Delayed Allergic Response?

Last week I got this interesting letter and photos;

"My tattoo is almost five years old, healed beautifully, hasn't been retouched, and held its colors amazingly well. I never had a problem with it, until September, when I got back from Burning Man. A week or so after I got back, the red outlining on the right side of my tattoo starting itching really bad and I was constantly scratching at it. The left side (both sides are identical) itched also, but not as badly, and didn't end up scarring. I'm still not sure why the reaction happened."

So… what did ookumbubbleoo do take at Burning Man?

Don’t read your press, weigh it. [The Association of Professional Piercers]

“Don’t read your press, weigh it.”
               — Andy Warhol

Trigeminal Neuralgia and Tongue Piercing…
Pierce your tongue, be driven to suicide?

When I got into work on Friday, October 20th, there was a fax waiting for me. It was a copy of a newspaper article from the San Francisco Daily with a headline that read, “Tongue Piercing Tied to Painful ‘Suicide Disease.’” I knew it was going to be a busy weekend.

And then the calls started. Had I seen the articles? Had I read them? What was I, as the Medical Liaison for the Association of Professional Piercers, going to do about them?

Since the article originated at the Associated Press, it was everywhere. (The AP news service is the oldest and largest news organization in the world. It supplies news to over 1,700 US newspapers daily, 5,000 TV and radio stations, and 8,500 international subscribers.) The piece was printed in dozens of newspapers, occasionally with different headlines over the same body provided by the Associated Press.

For those that haven’t seen the article, the gist of it is this:

A research letter written up in the Journal of the American Medical Association (JAMA), and published on October 18th, 2006,* was titled “Atypical Trigeminal Neuralgia Associated With Tongue Piercing.” It outlines the case of an Italian woman who complained of face and head pain that started one month after she had her tongue pierced, and lasted for two months until she removed her jewelry. In the article, the pain was purported to come in episodes “described as ‘electric shocks’” which “lasted from 10 to 30 seconds, and recurred 20 to 30 times each day, increasing in frequency and severity in the latter weeks.” According to the authors, these episodes were consistent with the disorder known as trigeminal neuralgia.

Trigeminal neuralgia is a condition characterized by sudden attacks of pain involving different sections of the face. These attacks are severe, and are usually described as resembling electric shocks — the pain is intermittent, but intense. And, most importantly, the article goes on to describe several types of trigeminal neuralgia, the main two being typical trigeminal neuralgia, and atypical trigeminal neuralgia.

Typical trigeminal neuralgia is incredibly painful, and most often caused by an enlarged blood vessel putting pressure on the trigeminal nerve root (the trigeminal nerve is one of twelve cranial nerves serving the face and head). What results from this pressure is an extreme, electric shock-like pain that is completely debilitating for the sufferer. (The diagnosis of typical TN is based in part upon the sufferer’s description of his/her pain.)

Atypical trigeminal neuralgia is a less common form of the disorder and is characterized by less intense, constant, dull burning or aching pain, often with occasional electric shock-like stabs. Atypical TN is also not commonly treatable with medications used for typical TN, such as carbamazapine. (It should be noted that, in the JAMA article, the patient was treated with carbamazapine with little effect.)

The woman in the JAMA article was diagnosed with atypical trigeminal neuralgia, based on the descriptions of her pain (and her lack of reaction to the carbamazapine). After the failure of the medication, she took out her tongue piercing jewelry, and the symptoms disappeared completely within 48 hours. Though it was speculated that the tongue piercing was the cause of the TN, it was noted, “The symptom was probably secondary to a lingual metallic implant, and although findings indicate the involvement of the trigeminal system, the location of the piercing and implant should not have resulted in trigeminal injury.” It further references an article in the New England Journal of Medicine, where a 66 year-old woman was suffering from trigeminal neuralgia from a mercury-amalgam filling in one tooth coming in contact with a gold crown on the adjacent one. On the whole, the research letter in JAMA was informative, well written and, above all, objective. The same cannot be said about the Associated Press article.

The problem with the AP article was that it failed to differentiate between typical trigeminal neuralgia and atypical trigeminal neuralgia. It also was the first mention of TN’s most unfortunate nickname: the suicide disease. Because of the overwhelmingly intense pain, those suffering from typical TN have a very high incidence of suicide—the pain is so horrible that many feel this is the only way out. This is not true of atypical TN, which is a much more minor, and more manageable form of the disorder. The combination of these two pieces of the AP article—the lack of distinction between typical and atypical TN, and the inclusion of the phrase “suicide disease”—set the stage for the press that followed.

While the title of the AP article—“Tongue Piercing Linked To Pain”—was not especially inflammatory, things got worse each time the article was reprinted. Each news posting (print or web) provided their own headlines, and made decisions about how much of the article to reprint. (Many papers choose to edit the article for length, often leaving out the paragraph where Dr. Marcelo Galarza, an author of the original study, states, “Certainly, this was an isolated case, an extremely rare complication of this kind of piercing,”) This is where the incitive headlines appeared, such as the one MSNBC, which screamed “Teen’s Tongue Piercing Causes ‘Suicide Disease.’” [CACHE]

Strangely, the whole incident reminded me of The Simpsons. (Yes, the TV show.) On the first season’s DVD collection, if you listen to the writers’ commentary during the episodes, you hear them often mention the cheap shots and cruel jokes included at the expense of the old. This was because every week they were pitted against the Cosby show in their time bracket. And while The Simpsons led the ratings with the younger demographic, anyone over 40 that was watching TV at that time was watching Bill Cosby and his TV family. This gave the creative team at The Simpsons free rein to make the elderly the butt of any joke they wanted—there was simply no one watching who would complain to the network.

This is much the same way piercers and other body modification artists allow themselves to be portrayed by the mainstream media: We’re the whipping boy for traditional news services because not only are we a marginalized and unorganized group, but we’re simply not watching, and not insisting that news outlets are held accountable for misinformation and exaggerations that are printed about us and what we do.

So what was I going to do about the mess started by the Associated Press?

The first thing I did was to write a letter on behalf of the APP to the Associated Press writer, politely seeking to educate her on the situation, and explaining my interest as the APP’s Medical Liaison.

The next, more daunting, task was to attempt to send a letter to the editor of every news outlet that ran the AP article. After emailing out the first round of letters for the articles that were already sent me, I composed a letter to the APP membership asking for help in tracking down versions of the article in all media. This message was sent to every APP member via email asking each to forward me contact info for any paper they encountered which printed the AP story—which quite a few did. (I then sent out the letter to each news source.) This request was also posted on MySpace, and I saw the letter re-posted repeatedly in bulletins by over the course of several days.

The response to all this was amazing. I received emails from members (and non-members) from all over the country. These included about fifty links to outlets running the AP letter, from newspapers to TV stations to radio stations to Internet news groups. I spent a day modifying the letter template, and composing and sending a letter to each news editor. I posted on newspaper and newsgroup comment boards, and on larger papers that listed postal addresses, I had letters printed and sent from the APP office to each of the newspapers.

At times it did seem rather futile. How many of my letters to the editors did I think would actually get printed? It didn’t matter—I was simply determined to not let tongue piercing be the focus of yet another misinformed, sensationalistic attack on what we do, on what we hold to be most important.

And it must have worked. The last time I did a Google search with the words “tongue piercing suicide disease,” my letter came up #3, on the Chicago Tribune’s website [CACHE]. Not too bad.

And while we are still a long way, as an industry, from getting the respect that we deserve, we don’t have to be passive participants in the process. If we don’t like the way we’re being portrayed by the mainstream media, we have a responsibility to our industry and ourselves to try to do something about it. Change will be slow to come, but I believe that, unified and organized, we can make a difference.

     James Weber
     APP Medical Liaison (safepiercing.org)
     Infinite Body Piercing (infinitebody.com)

* Gazzari R, Merceri S, Galarza M. Atypical Trigeminal Neuralgia Associated With Tongue Piercing. Journal of the American Medical Association. Vol. 296, No. 15, October 18, 2006.

Cheshire WP Jr. The Shocking Tooth About Trigeminal Neuralgia. New England Journal of Medicine. 2000;342:2003.


Started in California in 1994, the Association of Professional Piercers is an international non-profit organization that is committed to the dissemination of vital health and safety information about body piercing to the piercing community, health care professionals, legislators, and the general public. The APP holds its annual conference each year in Vas Vegas, Nevada in the first week in May.

Copyright © The Association of Professional Piercers. Reprinted on BMEzine.com with permission. Articles in this column are published simultaneously in The Point: The Quarterly Journal of the Association of Professional Piercers. Subscriptions are $10 for four issues and are available through the APP website at safepiercing.org.

James Weber is the current Medical Liaison for the Association of Professional Piercers. He has been piercing professionally since 1993 and has been actively involved at industry-wide level in legislative, educational, and public relations projects for much of that time. He is the co-owner of Infinite Body Piercing, which he has been operating in Philadelphia since 1995. He is also the editor of The Point: The Quarterly Journal of the Association of Professional Piercers. He can be reached at [email protected].


SMUT: A Look Inside BellaVendetta.com [Guest Column – Stepping Back]

“If I'm going to sing like someone else, then I don't need to sing at all.”
Billie Holiday


Do you have a necrophilia, fire, asphyxiation, bathroom or medical fetish? Do corsets turn you on? Feet? BDSM? How about menstruation? Uniforms? Clowns? Allow me to introduce BellaVendetta.com, a place where you can find all of these things and much more. It’s the place for fetishes that no one wants to admit they have.

BellaVendetta.com started in late 2003, and has been growing ever since. Bella (IAM:BgirlyPrincapessa), owner of BellaVendetta.com had been watching the “alternative porn” industry grow and was excited to see tattooed and pierced women being more involved with pornography, but she felt there wasn’t enough self-expression happening. Tired of seeing girls with lip rings getting naked in their dorm rooms and other porn clichés, she was interested in seeing the darker side of girls’ sexualities.

