tools of the trade. The ear piercer was eventually consigned to history, but Pennington forceps are now a piercing staple.

Once the jewelry was made, Eric arranged to come down to LA for the piercing. We set up a time for Doug to come over and supervise. He brought his “kit” of implements. These included a pair of Pennington forceps, now an industry standard but at that time something pretty exotic. There was also an assortment of heavy gauge hypodermic needles, the kind used on livestock, and what in the 1950’s had no doubt been a state-of-the-art ear-piercing gun. This latter contraption consisted of plunger on the end of which was a removable needle about 3/4” long. Over the needle fit a short metal sleeve called a canula. By pressing firmly on the plunger, the needle and canula were forced through the tissue and a fork-like stop on the opposite side. Once the pressure was released, a spring would retract the plunger pulling back the needle and, hopefully, leaving the canula in the tissue. The jewelry could then be inserted by butting it against the end of the canula and following it through the piercing.

My mother worked for twenty five years for an eye doctor, so I had gained some rudimentary awareness that sterilization of the instruments was in order. Fortunately I had a pressure cooker which I usually used for cooking, but it worked just fine as a stand-in for an autoclave. These were the days before AIDS, so we gave no thought to latex gloves. After all, even dentists and tattooists worked without them. Only doctors doing surgery wore them. We assumed that as long as our hands got a thorough washing, that was enough.

The piercing process may have been crude, but at least we got the jewelry insertion principle right.

Except for using the ear-piercing gun as part of the procedure, the piercing technique itself was much like it is today. The nipple was first cleaned. Since surgeons were using it in surgery, we had elected to use Betadine instead of alcohol. Next a dot was made on either side of the nipple where we wanted the opening of the piercing to be. A rubber band was wrapped several times around the handle of the Pennington forceps and adjusted for the right grip. The nipple was clamped into the forceps and the marks aligned in the same place on either side. Once the ear-piercing gun was placed in position, the needle and canula were forced through the nipple. As the needle retracted, the canula was left in place. After laying aside the gun, the forceps were removed and the jewelry inserted.

Though still crude by today’s standards, Doug’s technique worked amazingly well, and the piercing went smoothly. Eric returned to San Francisco happy.

Soon afterward Doug called me up and asked me to have lunch with him. He picked me up in his sports car, and we went to the Red Room, a little Swedish café in West Hollywood not far from the frame shop where I worked. Over lunch the conversation naturally turned to the subject of piercing. To my surprise Doug said he thought I should start a piercing business. I already knew how to make the jewelry. All that remained was for him to teach me what he knew about the various piercings and his techniques for doing them. I could start out working part time from home, and he would share his private mailing list of enthusiasts around the world as the basis for mail order. When I pointed out that I lacked the capital to launch such an endeavor, he told me he was prepared to lend me whatever it would take. He firmly believed that a need existed for such a business and told me that from the moment he first laid eyes on me at the library, he’d known that we were destined to do something together. This was it.

Presented with such a generous offer and the possibility of creating a career for myself doing something I loved was not something I could pass up. I said yes.

Next: In The Beginning There Was Gauntlet


Jim Ward is is one of the cofounders of body piercing as a public phenomena in his role both as owner of the original piercing studio Gauntlet and the original body modification magazine PFIQ, both long before BME staff had even entered highschool. He currently works as a designer in Calfornia where he lives with his partner.

Copyright © 2003 BMEzine.com LLC. Requests to publish full, edited, or shortened versions must be confirmed in writing. For bibliographical purposes this article was first published November 11th, 2003 by BMEzine.com LLC in Tweed, Ontario, Canada


Does God Hate Your Tattoos? [The Publisher’s Ring]

Does God Hate Your Tattoos?

“For no man ever yet hated his own flesh; but nourisheth and cherisheth it, even as the Lord the church.”

– Ephesians 5:29

  

BME recently had the opportunity to have a virtual talk with Jay (iam:TautooJay), who is heavily tattooed and is in training to become a youth pastor. We were also joined by Faith (iam:serpensfeminin), a former Mormon raised in the Church of Latter-day Saints, Tiffany (iam:MissTiffany1), a Christian piercer from California, Karen (iam:Mighty_Mouse), a young Christian from Virginia currently sailing in Bermuda, and “Puck”, who asked us to keep him anonymous. Monty Vogel of the QOD staff (iam:MONTE) and owner of Body Mods in Nebraska also joined us, along with Mark, an old friend from San Francisco.




BME: How do you feel God sees your body modifications?

Jay: Honestly, I think God has more pressing matters than me getting tattooed. The Catholic Church took a stance on tattoos hundreds of years ago at the Council of Northcumberland that they were fine as long as they were not defamatory of the faith in any way. I’m not a Catholic, but Christian tattooing has been going on since right after Christ died — there are Roman reports of people with crosses or “Yeshua” (Jesus’s name in Hebrew) dating as far back as the first century, and seventeenth century wooden tablets of tattoo designs have been found in Israel.

Faith: The church’s teachings are clear that bodies are our “temples”. They are the portals through which our spirits pass, and they must be cared for. The way I’ve interpreted this is that we are here to learn, to grow, and to gain experience, and to do that we have to love ourselves. Before modification I didn’t even recognize the face and body I saw in the mirror — so how could I love it? Modification has helped me grow and understand myself, and I believe it’s helped my spirit grow. It’s been an essential part of being alive.

Tiffany: I don’t think God minds unless it’s a Satanic tattoo. People get tattoos of the things that are important to them — Christians have been getting tattoos since Christ ascended to heaven.

BME: How do you express your spirituality through your body?

Faith: I don’t feel the need to be spiritually demonstrative — I have a huge respect for people that use their body to worship, but it’s not what I do.

Jay: I have Jesus on my back with “Saved by Grace” written underneath. I have Psalm 23 on an anchor, praying hands, an eagle, Yeshua, a cross of three nails and a crown of thorns, an angel and a devil, a sacred heart, and “Jesus Saves” across my collarbone. I’m a walking billboard!

Tiffany: In Exodus 21:5-6 it says, “If the servant plainly says, ‘I love my master, my wife, and my children: I will not go out free,’ then his master shall bring him to the judges. He shall also bring him to the door, or the door post, and his master shall pierce his ear with an awl, and he shall serve him forever.” — I am a servant of the Lord and I will serve him forever! So in a way, my piercings are done for him, to show that I am his servant.

Karen: I have a dove with an olive branch in its mouth on my left calf. God regularly uses doves has His messenger or helper — when the dove returned to the ark after the flood, he carried an olive branch in his beak to tell Noah there was dry land where he could build a new world for the glory of the Lord. I want to get a cross tattoo soon.

BME: What makes you think it’s “OK” as a Christian to get these mods?

Jay: Who says “it’s OK”? Society? Society is messed up. As Christians, we are called to separate ourselves from society. Although body modification is on the rise, it’s not the cultural norm — it’s not looked on as being completely acceptable. Christians don’t have to be acceptable to society — they are called on to be acceptable to Christ alone. I answer only to Christ.

Tiffany: Follow that voice in your heart.

Jay: I prayed for months before getting my first tattoo and signs just pointed me closer to getting one. If someone wants to know if it’s right for them, the answer is in prayer. What God may want for me may not be what He wants for someone else who He’s planned to go into business and win souls for Him — whereas I’m hoping to work with inner city youth and the less fortunate as well as kids… and they like the tattoos!

Karen: As long as I pray and I know my heart is right with God, and I feel his spirit with me, then I know I’m on the right track. Before I started into mods I didn’t really know who I was, what my body was. The Bible says my body is a temple, but without knowing it, how could I honor it? Now I do that by making it more beautiful.

Monty: I had a minister come in today and get his ear pierced. He had been asking the head pastor of his church if he could get it done for over four years — it was just recently that the pastor was gone on a trip and called to say that God had told him three times that day to allow the minister to get his ear pierced. The reason the minister wanted the piercing was that six years ago, while in Florida, he opened his Bible and his attention was called to Proverbs 25:12 — “As an earring of gold, and an ornament of fine gold, so is a wise reprover upon an obedient ear” — He knew then that he wanted to get his ear pierced, and today he finally got it done.

BME: What do you think of people who tell you God disapproves of your mods, or that the Bible forbids them?

Jay: We all make mistakes and we all fall short of the glory of God. They may judge me, but I know I have also judged others falsely. We’re in the same boat. Those who accuse me of going against the Bible, I talk to them as I would a friend. I point out the fallacy in the kindest way I can. You have to realize most of these people were born into this faith and their culture was intertwined with it and they don’t know any better. They never really looked up the context of the verses they are using against modified people.

Faith: Scripture isn’t law — they’re guidelines that make our lives more meaningful. God doesn’t want us to be an animal — he wants us to live with free will. I think it’s tragic that so many Mormons hang onto the Prophet’s every word, letting him make all their choices for them. He gives good advice for most things, but I just don’t see how an earring or two is going to make you betray your faith.

Tiffany: I work at a piercing and tattoo studio so I don’t usually meet people who say things like that, but it does give me a chance to talk about Jesus with those that may never get to hear about Him. Since I look the way I do and work where I do, I fit into “their type” — and they’re more willing to talk to me about it. If I didn’t have these piercings and tattoos, I might not be able to reach these people.

BME: Do you have any verses that you use to change their minds?

Jay: Usually I don’t resort to using Scripture on people who think tattoos are a sin. After I point out the error in the use of the Scriptures they quote, there’s really no need. Bible trivia wars are kind of stupid… and I’d win in the end!

Tiffany: The obvious one of course is Matthew 7:1-6 — “Judge not, that you not be judged. For with what judgment you judge, you will be judged; and with the measure you use it will be measured back to you.”

Karen: I like Galatians 6:17, “Finally, let no one cause me trouble, for I bear on my body the marks of Jesus”, and Isaiah 49:16, “See, I have engraved you on the palms of my hands.”

BME: What sorts of responses do you generally get from other Christians?

Jay: Some get wide-eyes and quote Leviticus 19:28 because that’s what they’re told growing up. I tell them it was written to Levitican priests and dealt with the issue of pagans mutilating their bodies to act as spirit mediums. Others like the artwork and are fine with it, but would never do it themselves. Still others — many others — love my work. Some want to get tattoos, others would never get touched by a needle, but they love my tattoos.

To all these people, I show the utmost respect and expect the same in return. It all boils down to the fact that we share the same faith and we’ve all experienced grace. The hard part is showing that grace to others, which is where a lot of modified and average Christians fail.

Tiffany: My Pastor likes my nostril piercing… My studio has tattooed and pierced members of the congregation. I’ve had negative run-ins, but it’s the positive ones that I focus on.

Mark: The Lutheran Church I attend is two thirds queer, but everyone seems to find my piercings entertaining. An older gay man asked me if I had any hidden piercings. When I told him that I also had my tongue and nipple pierced, he replied, “Oh, I’ve had the nipple for years. Got it done in 1968 — by a friend, with much ceremony, believe me!”

As far as the theological implications, I really don’t feel there are any. Surely God is more concerned with one’s relationship to Her and to one’s neighbor than with how one decorates oneself. I also dye my hair various colors, sometimes corresponding to the liturgical season — last winter it was blue for Advent, then I re-dyed it red just before the Christmas Eve service!

Karen: I don’t hide my tattoos and piercings either when I go to church. People into mods aren’t going to want to go to church if all they see is dressed up, uninked people. God loves people with mods, and so does the Church.

Puck: That’s not always true, Karen. I was asked to leave my youth group when I was thirteen years old for having a pierced navel and purple hair. They thought it wasn’t appropriate for me to be around the younger children while having such “outrageous style”. Many parents wouldn’t allow their children to come to youth group meetings because I would be there. I had to stop going to that church.

I also went to a Methodist church summer camp and wasn’t allowed in the church with the rest of the kids because of my hair and piercing. Eventually I turned away from God. I just felt like if the people praying with me in church wouldn’t accept me, then God wouldn’t either.

Faith: My stereotypically Mormon grandmother has a hard time accepting the fact that I have my tongue pierced because she can only imagine sins behind it. I guess she doesn’t understand that I’ve never given or received oral sex and I’m still a virgin — and no piece of metal in my tongue is going to make me change my values. All of my friends, most of whom are Mormons, see my ink and “plugs” as just a part of me — things that make me the quirky and amusing person that I am. I was even told by one of my closest friends that they never would have gotten to know me if they hadn’t wondered what was wrong with my ears!

I respect other people’s choices, and I’d hope they’d offer the same in return. We’re all put here for the same reason, but we’re not supposed to lead the same lives.

