Most of the tattoo artists specializing in geometric designs seem to draw heavily from math and sacred geometry (often centered around swastika mysticism), and as much as I consistently enjoy that, I’m always very excited to see the boundaries of modern blackwork and neotribal being expanded with other influences. I don’t want to put words in his mouth — and I am planning on updating it soon, but much earlier in Vincent’s career we did an interview which you can read here — but in this gorgeous backpiece by Beautiful Freak‘s (beautifulfreaktattoo.com) Vincent Hocquet I’m seeing fabric design playing a role as well, and the textures and level work in the faces makes me think of printmaking as well. There’s more as well, maybe in the general layout, that I can’t quite put my finger on but very much sets it apart from similar “texture collage” tattoos. Great work as always. Zoom in for a closer look.
Update: Vincent just showed me some of the source artwork, a Mayan “Mask of Death and Rebirth” from Tikal, 900 AD. I love the way he’s adapted it for the tattoo.
This Maya mask shows the different stages of life as part of a never ending cicle of human evolution through life and the afterlife as it was understood by the mayas. The mask has three layered faces, each representing one particular stage of life. The inner face represents the beginning of life at birth. The middle face is the most important one since it represents the adult stage when the person comes into his full potential and most of his life experiences happened. The outer or third face represents the end of earthly life. This sacred time was viewed by the Maya as the end of one cycle and the beginning of another one. Death was followed by lavish preparations for the next life.