After much deliberation, she took the plunge into entrepreneurship and BellaVendetta.com was born. It probably won’t come as a surprise, but Bella had a lot of problems launching her site. Primarily, she couldn’t find a billing company that would do business with her because of the content, which meant she couldn’t sell memberships. With help from BME’s own Rachel Larratt (IAM:Rachel), Bella was able to find a cooperative billing company and now the people of BellaVendetta are ready to show themselves to the world. Celebrating with a launch party on October 26, in Brooklyn, NY, and everyone’s invited!

One must wonder if the billing company problem is going to be the last of Bella’s problems. Bush’s War on Porn certainly poses a threat to the future of sites like Bella’s. Bush has enlisted the FBI’s help to try to stop pornographers— regular, run-of-the-mill pornographers— the ones who make porn for adults, featuring consenting adults. It’s all over the media, and it’s something to think about and in this case, rebel against.

Bella Vendetta offers a safe place for people to explore their kinkier side, and within its pages you’ll find some of the most controversial porn on the market. Let’s all welcome BellaVendetta.com to the industry and wish them the best for the future; and especially with winning the fight against her own government’s goal to close websites like hers.

Bella Vendetta (IAM:BgirlyPrincapessa), portrait by Gina Wilk

BME:  What’s your background, Bella?
BELLA:  I’m twenty-four years old and I grew up all over the northeast of America. I didn’t graduate high school because I felt I was getting a better education by reading a lot and doing various apprenticeships with people I wanted to learn from. I eventually got my GED and went back to the high school I dropped out of and taught a creative writing and a film making course. For the past few years, I’ve done a lot of different things: I’ve travelled around the United States, ran an organic farm and restaurant, attended college, and done costume work for the Berkshire Opera Company and Shakespeare and Company. I own a fashion design company called MyOwnBrain Productions, and am an active member of the Rites of Passage suspension group.
BME:  How did BellaVendetta.com (BV) start?
BELLA:  With the alternative porn boom a few years ago, I began submitting photos of myself to various sites but I didn’t get very good feedback: my sets were too extreme, they didn’t want me using real blood or they thought I looked too much like a skinhead. There were a few who accepted my photos, but I didn’t like the way they did business. I had always had the idea to start my own erotica site, but because it seemed like so much work I didn’t know if I should bother.

I had a boyfriend who didn’t want me to model, so I didn’t for a very long time. He and I eventually broke up, and around that same time I was watching my mother die of cancer. She died very young with many things unfinished and so many things she had wanted to do. I thought fuck it, the time is now, I need to just get on with this. My mother always pushed me to go for what I wanted, even if she didn’t agree with it.

BME:  Why didn’t your boyfriend like you posing nude? He ended up having a large part in BV, didn’t he?
BELLA:  He couldn’t understand how I could be comfortable flaunting my sexuality. One day I found out that he had lied and cheated on me. I wanted him to pay for what he had done, for making me feel cheap, for destroying my trust and for every injustice any female has ever suffered. As I yelled at him, I found myself hitting him over and over again. I imagined my fists going thru his skull and into the wall behind him. It was not a pretty scene; a pissed off little Italian girl in boots and braces who has a bit too much rum in her system. He was spitting up blood, blood was sprayed all over the kitchen walls, blood was all over my hands, and you know what? It was hot.

He told me I looked sexy covered in his blood, I agreed and hit him a few more times until he turned his head and I connected with the side of his skull. I felt my hand break and I got even more pissed off, so started kicking him. I didn’t stop until someone jumped in and stopped the fight. When we were done it looked like a murder scene.

I kept the blood-stained white tank top I had been wearing as a trophy. I wanted to write something on it, and one night it hit me: “BELLA VENDETTA”

It’s Italian for Beautiful Revenge.

Bella Vendetta became a good response to a lot of things after that. I wanted revenge for everything— for our society, our country, our culture. I wanted revenge from every magazine or website that’s rejected my pictures because they were too racy. I wanted revenge and I wanted it to be beautiful.

Medical fetish?
BME:  Do you regret hurting him?
BELLA:  No, not at all: he got what was coming to him. I wouldn’t tell everyone to go out and beat someone up who fucked them over, but I have always been a fan of vigilante justice. It was probably not the most adult way to handle things, but when love and passion are involved there’s not much room for ration. When I broke my hand, I had to quit my day job which pushed me to create BV so it really helped me in a lot of ways.
BME:  What did he say after it was all over?
BELLA:  He cried and ran away. But we’re friends now and he’s actually going to model for BV!
BME:  Who are the BV staff?
BELLA:  The original cast of characters for the Revenge Krew (both photographers and models) were all close friends of mine, who thought it was a great idea and were more than willing to help. I don’t often approach people that I don’t personally know to work for the site; most of the people on there who aren’t close friends of mine have approached me and wanted to shoot for the site. Every once in a while I’ll come across a really stunning model or photographer and I’ll ask them to participate, but I haven’t had very good luck with that.

Autumn

Bertram

Bastard

Dementina

FetishBaby

Su


Just a few of BV’s models.

BME:  Why do you think they aren’t interested in working with BV?
BELLA:  Generally when someone you don’t know writes you and says, “you’re pretty, you should model for my website but I can’t pay you” the response isn’t very good. Not that I would approach any model in those words anyway, but I understand and respect anyone feelings if they don’t want to model. The only time I get frustrated is when I approach a model and they say no without even going to the site, seeing what it’s about or hearing what I have to say. Some people hear the words “adult oriented” and immediately think they’re going to be exploited or taken advantage of.
BME:  No one on your site is paid?

BELLA:  No, nobody is paid! That’s part of the beauty of it. Everyone involved is doing it purely for the love of quality erotica. The only people who have been paid are web designers and programmers. Don’t get me wrong, I think people should be paid for their time and talent, so as soon as some money starts coming in from this project I definitely want to compensate people. But it’s been such a beautiful experience seeing people make art/porn/erotica because they really want to.

If I was able to pay models I think it’d make more people want to pose, but I don’t want anybody whose sole reason for posing is to make money. Anyone whose first question is “how much are you paying” is someone that probably won’t fit well into the site. My main concern with money right now is making back what I put into getting the site up. Once that happens I hope to make a little bit of profit, but I’m not trying to get rich off taking advantage of anybody.

BME:  You also have erotica writers, including yourself?
BELLA:  I do a lot of writing for the site. All the news updates are by me unless otherwise noted, all the descriptions of photosets are be written by me and I do a lot of the erotica writing. Writing is something I don’t even think about anymore, it’s just a part of me. The ability to create mental images and convey emotions with words has always fascinated me. It’s just something I need to do at this point. But what I love even more than writing is reading work, and doing performance poetry and slam competitions and things like that.
BME:  You’ve got a lot of writing experience, actually. You participate in a few other publications, can you tell me about those?
BELLA:  Day Xanadu is my personal zine that I’ve been doing for ten years. It’s about my life in general— sometimes there’s political stuff in it, sometimes reviews of others writing, poetry, rants, angry feminist musings and just about everything in between. I usually have one or two contributing artists and/or writers in each issue. It’s the one medium I have where there are no defining lines. It’s an incredibly personal publication. You’ll find things in there about me that I probably won’t even discuss in person, but it’s developed a pretty loyal per-zine following and I’ve grown completely comfortable saying anything and everything in there. I’ve been published in other zines around the world and my writing has also been featured in three spoken word cassettes, read by other people. Raped by a Poet, Best poems of 2001 and on the air of an Italian radio station.
BME:  How many models, writers and photographers do you have?
BELLA:  It’s constantly changing, but currently there are about twenty-eight models and forty photographers. I have a lot more waiting for paperwork and other legal nonsense to go through and a lot more models/photographers on my “dream” list that I’ll ask once the site is up and running.
BME:  How do people apply to be involved in the site? What kinds of things do you look for?
BELLA:  There are sections on the site where you can fill out an application to be a member of the Krew. You don’t need to have a professional portfolio, and you don’t have to be published anywhere else, but you do need to have a sample to share with us and let us know what you’re capable of doing. There’s no real formula for what we’re looking for because we have really diverse people involved. Some of the writers write for major publications, some have never published a story in their life. Some models are well established and some are trying this for the first time. The only thing that’s a must is creativity.

Laura (IAM:.onyx) is one of BV’s main writers.

“His arms pulled me into him, as I nuzzled the side of my face into his chest. His hands motioned down my back and over my ass, squeezing it softly. He slowly moved his hands over to my hips and began sliding them onto my inner thighs. Kissing my neck softly as the warm water fell down his scalp through his hair and onto my back. I turned around facing the corner of the shower reaching my hands up as far as I could reach, with my back arched and my bottom angled up I leaned into the wall…”

I’d never written erotica before BV. The closest thing I’d come to writing erotica was when I was thirteen and I’d write short stories about boys that I had crushes on— what I’d want to happen and what had happened. I’m not sure if that counts as erotica though. I know one of my English professors would be very surprised to hear that I was writing professionally— she had wanted me to go to an E.S.L. (English as a Secondary Language) office to get some help with my errors!

When I heard about BV, I wanted to help in any way I could. They needed writers, so I tried it out. Since I started writing I’ve had friends of mine suggest I write for gay and lesbian magazines or to start a book of my own consisting of my short stories. I write as often as I can. Every time I get an idea I start typing feverishly. I never have storyboards for my writing— it just comes out naturally. Thank god I’m a fast typer! So far I’ve donated eighteen stories, and the feedback is great.