Way back in 1995, about a year after starting BME, I received the following semi-literate email:

“I think you are doing is self mutilation and I for one am very disgusted. But there is hope for you! Read the BIBLE!”

It may come as a surprise that I actually have read the Bible, and it no more says “don’t get tattoos” than it says any number of other cultural concepts — not theological concepts — such as “spare the rod, spoil the child.” In fact, the Judeo-Christian family of faiths is full of tattooed and pierced characters, and parts of the Bible are very clear that extreme modifications — self-amputations even — are what God wants for some people. Under Christian theology, body modifications are like words — they’re tools. They can be used to bring glory to God and help live a good life, or they can do the opposite.


There are many parts of the Bible that mention piercing in passing since it was relatively normal in Biblical times, but the only passage that seems to even vaguely ban body modification — tattoos* in this case — is of course Leviticus 19:28, which reads,

“Ye shall not make any cuttings in your flesh for the dead, nor print any marks upon you: I am the LORD.”

 

* I should note that the original Hebrew text reads “k’thoveth qa’aqa”, or “writing that is stuck in”, usually used to refer to a form of modification closest to ink rubbing — a pagan funerary rite at the time, very different from modern tattooing.
 

Leviticus is a book of laws telling the Jews of the time how to lead their lives. As such, the laws break down into three general types — first, laws regarding morality (bans on prostitution, bestiality, and so on); second, laws regarding health (advice on subjects such as food preparation — kosher laws); and third, laws to differentiate the Jews from the pagans (bans on certain rituals, haircuts, and so on). In the New Testament Jesus does away with these laws. That doesn’t mean that bestiality is suddenly OK, but it does give a modern Christian much more personal freedom in terms of things like the way they trim their beard and the way they choose to decorate their bodies, because they are now judged by their faith, rather than adherence to a set of hard and specific rules.

“Therefore we conclude that a man is justified by faith without the deeds of the law.”

– Romans 3:28

“Let no man therefore judge you in meat, or in drink, or in respect of an holyday, or of the new moon, or of the sabbath days.”

– Colossians 2:16

This is explained perhaps more clearly in Galatians 3:23-24, which tells how Jesus replaced the old covenant with a new one:

“But before faith came, we were kept under the law, shut up unto the faith which should afterwards be revealed. Wherefore the law was our schoolmaster to bring us unto Christ, that we might be justified by faith. But after that faith is come, we are no longer under a schoolmaster.”

As well as the mention of tattooing or cutting in Leviticus, body piercing is also mentioned throughout the Bible. When the Israelites fought the Ishmaelites, Gideon told his warriors that they could take the golden earrings of the enemies they slew (Judges 8:24), and numerous passages mention the piercings of the Israelites as well (Exodus 32:3, Ezekiel 16:12, Isaiah 3:21, and so on). Other sections, in Deuteronomy 15 and Exodus 21 describe body piercing on servants (as a normal part of society), and nose piercing is described as beautifying and normal when Behuel and Nahor’s daughter is married in Genesis 24.

Sometimes Christians object to body modification on the basis of it defiling God’s creation — after all, 1 Corinthians 6:19-20 is fairly clear that the body is the temple,

“What? Know ye not that your body is the temple of the Holy Ghost which is in you, which ye have of God, and ye are not your own? For ye are bought with a price: therefore glorify God in your body, and in your spirit, which are God’s.”

Earlier, in 1 Corinthians 3:17, a dire warning is issued:

“If any man defile the temple of God, him shall God destroy; for the temple of God is holy, which temple ye are.”

The question is, what does “defile” mean?

I’ll spare telling you that the Catholic Church has already publicly proclaimed tattoos as acceptable, and that Crusaders were commonly covered in Christian tattoos in order to proclaim their faith and ensure a proper burial — A good way to understand what’s appropriate for a temple is to look at the range of Christian churches that history has produced. Until about the 10th century A.D., Christian architecture was largely reminiscent of earlier Roman buildings. In the Middle Ages huge Cathedrals dominated, covered in spires, sculptures, buttresses — anyone who’s been in these structures knows how overwhelmingly powerful they are psychologically.

The Gothic period produced churches with complex and intricate decoration and gorgeous glasswork. Centuries later in the Baroque era churches were less physically imposing, but were encrusted with wealth — golden opulence was used to manifest God. Other periods and areas have seen simple churches, small humble buildings relatively unadorned with the people themselves bringing the glory, and in modern times we’ve seen churches constructed in every conceivable style. We’ve even seen very successful temples built using nothing but television transmissions and a studio.

Marshall Mcluhan may be oft-quoted saying that the medium is the message, but in this sense, I think God might correct him and say, “No, Marshall, it doesn’t matter what the medium is — it’s the message that counts.”


I hope it’s clear that if we’re to speak in objective terms, that there’s no specific ban on body modification in the Bible, and that its value as something good in one’s a life versus its involvement in sin is very much determined by the way it’s being used — to put it another way, telling someone that their Christian tattoo is wrong would be no better than telling someone that praising God is wrong because someone else shouted blasphemies. Speech — and tattoos — are just a part of life. They can be right, or they can be wrong.

So a Christian certainly can’t go out and get a tattoo or other body modification if it leads to sin, or stands for sin, but modification — mutilation even — is acceptable if it helps the person lead a righteous life. Sex might be another good example. The Bible is full of things that could make a person believe that sex is a bad thing — prostitution, lusting after others’ wives, and forms of masturbation are all mortal sins. However, reading other parts of the Bible it’s clear that God intended sex to be something wonderful — but He wanted it to be used in the right context (a loving marriage under God).

   “Thy two breasts are like two young roes that are twins, which feed among the lilies.
   Until the day break, and the shadows flee away, I will get me to the mountain of myrrh, and to the hill of frankincense.
   How fair is thy love, my sister, my spouse! how much better is thy love than wine! and the smell of thine ointments than all spices!
   Thy lips, O my spouse, drop as the honeycomb: honey and milk are under thy tongue; and the smell of thy garments is like the smell of Lebanon.
   A garden inclosed is my sister, my spouse; a spring shut up, a fountain sealed.
   A fountain of gardens, a well of living waters, and streams from Lebanon.
   Awake, O north wind; and come, thou south; blow upon my garden, that the spices thereof may flow out. Let my beloved come into his garden, and eat his pleasant fruits.
   Open to me, my sister, my love, my dove, my undefiled: for my head is filled with dew, and my locks with the drops of the night.”

– The Song of Solomon

It’s all about context. That which might be a sin when used against God is a beautiful thing when used for Him — it’s why a Christian couple can have a fulfilling and guilt-free sex life that involves bondage, anal sex, oral sex, Cleveland steamers, or whatever else makes them happy — as long as it’s loving and sanctifies the marriage bed (so no Cleveland steamers with the neighbors when the wife’s out of town!).

To give a more extreme example, eunuchs (castrated or even penectomized men) were common throughout various cultures in Biblical times, and hence came to be included in the Bible and were even embraced by several sects. The Byzantine Church had numerous eunuchs in ruling positions, and the Christian Coptic Church embraced castration as a holy path. While relatively common between 300 A.D. and 1,100 A.D., it continued in eastern Europe until surprisingly recently. Matthew 18:8-9 warns,

“Wherefore if thy hand or thy foot offend thee, cut them off, and cast them from thee: it is better for thee to enter into life halt or maimed, rather than having two hands or two feet to be cast into everlasting fire. And if thine eye offend thee, pluck it out, and cast it from thee: it is better for thee to enter into life with one eye, rather than having two eyes to be cast into hell fire.”

Matthew 19 continues, warning against adultry and other sins of the flesh, and in verse 12 says,

“There be eunuchs, which have made themselves eunuchs for the kingdom of heaven’s sake. He that is able to receive it, let him receive it.”

Even extreme body modification is permissable — if it’s done to serve God or to protect the individual from falling prey to sin or to God’s enemies. Of course, modern Christians on the whole believe this passage is “metaphorical”… but there’s certainly nothing that says that clearly, and if it’s metaphorical, how can one decide what else is as well? Many early Christian scholars such as Origen, considered one of the fathers of the faith, castrated themselves. A small number of patristic writers such as Tertullian actually referred to Jesus as a eunuch.

So what we see in the Bible is that Christianity has at best one highly vague ban on a specialized form of cutting, and then goes on to describe body piercing at length as normal, and even goes so far as to encourage extreme body modification when done for the sake of God. The New Testament contains one clear and overwhelming message: Love. Under Christian theology the whole point of God’s appearance on Earth as Jesus was to get rid of blind arbitrary rules, and replace them with a more fluid code of goodness.

“This is my commandment, that you love one another, just as I have loved you. Greater love has no one than this, that one lay down his life for his friends. You are my friends, if you do what I command you.”

– John 15: 12-14

I won’t get into it in this article in any depth, but the Bible also draws similar conclusions about ritual. In 1 Kings 18 and Mark 5 we hear descriptions of pagan sorcerers and priests performing rituals involving cuttings and bloodletting, but at the same time, Christian penitents and monks have been performing self-flagellation and even crucifixion in the name of their faith (Matthew 16:24) since the beginning — not a single early Christian church didn’t embrace these rituals and they are still popular in many areas such as Brasil and the Philippines. Again, it’s all a matter of what you’re using the tool to achieve.


Some Christians will warn others against involving themselves in tattooing or piercing because they perceive it as being sordid, using scripture such as Romans 12:17 to justify it,

“Recompense to no man evil for evil. Provide things honest in the sight of all men.”

However, it should be clear from the “double standards” in the Bible that God doesn’t believe that one should censor oneself because someone else has used a tool for evil. You can wield a sword in God’s army, or you can wield in as knight in Satan’s service — your final resting place is not determined by the sword, but by the army you choose to serve in. When Paul says in Philippians 4:8,

“Finally, brethren, whatsoever things are true, whatsoever things are honest, whatsoever things are just, whatsoever things are pure, whatsoever things are lovely, whatsoever things are of good report; if there be any virtue, and if there be any praise, think on these things.”

he isn’t saying to think of things that appear to be true, or appear to be honest, or appear to be just, pure, or lovely — he’s giving clear message in clear terms: be a good person and put Jesus above all else.

If you want to be a good person with tattoos, God will still love you. The Christian who tells you otherwise isn’t hearing the message for some reason and may need your help far more than you need theirs.


Shannon Larratt
BMEzine.com

PS. I am not a Christian, but if you’d like to meet other Christians interested in body modification, you can click here to meet them in the new BME Personals (or place your own ad), and there are of course many more on IAM — a few are linked in the interview above.


From New York to Hollywood [Running The Gauntlet – By Jim Ward]

2: From New York to Hollywood

In the early sixties I spent a couple of years at the University of Colorado in Boulder majoring in fine arts. Frequently on weekends I would go into Denver to cruise the gay bars.

As I recall there were two gay bars in downtown Denver: the Court Jester and the Tic-Toc Lounge. The Court Jester was fun for an occasional drag show, but the crowd was heavy on queens reeking of cologne. The Tic-Toc had a more collegiate, masculine crowd. It was there one night that I caught the eye of a slightly older guy whose name turned out to be Bud. We developed a friendship and I saw him occasionally for a little hanky-panky. Several times we met up during his lunch hour at an inexpensive little Japanese hotel where no questions were asked. Early on Bud arranged a three-way with his lover Tom, but that wasn’t exactly a big success because Tom was very jealous and made it clear he didn’t want any competition. Though Bud and I enjoyed each other’s company, I didn’t consider myself a home wrecker. Thus by the time I ended up in New York, I had lost contact with Bud.

Consequently it came as something of a surprise when Bud showed up in Brooklyn one day in the company of my friend Steve. Turned out Bud was visiting New York and they had met at one of the leather bars.


Bud bares it all.

Bud was delighted to see me again and for the duration of his vacation we spent a lot of time together. By the time he had to return to Denver, romance was in the air. Bud wanted me to move back to Denver and live with him and Tom. He assured me that he’d talked it over with Tom and that everything was okay. What can I say? I was in enamored and fool enough to take the risk. I packed up my belongings, said good bye to friends, and took off for the mile-high city.

Bud and Tom had bought a small house in North Denver. Bud’s mother Vi lived on the main floor and did most of the cooking and household chores. Bud and Tom had the furnished basement to themselves.

I arrived to a chilly reception from Tom and Vi. Things were obviously not okay with them. As fond as I was of Bud, I also didn’t want to break up his relationship. Soon after arriving I took Tom aside and laid my cards on the table, making my intentions clear. It relieved a lot of the tension, and in time we got to be good friends. Although we regularly went out to the bars together and sometimes picked up one or more guys for a mini orgy, my relationship with Bud and Tom rapidly became one of roommates. Once it became clear that I wasn’t there to interfere, Vi too relaxed and came to depend on me to help her with grocery shopping and other errands.

