Scarification Progression

This is going to go down as one of my top-picks I think when people ask me about my favorite scarification work of all 2012. One of the biggest signs that this really worked out right is that it looks dramatically better healed than it did fresh — although that’s not uncommon with scars over blackwork. But for example, the central logo in the fresh photo is a sort of Obama logo or something, but healed it’s obvious that it’s a beautifully executed captive bead ring (since it’s on a piercer). The small nuances in the shapes of the diamonds seem perfectly executed, and the tiny detailed horizontal linework around the ring healed without a single apparent flaw.

This superb scarification was performed by a man you know well, Brian Decker of Pure Body Arts (purebodyarts.com), and is on Jose Tallon of Adornment Piercing in Palm Springs, California, with the original blackwork tattoo being done by James Haun (of Private Tattoo, the other half of Jose’s shop). Again, great work, and thanks to Jose for putting together this set of progression photos.

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Posted with apologies to Rob for not leaving this for him to post for his “Friday Followup”, but it’s so superb I couldn’t stop myself from starting the day with it.

Scarification over tattooing

A more traditional tattoo/scar combo of course that everyone is very familiar with are the ones that start with the tattoo and then burn bits of it off, sometimes with a new design completely, other times with a design that accentuates the tattoo. Here’s a beautiful example done at Kalima in West Worthing, West Sussex, United Kingdom.

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Dotwork Scarification

I shared this tattoo when I posted a gallery of Iestyn Flye’s work on ModBlog (click here if you don’t remember — it is in regards to the scarification seminar he and Ron Garza are hosting that you don’t want to miss if you’re a London-area professional in the field), but I also wanted I’ll just share this wider shot of Dom here, because I also really like her dotwork scars. I can imagine an entire body done in these, and have seen such things in Africa of course, but not as often in a “modern” context. Beautiful work.

dotwork

PS. Ignore the “smartphone” on the picture, it is only of use if you’re trying to track her down on Facebook!

Spiritual Skin: Magical Tattoos and Scarification

This September photographer Lars Krutak is releasing his new book, “Spiritual Skin: Magical Tattoos and Scarification”, and below are two of the photos from the book taken on journeys in 2011. The picture on the left is of a Kayan man tattooed in the Penan style by a Penan tattooist, and the one on the right shows Iban tattooing at Entalau Longhouse, Sarawak.

larskrutak

London Scarification Seminar

I wanted to share with you a flyer on the scarification seminar being hosted by Iestyn Flye and Ron Garza the weekend of the London Tattoo Convention (September 30th and October 1st). This is a hands-on fundamentals and theory class for active practitioners (you must be working at a shop and familiar with blood borne pathogens to sign up) interested in scarification, hosted by two of the top scarification artists in the world. Of course Ron Garza is an old BME favorite, but since Iestyn (of Divine Canvas in the UK) may not be as well known here, I’d like to begin by posting a small sample of his scarification work.

iestyn-scar-1 iestyn-scar-2 iestyn-scar-3

iestyn-scar-4 iestyn-scar-5 iestyn-scar-6

Whether you are a fresh beginner, or whether you’re an experienced artist, I can’t imagine anyone not coming away from this seminar with vastly improved skills to offer their clients. If you’re a scarification artist or a piercer or tattooist interested in getting into this field, and can get to London for this, you won’t regret it. Here’s the flyer itself:

scar-seminar

Spiritual scarification

It’s no secret that body modification can be a spiritual experience for people.  So it shouldn’t come as a shock to see spiritual symbols appearing in every form of modification.  Take this lotus/Om scarification by Jesse Villarreal.  To some people getting cut for a scarification piece is a way for them to feel a sense of transcendence.  The fact that this experience is coupled with a very spiritual image just makes it all the more significant.

..and this is why I pretty much don’t ever do scarification anymore.

People often ask me why I don’t tattoo. I have been around it enough, I know the technical stuff but I just lack the talent to really excel at tattooing. I explain that while I could likely make a few bucks doing it, I would forever be disheartened by my inability to put out pieces with the artistic quality I would expect of myself.

Go back a few years, to the “early days” of scarifications modern resurgence, a time when very few piercers/mod artist offered this service and it seemed like a bandwagon I could jump on. Bold simple designs, cut burned and peeled from the flesh…….that I could handle. Then along comes people like Ryan Oullette who did this piece. People like him, Ron Garza, Brian Decker, Efix Roy and several others  have pushed this art form from it’s primitive roots into the fine art you see here.

To think that just 10 years ago scarification was so rare and “extreme” it could earn it’s wearers an invite to Modcon events, it is astonishing the quantity of amazing scarification we see each and every week here on Modblog.  So while I occasionally will continue to take on a simple piece,  I have to throw my hat in to these guys when it comes to this sort of amazingness.

So thanks, you overly talented  a-holes, now I am “just a piercer” again 🙂

Anyhow, back to the photo at hand ……this recent piece, which I was just blown away by. It was actually drawn up for one client who never showed up for it, so he posted the drawing to facebook and a girl named Samantha, jumped on the chance and spent 7 hours under the blade to get it.

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For proof that Ryan actually wears the title of “Lord of the Blade” with pride keep on keeping on.

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Tattoo by Angry Al at Ryan’s shop, Precision Body Arts.