I write the way I like to read erotica. For example, when I read romance novels I always search for the sex scenes and only read them. I like fewer introductions and buildup and instead just getting right into the good stuff. I expose what I’ve experienced, dreamt of and longed for. In the future, I’d like to do a little bit of modeling. My dream photo shoot involved lip sewing, but for now, I’ll leave everything racy to the written word.


Juicy (IAM:PiercedPuff) is a twenty-two year old from New Jersey and is one of BV’s star models.

When I was eighteen, I started taking pictures for fun to send into BME. They were mostly of play piercing sessions or BDSM play because that’s what I wanted to see on BME or in BME/Hard galleries. My style of modeling is somewhat paradoxical. I get anxious when I have to call to order pizza or talk to strangers, but I have naked pictures on the internet! One shoot I’ll feel like stepping on someone’s throat and spitting on them, and the next I’ll want to wear my Eeyore toe socks and cuddle with teddy bears. Modeling gives me a lot of self-confidence and has allowed me to come to terms with the things I don’t like about myself. I can now walk around without makeup on or wake up in the morning with my hair silhouetted around my face like a helmet and still feel beautiful.

I met Bella at a suspension convention and asked her if she’d like to take my picture. I’d modeled before; I’m on a few sites like www.insex.com and www.citykittie.com, and am even in a ModCon book. After meeting her, I modeled for her production company www.myownbrain.com and she became one of my few close friends and a personal inspiration. She embodies so much that I want to be: I love that she makes me stand up for myself and she’s taught me that it’s okay to tell people who hurt me to fuck off.

You can currently see galleries featuring me in a carpentry porn set, catheter blood bath set, an emo love set with Bella, rooftop liquid latex, getting beaten on a boat by Bella and bowling alley porn with Bella. In the future, I want to do a set where my boyfriend kidnaps me with his van filled with Eeyores and candy, a daddy’s little girl scarification set, tons of play piercing shoots, and I’d love to take dirty pictures at my movie theater after hours, and a Star Wars porn set with light sabers.

I love posing for BV because I’m not conventional. “Alternative” photographers are sometimes not even into the stuff I am. Most people aren’t into real blood play and they’re not often into taking pictures of me when I’m really scared and crying. Bella is, and that’s one of the reasons why I love her. I’m only interested in modeling now when I can have fun with it. I don’t want to pretend to get tied up and have the cheesy look of surprise on my face for some porn site, I don’t want to get half naked and sit on some bed pretending to cry. I’m a creep and I want to take creepy pictures. I want to put my hair in pigtails and have Bella tie me up until my mascara is genuinely running down my cheeks and blinding my eyes, until my muscles are actually cramping because I can’t move and I am squirming, I want to be able to beg her to stop and honestly be scared when she laughs at me. Bella would never ask me to pretend to look scared, she’d make it happen. And that is why I love Bella Vendetta.


BME:  Can you give me a beginner’s guide to BV? What kinds of things can you find within its pages?
BELLA:  There’s about forty different kinks, and we’re still growing! Some of them are:

80s Trash: Roller-skates and prom dresses, leg warmers and cheap plastic jewelry.
Bathrooms: Public restrooms, bubble baths and shower scenes.
BDSM: Bondage, discipline, domination, submission, sadism and masochism.
Blood Sex: Play piercing, vampirism, and cutting. Currently all the blood play is real blood. Any sets involving special effects makeup or fake blood is in other categories.
Boots and Braces: Steel toes, suspenders, face smashing, shaved heads, white laces and bleached jeans.
Clowns: rubber chickens, face paint, clown shoes striped socks and big red noses.
Deprivation and Asphyxiation: Choking, strangulation, sensory deprivation of any kind, blindfolding and auto erotic asphyxiation.
Food: Food smearing licking, worshipping, insertion and cooking.
Foot Worship: Forced foot worship, foot portraits, cute toes, shoes, pedicures and foot bondage.
Genderfucking: Crossdressing, role playing, strap-ons, sissy boys in tutus and butchy women in suits.
Graveyards: Cemeteries, fucking gravestones and making imaginary love to the dead.
Menstrual art: This section is aimed to revolutionize menstruation. It’s revenge for any commercial girls have seen telling them their period is dirty and for any man who wouldn’t make love to them while they were on the rag.
Necro: Zombie porn, the undead, crime scene victims, sex where one partner plays dead and murder sets.
Pinups: Glamour shots, rockabilly kings and queens, classic beauty and cheesecake glam. Vintage girdles and nylons with backseams, fingerwaved hair and open toed pumps.
Smoking: Cigar, cigarette, blunt, joint, pipe, bong and gravity bong smoking.
Uniforms: Nazis, nurses, flight attendants, postal workers, military personnel, police officers, cheerleaders, waitresses and catholic school girl uniforms.
Water Sports: Golden showers, urination and women who can pee standing up.

(L to R) Age play, BDSM, smoking and menstruation kinks.
BME:  That’s a lot of different subjects. How did you come up with all of them?

BELLA:  I came up with about eighty-five percent of them, and they all turn me on and it’s the kind of smut I want to see. The rest have been ideas models have had or that fans have written in with. The main idea of the site is to show what gets the models off. No one is does anything they don’t want to do.
BME:  How do you avoid fake situations— how do you make sure that the girls kissing girls are actually attracted to each other, and that the blood play is real etc?

BELLA:  I believe that a key factor in anything being fake is money. Because there’s no money involved people are only doing things they actually want to do. There is some fake blood on the site, but we make sure to keep it separated from the real blood play. The girls kissing each other are actually into each other— they’re friends or lovers and they’ve planned to do a shoot on their own accord for no other reason than they think it will be hot. Nobody is paying anybody else to act like they’re interested.
BME:  What has been some of the feedback on the site?

BELLA:  People love it! Girls write and thank us for making a site they can look at and not feel bad about, and men write and say thank you for making the kind of site they’ve been dreaming about. Photographers and models tell us that they really like what we’re doing and often tell us that they’d love to be a part of it.
BME:  You have some very risky subjects though— you must get some negative comments.

BELLA:  Of course. Most of the hate mail I get is about the age play, necro fetish and substance abuse sections. There was also a message board that had a pretty heated discussion about how nasty the menstrual art section was. I just tell people that I’m sorry they have a problem with the content, but if they want some more vanilla pornography they should try burningangel.com (which I also model for) because it’s my favorite alternative porn site.
BME:  You seem to have tapped into an unseen market. Who do you see as your competitors? BME/Hard? Suicide Girls?
BELLA:  I don’t think that BME or Suicide Girls are competition actually. Both sites are doing completely different things than BV is. I can’t find any other site where there’s such an extensive collection of fetishes and hopefully this will help us succeed. One of the things I really love about the adult industry is that there is no competition because there’s room for everyone in the industry.
Bella, portrait by Gina Wilk.
BME:  You were very public with the problems you were having getting the site up and running. You were even considering taking down BV. What changed your mind, or what convinced you to keep going with the site?
  I was feeling very burnt out about the whole thing. I was working ten hours a day, every day, on the site and it felt like it was never going to be launched. I couldn’t find anyone to do the billing, models were flaking out left and right, I had an intern who was making my life more difficult instead of easier, I was chasing after people for paperwork and photos they had promised and the relationship I was in was completely falling apart because of out different stances on pornography and sexuality in general. It just didn’t feel worth it anymore. I started the site as a personal journey for myself, and in the process it felt really good to help other people explore themselves and feel accepted too. But at the time, it just felt like nobody really appreciated all the work that was going into everything. So I sent an email out to everyone in involved with the site and asked them if BV had done anything positive for them, and if so, what was it, and did they want to continue with the site and why. The response I got was overwhelming. Every single person wrote back with long explanations of how much they have learned through this whole process, how much they love the site and the community surrounding it. More than a few of the emails brought me to tears. I realized that just because people don’t always openly express their support and gratitude doesn’t mean it’s not there. Everyone had very long and complex explanations as to why they were involved in the site in the first place. The shortest response I got was from one of my models in France, and she said in her broken English, “I so sorry you have problems. Please do not give up, for me, Bella Vendetta is freedom!”

After all was said and done I felt like I really just needed to finish what I started. I’m not the type of person that gives up, I was just having a moment of weakness. But I think it was important for me to step back and reevaluate why I was doing this and figure out the direction I wanted the project to take. It always seems like just when you want to give up everything falls into place and a fresh opportunity presents itself.

BME:  Who came through for you at the end?
BELLA:  Everyone involved with the site came through in a big way, just being honest and sharing their experiences with me. On a personal level, the web designer, Mitcz, really came through for me, reminding me how important this was to me and all the work that had gone into it. Surprisingly enough, my sister and my aunt both thought I should keep the site and not give up, and it felt good to have some support from family members. Shannon and Rachel Larratt (IAM:glider) and (IAM:Rachel) also helped me a lot. I am forever indebted to them because of that. One of my new models really came through and helped me work really long days resizing photos and picking up where my flaky intern had left off.
BME:  Speaking of your web designer, for the launch of the site you did a complete overhaul on the site. It looks great.
BELLA:  The site design was completely redone by Reverend Mitcz (IAM:mitcz).A lot has changed since the original design. I went through a lot of people trying to get the right feel for the site and I had a really hard time finding a professional designer that understood what I was going for, and Mitcz has really done my vision justice. He’s been wonderful to work with on many levels. He’s a good friend, knows the porn business, marketing and design inside and out (he’s also the chief designer of vivid.com) and he’s got a seriously twisted mind. Our site isn’t quite ready to sell memberships yet because we’re having a hard time finding a billing provider that’s okay with our content. We’re working on it every single day, so as soon as we find one, we’ll be open for business.
BME:  You’re having a release party- who’s invited, who’s coming, what’s happening?
BELLA:  We’re having one hell of a celebration! Everyone is invited!!! Lots of the models and photographers will be there and some of the Krew members are coming all the way from Los Angeles to attend. Lots of the models are performing that evening; there will be a burlesque show, a rope bondage demonstration, a fire performance, a play piercing performance, a strip show, live band, a flesh hook pull raffles, giveaways, and merchandise for sale. It promises to be a fun filled action packed evening. It’s in Brooklyn, NY and I’d love to cram as many people as possible into this space to witness the insanity that I’m sure will ensue.
BME:  Back to the site. What do you think will be the most popular section?