It wasn’t long before I connected with a handful of guys who were interested in starting a motorcycle club. We got together a few times and founded the Rocky Mountaineers Motorcycle Club which, like the Energizer bunny, is still going.

One of the other members was a hot daddy type named Rod. He rode a big Harley hawg, and I thought he was sexy as hell. We got to be good buddies and did a lot of riding together in more ways than one.


Rod on his Harley.
   

Astride the Big Shit Apparatus.

For some time I had wanted a motorcycle of my own. With advice from other club members and Rod’s promise to teach me to ride — and even though the weather was beginning to get cold — I started looking for a bike. I found one in the newspaper that was within my budget and ended up buying it. It was a BSA, a product of the worst possible British engineering. I was soon convinced BSA stood for Big Shit Apparatus, though friends assured me it stood for Bastard Stopped Again. If nothing else it gave me something on which to learn to ride and get my license. But it was clear that taking the BSA on a lengthy road trip would be risky.

There was debate among club members over the various merits and shortcomings of different bikes. For prestige and image nothing beat a Harley, but having ridden on long trips with Rod I knew their vibration was butt numbing. They were also expensive, and, unless you were a bodybuilder, impossible to lift if you happened to take a spill. BMWs were favored by some. With a drive shaft instead of a chain, they were quieter and virtually vibration-free, and had a reputation for reliability. But they too were expensive.

Someone mentioned that there was a new entry into the American market from Italy, something called a Moto Guzzi. One of the local dealers had started to carry them. I checked them out, took one for a test drive, and was favorably impressed. Like the BMW they had a drive shaft which gave them a quieter, smoother ride. They were also significantly less expensive than a BMW. This, I decided, was the bike for me, but I had to figure out how to purchase it. I didn’t have the cash, and I hadn’t lived in Denver long enough to establish any kind of credit record. To my amazement, Tom, without my even asking, volunteered to co-sign a loan. The Guzzi was mine.


Ready to ride on my new Moto Guzzi.

During the five years I lived in Denver, the Rocky Mountaineers organized a number of motorcycle runs. Guys from other clubs, even from other states, rode in to participate. On one of these I met a couple of guys from Omaha, one of whom was really taken with my nipple piercings and asked me to pierce his. This was the first time I ever pierced someone else. We shopped around and found a couple of earrings that would work, and I got a nice new pushpin and a fresh wine bottle cork. Crude as it was, he braved the process and went back to Omaha with probably the first pair of pierced nipples anyone in that town had ever seen.

My pierced nipples were also an inspiration for Bud, though he wanted something different. One night on his own he did a piercing in the center of his chest just below the clavicle. The piercing looked really hot with an open-neck shirt. But, alas, it wasn’t destined to last. Bud had the piercing for about a year during which it healed and appeared to be permanent. Then suddenly, like many surface piercings, it started to migrate. The skin became thinner and thinner and within a few days time healed out. By then Bud had decided not to try again.

The downside of being one of the first guys around with pierced nipples was that many of the men I played with simply had no clue what to do with them. They tended to avoid them completely or treat them like the dials on a radio. It frequently became necessary to explain some of the finer points of nipple play.

Still, I got a lot of enjoyment from my piercings, enough, in fact, to begin thinking about piercing my dick. Like many men I had a thin web of tissue (the frenum) between the head of the penis and the shaft. I thought it would be really erotic to put a piercing through what seemed a natural placement.

I had a local jeweler make a small white gold ring with abutted ends, about 3/8″ in diameter and about 12 gauge. Unfortunately many white gold alloys are very stiff and can’t be annealed (softened) the way yellow gold can. Consequently the ring was extremely difficult to open and close and required two pair of heavily padded pliers to do the job. Still I somehow managed to do the piercing and insert and close the ring.

But the piercing wasn’t destined to last. Since I really knew nothing about the nature of these things, I had no idea that the placement was wrong. It’s also possible that there was something in the white gold alloy that my body didn’t like. At any rate within a matter of weeks the piercing began to enlarge. The ring was hanging by a thread of tissue. There was no way to save the piercing; even removing the ring couldn’t save it. Within days the thread broke and the piercing was gone.

A motorcycle is less than ideal as one’s sole mode of transportation in a place where winters can be severe. Bundled up in a snowmobile suit I managed as long as the streets weren’t too icy. In really bad weather I would catch a ride to work with Bud and Tom who worked in the same neighborhood. It was becoming clear I needed a car.

Though generally reliable, my Moto Guzzi had a minor problem, which came close to destroying it. The breather valve would occasionally stick open allowing the oil to be siphoned out of the engine. This happened on a long trip with a friend who didn’t notice when the oil light came on which resulted in a damaged crankshaft. Although I was able to have it repaired the bike never sounded the same and had more vibration.

I don’t think that riding a motorcycle is, in itself, terribly dangerous. The major danger comes from people in cars who either don’t see you or deliberately try to do you harm by doing things like try to run you off the road. When a fellow biker lost a leg in a freak motorcycle accident on the way to one of our club runs, my enthusiasm for my cycle began to wane. Shortly thereafter I sold the bike and used the money as a down payment on a Volkswagen.

By the late sixties and early seventies, the influence of the hippie movement was being felt throughout society. Changing the tense of a Bob Dylan lyric, “The times they were a changing.” Many people were trying to find some meaning in their lives and were exploring ways to better understand themselves. Of course they were also looking for quick and easy fixes. To meet the demand, all kinds of therapists and self-help gurus were coming out of the woodwork. The Beatles were doing Transcendental Meditation. Werner Erhard was raking it in with EST, “a hodgepodge of philosophical bits and pieces culled from the carcasses of existential philosophy, motivational psychology, Maxwell Maltz’s Psycho-cybernetics, Zen Buddhism, Alan Watts, Freud, Abraham Maslow, L. Ron Hubbard, Hinduism, Dale Carnegie, Norman Vincent Peale, P.T. Barnum, and anything else that Erhard’s intuition told him would work in the burgeoning Human Potential market.” If those weren’t to your liking, you could chose from Zen, Yoga, Scientology, Silva Mind Control, Krishna Consciousness — the possibilities were endless. Unfortunately for every sincere and legitimate visionary, there was a snake oil salesman waiting with outstretched hand to take your money.

Thus it should come as no surprise that I joined a gay encounter group. One night a guy named Victor got to talking about something revolutionary called Primal Therapy. I didn’t think much about it at the time, but shortly thereafter I was browsing in a bookstore and noticed a copy of The Primal Scream by Arthur Janov, the book about the therapy that Victor had been talking about. It looked interesting, so I bought it and read it.

Janov’s premise was that as children almost everyone shuts down emotionally rather than experience rejection and loss of love from their parents. This repressed emotion is then expressed in countless neurotic and even psychotic ways. The cure comes when a person gets in touch with and expresses those shut down feelings and no longer has to “act them out.”

The book recounted the almost miraculous experiences of a number of people who had been through the therapy. Within a matter of months they had supposedly undergone life-altering transformations.

Janov claimed that homosexuality could be cured with Primal Therapy. I had long ago come to terms with my sexuality and was quite comfortable with it, so I didn’t find this claim compelling. The thing that suckered me in was the glimmer of hope that here was something that might help relieve the chronic depression that had plagued me since childhood. Well, I’m nothing if not gullible. After all if this therapy could entice celebrities such as John Lennon and Yoko Ono, there much be something to it.

I sent my application to Janov’s Primal Institute in West Hollywood and flew there for an interview. Soon after I was notified that I had been accepted.

It was never my intent to stay in LA. I thought I would just take a leave of absence from my job for a few months and return to Denver a new man. It didn’t quite happen that way.

Right after Christmas, 1972, I flew to LA to start therapy. It soon became apparent that this was going to take longer than I had expected. I sent a letter to my boss explaining that I would need to be away from the job a while longer. I waited, but no response came. I returned to Colorado in February of 1973 to tie up some loose ends to discover he never received the letter. His wife who didn’t like me had intercepted it, and he, thinking I was not going to return, filled my position. There was no longer any urgency to return to Denver, so I packed up my VW and headed back to LA. Little did I realize that regardless of any therapeutic outcome, the direction of my life had changed.

Next: The Beginnings of the Modern Body Piercing Movement


Jim Ward is is one of the cofounders of body piercing as a public phenomena in his role both as owner of the original piercing studio Gauntlet and the original body modification magazine PFIQ, both long before BME staff had even entered highschool. He currently works as a designer in Calfornia where he lives with his partner.

Copyright © 2003 BME.com LLC. Requests to publish full, edited, or shortened versions must be confirmed in writing. For bibliographical purposes this article was first published September 12th, 2003 by BME.com LLC in Tweed, Ontario, Canada


Karen Romell is a Liar, a Sheep, and most of all, a Poor Excuse for a Journalist. [The Publisher’s Ring]


Karen Romell is a Liar, a Sheep, and most of all,
a Poor Excuse for a Journalist.


I am unable to understand how a man of honor could take a newspaper in his hands without a shudder of disgust.

Charles Baudelaire

“Journalist” — and I use the term loosely — Karen Romell is one more in a long line of authors filling the pages of the mainstream’s papers with lies and poor research masquerading as responsible journalism when they are in fact nothing more than shallowly hidden excuses to parade their personal prejudices and closed-mindedness in national and international forums. When I read

 
  

About this column


BME receives millions of hits daily and is ranked highly in the search engines. Body modification is a very popular and positive force in modern culture, yet still, a small, but very vocal and very hateful minority is able to use the mainstream press to slander this community. Enough is enough.

From now on any reporter that slanders body modification with bias risks having their journalism analysed here and revealed as the deceptive bigotry it is. As a result, because of BME’s power-of-volume, any time anyone types that reporter’s name into a search engine, these exposés will be a prominant link.

Karen Romell, enjoy your fame. Maybe next time you’ll consider telling the truth?

 

these articles so clearly distorted by personal hatred and fear, so far as to be dramatically factually incorrect it makes me doubt the veracity of anything I read in a paper so unprofessional as to not even do basic fact-checking that would instantly reveal writers like Karen Romell as the fraud that she is.

In late July of 2003, along with dozens of other interview requests (most of which were treated responsibly), I received the following note from Romell, asking for assistance in what she called a “research inquiry”:


"Would you be willing to give me some insight/ engage in dialogue? I want info and insight that's deeply thought-out and is accessible to people who are thoughtful but who aren't into the scene themselves, and that would include me."

I of course replied that I’d be glad to help, and directed her to the BME/News section of BME as well so she could get started. A few days later she emailed me eight question sets. If you’d like to see my full reply to her you can click here to see it, but from her questions it was clear that she was entering this with bias — her questions were not so much designed to research, but to find drop quotes to illustrate the assumptions that she’d already made prior to doing any research at all.

A month later the article was published in the Vancouver Sun, with the headline “This year’s modification”, accompanied by a years-old stock photo of a piercer who’d specifically demanded not to be involved in the article in any way. The second headline, screaming across the top of the second page read, “Why do they do it? ‘They’re all sick freaks’”

I think the easiest thing to do might be to break down this article start to finish, illustrating that it’s nothing but a collection of false assumptions, misquotes, and poor research… and when you strip away the lies, all you’re left with is the hatred and fear of a closed-minded and immature author: Karen Romell. What’s sad though, is in the process Romell appears to reveal the true source of her hatred for the individualism in body modification: her own pathetic inability to do so, and in recognizing her shortcomings, instead of trying to improve herself, she instead chooses to attack her betters. She writes,


Just before my 18th birthday, I almost got a tattoo ... to declare that I was unique, individual, interesting. Thinking about that close call today induces one of those brow-mopping moments when you realize how close you came to altering your destiny in potentially regrettable ways. Had I followed through on that impulse, right now I'd be just another fortysomething gal with a rose on her shoulder. Not unique, and certainly not fashionable.

The sad thing she didn’t realize at the time is that getting a tattoo doesn’t make you “unique”. You can’t just make yourself unique through a purchase — you are either capable of individual thought or you’re not. Certainly unique people do get tattoos as a symptom thereof, but her problem was that she was a “non-unique” person whose creativity ended at wanting “a rose on her shoulder”, which instead of being a mark of individuality, would have been a mark of a desperate person forever branded as a conformist. Her sadness at realizing this was her destiny shines through this article, and she takes out her anger on those who, instead of choosing the rose tattoo, instead chose custom tattoos and their own expression of self, rather than a mass-marketed one — she attempts to invalidate their successful acts of individuality by superimposing her own failed acts.