BELLA:  Honestly, I have no idea. I think a lot of people come for the blood play because there aren’t many places you can find it. I hope that someone will come looking for a particular section and then discover they like looking at something they never considered sexy before.
BME:  What’s the best thing about running BV?

BELLA:  It’s fun! It’s the best thing that’s ever happened to me honestly. My favorite thing is getting letters from fans, models and photographers thanking me for making a site that lets them be who they want to be, or for making a site filled with the kind of smut people actually want to see.
BELLA:  With the United States government cracking down on porn sites, in their War on Porn, BV is in danger. Are you worried about this? How much does this effect your decision to launch BV and how will you avoid being prosecuted for owning/operating BV?
BME:  Yes, I believe my site is in a lot of danger. Sites are getting shut down left, right and centre. All this legal nonsense recently definitely made me wonder if right now is a bad time to launch the site, but I think right now is actually the perfect time. This is what the world needs: people who aren’t ashamed and who aren’t afraid to push limits.

I don’t think I can fully avoid being prosecuted. I have to be prepared for at least some legal repercussions, and luckily all of my legal paperwork is in perfect order. Maybe what this industry needs right now is someone willing to stand up for what they believe in. Who is the US government to tell us what we are allowed to find sexy and what is “obscene.” I find it obscene and offensive that so many other “alternative” porn sites are altering the shoots they have up for fear of legal problems. I want to accurately represent this subculture, not hide behind a lot of pretty pictures, not tell my models that it’s wrong of them to have age play fantasies, etc. This is a community of consenting adults making art to share with the world, and I’ll stand by that 100%.

BME:  With that, what’s in the future for BV?

BELLA:  World domination. Straight up.
I want to change the way the adult industry is run. I want to make a safe place for people to show off their smutty side. And I also want to do a line of video and a lot of live performances. I can’t get into it too much because the details are surprises that I’m not ready to let out of the bag, but I see the live performances as a three ring circus but with nudity and the videos will be quality with actual story lines and amazing performances by our talented Krew.
BME:  What specific changes do you hope to see in the adult industry?

BELLA:  I’d like to see more realism and seeing women running things more often. It’s such a male dominated industry, which is funny to me, because it thrives on women. It’s all about what men want to see women doing, so I’d really like for people to become interested in what turns these women on. I think the majority of the adult industry is a lot of men telling women what to do because they think that’s what other men want to see. But I know plenty of men who don’t like blonde girls with cum on their faces. If that’s what turns you on, that’s great, do your thing, but that’s not what turns me on, and I know there’s a market for “intellectual” pornography, if you will. There’s a fine line between erotica/art/porn as it is already, so I’d like to see that blurred even more. I’d like to make people question themselves, “Wow, does this really turn me on?” There’s no thought process behind most porn: it’s penis and vagina and it’s meant to get you off as quickly as possible. What’s really refreshing to me about this whole alternative porn movement is that it’s actually making people think. BV is all about doing things differently. I’d like to kick things up a few notches.
Although BellaVendetta.com enters into some of the “faux pas” subjects of pornography, it’s always done in a safe and responsible way. All of the models posing are of legal age, and most importantly— they’re doing it because they want to. No one is waving dollar bills in their faces and bribing them to do things that they don’t feel comfortable with. It may push people’s sexual limits, but does it in a harmless way. I wish Bella and her Krew luck and success with avoiding crack downs by the US Government and FBI, and hope they have a long and prosperous future in the real alternative porn industry.

— Gillian Hyde (IAM:typealice)


Gillian Hyde (IAM:typealice) is a vagabond, though her roots run deep into Nova Scotian soil. She’s lived and worked on three continents since 2001, and has never lived anywhere for longer than eight months since the age of 16. She loves fonts, puns, being barefoot and office supplies. Calm to her is the roar of the ocean.

Online presentation copyright © 2005 BMEzine.com LLC. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published online October 11th, 2005 by BMEzine.com LLC from La Paz, BCS, Mexico.

Marked for Life [Guest Column – Stepping Back]


Marked for Life

“Jails and prisons are designed to break human beings, to convert the population into specimens in a zoo — obedient to our keepers, but dangerous to each other.

– Angela Davis

Six federal prisons across Canada are planning on implementing a tattoo service for inmates (see last year’s article Go to prison, get a free tattoo) in hopes of decreasing the possibility of spreading infectious diseases like hepatitis C and HIV. Prison tattoo machines are usually built with motors from hair dryers, fans, or radios, along with ink from pens and regular sewing needles or guitar wires. While there are often steps taken to disinfect materials, sterility control is limited and diseases are still being spread. Finally, someone is doing something about it — and it’s caused a lot of controversy.

This new program, set up by Correctional Service Canada, is a six-year project costing approximately $3.7 million. The program is designed to provide safe tattooing procedures, costing the inmates five dollars for a two-hour tattooing session. Outside of jail, a two-hour tattoo

 


Tattoo done with a sharpened paper clip and an electric motor by a more-talented-than-most prison tattoo artist.

session can as much as five hundred dollars depending on the artist. Jails will set up programs to train inmates to be tattoo artists (if they weren’t already tattoo artists outside of prison) — and yes, tax dollars will be paying for it, at a cost of about $611,000 a year to Canadians.

In reality though, it’s not much compared to the costs of health care for HIV-positive people (about $150,000 in their lifetime), and if this program stops people from contracting HIV or hepatitis C, then it shouldn’t really matter that it costs a measly three million dollars — and saving Canadian taxpayers a great deal of money in the long run, and improving the lives of people after their prison experience, thereby increasing the chances of successful reintegration into society. Canoe.ca reports that, “for years, CSC reports have concluded that a greater percentage of people in the federal prison population have tested positive for AIDS antibodies or other serious blood diseases than in the general Canadian population.

An estimate of the cost to treat a person infected with hepatitis C is not available, but a study of the economic impact of hepatitis C in Canada is currently underway. It is known, however, that treatment with Rebetron, a drug commonly used for hepatitis C, may cost up to $30,000 per course of treatment for an infected individual. A liver transplant may cost up to $250,000.(Health Canada)

You’d think with so much public awareness about these diseases, inmates (and most people in general) would be a lot more wary of cross-contamination. Sadly, the methods used in most jails to “sterilize” tattoo equipment are normally just boiling the components (if even that), which may kill a few germs, but certainly won’t fully protect people from disease.


* * *


There are members of BME who’ve done time and we were able to talk to a few of them (most asked to remain anonymous) about their prison tattoo experiences. Later we’ll also speak to a tattoo artist, Johann Florendo, who has done a lot of cover-up work on men who’ve gotten tattoos while in prison and regretted it.




Bill, who at age 24, did 17 months on a seven year sentence at Garden State Correctional Facility in New Jersey. When in prison, he decided not to be tattooed because of health reasons and a strong lack of quality work.



Jareb has done time at several prisons throughout New Hampshire and Massachusetts when he was 17. He’s got one tattoo from that time, and he was also a tattoo artist in jail.



“Bear” (IAM:Bear151556) served eight years in total, in three different stints when he was in his twenties at the Wisconsin Correctional System. He got his prison number and nickname tattooed on the inside of his wrist during his sentence.



Cam, a personal friend of mine (who isn’t involved with BME), spent a year and a half in an Alberta jail, and got one tattoo while there.

* * *

BME:  You three were tattooed in prison — and you all knew the health risks of getting a tattoo. I know that getting tattooed in prison isn’t just about the artwork — but more for the culture. How long were you in prison before deciding to get a tattoo, and why did you get it done?
CAM:  I waited about three months to get one done. They are in high demand, and I was low on the totem pole to get one. It was prison rules not to get one, as it was considered self mutilation, and it could get you in the hole for a week, and even longer for the artist. It can take time for the artist and their posse to trust you. Trust is earned in jail so I earned it and kept it. I got mine out of respect for some of the guys that watched my back: it proved my loyalty to them.
JAREB:  It wasn’t until my fourth bid, and I got it for safety.

BEAR: 
I got mine because I wanted something permanent to remind myself of where my idiocy had delivered me. I waited until my third sentence, in the fourth year though.
BME:  Inmates don’t usually carry around cash, so there are different kinds of currency in prisons. Just from watching movies, I know you can barter cigarettes, drugs, and sex. In your experience, what did you see traded for a tattoo?
CAM:  A lot of times it would be cigarettes, drugs or favors, like running errands for them or just keeping your alliance and showing your respect.
JAREB:  Price was never much of an issue. You traded whatever you had. A lot of artists were just bored and needed something to do.
BME:  I picture tattoo artists in jail being held in high regard and viewed with great awe and admiration, sort of the “leader of the pack.” Is there any truth to that?
JAREB:  Generally you’re right — we were treated with more respect than anyone else.
BEAR:  They were looked at very highly, but only if they did good work. They weren’t looked at so well if they fucked someone up.
BME:  What were their tattoo machines like? What were they made with, and how did those supplies get into the prison?
CAM:  Proper tattoo ink was brought in either by guards, visitors, or inmates who had work furloughs. The machines on the other hand, were makeshift from blow dryer parts — usually for the motor, and a regular needle in conjunction with empty plastic casing from a Bic pen.
JAREB:  The machines were really shady — usually made from ballpoint pens and motors from cassette players. The “needles” were straightened paperclips or guitar strings. “Ink” was made from burning plastic chess pieces and collecting the ash soot. Pens and everything else were from the commissary.
BILL:  Some machines were made with various items, like pens with motorized parts taken from fans, radios, and other devices, but many used the “pluck” method of using ink with a single needle.
BEAR:  My cellmate had a professional unit. It had been smuggled in and he had kind of inherited it from a guy who got out. In my case, the supplies were smuggled in, but I have seen pen ink used.