She goes on to make derisive comments about anything body modification related, referring to it as “slumming” and “unwholesome”, and attempts to illustrate it with her poorly researched (and thus incorrect) drivel, beginning with referring to Pamela Anderson’s “Celtic-armband”, which is in reality a barbed wire tattoo that she got while starring in the movie Barb Wire — not particularly “Celtic”, and not particularly difficult to confirm given its pop culture prominance. She goes on to claim that “Australian aboriginals” induced “severe nosebleeds” as a ritual act — I have no idea where she got this idea, but it’s a delusion that even the most basic of research would have discredited.

She then claims that of all human activities short of sexuality, nothing is more “fraught with cultural baggage” than body modification, a patently ludicrous statement — is she seriously suggesting that it’s a more charged issue than, say, religion? She also claims that body modification is a youth practice when in fact it thoroughly penetrates all demographics, and in the West was popularized first by older men and women and then adopted by the young. She goes on to claim that tongue splitting sources from “young adults … falling over themselves to up the ante” — a claim that’s also not backed up by any research or observation, given that in all of BME’s documentation (which the author had access to), tongue splitting is far less common in “young adults” than in mature individuals.

In fact, according to BME’s research (which has been publicly released), tongue splitting is extremely rare in young adults and is all-but limited to older, more experienced modified people. Of the 134 people BME interviewed with split tongues, only one was under eighteen (they were seventeen). Not only that, but BME’s polling showed well over 700 people who said they desired the procedure in the future, with only about 10% of these being under the age of eighteen.

She goes on to describe the procedure — punctuated by her interjection “Ick” — as being split using a tie-off method. She names no other methods even though she was informed that this method was uncommon and not recommended — it would be like saying that people get to work by electric wheelchair and not mentioning that most people are not handicapped and walk, drive, or take transit. She mentions (and misrepresents) Illinois’ recent tongue splitting legislation, and then goes on to claim that Tennessee is doing the same… At this point in the article (still on the first page), I began asking myself — is she just making this stuff up? While other states (Texas for example) have done so, Tennessee has proposed no such legislation, and again, even the most basic of fact checking would have confirmed this.

After this lie, she asks,


Why do they do it? (When I told people I was writing this article, the response of many wasn't even mild curiosity — it was "Well, they do it because they're sick freaks.")

She offers no retort to this, and the paper even runs that slander as a headline. Little attempt is made to present anything other than a biased, one-sided opinion, even though she was given volumes of information answering this question by BME. I’d like to quote from the deceitful letter she wrote me when she was looking for information:


"My intent isn't to do something superficial or sensational. I want to address the subject as intelligently and rigourously as I can, and obviously this includes communicating with people who are in the scene. My thesis isn't, 'Look at this, isn't it freaky'."

She goes on in the article to say that any attempts to speak to the modified are “to say the least, challenging”, and that the prevailing stance is a “prickly up-yours” attitude — she both characterizes us as angry freaks, while degrading us as taking part in nothing more than “a banal birthday-party activity for bored teenagers”. After describing failed attempts to find “an elusive individual named ‘Six’” (presumably also known as the easy to find individual named “Syx”, who works at the studio “Anatomic Body” in Vancouver), she describes meeting Fogg, who she clearly has more sympathy for solely due to his age… but still, she reveals her underlying prejudices in her opening statement,


"Fogg wasn't the Jim Rose Circus main-stage attraction I was expecting."

Oh, so you don’t think we’re freaks?

She goes on to describe the day as “blindingly bright” and mentions that this “blinding” light made Fogg squint — which seems rather obvious, yet she still seizes the opportunity to throw in a meaningless insult, writing, “he looks like a guy who doesn’t get a lot of UV.” Fogg tells her about his training by Fakir Musafar, who Romell describes as being to “the BM [body modification] culture what Carlos Castaneda was to peyote”. Romell seems to excel at dropping cultural references that she does not understand — given that Castaneda is largely considered to be a fraud and a con artist, this is a deeply insulting metaphor.

When Fogg tells her that fashion is of course in the eye of the beholder (which given the fact that different cultures embrace different ideals should be fairly obvious), Romell describes his reply as “disingenuous”, implying that he’s somehow hiding the truth from her. After claiming that she “pressed him”, he “admitted” that he won’t do some procedures such as tongue splitting — you know what? I’m sure he doesn’t do breast implants either, and I suspect he also doesn’t sing opera. Does that somehow invalidate those acts? Of course not.

Karen Romell goes on to tell her version of modern body modification history, a ridiculous tale without any merit or credibility. I have no idea if she just made it all up hoping no one would notice, or if she has horrible research skills, but again, basic fact-checking would have instantly debunked her story. She starts with Fakir Musafar, who she claimed “happened upon body modification in 1967″, and later wrote the book Modern Primitives. Of course, in the true version, Fakir was involved in body modification much earlier (Romell was directed by BME to photos from 1948 of Fakir with piercings) and Fakir is only interviewed in Modern Primitives along with many others — all Romell would have had to do to realize this is type the book into Amazon.com, which lists the actual author, V. Vale.

She makes the claim that body modification was earlier the realm of circus and sideshow in the West, calling this culture “grotesque”. In actual fact, body modification started in the West as an aristocratic movement due to wealthy individuals interest in the new cultures being discovered in Polynesia and so on — tattoos were popular; even Winston Churchill’s mother had a dragon tattooed around her wrist. British royalty was said to have genital piercings, and nipple rings were not uncommon for Victorian women, and before them, Germanic royalty documented as far back as the 16th century.

She then states that criminal groups co-opted body modification, taking over acts such as finger removal, establishing “the link between body modification and the shady, unsavory, and unhealthy.” Of course, again her statement has little relation to fact — finger amputation (yubitsume), practiced by the Japanese Yakuza far pre-dates any such interests from the body modification community. In fact, it dates back to a prior criminal culture, the Bakuto, in the 1700s. BME provided Romell with all of this information — apparently she chose to ignore it, instead opting to simply make stuff up, and for whatever reason the Vancouver Sun does not adequately fact check its articles.

Next Karen Romell gives her ludicrous take on what she calls the “subterranean diaspora” of online body modification, which she characterizes as being “mindnumbing” and riddled with “feral human faces” and “creepy clowns”. She follows this by making a series of medical claims which have about as much validity as her historical claims, beginning with the statement that health professionals refer to extreme body modification as “appearance anomalies” — which is neither a technical term nor one that has appeared in any volume of papers. Again, basic research easily confirms this. She goes on to make the claim that there is “much discussion in psychological and psychiatric literature” of extreme body modification (which is of course patently false), and claims that it is “symptomatic of OCD and schizophrenia” — an offensive statement that she offers no evidence for, as there never have been studies drawing such a link.

The fact that Karen Romell would fabricate claims of scientific research in order to perpetrate her hatred and fears is very sad, and it’s even sadder that a mainstream newspaper would fall prey to such an obvious deception. She implies that the modified do it to “get off on the pain” and says that studies have linked body modification to low self-esteem (when in fact the study she refers to makes the claim in reverse, suggesting that low self-esteem can draw people to body modification as a healing device, not that body modification is indicative of low self-esteem) — it’s a classic logical fallacy. She makes this error with a number of researchers, and then comes across Dr. Armando Favazza.

Favazza’s statements are brushed off, even though he is careful to point out that the problems are only in “a very small number of people” and that for the vast majority body modification is a healthy and positive activity. She then quotes an experience from BME about a man describing the role that suspension and body modification have had in his life. Even though the story is uplifting and describes immense personal growth, Romell decides to quote only a few disparaging lines, and goes on to unfairly and hatefully characterize the author as an obese man unable to maintain a personal relationship, thus driven to these rituals.

She then again claims that body modification, “particularly of the more extreme variety”, have been linked to “higher anxiety levels” and “psychopathy” such as “torturing the cat”, which, again, is simply made up on her part. She’s lying with these claims, and her occasional interjections that the links are “correlational, not casual” is no better than spending an hour misleading someone and occasionally whispering, “just so you know, I’m misrepresenting everything I’m saying.”

Romell then describes her conversation with me as “icy” (not surprising given that she asked me a series of leading questions trying to get me to comment that “pain” and “shock value” were the norms — rather than actually trying to learn something to write an accurate article), writing,


How about, how are you positioned vis-a-vis mainstream society? I assume you're not working at Starbucks. "Well," Larratt responded testily, "Starbucks won't hire people with piercings, so instead I formed my own IVR (interactive voice response) corporation. As a result, I've got a net worth in the millions and two porsches sitting in my driveway — those people at Starbucks who refuse to hire people like me can kiss my ass."

Apparently working a minimum wage service job is something to strive for? I suppose it’s better than being a professional liar, right? It is interesting to note that she has added the word “ass” when I actually wrote “a**”. It is further interesting to note that, typical to her misrepresentation, she truncated my reply, removing perhaps the most important part, as follows,


"I'd also like to point out that 60% of entrepreneurs are highschool dropouts. When you exclude people from a system, instead of becoming 'failures', many choose instead to create their own new system, and often this new system is superior to the mainstream one."

She goes on to claim that “you drastically limit your employability if your tongue is divided in two”. Now, I can’t think of any jobs that I’d want that would require my tongue to be constantly outside of my mouth — which is the only way someone will notice a split tongue. Perhaps a writer of Romell’s caliber has to use her tongue a lot more visibly than most in order to keep her job, but tongue splitting is no more going to limit one’s employability than genital piercing.

She goes to describe Eric (I guess she means Erik, but again, fact checking is just not her strong point) Sprague, as a man “obsessively pursuing his desire to become a human lizard” — again, is she just making stuff up? Does she do no research whatsoever? While this is a common misconception, Erik has published interview after interview and said on TV over and over that this simply is not the case.

This is getting long, and I’ve only touched on the surface of Romell’s irresponsible and unprofessional journalism, but I think I’ll quickly fast foward to her conclusion, where she writes that,


...in 50 years time, [this generation of pierced and tattooed "fashionistas" will] all be as hopelessly demographically branded by virtue of their various piercings and tattoos ... as I would have been had I had that rose tattooed on my shoulder.

She fails to realize (or perhaps fails to publicly admit) that there is an enormous distance from individual and unique forms of expression as compared with her desire to be “stamped” with a mass produced icon. She goes on to inaccurately (surprise, surprise) quote an I Love Lucy episode to attempt to illustrate her point.


Given the way our culture works — a kind of warp-drive factory of ideas and trends that seems to speed up faster than the cream-puff conveyor belt on that classic I Love Lucy episode — body modification may lose its cool as quickly as platform shoes did.

First of all, there never was an I Love Lucy episode with “cream-puffs” on a conveyor belt — I assume she’s thinking of Job Switching, the episode where Lucy and Ethel land jobs at Kramer’s Kandy Kitchen. Their job is not to make cream-puffs, but to package candies coming down a conveyor belt, and because they’re coming too fast they have to stuff them in their mouths. Given that this is one of Lucy’s favorite episodes and one of the most famous, it’s really just shoddy journalism to get basic facts like this wrong.

In addition, platform shoes are a trend that lasted only a few years and had virtually no cultural penetration in relative terms. Body modification on the other hand has twenty to fifty years of mainstream modern history (at least), with tens of thousands of years of larger human history behind it. Not only that, but its saturation level is hugely higher than platform shoes, and it spans all demographics. To suggest body modification is going anywhere because of an observation on platform shoes is, for lack of a better word, moronic.

Finally, she finishes her article by erroneously quoting me as saying,


"Death to body modification, long live body modification!"

Unfortunately I’ve simply never said that. It is true that the tagline on my personal email is (as many of you know), “Death to BME, Long live BME!” which obviously is a takeoff on “The king is dead, long live the king”, as a reference to BME’s roughly yearly redesigning and improvement of itself — and the need to consciously do so. It’s not as if it’s an unusual phrase. It has of course been used in Britain throughout the monarchy, and in America has been applied to all sorts of pop culture issues, most obviously Elvis.

Ignoring the strange shift in meaning she’s added to it, saying that I said that quote would be no more accurate than transliterating “the Vancouver Sun is full of morons” into “Vancouver is full of morons”. While I am beginning to believe the first statement may be true, that does not pass any validity to the second. You know, I don’t mind when an unfriendly article is published, but I’ve got a big problem with it being done to mask ignorance and poor journalism.

Karen Romell, and other reporters that use such shoddy journalism as an excuse to subvert big media into weapons of bigotry and stupidity should be ashamed of themselves, and the papers that allow it to happen need to seriously consider raising their professional standards.