Improvised tattoo machine; electric motor, pen, and guitar wire.

BME:  None of those supplies seem that sterile, especially if they’re used over and over on different people — so I’m wondering — what steps were taken to keep things clean, if any? Where were the tattoos done?
CAM:  For me, there was nothing done to sterilize anything. I bled very badly and they used a very dirty needle on me. Tattoos were done in the artist’s cell, and always with a few people keeping watch, as not to get caught in the act.
BILL:  People would boil the equipment in water, and the tattoos would usually be done in the tattoo artist’s cell.

BEAR: 

I worked in the kitchen, so I had access to a pressurized steam kettle which had to be cleaned daily using bleach water. I would take the needles to work with me and then while cleaning the kettle, I would just put the needles in. Then I would wrap them in napkins and sneak them back to our cell. Tattoos were either in the bathroom (I know, it’s scary), or our cell.
BME:  With these very basic supplies, tattoos would be fairly simple designs, right? I mean, how intricate can a tattoo be that’s been done with a guitar string and ink from a pen? What were some common tattoos done in jail?
CAM:  There was a lot of racial or affiliation tattoos or tough stuff like tear drops and other masculine items. My tattoo was pretty unusual as it’s not too “manly.”



Cam’s tattoo, complete with
a heart and rose.

JAREB:  Because of the supplies available, only black and grey work was done, so there were a lot of skulls, gang symbols, names, and spider webs on the elbows.
BILL:  It was the same in my case: I saw a lot of chains, names, teardrops, images of clocks, spider webs and gang symbols.
BEAR:  Actually for some reason, names were popular; you would think that cons would know better. Once in a while, there was some really nice fantasy work done.
BME:  All of those themes are very similar, more than I thought there would be — especially because all of you went to different jails in different states and provinces, but what do they all mean?
BILL:  There’s always your common “done time” pieces, like I said: chains, locks, clocks, hourglasses, and so on. Spider webs on the elbow used to signify that you took a life, but it’s now become fashionable and doesn’t necessarily mean that anymore. Teardrops either mean that you took a life, or lost someone close to you.

Most gangs have there own specific symbols, which can also vary from which branch, hood, or part of the country or world they’re from. Bloods commonly use wolf prints, wolf heads, and other lupine symbols, as well as pentagrams. Crips use the Star of David, as well as a crescent moon, which is also commonly used by Five Percenters. The Latin Kings have a three pointed crown, and Aryans and Bikers use Nazi symbols. Then there’s the obvious symbols used by different Anglo groups, like Shamrocks for the Irish, and national flags for whatever the person’s background is. Memorials, portraits, and banners of loved ones are also very common.

BME:  So, let’s say that someone goes into jail who’s previously tattooed — all high quality work, and then they get tattooed in jail, and it turns out pretty badly. Are they given a lot of flack from other inmates about their standards?

BEAR:  That they are. If you have good work, and then get some crap, then people give you shit about it. Most people who have tattoos going in are kind of snobbish about jailhouse work.
BME:  Bear, you’ve been in several different jails — did you see much diversity in the tattoo culture between those jails?
BEAR:  In my incarcerations, I did not see a big change from prison to prison unless you are talking about gang related work. With the gang tattoos, if the gang represented was not strong in a particular prison, then the tattoos were downplayed and not on display as much, for obvious reasons. The one other change that I experienced was that as you worked your way down from maximum to medium and then onto minimum security, the quality of the work seemed to go down. I credit this to the fact that when you’re in maximum and someone messes you up in a permanent way, you have less to lose, and are more willing to seek revenge with physical retribution.
BME:  There are lots of people who come out of jail with swastikas and gang symbols that they eventually regret. They may regret them because the symbols don’t have any meaning outside of jail, because it reminds them of a bad time in their life, because they have changed so much and can’t relate to the person they were inside of jail, or just because the tattoo is of such poor quality. Do you regret getting your tattoo?
CAM:  No, not at all.

BEAR: 
No, I do not. In fact, I am going to have it redone as it has faded somewhat.
BME:  Some men go into jail and come out without getting a tattoo, and there are other men who come out with lots of tattoos. If you were in jail for any longer, would you have gotten more?
CAM:  No. I got mine and that was enough. Again, I got it to show my respect to the people who watched my back — I can’t express how much the culture in jail revolves around trust and your word. It’s really all you’ve got. I got one outside of jail as well, but the experience was nothing like it was in jail, not only the procedure, but there were no politics involved with that one.
JAREB:  Yes, I would have.
BEAR:  Probably not, as I had already begun to collect cartoon characters and I did not want to ruin the theme. Besides, even with what we were doing for sterilization, it was dangerous.
 
A tattoo born in prison.
BME:  Did your tattoo provide any safety against violence?
JAREB:  Yes and no. It showed the crew that I rolled with, and that comes with both safety and danger — it all depends on the politics of the gangs at the time.
BEAR:  No, it did not. Being six feet tall and 275 pounds did, I guess. And the old saying holds true: “Convicts do time, an inmate’s time does them.” If you don’t fuck with people, people don’t fuck with you. Usually.
BME:  Guards have enough to worry about — with violence and keeping everyone in check. Was it a priority for them to try to stop inmates from getting tattooed?
CAM:  It depended on the guard. If we were caught, we’d get time in the hole, and then time in the infirmary to have the damaged tissue removed.
JAREB:  The guards generally did nothing. Once in a while there’d be a raid and machines would be taken, but new ones would be made that same day.
   
These tattoos were created by a single-needle machine in a prison in Michigan.
BME:  So, it’s been a while since you’ve gotten out of prison, but you still have your tattoo there to remind you of that time in your life. Bear, what do you think of your tattoo now (especially because your personality has changed so much)?
BEAR:  I used to be a very sick, racist asshole who was completely intolerant of anything or anyone different. It doesn’t make much sense because I am different than other people. One day, I just realized that fact and everything changed. While my tattoos remind me of a really crappy time in my life, they do show me where I was then and how much I’ve changed, and I like them for that.
BME:  As you may have heard, Canada is planning on implementing a “tattoo service,” which allows inmates to receive cheap and sterile tattoos. What do you think of this program? Do you think more inmates will get tattoos because of it? Have you known anyone to get hepatitis C or other illness from getting a tattoo?
CAM:  Cheap and sanitary tattoos are a good idea, but it may take away from that culture in jail. Earning a tattoo or being branded is important to inmates. Maybe they should start a program and let the inmates govern it, as the more they take from them, the worse things can get. I don’t know anyone who has gotten sick from it, but I’m sure it happens a lot — most probably wouldn’t discuss it.
JAREB:  I think more programs like this need to be implemented. Tattooing is never going to stop, and the health risks are too great. Maybe more inmates will get tattooed, maybe not, you can never really tell. I have known a lot of people to get really sick, and yes, get hep. It’s not nice to witness people getting sick from diseases that are not being treated because of where they are.

I think it is hard for people who have never been in jail to make rules for what should happen in jail. How can you tell someone to live a certain way if you yourself are never going to have to live it?

BEAR:  I think it is a very good idea. Prison should be about rehabilitation, not retribution. Part of being rehabilitated is improving your self image, and tattoos do that. I do think that more inmates will get tattoos, which is a shame since most will probably do it for the wrong reasons, and they won’t think it through. Plus, I would imagine that the administration will not allow gang tats, so those will remain underground. And while I’ve heard a few horror stories, I do not know anyone personally who has gotten anything from a tattoo.


Johann Florendo (IAM: Johann) is an extremely talented tattoo artist, and has been in the business for six years. He’s currently working for Mean Street Tattoo Studio in New York City. He’s done a countless number of cover-up tattoos on men who’ve done time. I spoke to Johann about his experience with some of these men.

BME:  How many people have you worked on who’ve been in jail and are looking for cover-up tattoos?
JOHANN:  I can’t recount the many times I have seen and worked on tattoos that originated in jail. I have probably documented at least about thirty or so over the years which were worth photographing. I know for a fact I have done many more than that, I just never took a picture of them (probably because it wasn’t that much of a noteworthy tattoo that they wanted me to cover their tattoo with, or they wanted me to rework the jailhouse line work and I had very little input on the tattoo).
BME:  We’ve heard from these men in this interview that gang related tattoos and other prison-themed work is common. What kinds of tattoos have you seen that people are interested in getting covered up?
JOHANN:  It differs from individual to individual, but most people usually cover up old gang insignia, racist imagery, vulgar or offensive lettering, or just plain ugly tattoos. Sometimes, they want me to rework some of their tattoos that they received on the “inside” and sometimes it’s possible to make it totally new and “cleaned” up. Sometimes the work is so badly scarred or blown out that I would liken the process to “polishing a turd.”
BME:  What should people know who are looking for cover-up work? It must a difficult task sometimes because of the colour of the initial ink and poor quality of the tattoo.
JOHANN:  The general rule of thumb concerning cover-up work is that usually only darker colors mask dark colors; meaning that you can’t put yellow over black line work and expect it to “erase” the black and make it appear yellow. There are factors involved as well, like how old the tattoo that is that’s going to be covered up, for example. You’d have a better chance of success blasting some yellow over some old black line work that has had twenty years to fade, as opposed to black line work from two years ago. Of course, yellow over a grayish faded black ends up being a muddied mix when layered on top of each other, but with the right skill and technique, it can totally be applied in a tattoo correctly without looking like a mistake.