Sincerely,

Shannon Larratt
BME.com


Lucifire – Queen of “Grotesque Burlesque” [Guest Column]

Lucifire
Queen of “Grotesque Burlesque”
by Danielle Clark

"Creative work is play. It is free speculation using materials of one's chosen form."

– Stephen Nachmanovitch

Sideshows play an important part in body modification culture. They not only give the “common folk” a way to interact with the modified in a positive manner but they also allow people to expand their definition of what a person is and how humans should be able to act. However, they seem to be dominated by males: Tim Cridland (The Torture King), Eric Sprague (The Lizardman), Paul Lawrence (The Enigma), Joseph Hermann (Mr. Lifto), and so on. Today we introduce to you someone you likely haven’t heard of before; a multi-talented sideshow performer, a singer, a fire breathing, scissor masturbating, blood letting, crotch grinding and incredibly captivating female performer — Lucifire.

Working primarily out of the UK, Luci has taken the sideshow world by storm. She offers a fresh look into the darkly entertaining modified stage performer all wrapped up in a stunning package. She offers what can only be described as “Grotesque Burlesque” — a show guaranteed to tantalize.


Danielle/BME: Can you give a little background on you, where you grew up, and your family life?

Lucifire — fire breathing.Lucifire: I grew up in the middle of Scotland, out in the sticks. We moved around a fair bit when I was a kid, we lived in Dundee, then in an artist’s commune in a fishing village on the west coast of Scotland, then a few other places before settling in Carron Valley. It was seven miles to the nearest bus stop and my next-door neighbour on one side was a half a mile away. I guess I had too much time to myself. I didn’t mix much with kids my own age because there weren’t many around. I spent a lot of time in the company of adults and animals. My parents were both very artistic and well educated and encouraged me to be creative and freethinking. I was always the quiet one at the back of the class with my nose buried in a book, a shy retiring wallflower that drew weird pictures and wrote strange stories.

My parents split up when I was five but I’ve always stayed in touch with my dad. I absolutely adore him and respect him as an artist and a human being. I don’t know anyone else with as much integrity. He lives in the Caribbean now with his girlfriend of fifteen years and I love going to see them. He plays music there and helps locals to record their own music.

My mum remarried and her new husband was wonderful too. He treated my half sister (his daughter) and me totally equally and fairly, with a lot of love. I think he wished he had a son though; he bought me my first motorbike when I was twelve and never treated me as a girl. I spent a lot of happy times with him in the garage. Nowadays I spend a lot of happy times with him in the pub.

I see a lot of my sister and although my mum and I don’t see much of each other we get on well. All of my family is very proud of me and support me in what I do.

Danielle/BME: You had an interesting childhood, very open and with great creative influences in your parents and stepparent — in what ways did they help to influence and encourage you to the way you are today and the career path you ultimately chose?

Lucifire: My dad was a community artist, setting up music and arts projects for kids, pensioners, the unemployed and anyone else that was interested. I’ve always been so amazed how my dad seems to know how to build anything. He has a wonderful combination of artistic and mathematical abilities. He bought me a keyboard and a computer when I was very young and taught me a lot about art and science and how they can combine. He showed me how to do graphics on a computer when I was a kid in the early eighties; as well as showing me how to build sculptures and taking me on his band’s gigs. I clearly remember being at gigs and hiding under the piano while he played and dodging his feet as he stomped, keeping time. When I first learned to breathe fire I told him proudly but he said, “Yeah, I used to do that but I can’t anymore because of my beard”. What an anticlimax, I thought he was going to be shocked or amazed. He’s a real big kid at heart. My dad and I both had Mohican haircuts at the same time, and I shaved my head for the first time around at his house with his clippers.

My mother was a photographer that used to dress me up in silly outfits and take pictures. She helped me make lots of amazing fancy dress costumes. Also, because we lived in isolation she would stay up until the middle of the night talking to me about art, politics and humanity.

My step-dad is how I described above.

However, both my parents being artists, they encouraged me not to go into the arts professionally. They could see I had an aptitude for science and encouraged that instead. They wanted me to get a stable career and not have to struggle the way they did. When I finally changed direction and they could see my mind was made up they were totally supportive.

Danielle/BME: It seems that most sideshow performers are well-educated and often quite worldly and willing to experiment and explore different venues. What education have you undertaken and in what areas?

Lucifire: I was always top of my class in school, to such an extent that I was always the unpopular “geek” or brainy swot. I didn’t really study much and even deliberately did worse in some tests in an attempt to make more friends. I wanted to study veterinary medicine so I studied sciences, math, English and Latin at school and upon passing with flying colours was accepted on to a vet med course on condition that I take a year out first (as they thought I was too young).

During my year out I started studying art and dance and was smitten. However I also left home and needed a job so I used my science background to get a chemistry job where I was sent on day release to study a national certificate in chemistry. I left that job when I was accepted to do a foundation dance course in Dundee. After that I had to leave Scotland to pursue dance training at the best institute the UK had to offer (in my opinion at the time) completing a contemporary dance degree at London Contemporary Dance School. Since then I’ve done several bits n’ pieces, including a B-Tec in fireworks and one in pyrotechnics. Oh, and I am a First Aid Medic and qualified Padi Rescue Diver.

Danielle/BME: You are truly well educated for the field you’ve finally chosen. What did you do career-wise before starting to perform?

Lucifire: Well, there was the previously mentioned flirtation with role of research chemist, working for United Distillers. I got to spend every day tinkering with vials of alcohol wearing a white lab coat with my thigh length stiletto boots peeking out the bottom. Hell, I was still a teenager and it made the day more exciting. Before that I even did a YTS (remember them?) at the local museum for a couple of months. I worked in a shop in Camden lacing customers into corsets while I was a student and busked breathing fire on the streets of London.

Danielle/BME: You have had quite a varied work history; though all with an underlying theme it seems. Is there something that people are generally surprised to hear that you have done in your past for instance that you had worked as a research chemist for a time to help fund your way through dance school?

Lucifire: The research chemist is always a bit surprising, but even more surprising I think is that I presented a GSCE chemistry programme for schools. They wanted a presenter that could breathe fire (the programmes were about elements and the periodic table) and when they realised I knew my shit they hired me instantly. Was kinda fun, mostly because I get to think about these teenage kids watching me on the TV at school talking about the periodic table and wondering if they can tell about my secret evil double life. In reality, kid’s TV presenting is probably more of a secret double life than my “normal” one which I hide from no one.

Danielle/BME: You’ve since branched out of “normal” careers and settled into being a sideshow performer and general stage artist. Some of the work you do on stage with your “Grotesque Burlesque” features involves body modification. What was your first exposure to body modification in the personal and entertainment sense?

Lucifire: Well that depends on what you count as body modification. I insisted that I get my ears pierced when I was five. My mum had a total of about nine piercings in her ears and I wanted some. After a nose piercing and countless ear piercings my first proper piercing was a tongue piercing about ten years ago, after I saw a friend’s tongue piercing. I’d never even heard of it before. After that I was hooked. As far as entertainment goes, I think the first body mod show I saw was Genitorturers at torture garden, probably about the same time. I’m not even sure how long I’ve been using piercing etc in my own shows, several years at least.

Danielle/BME: What body modifications do you currently have?

Lucifire: Stock take: piercings: three in my left ear, five in my right ear, one in my nose, a top lip frenulum thingy (which has been there for at least six years by the way), a 4ga tongue bar, a left nipple piercing and two in my right, a navel piercing, two clit hood piercings and one in the clit itself (I’ve have had several more done but taken out for aesthetic or practical reasons).

I have a scarification of my Lucifire logo on my pubic area — done a few times but I don’t keloid as well as I’d like. That was done by Dave at Tusk Tattoo. He is a very talented artist and a wonderful person. I have countless work or fun related burns and scars.

I have no ink! I have had an inkless tattoo done by Katzen the Tiger Lady on a day off on tour but it has disappeared now… lasted a good few months though. I have a drawing of a beautiful octopus tattoo that I’m going to have done very soon…inkless again, done by Dave from Tusk (again). Ink is just not my thing but I quite enjoyed the feeling and the ritual of being tattooed.

Compared to a lot of my friends and colleagues I really am quite mod-free.

Danielle/BME: Though I’m sure it has been a long time, do you recall what your first exposure to performance art, in a similar fashion to what you do, was?

Lucifire: I saw a lot of weird theatre performance stuff when I was studying dance but the first full on performance art piece I really remember seeing was a show by Franko B (see our previous column) about eight years ago in London, in a little space upstairs on Tottenham court road. I remember thinking it was an amazing idea but too slow paced for my own taste. I love Franko’s stuff though but I always want to speed him up. What really got to me was seeing someone bleed slowly in front of me. Blood represents life force to me; it is quite intense to see someone’s life leaking away into a puddle on the floor.

Danielle/BME: That is quite a powerful image. You use a lot of blood in your own acts; I can definitely see the parallel. What made you want to meld the two (body modification and performance art) for your personal acts?

Lucifire: I’m a bit of an adrenaline junkie. I’m not afraid of blood and I love its symbolism. I love making shows, especially shows that affect people deeply and strongly. There’s no better praise than a few fainters or vomiters, which means that the combination of reality overload and theatrical elaboration has done its job. I love the adrenaline of performance — couple that with doing scary stuff on stage and you get a double hit… yee-ha!

Danielle/BME: You regularly engage in acts such as play piercing, bloodletting, and the like on stage — do you also enjoy these activities privately or are they only for the show?

Lucifire: I do these things on stage because I have a fascination for them. Blood is a powerful symbol and I like to use it on stage and although I’ve done a fair bit in my personal life, I’m such an exhibitionist that it seems a shame to not share it with an audience. My first suspension was done privately but I did my first public one recently.

Danielle/BME: While doing these more extreme acts such as play piercing, masturbation with scissors, bloodletting, and general blood play are you ever concerned about cross contamination?

Lucifire: I’m absolutely terrified of cross contamination. I always go to extreme lengths to ensure that any real blood used in a show is carefully contained and that no cross contamination occurs. This is especially hard when you have to make it not dictate or spoil the form of a show or it’s narrative. The end result makes it worthwhile though.

All equipment is sterile and we always perform completely sober and straight. The lunacy you see on stage is all natural. Despite all that I still get myself tested regularly. You can’t be too careful. The bugger is that I can’t give blood anymore; they won’t take your blood if you’ve been pierced within the past six months, and I really have no problem with giving some away. Actually I thought about becoming a phlebotomist (person that takes blood) myself, to hone my blood taking skills.

 

Masturbating with Scissors and Blootletting

 

Danielle/BME: You have a world of experience in so many different areas. You are not just a stage performer but also an artist as well. You are in a band, you do photography, and you are naturally a model for your own website and your new project Scarlet Mews. Regarding art and art forms, you recently asked at your online journal, “What is the difference between art, erotica and pornography?” How do you yourself define the differences?

Lucifire: Well, that’s a big ole can of worms. Although there are legal definitions, generally I think it’s quite subjective. British law defines pornography as an erect penis or open vulva. Generally I’d agree with that. I think it also mentions something about “designed specifically to cause sexual arousal”. If there’s more than just that intention then it’s possibly crossing into erotica or art.

For myself I see pornography as being quite obvious, direct and often not very beautiful. My idea of erotica is something less direct where suggestion and sensuality and beauty are the overriding concerns. I would see art as being more concerned with the message or medium rather than arousal. It’s all very muddy and one person’s art may be someone else’s pornography. I think erotica lies somewhere in the middle. I would be happy to show and discuss art or erotica with my parents; I would feel uncomfortable doing the same with pornography.

Danielle/BME: Your current look could be described as both artistic and erotic. You used to have quite a different look from what you have now. What triggered the dramatic transformation to über-femme and how has it changed how your audiences receive you?

Lucifire: I didn’t see my transformation as all that dramatic, it happened over a period of time. When I was younger I was a raging killer feminist. I had a lot to prove about female strength, independence and ability. Tank Girl was my teen idol, along with Ripley from Alien.

Over the years I would sometimes get into fancy dress as a “girl” just for a laugh. I did it more and more and got to like it. I was also getting quite heavily into the swing scene and loved the fashion. I had less to prove about my own strength and found it was even more subversive to look like an “über-femme” but do really hardcore things. It messes with people’s heads but is also more accessible.Luci

“Straight” audiences will accept you easier if you look sweet n’ pretty but they find it harder to reconcile what you look like with what you do. It’s easy to understand and dismiss a butch girl doing butch or scary stuff; I love confusing them and breaking their preconceptions. If I can make someone question their stereotypes I’ve done a great job.