So, with that in mind, darker imagery usually works best: panthers and eagles, and black tribal have been tried and true examples, although a lot of really talented folk out there can do a cover-up with much more lighter colors in the piece. A perfect example would be cover-ups by either THE GRIME or Guy Aitchison. Not to single those two out, as there are tons of talented artists out there, but those two stick out in my mind as masters of their craft and really do well in the cover up department.

BME:  Have you spoken to your customers about the specific reason behind wanting to cover up their tattoos?
JOHANN:  Some do it to rid themselves of a bad tattoo. They probably realized the difference in quality between different artists, as opposed to just having one choice of artist in jail. Others choose to cover it up so that they wont have to be haunted by reminders of their past.
BME:  Do they seem embarrassed about the work that they’ve gotten in jail?
JOHANN:  It’s a mixed bag. Some are regretful, and proceed to get a cover-up or get it lasered off, while others get tattooed around the jailhouse piece to remind themselves of their time inside.
   
Before and after shots: cover-up work by Johann.

BME:  Has anyone mentioned what kind of feedback they’ve gotten from people in the “real world”?
JOHANN:  One particular guy I tattooed, I covered a jailhouse swastika on his leg. Once he got out of jail, he went the straight and narrow and successfully found a job and had a family. Years later, other parents saw his swastika on his leg when he took his daughter to school while he was dressed shorts. Whether or not the swastika symbolized anything negative or positive, he felt that he didn’t want to jeopardize his daughter’s upbringing by other’s cultural views placed on him.
BME:  Did they mention why they got the ink they got (like for protection and so on)?
JOHANN:  Some said it was to pass the time, others said to show allegiance to their gang, whilst others found spirituality and wanted to show their devotion. For whatever reasons, there is some “intimidation” psychologically when one sees a tattooed inmate. It has been said that old sailors used to tattoo the face of Jesus on their backs to save themselves from lashings. Perhaps this mentality is still shared today?
BME:  What is the general quality of the tattoos you’ve seen born in prison?
JOHANN:  Where there is a will, there is a way. I never doubt the power of desire. A lot of talented people exist in all walks of life, including those who are incarcerated. Inasmuch as there are a lot of bad tattoos done in jail, there are also a few artists who are exceptional and do amazing work.

Given the limitations (tattoos are usually illegal to do inside prisons and materials are scarce) and lack of color, I have seen beautiful work done with just a makeshift rotary machine and a single needle.

I have to respect that determination.

 
 
More cover-up work by Johann.

In addition to the health risks, there is the risk of social stigma after release from prison with the popularity of gang symbols and extremist racial views. While behind bars these are overall accepted and respected, once the person completes their sentence, they’ve got something on their bodies that they may not be so proud of any more. They’re “stuck” with a marking on their body that can really only remind them (and the people who see it) of one thing — doing time — and if they’re not proud of that, then there’s an expensive problem. Laser treatment is an option, but people can expect to pay hundreds of dollars per visit, and most need between six and twelve treatments. That’s a lot of money.

Lucky for people like Johann, there’s been a consistent flow of people coming into his studio looking for cover-up work. As far as hiding the work you’ve gotten done in prison, it’s probably the most economical method: a palm sized tattoo by Johann would cost about $150.00.

Overall I agree with the CSC program — I’m a strong believer in avoiding problems rather than attempting to fix them once they happen. Tattooing in jails is unavoidable and I don’t think a lot of the men in prisons necessarily care about the consequences of their actions — I mean, if they did, they likely wouldn’t be in jail in the first place, right? We, the people on the outside, may as well make it as safe for them as we can, if not for their sakes, for ours.

– Gillian Hyde (IAM:typealice)


Gillian Hyde (IAM:typealice) is a vagabond, though her roots run deep into Nova Scotian soil. She’s lived and worked on three continents since 2001, and has never lived anywhere for longer than eight months since the age of 16. She loves fonts, puns, being barefoot, and office supplies. Calm to her is the roar of the ocean.

Online presentation copyright © 2005 BMEzine.com LLC. All cover-up images are © Johann Florendo.Images of tattooed arms are © Patrick Warnement. All other tattoo images are from the BME archives. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published online April 16, 2005 by BMEzine.com LLC from La Paz, BCS, Mexico.

Horizontal Tongue Piercings [Guest Column – Stepping Back]

EVERYTHING YOU EVER WANTED TO KNOW ABOUT
HORIZONTAL TONGUE PIERCING

“Growing up, I always had said that I would NEVER get my tongue pierced. I had always seen those trailer trash people on Jerry Springer, you all know the kind, and almost every single one of them had a tongue piercing. Seeing all of these trashy people on Springer, I associated being trashy with tongue piercings. I was determined not to get my tongue pierced and look trashy like all of those people.”

I love seeing people push their own personal boundaries. It’s great to see people do things without thinking of the consequences, or if they know about the consequences — they don’t really care. If anything, it usually makes for a good story afterwards. As long as there’s no chance of death, broken bones or paralysis, I’m all for people trying new things. Being in the body modification scene, I am a happy little voyeur and participant. I see all kinds of things that I wouldn’t necessarily try, but thanks to the internet, I learn something new every single day that I normally can’t learn through my daily activities.


Horizontal tongue piercings — yes, exactly what they sound like.
Most piercers consider these crippling and dangerous to the point of
being unviable piercings… But are they really impossible to keep?

Today’s lesson: people will put up with incredibly annoying piercings in trade for uniqueness. The specific one I’m talking about is the horizontal tongue piercing. It’s not very common, and probably for good reason. I’ve spoken to about a dozen different people who’ve gotten this piercing, and most of them complained about slurred speech (or at least a lisp), problems eating, biting down on the jewelry, a long healing period, and a lot of pain. The payoff? It looks really cool, and it’s a pretty unique piercing.

I chose to speak to four individuals in depth about their experiences with having a horizontal tongue piercing, and later a piercer that does them as well. If you just want the facts, scroll down to the bottom for a little FAQ on horizontal tongue piercings.

* * *


Piers de Burgh
IAM:piersd, was nineteen when he got his done from Skin Graffiti in Swindon, England. He only kept the piercing for one or two weeks.

Pamela
who no longer has this piercing, got it at Outer Body Experience in Castlegar, BC, Canada. She had the piercing for nine months.

Gregg Bennett
from England, had a friend of his do it for him when he was nineteen.

Steve
IAM:Cenobitez, holds the record for this interview, keeping the piercing for nearly eight years. He got pierced at White Dragon in Stockport, Manchester, England.
BME: What gave you the idea to get a horizontal tongue piercing?
PIERS: I love to get unique piercings, and I hadn’t seen it anywhere before so it seemed like a good idea at the time. Vertical tongue piercings also are known to be sexual aids, so I thought that a horizontal one might be quite interesting too. The vertical tongue piercing tends to be very standard and is widely accepted now, yet if you simply rotate it, it becomes so much more.
PAMELA: Well, I’m kind of the odd duck… I’ve always been into body mods. I had my navel done twice but my body rejected it both times before it had even healed, so I wanted something that my body would actually allow. I found BME and started looking around, and was immediately drawn to the horizontal tongue — I had never even heard of it being done that way — but I waited probably a good six or seven months before I actually did it.
GREGG: To be totally honest I was going through a stage in my life where I had to be better than everyone else. The only problem that’s created when your friend thinks he’s a professional piercer and you can buy needles down at your local Wildcat shop? You end up with some weird and wonderful piercings!

I’d actually only been into piercing for about three months — before that I vowed I would never get one, and disliked them immensely. But then I saw an eyebrow spiral, got one, and was hooked.

The vertical tongue piercing looked too boring, and a horizontal one seemed a good idea at the time. I’d been warned that you should never get a horizontal tongue piercing on a whim, so what do I go and do… I’m sure you can guess!

STEVE: I already had a vertical tongue piercing, which was one of my first piercings, but I wanted something that was different and looked good. Then I saw a horizontal tongue piercing on a girl at Erotica, an adult industry trade show in London. After chatting to her I decided I wanted it done — I wanted something that I could say, “look what I got” because at the time, piercings were just starting to get popular. I have no spiritual or whatever reason… I just wanted it because it looked cool.

I searched the net and came up with a picture on BME. I took that with me to the piercer and when he eventually did it, he positioned mine as close to that picture as he could. I think mine’s pretty similar to his:


Steve’s Horizontal Tongue Piercing

BME: What factors did you think about when considering getting it done?
STEVE: I thought about how it might affect my job, the potential for damage to nerves in my tongue. What if it were to hit one of those huge veins? I was considering all kinds of things about the possible damage to my taste buds and motor functions in my tongue, as it’s pretty deep into the tissue. I thought about potential speech difficulties, heavy bleeding, and at the time I had heard some rumors about tongue piercing implications with cancer and stuff. There was also possible dental damage, so I had a lot of health issues to consider.

The final factor it rested on was work. Would I be able to speak properly enough to do my job as a night club promotions manager — where it was key to be able to talk and chat to customers, and deal with businesses.

PIERS: Tell the truth, I didn’t really think about the consequences. This was during my early days of piercings and I didn’t really listen to the warnings of trained piercers.
PAMELA: Rejection was a battle with my navel and I didn’t want that going on inside my mouth, and then there was my mother: what she would say when she found out I did it?
BME: Had your piercer done this piercing before? What did they think about your request?
PIERS: I found out later, that Venom, my piercer, actually was very talented, but at the time I didn’t really care how experienced she was — as long as she would do the piercing!

She wasn’t nervous at all — probably more excited than anything. She explained about how it would swell, especially since I was having two in the same session (both vertical and horizontal ones), and talked me through how horizontal tongue piercings have a high chance of hitting something, or not lasting due to discomfort, and so on.

GREGG: My piercer had never done it before. Having your friends stick holes in you really isn’t the safest option in the world, but at the time he had his own piercing studio and had all the proper sterilized equipment.
STEVE: I knew my piercer had no experience with this kind of piercing, but he has a portfolio that included a lot of stuff I’d never seen, and he said he was always learning new stuff. However, initially he said NO! point blank. I called every piercing studio within a hundred miles and couldn’t find anyone else.

After a few months and a few piercings later I mangaged to talk him into it and he explained it all to me: the risks, the dangers, the unlikely issues, as well as the remote issues that would probably never happen, but he told me it all.

BME: Since piercers often yearn to do unusual work, did you have to pay for the piercing, or did they do it for free or at cost?
PIERS: I had agreed on a special price with her… I think I paid 30 pounds for both piercings I got that day [between $50 and $60 US].
GREGG: Mine was free.
STEVE: I paid about ten pounds for mine [$20 US].
BME: What was the jewelry were you pierced with?
GREGG: At first I had a 1.6mm — 14ga — PTFE barbell with PTFE balls so I wouldn’t smash my teeth on them. I later changed it to a metal barbell with metal balls, at the same size.
STEVE: Originally the plan was to use what we had available — a one inch long steel barbell. However, when I worked it out, I figured it wouldn’t be able to rest it in my mouth due to the immense length, so we settled on PTFE and small 4mm beads on the ends so that they wouldn’t be too obtrusive and sit nicely in my mouth.

They’re now so unobtrusive that they can slide inside my tongue — I should actually put bigger ones on to stop that, but I think if I do, the hole where the current ball goes will stretch and I don’t want that. Now I have a one inch PTFE in it right with 4mm stainless steel balls on the ends.

BME: How was the piercing itself done, and what did it feel like?
PAMELA: OH! It was horrible! I was crying and begged her to stop halfway through. She told me she couldn’t, and then shoved the needle the rest of the way through my tongue. That is why if you look at it close enough it is crooked.
GREGG: We did the piercing in a garden… I know you may consider this dangerous or dirty, but I felt safer being under the bright blue sky than in some room that resembled a doctor’s office. I wouldn’t advise anyone to follow me in this — this is just personal preference, and I’m sure most piercers wouldn’t do it anyway.

We decided clamping my tongue and going as fast as possible seemed like a good idea at the time, although my view now has changed and I would’ve preferred going slowly freehand, as this would increase the chance of getting a good straight line through my tongue.

It felt rather unpleasant; the pain didn’t really abate from when the needle went in till the jewelry had taken its place. There’s a good twenty or thrirty seconds of pain in comparison with the mild discomfort of a tenth of a second that the average piercing gives you.

STEVE: The week before doing the piercing we checked for veins and the likes with a torch (flashlight). The day of the piercing I got there with a few of my friends, waited a few minutes while he set everything up, and then he lead the way to the piercing room. I hopped up on the gurney and waited as he took a pair of large clamps out from the autoclave and dried them off.

He inspected my tongue again, and placed these clamps, made a few adjustments, and then locked them into place.

He sprayed Xylocaine on my tongue, and then asked me to take deep breaths — which I was already doing — and placed the needle against my tongue. He slowly started to push the needle through, with the odd stop and change in direction and stuff to make sure it was straight, and then a last push and he was through.

The pain was more of an intense burning, nothing like my normal tongue piercing. It felt like a small needle prick, then rapidly got hotter until it was stinging, and then felt more like it was burning as it went through. It felt like four or five minutes but I’m assured it was less than thirty seconds.

PIERS: Mine hurt the most out of any other piercings I’ve had. It was closest to my medusa (top labret), just on sheer scale, rather than actually what it felt like.
GREGG: Yeah, to say it hurt would be an understatement.

I looked straight up, watching the clouds roll by, and then a blinding sensation went through my whole face… Not unbearable, but certainly close to intolerable. I remember someone telling me to slow my breathing down or I’d hyperventilate.

BME: How did you feel afterwards?
GREGG: It looked great! I was so happy — I hugged everyone, washed my face, and did the best impression of someone with absolutely no use of their tongue… Worst lisp in history!
STEVE: I washed my mouth out with ice cold water, and got a little relief. Then my piercer looked at it and said it looked damned good… I couldn’t talk or anything — I just mumbled and left his room and he told me to come back in a few days. As I walked out a few of my friends were waiting and they were like, “oh god I can’t believe you did that” and they were like “you’re mad” all the way to the pharmacy.

Pamela’s piercing not long before removal, and Gregg’s very fresh piercing.

BME: Did you change the jewelry during the healing process?
PAMELA: About a month later when I went to a shorter barbell, I think an inch or an inch and a half.
STEVE: I just clipped a millimeter (or four) off the PTFE bar and rethreaded it as the swelling went “up” not down, so my tongue actually got narrower and I clipped the PTFE to match. Once the swelling was gone I had to get another PTFE bar to replace it as it had returned to being wider.
BME: What was the healing like?
STEVE: The healing was very much like my other tongue piercing, only it took maybe six times longer. It’s now healed and I can take the bar out easily and replace it. It can still act up if I catch it or anything like that, but overall, it’s fine.

The only real issue I had during healing was eating bread or bread-like food, as it got stuck on the balls and hurt like hell, and that’s still a problem sometimes, but I think I have unknowingly adapted to that one.

PIERS: To be honest, the piercing was very embarrassing, as it gave me a really bad lisp and I found it incredibly hard to eat. I had a constant lisp the whole time I had it in. It restricted my tongue from moving to pronounce the correct sound. It was very frustrating after a while.
PAMELA: Well, it took about five months until I no longer had an infection or a swollen tongue in the mornings… but I toughed it out, lisp and all.
BME: You had the lisp the whole time?
PAMELA: Yes, I had a lisp until I took it out… After I took it out, it was another five months, when the tongue was fully healed, before my speech was perfect.
STEVE: My lisp stopped as soon as the tenderness and swelling went down. I had a few issues with talking, but it was mainly with shouting. I still have those problems, but it’s a small price to pay.
BME: Was there a lot of swelling in comparison to a normal tongue piercing?
PIERS: I had both of them done at the same time so I wouldn’t know, yet when my horizontal piercing was taken out the swelling completely disappeared in a few days, so it kind of lead me to believe that most of the swelling was from the horizontal one.
PAMELA: Yes, it was hard to talk for the entire time I had it because of the swelling, and I didn’t eat anything solid for over two weeks.
GREGG: In my case there was hardly any swelling at all.
BME: What kind of aftercare did you give it? Did your piercer suggest something special?
PIERS: I’ve always just used salt water — it seems to be the most effective thing for me.
STEVE: My piercer always suggests one part Listerine to three parts water, mixed into a water bottle, and I am to rinse after each meal and snack, and first and last thing in the day.

BME: Did your piercer warn you anything you’d have to look out for or be careful about?
PAMELA: Actually, she didn’t. I only found out a month or so ago that the tongue is two muscles on the left and right side, and that it’s really bad for them to be pierced like that.
STEVE: My piercer mentioned veins and nerves and other such things… one of the ones he was concerned about was the movement of my tongue — but I had thought about that beforehand and was pretty much determined to go through with it.
BME: What’s the most annoying thing about having it?
PIERS: The fact that I couldn’t smoke, eat, or talk properly.
PAMELA: The lisp. I had a huge speech impediment. People who knew me well would always comment on it, but others that didn’t know me didn’t know if I had it before. I had problems with the healing on the right side of the tongue. I don’t know what happened there, but the barbell sunk into my tongue and in order for me to talk properly, the ball would have to be inside my tongue!
GREGG: I had problems closing my mouth, eating, talking, chewing gum — pretty much anything orally.
STEVE: The most annoying thing other than people always asking to see it, asking how long I’ve had it, and did it hurt — the usual things — is that it has a tendency to flare up over the slightest mistreatment.
BME: On the other hand, what’s the best thing about it?
PIERS: It looks amazing and it’s so rare. It’s getting very hard nowadays to get a piercing that is truly rare — don’t get me wrong, I love the fact that body modifications have become more widespread, but I just prefer having unique piercings and styles.
PAMELA: I liked the fact that it showed my individual style, and that I do things for me and not for everyone else. The “Ahh cool”s were pretty sweet too!
GREGG: It’s pushing your body beyond its normal state to create something you feel happier with — although this could be said for any piercing.
STEVE: The best thing about this piercing is that it’s a defining piercing — when I attend IAM meets, and I do attend a lot of them, it’s the one piercing people identify me by, and I always get asked about it. Most people are surprised by the amount of time I have had it, and I have never met anyone else who has one or had one. I also love the shock value from the non-pierced folks at work!
GREGG: You can’t really beat walking down the street with a bar going through the tip of your tongue (and peoples expressions)… Oh boy, did I get some expressions, from sheer horror to total respect and admiration.
BME: Any problems with chipped teeth or other dental issues?
PIERS: I only really thought about it after I bit down on one of the balls. Luckily no damage was done. I decided to move onto foods that only involved sucking or swallowing without chewing!
PAMELA: I now have a big chip on my left front upper tooth that I want to get fixed soon. That is from when I would tighten the balls I would hold it there with my teeth.

I don’t think I had it long enough for major damage other than that one tooth chip to occur. For a while I used plastic balls, but they were internally threaded and would always break off. I got tired of that so I just went back to metal ones.

GREGG: Not really. I am of that stupid breed of people who deem the piercing more important than the complications of the pierced party — however, my mind has since changed on the subject, and I would take a lot more into consideration over these sorts of factors so I didn’t do something I might later regret.
STEVE: The only damage I got was when my bead came off while I was eating a hamburger, and I bit onto the bead and chipped one of my bicuspids. It’s a bit of a nuisance, but as it’s only a small chip, I don’t mind.