I looked like a baby Tank Girl for years and years. I had a shaved head with 2 little red horns, wore ripped tight shorts n’ braces, little bra tops and big bike boots. Most of my clothes came from army surplus stores.

Nowadays most of my clothing comes from vintage shops or I make myself from vintage patterns. I have shoulder length hair that is usually set in 40′s styles with rollers. I find it highly amusing that I am so granny-like, stocking up on setting lotion and gin. My hair is still bright fire red though and I still have my piercings. I am not trying to step back in time, just drag the 40′s and 50′s kicking and screaming into my world.

Danielle/BME: You seem to incorporate an element of sexuality into all facets of your art, from your onstage performances to the photographic sessions you in which you are the subject. Why is this?

Lucifire: I am fascinated by sexuality, gender, and what is deemed acceptable or arousing. I admit I’ve traded heavily on sex in my career for a couple of reasons; I am a very sexual person and can’t think of a more exciting and universal subject matter — it is easier to get into people’s heads and have them accept what you are doing if they find you sexually attractive. It messes with their heads when you are both sexy and repulsive at the same time, hence my term “Grotesque Burlesque”.

Sex is a great leveler in life. Almost everyone wants it, although I’ve discovered not many people are obsessed with it as I am. It’s been a big problem in my love life, finding someone or some two/three with an appetite to match mine.

Danielle/BME: Scarlet Mews is a new project of yours. What influenced you to get into producing erotica for the sake of art and erotica (as opposed to being erotic in your performance)?

Lucifire: I think this is just my most recent exploration into sexuality. I’ve reached a point where I feel comfortable in accepting my obsession with sex and have found a way to not only make it a business, but a business that allows me to flex a lot of creative muscles at the same time. Scarlet Mews will not just be a bunch of dirty pictures, but artfully and cleverly designed photo and video shoots as well as short stories and poetry. It encompasses all the arts (except music, at this stage I’ll save that for my band). I’m always looking for new projects; this is my current one.

Danielle/BME: I’m looking forward to seeing it advance. From the photos that are there of you, and those at your personal site one can easily see that you are in phenomenal physical shape; naturally this is necessary for your work. Do you do any special training to stay in top condition?

Lucifire: I go through phases of exercising. I trained as a dancer full time for several years so that got me into good shape then, the constant lugging of heavy cases and bags of kit (steel plates and power tools are pretty heavy you know), over the years I’ve done kickboxing, capoiera, yoga and lots of gym training, even the odd ballet class just to keep myself on top of things. At the moment pretty much all my training is sexcercise, there just aren’t enough hours in the day!

Danielle/BME: I hear that in itself can be phenomenal exercise. I can imagine that some of your stage work requires you to have a calm and clear mind. Do you engage in any form of meditation or centering activities to help you to focus better both in your personal life and in your performances?

Lucifire: The nearest I get to meditation is writing lists, I do that almost religiously and it makes me feel relaxed and that everything is under control.

Danielle/BME: I’m glad to hear I’m not the only one who does that. It definitely helps to ease one’s worries. You’ve done a variety of different acts both on and off the stage; what’s the scariest thing you have done during a performance?

Lucifire: Every new show is terrifying, especially when there are other people in the show and we need to co-ordinate. Every time I try a stunt for the first time it’s scary but that usually passes quickly. Singing on stage the first few times was probably more terrifying for me than any stunt. The thing that still scares me is sticking a needle into my vein in my arm and draining it. It’s the psychological thing of messing with veins that’s scary, I’ve had a bad haematoma from it before and it scared me, thinking I was going to get collapsed veins or something. Stupid I know, junkies do it all the time and they’re not always in top mental form. I think it’s a mental barrier.

Another scary thing is when you come off stage and you have no idea what you just did because you were so transported by the moment, sometimes I can hardly even speak. This is particularly scary when you have injuries and you don’t know how or when. These are special occasions and I treasure them — these are the shows that keep me going, the reason I started and the reason I continue.

Danielle/BME: You must have quite a few stories to tell.

Lucifire: I remember one time being on tour with Killing Joke and suddenly being aware of where I was and what I was doing. I was at an outdoor rock festival in Belgium I think, the sun was shining and it was nearing the end of their set and I’d climbed up the lighting truss at the side of the stage with a mouthful of fuel and a lit torch, I was painted bright blue and wearing just a small loincloth, thirty feet up in the air hanging upside down from just the back of one knee, breathing fire. I was suddenly shocked by the fact I was there and how stupidly dangerous it was… for so many reasons. I loved that tour.

Danielle/BME: That sounds amazing. Though not quite exactly the same there are other artists who do similar work; Steve-O (see our interview with Steve-O from earlier this year), Eric Sprague (The Lizardman), and Tim Cridland (The Torture King) being just a few of those. Are you familiar with them and what do you think of the work that they do?

Lucifire: I’ve never seen any of the above mentioned live but I’ve seen them all on TV and met Lizardman briefly and Tim. I think Tim does amazing stunts. His Sufi training and his dedication has enabled him to do the most incredible piercing shows… not just piercing the skin but right through the middle of limbs.

Danielle/BME: It’s amazing stuff. Considering all you’ve seen and done thus far is there much that you are still curious about that you have seen and want to try?

Lucifire: Bungee jumping, parachuting, having kids, running my new website, bigger shows… everything I haven’t done yet.

Danielle/BME: What performances have you seen that you admire, but that you yourself would be hesitant to do?

Lucifire: Sword swallowing (I tried but didn’t like it, too much gagging), contortion such as Daniel Browning Smith (the Rubber Boy — because he’s an amazing performer, but also I just couldn’t ever physically do what he does), Tom Comet’s shows where he catches a bowling ball on his face, balances a running lawnmower on his upper lip and juggles chainsaws. Tim Cridland’s piercing shows.

Danielle/BME: At the time I sent this interview to you, you hadn’t yet experienced flesh-hook suspension. Now that you have what do you think about it and how has it changed you?

Lucifire: I did a suspension on a day off during the first “modern primitives” tour. John Kamikaze was doing a two-hook suspension every night in the show and was joking around with some of the other guys about them doing it. I wasn’t going to let an opportunity like that go by so I got him to string me up on a day off. It was just for fun, only a couple of friends were there and I used eight hooks instead of two, since I was just a beginner. I stayed up for about half an hour and it was a really amazing experience, feeling the waves of pain wash over me. It doesn’t so much hurt, as throb and pulse in waves. Hard to describe and very intense, not something I’d want to do everyday but I knew I’d definitely do it again.

Danielle/BME: That sounds familiar, most people who do suspensions can’t quite describe the sensations afterwards but they pretty much always want to give it another go. You did another suspension recently — however this time you decided to do it publicly. How was that for you?

Suspension.Lucifire: The one I did recently was at the Metal Hammer Awards where I did an upright suspension from six-hooks, once more by Dave Tusk (can you guess yet?). It was all over a bit too quick — I didn’t want to come down. I did a “strung-up pin-up”. I was dressed in a sumptuous sequined burlesque outfit, dripping in diamantes, corseted and wearing glittering high heels. The suspension rig was decked out in white flowers and as the hooks were put in I posed sweetly and sang “I’ve got you under my skin”. The problem I have with a lot of “body art” acts, is that they take too long and lose their impact on the crowd and become self indulgent. It’s hard to find a way of presenting it quickly and powerfully. Allen Falkner of TSD is a master of that but his style is his own and would not work for me so I’m trying to develop this new strung up pin up style.

Danielle/BME: That sounds amazing — you can definitely put on an eye-catching show. Considering some of the other acts you do on stage I can’t see a flesh suspension as being your most “out there” and controversial act, however Miss Bathory, Rosemary’s Baby, and the Siamese Twins definitely come to mind. What would you consider your most controversial act?

Lucifire: I don’t consider anything I do as being very “out there”, every thing has come into existence through an organic process; it all makes perfect sense to me because I know the background.

Miss Bathory was very disturbing for the audience though. Xena’s (The Warrior Princess) stuntwoman was in the front row and passed out in the first five-minutes — that was a real compliment. A lot of our friends were so disturbed by it they had to leave halfway, and others wanted to “rescue” us. I think that was because, as well as all the blood play, the Floating in a tank of blood.characters were all very disturbed women.

Rosemary’s baby was just a tribute to a film, although quite a gory and fun one.

As for the Siamese twins, I adore them. I love the characters and I love the show. Whenever I see them on video I still laugh out loud. That’s quite something when you created them and know them inside out. The show is so funny that it doesn’t seem harmful to me at all. Although I am not a “born freak” I feel the show was made very sympathetically, and I’ve worked in the Freakshow business for long enough to respect others’ conditions. It was not only a show about freaks and how we perceive them, but a metaphor for living with an incompatible other half, whether that is a sibling, lover, or your own darker side. That’s if you can be bothered to think about it, otherwise it’s just a grotesque comedy.

Then again, masturbating a girl with a pair of scissors on stage until her eyes bleed I guess could be seen as a little “out there”!

Danielle/BME: I could definitely see that as being considered a little bizarre. With all of these acts you play with the very real risk of extreme physical deformity, injury, and death. I assume that you are relatively at peace with the idea of death. Despite that, you must have some tangible fears?

Lucifire: Regrets, finding out that I missed out on something, being old and wishing I had the courage to follow my dreams.

Danielle/BME: I think many people share those fears. Despite how they may look, your performances aren’t about causing you pain — how would you define the acts that you do and why you do them?

Lucifire: I do what I do to entertain and to ask questions. I don’t have all the answers. That’s why I ask them. I want to show people new things and new ways of thinking; I want to point out the wonder of the human body and what it can do, and of course because it gives me a buzz.

Danielle/BME: If you can’t enjoy it there’s no point in doing it. When your performance time is up, do you have a retirement plan or another career you will pursue?

Lucifire: I’ll think of something, and it will be the right thing because it will result out of who I have become. I will not be the same person in ten years time, so how can I decide what that person will do?

Danielle/BME: That’s a good point. I’m sure twenty years ago you didn’t see yourself where you are now. Eventually, as morbid as this is, you will die — do you have any special requests for when that happens?

Lucifire: When I die I want to be cremated and have my ashes put into a firework so I can be exploded over the sky. I think that would be very in keeping with my life and everyone close to me adores fireworks and explosives, I think it would be a fitting end.

Danielle/BME: What do you want people to say about you when you die?

Lucifire: That I had a good life and I was a good person.

Danielle/BME: I can’t see them saying otherwise. You have been great to get to know and I definitely wish you the best in your future endeavors. Thank you so much for taking the time to complete this interview with me. For the reading audience as a recap, what types of events do you entertain at and how can an interested person book you for an event or get ahold of you?

Lucifire: I do a lot of shows at fetish events, gay clubs, artsy or alternative cabarets, tattoo conventions and private parties. Anyone interested in booking me can contact me at [email protected].


Lucifire.com

Note that Lucifire does not limit herself to the UK or Scotland, she has performed all around the world. Find out more about her at her personal website Lucifire.com, her online livejournal, or her newest site Scarlet Mews.



Luci was interviewed by Danielle Clark (iam:Vanilla) through a series of e-mail correspondence. All photos are copyright protected and owned by Lucifire.


Copyright © 2003 Danielle Clark and BMEzine.com LLC. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published online August 20th, 2003 by BMEzine.com LLC in Tweed, Ontario, Canada.

Who is Jim Ward? [Running The Gauntlet – By Jim Ward]


1: Who Is Jim Ward?

A recent MTV documentary called me “the granddaddy of thae modern piercing movement”, in case you were wondering who I am. Maybe that gives me sufficient credentials to write a bit every now and then about the history of modern piercing and how it has evolved into what it’s become today. After all I helped create a lot of that history.

Even if you never heard my name before, maybe you’ve heard of the business I started back in 1975 called Gauntlet. That business provided an outlet and a means for me to make the world aware of the wonders of piercing.

In the months to come I’d like to tell you something about your roots. The modern piercing movement didn’t just suddenly happen. It evolved, and part of that evolution started with me. Not that you’re interested in my whole life story, but a little background to put it all in perspective wouldn’t be out of place.

I was born in the bleakness that is Western Oklahoma six months before Pearl Harbor. Looking back on it much of my childhood was just as barren and desolate as the landscape.

I couldn’t wait to escape. In the back yard of one place we lived, there was a beat up old trailer with wooden slat sides and flat tires that had long ceased to be roadworthy. I remember often climbing up to the top and looking out at the distant two-lane highway and longing to follow that road anywhere just so long as it was away from the desolation of small-town life.

My parents were childhood sweethearts who eloped and secretly married shortly after they graduated from high school. The year I was born they both turned 21, perhaps a bit young to undertake the responsibilities of a family. Seldom was the rod — more often the belt — spared. They thought this would build character and assure that I wasn’t spoiled. Instead it resulted in a fearful, timid child indoctrinated with Presbyterian guilt. Years later in therapy I remembered being told, “We punish you because we love you.” Translation: punishment equals love. Not difficult to understand how S/M became rooted in my psyche!

Fifth grade was my last school year in Oklahoma. My teacher was Miss Newman, a horse-faced old maid so uptight she considered “fanny” a dirty word. What I remember most vividly from that year was an incident involving one of my classmates. His name was James and he was an impish kid with a knack for getting into mischief. He and several others were in the boys’ restroom during recess one day. After finishing at the urinal he turned and demonstrated for the rest of us how his penis got bigger and harder when he stroked it. Whether or not he had any clue what that was all about I’ve no idea. I was simultaneously appalled and fascinated. Something told me this was naughty and sinful and that I should pray for him.

My family moved to Colorado just in time for me to hit puberty at age eleven. Growing up in a very religious household where the subject of sex was hardly ever discussed left me totally unprepared for what was happening in my body. My mind kept flashing back to that day in the boys’ room when James had played with himself. Inevitably I had to try it myself. It felt so good I didn’t want to stop. Suddenly and unexpectedly the most incredible sensation swept over me, and, with an uncontrollable spasm, white fluid shot from my penis. Don’t ask me why, but I called that white stuff cultured piss. In retrospect it seems amazing that the whole experience didn’t freak me out. Perhaps the guilt and shame and the fear of discovery were more powerful, so powerful, in fact, that I couldn’t bring myself to tell anyone.

Once the intense, guilty pleasure of masturbation had been discovered, nothing, despite my greatest efforts, could stop me from doing it for very long. Prayer didn’t help. Memorizing and reciting bible verses didn’t help. Not quite understanding why, I began to develop crushes on some of my classmates, the young men who worked as church youth counselors, and on the newly appointed youth minister. Before his conversion, one of the counselors apparently had been something of a bad boy and had gotten into trouble. He had a tattoo on one forearm, and I found myself strangely attracted to him. I wanted desperately to be close to all these guys, to please them, to be noticed by them, to…? There was an undefined longing for something for which I had no name. It was agony.

 
Charles Atlas (click the picture to see some of his comic book ads).


Do comic books still contain those ads for Charles Atlas where the cartoon bully kicks sand in the face of the “97-pound weakling” only to get his comeuppance later when said weakling becomes a buff bodybuilder? The ads usually included a large photo of some muscle-bound hunk. In spite of the fact that I lacked any knowledge of the mechanics of sex, I frequently locked myself in the bathroom or the basement and jacked off looking at those photos and fantasizing myself naked and bound and forced in some vague way to please my tormentor.

In time the burden I was carrying became unbearable, and I finally sought counsel from the church youth minister. The moment was painfully awkward, and I don’t remember how I expressed what was troubling me and I don’t recall everything that was said. I do remember Rev. Bill telling me there were three kinds of sexual expression: between a man and woman, between two men (for some reason he didn’t think to include two women), and masturbation. His mention of male/female sex elicited no response. It’s possible mention of the male/male thing made me pale or blush. I don’t know, but it probably wasn’t difficult to see how uncomfortable I was when he got around to masturbation. His counsel was low-key, and frankly I don’t recall much about it. He did take the time at least to enlighten me on the basics of sexual intercourse.

 
Rev. Bill in church (c. 1958). The first man I ever had a sexual encounter with.


Soon after this talk with the youth minister I had one of my first sexual experiences with another person, Rev. Bill. One night we found ourselves sitting in the darkened church talking about something. Rev. Bill put his hand on my leg and slowly moved to unzip my fly, reach inside my pants, and begin to play with me. I was nervous and found it difficult to get erect, but I didn’t want him to stop. I reached over and began to fondle him. This mutual masturbation continued for a little while until he excused himself and said he had to go to the bathroom. A few minutes later he returned and it was clear that the encounter was over. We had one other such experience the following summer at church camp.

I lost contact with Rev. Bill. His proclivities eventually got him into trouble. He ended up marrying a woman some said was old enough to be his mother — I don’t recall if he ever had a child — and moved to a church in the Seattle area. Some years later I learned he had died of AIDS.

As my high school years were drawing to a close, I became increasingly hostile to the religion of my family. My best friend, with whom I had done some sexual experimentation, was an Episcopalian. I began going to church with him and eventually became a member.

The Episcopal Church was in a little tourist town called Manitou Springs. Across the street from it was a very nice little gift shop that didn’t sell the usual tacky souvenirs. Instead it was a place to find beautiful local crafts plus fine china, glassware and the like. John, the owner, was quick to spot a young gay man, and discovering my lack of experience, set about introducing me into the local gay community, such as it was in 1959. I worked for John that summer and was taken under the wing of a kindly older gentleman named Frank who introduced me to the various expressions of gay sex, at least the non-kinky variety. I was beginning to discover myself.

 
Frank in his Knights of Columbus regalia (c. 1959). He brought me out.

For several years after high school graduation I bounced back and forth from one school to another trying to find a vocation, but was so emotionally fucked up I couldn’t stick with anything. The mid-to-late 60s found me in New York working in various design-related jobs. Two things were noteworthy about this period, for they would have a significant bearing upon the establishing of Gauntlet. First, I took a number of classes in jewelry making. Second, I discovered the world of gay S/M and piercing.

From the onset of puberty my masturbatory fantasies always involved S/M. When I jacked off I would frequently experiment with various kinds of bondage. I also discovered that intense nipple work was a big turn on and began experimenting with all kinds of clamps.

The year was 1967, and I was living in Brooklyn Heights in an ancient brownstone apartment building at the foot of Joralemon Street known to the local gays as Vaseline Flats because of the sexual orientation of many residents. From my bathroom window I could look down on the Brooklyn Queens Expressway and the East River.

A few blocks away on Montague Street, two gay guys, Steve and Marc, had opened a small bookstore. A friendship developed. As we became better acquainted, they disclosed that they were members of the New York Motor Bike Club, a group of gay men into leather and S/M. Here was my opportunity to explore that side of my personality that I had kept secret for so long. I felt much like I did when I discovered I was gay and that I wasn’t alone. There were others who shared the same drives and longings.

In the mid-60s the gay S/M scene was nothing like it is today. Things were far from codified. No one had ever heard of safe words. It wasn’t even clear whether wearing ones keys on the left meant you were a top or a bottom and vice versa. On the East Coast it was said it meant you were a top, but if you were from the West Coast it meant you were a bottom. The bandana color code was still several years in the future. Just how much actual S/M was going on is hard for me to say. In my own experience what passed for S/M was mostly rough sex with a little role playing and bondage thrown in on occasion.

 
Here I am (c. 1967) at the New York Motorbike Clubhouse in my new outfit.


The “leather boutique” where you could outfit yourself and your toy collection was also some time away. One afternoon I took the subway to Delancy Street, one of New York’s Jewish neighborhoods. This was hardly the place I would have expected to find a motorcycle jacket, but someone from the motorbike club had given me the address of a tiny clothing store where I could find one at an extremely low price. A very orthodox looking merchant waited on me and helped me find a jacket that fit.

My next stop was a Western wear store where I purchased a pair of Levi’s, a pair of Wellington boots, and a black cowboy hat. Having grown up in orthopedic shoes I expected the boots to be uncomfortable, but to my amazement they weren’t. With my purchases in hand I could hardly wait to get back to my apartment. I immediately took off all my clothes, put on the boots and jacket, and jacked off in front of a mirror, the feel and smell of the leather fueling my lust. It felt like a rite of passage. I was finally becoming myself.

About this time I read a magazine article about a man who had made an extensive sea voyage. To mark the occasion he had had his ear pierced. Reading this article triggered something in my psyche. I simply had to have an ear pierced. It didn’t matter that it was 1967, and most men didn’t wear earrings. This was just something I had to do.

 
A fellow NYMBC member, Ron did me the honor of piercing my ear.

The New York Motorbike Clubhouse was a storefront near the foot of Christopher Street, a short distance from the docks and the leather bars. With Steve and Marc’s sponsorship, I joined NYMBC and made friends with a number of the members. One of them was a man named Ron. Ron had been a merchant seaman and had the tattoos to go with the profession. Even his earlobes were tattooed with stars, in the middle of which were piercings. His tattoos and pierced ears turned me on, and led us to share some sexual exploits. We ended up as good buddies. It was natural that when I made the decision to have an ear pierced, I asked Ron to do it. One weekend we got together and Ron pierced my ear with a large sewing needle. With a bit of maneuvering he was finally able to insert a small gold ear stud through the piercing. It was done.

At the time I was working in a decorator showroom that sold tacky pictures and statuary to interior designers. Naturally I was concerned that my pierced ear would not be acceptable to my employer. Still I had to leave something in the piercing for at least six weeks until it was sufficiently healed to be able to leave it out through the work day. Every morning before I left for work I would carefully clean the piercing and put a Band-Aid over it. If anyone asked I could always say I cut myself shaving. No one ever asked. At the end of six weeks I would take the stud out before going to work and insert it again when I got home. The piercing healed and is with me today.

For several years nipple play was something that I found highly erotic. I’ve no idea how it even came about, but at some point I began fantasizing about piercing my nipples and wearing gold rings in them. It was a fantasy that never ceased to turn me on, but I was afraid to actually admit it to anyone. One Saturday afternoon I even attempted to pierce my own nipples.

An ex-lover of mine was a watchmaker. He had a small tool box filled with various materials that he used in his trade. Among them was a small roll of thin gold wire. I snipped a few inches of it and from it fashioned a couple of small gold rings about 3/8″ in diameter. Although I filed the ends so there would be no burrs or rough edges, they still had no closure and were way too thin for the job. At the time I had no way of knowing this was important.

That fateful Saturday afternoon I took the gold rings, the cork from a bottle of wine, and a push pin and soaked them in a small dish of alcohol. After cleaning my nipples with some of the alcohol, I pressed the cork against one side, the point of the push pin on the other, and taking a deep breath forced the pin through and into the cork. It hurt, but not that badly. By this time I was sweating and feeling a bit light-headed. After lying down for a few minutes, I recovered enough to proceed. It would be necessary to remove the pin to insert the ring. When I did, the wound began to bleed a little, but fortunately not enough to be a problem. The difficult part was trying to maneuver the round ring through the straight hole. This took several harrowing minutes, but I finally succeeded. All that remained was to do the other nipple. Somehow I managed. It was a testimony to my determination that I finished. But soon afterward I freaked out a bit at what I had done and removed the rings. By the following morning, were it not for the pleasurable tenderness, I would not have known what had happened the previous day.

 
Fernando, a legend in the NY leather scene, was the first man I ever saw with pierced nipples.


But the fantasy of pierced nipples would not go away. Finally after a few weeks I gathered up my determination and my trusty makeshift tools and repeated the ordeal. This time I left the rings in place, though I was very closeted about having them and carefully removed them before going to bed with anyone. After sex I would get dressed, go to the bathroom, and reinsert the rings.

At this point in my life I had never seen or heard of anyone with pierced nipples even in the pages of National Geographic. That was soon to change. One weekend night I went to the Village to hang out at the NYMBC. Standing shirtless by the bar was a hunk of a man. Even in the subdued light there was no missing the glint of gold on his muscular chest. His nipples were pierced. I learned that his name was Fernando and that he was something of a local legend. Though I was never fortunate enough to enjoy the intimate pleasure of his company, he at least let me know that once again I was not alone.

Next: From New York to Hollywood


Jim Ward is is one of the cofounders of body piercing as a public phenomena in his role both as owner of the original piercing studio Gauntlet and the original body modification magazine PFIQ, both long before BME staff had even entered highschool. He currently works as a designer in Calfornia where he lives with his partner.

Copyright © 2003 BMEzine.com LLC. Requests to publish full, edited, or shortened versions must be confirmed in writing. For bibliographical purposes this article was first published August 17th, 2003 by BMEzine.com LLC in Tweed, Ontario, Canada


Body Play: State of Grace or Sickness? (Part II) – Fakir Rants & Raves

Body Play: State of Grace or Sickness?
Part II: The New Culture Matures

Today is August 10. My seventy-third birthday! It’s a good day to reflect, remember, and take stock of what has happened to me and the world around me. During the 1960s, since I’d “gone public”, I found new opportunities for personal exploration. Instead of isolation, there were now kindred spirits — others to give me encouragement and sanction for a whole new round of “body play” adventures. I asked sympathetic friends, like Davy Jones, my newly found tattoo artist, to put me in a “Kavadi” frame like that of the Savite Hindus. I was pierced by ninety four-foot long steel rods in my chest and back. I danced for many hours with this fifty-pound load. I went into a state of ecstasy and drifted out of my body. It was sweet. It was bliss. I got to know what the Tamil Hindus had experienced as long as a thousand years ago. I repeated “Taking Kavadi” many times after that, and eventually I was asked by other Modern Primitives to put them in it as well. I did so and also acted as a shaman who could safely guide them through the hazards of the “unseen worlds” to which they went.



1967: TAKING KAVADI; SELF PORTRAIT WITH DAVY JONES

In another body ritual, I invited trusted friends to pierce my chest with two large hooks and suspend me by these piercings in the style of the Ogalala Sioux Sun Dance and Mandan O-Kee-Pa ceremonies. That experience proved to be truly transformative; life-altering. After I swung free it took only about ten seconds and I was lifted out of my body where I drifted up to a White Light that radiated incredible love and understanding. The Light said, “Hello, I am you and you are me. And I am as close to God as you will ever be!”

In a timeless space, I had a long telepathic conversation with the White Light. I got answers to many questions. I was never the same after that remarkable trip. Years later I discovered that many others had had a similar life-altering transformation during what is called “the near death experience”. But mine was voluntary and sought after as part of my “body play”.

I repeated the hanging several times after the first one in 1976. Each one contained its own lessons to learn and special places to visit. My fifth hanging was beautifully filmed in Wyoming for a documentary by Mark and Dan Jury, released in 1985 as Dances Sacred & Profane. A video with segments of this hanging and a Sun Dance will soon be available on my web site. I have not done this kind of suspension in recent years — one does not have to repeat a body ritual again and again if the first one resulted in a truly transformative experience. The job is done!

By 1990, the Modern Primitive Movement, with its intricate web of body expression and exploration, had come to bloom. Body piercing was now a mainstream business in large cities — mostly as a result of the diligence of a handful of people in the original 1970s T&P group mentioned in my last column. In 1990 and 1991 I worked as a commercial piercer in one of the largest of these studios in San Francisco. Since I also did, and had done for some years, private ritualized piercing I couldn’t help but introduce this element into what was developing into a commercialized personal service industry. I was curious: why did these hundreds of mostly young people flocking to our studio want piercings? I knew from years of research many of the reasons why people in other cultures did it, but how about these contemporary Modern Primitives?

In the so called “primitive” tribal societies I had studied and visited, about a dozen recurring reasons kept appearing for the practice of body piercing, marking, and modification rites:

  1. Rite-of-passage marking movement from one phase of life to another
  2. Creation of life-long peer bonding
  3. Sign of respect or honor for elders and ancestors
  4. Symbol of status, belonging, bravery, or courage
  5. Initiation into greater mysteries and the unseen worlds
  6. Protection from evil spirits and energies
  7. Opening for beneficial spirits and energies
  8. Rebalancing of body or spiritual energies
  9. Healing of diseased body, self, or others
  10. Healing of wounded psyche, self, or others
  11. Healing of tribal disorder and chaos
  12. Tribal and community connection to greater forces

Since I was now doing ten to twenty piercings a day, I had plenty of opportunity to ask reasons of contemporary piercees. In the privacy of the piercing booths we used in a commercial studio, I would encourage ritual and ask, “You don’t have to answer me if you don’t want to, but if you don’t mind, could you tell me why you’re getting your nipples pierced today?” Or, “Have you been thinking about doing this for very long? Does it have any special meaning for you?”

I expected answers like “I’m getting this because I think it’s cool” or “I want this piercing ’cause all my friends have it”.

To my surprise, most piercing clients in San Francisco gave me more meaningful answers. The reasons were not very different, in most cases, from those I had found in other cultures where body piercing was sanctioned and a part of cultural tradition… But a few of the reasons were radically skewed from those of other cultures; reasons never or seldom heard in tribal cultures. One that came up often in San Francisco, especially among young women, was a sad commentary on the abusiveness and disregard for others’ Sacred Space in our society. “I’m getting my genitals pierced today to reclaim them as my own. I’ve been used and abused. My body was taken without my consent by another. Now, by this ritual of piercing, I claim my body back. I heal my wounds.

Some reasons were more obvious and traditional, such as the identification and status marking of certain subgroups like bikers, or the Club Fuck girls of Los Angeles who all wore small colored rings in their nasal septum. But the most common reason given for a body piercing usually involved a rite-of-passage or memorial to some one near and dear to the piercee.

In 1990, while I was piercing commercially, I met Dr. Armando Favazza, M.D., a renowned psychiatric expert on self-mutilation. We were both appearing on a television talk show on self-mutilation and body modification, mostly that of young women who slashed themselves with razor blades. In addition to Dr. Favazza and myself, the program also featured Raelyn Gallina who is renowned for and openly does cuttings on others (primarily women) in socialized rituals. Raelyn and I packed the studio audience with highly modified people, all of whom were either heavily pierced, tattooed, or cut with intricate patterns. They were all very articulate and positive about their experiences. For his side of what became a television debate, Dr. Favazza brought in a young woman “cutter” from Los Angeles who had a long history of isolated cutting and psychiatric treatment. She had just been released from a hospital. I felt sorry for Dr. Favazza — he didn’t have much of a chance to present his side of the story in this setting. We overpowered many of the negatives with our enthusiasm.

After the program, the young cutter from Los Angeles connected with other women in the audience whose urge to express deep feelings by body ritual had been more social and sanctioned than hers. In listening to their conversations, I had the feeling that if this woman had been in San Francisco and had connected sooner with a supportive peer group like this one, her shame and negative experiences as an isolated cutter might have taken a different turn… that she might have avoided the psychiatric ward. Dr. Favazza also noticed this interaction of his patient with the other women cutters and it seemed to register deep in his consciousness. I gave the psychiatrist a tour of the widespread display and acceptance of body modification in San Francisco. In the long run, that kind of exposure added a whole new dimension to his work. He eventually revised his psychiatric text book Bodies Under Siege and a new edition was called Bodies Under Siege: Self-mutilation and Body Modification in Culture and Psychiatry (John Hopkins University Press, Second Edition, 1996).

By 1991, the Modern Primitive Movement was receiving widespread public notice, which in itself was a type of sanction. Rock stars and clothing models began to appear in mass media with body piercings and tattoos. Maverick clothing and personal styles became fashionable. I gave countless television interviews and wrote extensively for the alternative press about these changes. Hundreds of young people responded to the message. They wanted more: more information, more opportunity, and more guidance in body arts and ancient rituals, and more instruction in safe and social ways to express themselves through the body. To provide a reliable channel of information, I started a magazine called Body Play & Modern Primitives Quarterly. This magazine lasted for nine years and served its purpose well through 1999. Then other forums, along with BME, came into being to fill the gap.

For the general public who wanted guided group exploration of body rituals, I started a series of workshops on “Ecstatic Shamanism” in the mid-nineties; these workshops have been given in major cities like Los Angeles, Dallas, Denver, Phoenix, and Washington DC. They are becoming ever more popular and are continuing on in the new century (see my web site for up coming shamanic events). And, close to my heart, in 1990 I started Fakir Intensives to teach the art, skills, safe medical practice, and magic of body piercing and branding. I started this school on my kitchen table with two students. Now it has expanded to monthly classes with ten students and seven very dedicated and skilled instructors. To date this educational enterprise has trained over 1,400 body piercers and branders. Fakir Intensives are registered with the State of California as a Career Vocational Training Institution and instructors are certified for the subjects they teach. This represents a huge advance in social sanction for our body modification passions!

All of these recent activities have given permission and sanction to thousands of young people eager to modify their own and other people’s bodies. Some are sincere, grounded, thoughtful, and stable, open to advice and counsel. Others are so overwhelmed with their passion, so quick to act, that I have adopted a practice of intervening and stalling any rash, hasty, or risky bodymod actions whenever possible. I advise them to study the traditions and reasons behind the practices they are going to do and to consider the risks and possible dangers: physical, mental, spiritual, and psychic. If, for example, a young man wants to do a real Sun Dance, I would encourage him to learn all about the Native American tradition from which it came. I would advise him to find a trustworthy medicine man or shaman and only do the ritual if that mentor felt he was properly prepared and ready.

I’ve had a number or people ask me to help them take the Spear Kavadi of the Hindus. One woman, a Christian, asked at least a dozen times. I made her wait two years until I felt her motives were clear and she was appreciative of the Hindu tradition from which it came. Then I asked her to prepare herself so that finally, on a sunny summer day in Northern California, I could put her into the Kavadi cage for half a day. She had a marvelous transformative experience during the ritual. A few years later, I also hung this same women horizontally by twenty-two piercings in a thousand year old Redwood tree where she drifted into the unseen world and visited her own private hell and heaven. Again she had a deep transformative experience that a few years later prepared her to pass from this physical world altogether!

Others who also facilitate modern day body modifications have adopted a similar practice. Raelyn Gallina, for example, was recently asked by a protégé body piercer trained in my courses to make a series of slashes across his face. The requested modification was radical; the decision to do it was somewhat impulsive. When he went to Raelyn to get this cutting, she asked him if he had given it much thought; seriously considered the consequences. She made three lines with a permanent red marker where he wanted the slashes on his face. She told him to wear the marks for seven days. If he still wanted the cutting at the end of the waiting period, she would do it. This is the type of approach serious, responsible body modifiers should be taking. But not everyone involved in the modern body modification trend are this conscientious. Some see the trend as a way to commercialize and exploit this “urge” that runs so deep.

* * *

Why do we do it? Why do people through all ages and in many cultures seek expression of life through the body, through sensation and modifications? I’ve felt the “urge” myself and have come to terms with it. I’ve investigated this phenomena — it runs very deep and is a significant part of human development. The more I look, the more I am convinced that the “urge” wells up from profound universal archetypes that may even be encoded in our genes. Several years ago I had the opportunity to travel and explore the universality of this “urge”. As a young man, I was emotionally moved by the body worship of the Savite Tamil Hindus in such cultural rites as the Thaipusam Festival. As a teenager, I had seen photos of them in old National Geographic magazines — on the streets of South India with a hundred limes suspended from body piercings, in arched frameworks supported by long iron spikes embedded in the chest and back, suspended by large hooks in the back or chest, with long spikes pierced through their tongues and cheeks. The glazed look in the eyes and their seeming indifference to pain said something.

I vowed to witness this event some day, to soak in and understand first-hand what was happening inside these unique people that I had only observed externally in pictures and movies. So after waiting fifty years, in 1995 I finally had my chance to attend a Thaipusam Festival in Penang, Malaysia (see Body Play Magazine, Issue #11). I was not disappointed. A million people gathered — over two hundred thousand in Penang, a half million in Kuala Lumpur, and another quarter million in Singapore on the auspicious day. These were not tourists but devotees with their priests, family, and friends assembled for massive and openly sanctioned public worship through the body. In Penang, the procession streets were purified by smashing over two million coconuts whose milk is believed to clear the way for the passing of the image of Lord Muruga (also know to the Tamils as Murugan, Subramanya, Velan, Kumara, and many other names, each indicating an aspect of an unseen deity).

The atmosphere on the morning of the body piercing and procession ritual was heady and intoxicating. As I watched group after group of Tamil Hindus get pierced to cries of
“Vel!”“Vel!”, and let themselves enter into deep trance states and possession, I began to feel the utter reality of the deities they were invoking. Murugan was there. Lord Siva was there. Goddess Kali Ma was there… all welling up from somewhere deep inside the devotees. I had felt this before at my own rituals and the ones I had conducted for others in California, but never of this magnitude. What I felt in Penang that day was definitely not “sickness” but rather a “State of Grace”. Way Big Grace! I continue my own Body Play, and in it, find my own States of Grace. I encourage all others who feel the urge to seek their own as well.

Namaste.


Fakir Musafar
fakir at bodyplay dot com



Fakir Musafar is the undisputed father of the Modern Primitives movement and through his work over the past 50 years with PFIQ, Gauntlet, Body Play, and more, he has been one of the key figures in bringing body modification out of the closet in an enlightened and aware fashion.

For much more information on Fakir and the subjects discussed in this column, be sure to check out his website at www.bodyplay.com. While you’re there you should consider whipping out your PayPal account and getting yourself a signed copy of his amazing book, SPIRIT AND FLESH (now).

Copyright © 2003 BMEzine.com LLC Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published August 14th, 2003 by BMEzine.com LLC in Tweed, Ontario, Canada.