BME: When you took it out, what were the factors in making the decision?
PIERS:
Piers’ piercing forces him
to consider a trip to the hospital.

I didn’t have a chance to rest the piercing. With my job I was constantly talking and shouting over the music in the club. One night I was working and I tasted a little blood in my mouth so I decided to go to the toilets and check it out. There was a slight bit of blood but I didn’t want to take any chances, so I went upstairs to the night club to pack up my camera and say goodbye to a mate on the bar. As I was trying to get out more and more people kept asking me to take their photos and dragging me further back into the club. By the time I got out it had started bleeding a bit heavier. I managed to stop it with pressure but a few days later while I was treating myself to a packet of smoky bacon crisps it started bleeding again, and quickly got worse and worse until I was spitting blood and some rather unpleasant blood clots.

Even though I was reluctant, I knew it was time to take it out. When I finally did, I was really bleeding, and I made a phone call to a mate for a round trip to the local Accident & Emergency ward, as I felt like I was going to pass out. Doctors don’t really appreciate self-inflicted wounds so I ended up stopping the bleeding myself in the toilets.

PAMELA: My lisp was probably the biggest factor. Biting on the balls, and one side didn’t heal properly. It just wasn’t worth it.
GREGG: I removed mine because it wasn’t straight enough, and because of discomfort and annoyance at not being to talk properly. I only kept it for three days.
BME: Steve, why do you think you’ve had so much success with keeping this piercing?
STEVE: The key for me has been give and take. If I take the time to look after my piercing, it’s fine, but if I get careless, it’s problematic. If I mistreat the piercing it will swell. The secret is: make some changes and learn to deal with it, or you’re going to have problems.
BME: What advice would you have for others thinking about this piercing?
PIERS: Go for it! But if it was anything like mine, be prepared to change what you eat, how you eat, and how you talk. Hardcore body modification!
GREGG: Do what you think is best — don’t rush something like this though, as it’s not something you should dive into without careful consideration of the consequences.
STEVE: Give it serious thought because there is the risk of dental damage, muscle damage, nerve and vein damage.
BME: Do you consider this a viable piercing?
PIERS: I know one girl with it in the area I live in, and she’s got pictures of it healed so why not? Just because it didn’t work for me doesn’t mean it won’t for you.
GREGG: Perhaps in the future, but why take the risk of harming the way you speak? Your speech is the way other people can recognize the being that is you, and if you have nice teeth and can’t afford corrective dentistry, then why take the risk?
STEVE: For me, absolutely. If for some reason this has to come out or starts to migrate I will remove it, heal it, and get it done again.
BME: Was it all worth it?
PIERS: It was definitely worth it. I still consider this to be a very beautiful tongue project. The only reason I took it out was because of the bleeding. To tell the truth, I don’t regret any of my piercings, but this is definitely a piercing that I would like to have again.
PAMELA: Honestly, no, it’s not. The five months healing time alone was crazy on my part. Every morning I wanted to take it out, but I always wondered, “what if it’s so cool when it’s healed?

Well, it was cool when it was healed, but then the lisp and all the other problems made it suck… but if the one side didn’t pull through I probably would have kept it!

GREGG: If you’d have asked me this question two years ago I’d have told you it was all worth it and I was getting ready to have it repierced, but in hindsight, I don’t think it was worth it, but it depends on your mindset. Too many young people get a piercing to be different, and too many piercers do piercings like this to show they’re on the edge of their science. In the big scheme of things it isn’t worth it to damage other parts of you for the sake of being unique, although it just depends where you draw the line.
STEVE: I have worked my way into two managerial jobs with two mainstream companies with my piercings and all. One of them is my main job in a night club called “Heaven and Hell” in Stockport. I am the first line of contact with the public and even with my piercings, I have the job, and I have worked my way up the ladder.

I would sacrifice my livelihood over it though, and I almost did when I went to claim unemployment — I refused to take it out and they could have refused my benefits but I showed them my resumé and proved I can and will get work.

It’s definitely worth it, purely because after nearly a decade of having it, it’s still a rare piercing, and not many people can say they have that these days!

* * *

Giving us the story from the other side of the needle is Matt Bruce (IAM: modsbymatt), an active piercer at Body Jewellery and Piercing in Victoria, British Columbia. He’s performed several horizontal tongue piercings, and turned away even more customers asking for it. He’s here to tell us, from a piercer’s point of view, some of the most important things to know about the piercing.


Matt, and a horizontal tongue piercing done on one of his customers.
BME: What kind of cautions do you need to take that are different than a normal, vertical tongue piercing?
MATT: I researched this one for a while, thinking I was missing something, but it seems that as long as the blood vessels taper off before the area you are piercing in, it tends to be hassle-free.
BME: What kind of jewelry do you use, and why?
MATT: I use PTFE barbells because they bend with the movements of the tongue itself. A stainless or titanium barbell will only get in the way while trying to talk and eat and such, and Tygon has to be changed too often. I prefer to use PTFE beads as well but if they want stainless, I just make sure the jewelry is short enough that the beads sit inside of the teeth.
BME: Can you explain the process of making sure the customer is suitable for the piercing and of doing it?
MATT: Like I said, as long as there are no obvious blood vessels in the area, that’s a good start. I find that if they fold up the tip of the tongue and at the fold there is an indent on either side than they have good anatomy for it, but that doesn’t mean they are good for the piercing.

Good oral hygiene and previous experience with piercing and oral piercing is a must, and then, based on all those variables, I decide from that point if I will do the procedure. If everything is a go, I make my entrance and exit marks and then brace the tongue with a piece of gauze in-between my thumb and first fingers. After everything is lined up, I push the needle through to the other mark and then follow through with the jewellery.

BME: Do you warn the people about possible dental damage or other potential problems?
MATT: Of course. As a professional piercer it is my obligation to inform people of any possible negative effect that any procedure could have on the client.
BME: How much should customers expect eating, drinking, talking, and so on to be affected?
MATT: They will find it awkward at first, the same as any other tongue piercing, but with PTFE it makes it very easy to adjust. Usually at the two week point they tend to be talking well and the distension is almost completely gone.
BME: What advice would you have for others thinking about this piercing?
MATT: Make sure you see examples of the piercing in the artist’s portfolio that you approach and I would say that if they recommend a metal barbell, then I would look somewhere else. Also, just because this or any piercing has been done does not mean it can be done on you. If someone turns you away because you do not suit the work you want don’t just keep looking till you find someone that will!
BME: Do you consider this a generally viable piercing?
MATT: That is a hard question to answer. For some, a navel piercing isn’t viable, for others a standard tongue piercing isn’t. I try and just go person-to-person with every procedure I do. If it is viable for that individual then I do it.

With a little bit of pain and persistence this piercing is possible. You’ll need an experienced piercer that understands not just the right to do the procedure, but understands why the piercing has to be this way. Otherwise you risk permanent humilation from not just a lisp but the diet of a level six vegan — nothing that hasn’t been put in a blender. It’s very rare for good reason, but still might be the right piercing to get if you understand the risks and want something unique. Try it if you dare, but don’t say I didn’t warn you.

Horizontal Tongue Piercing Mini-FAQ
BY SHANNON LARRATT


How is the piercing done? It’s a standard piercing, done with a needle and jewelry follow-through. Some piercers will clamp it but most will do it freehand.

How much does it hurt to get done? It hurts more and takes longer to perform than a normal tongue piercing but is bearable. Depending on your region, spray anestheia may be available.

What kind of jewelry should be used? PTFE (Teflon) or other flexible jewelry such as Tygon is ideal (although Tygon needs to be changed regularly). Metal barbells are not generally recommended, although they may in rare cases be possible in some placements. If possible, plastic beads should be used, and flattened beads can make the piercing additionally comfortable. Once the piercing has healed the jewelry should be shortened to sit snugly on the tongue.

How should the piercing be placed? The placement that puts the least restriction on the movement of the tongue should be used. Try and watch and feel how the tongue moves during speech and eating. Intersecting the points where the tongue bends is going to do the most damage to mobility (and thus speech and other actions). The area should be checked for blood vessels as well. Not everyone has anatomy which is suitable for this piercing.

Who can do this piercing for me? Any experienced piercer should be able to do this piercing.

How long does it take to heal? If the placement is good and proper jewelry is used, healing should take one to two months, with the swelling going down inside two weeks. However, if the placement is not good or the jewelry is inappropriate, the jewelry and motion of the tongue can cause continual damage to the wound (especially if you yell or otherwise stress your tongue) and extend healing time greatly.

What aftercare should I follow? Aftercare is basically the same as a normal tongue piercing. Take it easy for the first few weeks and rinse regularly with a saltwater solution. The most important thing is to do everything slowly for the first week or two and pay attention to your tongue when you’re eating and talking. If you pay attention and do things carefully and slowly you will greatly speed up the “relearning” process and aid the healing as well because you’ll put less stress on the piercing.

How much will talking, eating, and so on, be affected? How much these things are affected varies greatly from person to person and can be minimized by using recommended jewelry and placement. If you just put a bar through a “bend-point” of your tongue, let alone a metal one, you will have an intense lisp. However, if you use recommended jewelry and take care with the placement, the effects will be minimal and should not be much worse than a normal tongue piercing. Proper jewelry sizing is important and will reduce risk to teeth while eating, as will using plastic beads.

THE BIGGEST REASON THAT THIS PIERCING HAS A BAD REPUTATION IS BECAUSE FEW PIERCERS DO IT PROPERLY!


– Gillian Hyde
typealice


Gillian

Hyde (iam:typealice) is a vagabond, though her roots run deep into Nova Scotian soil. She’s lived and worked on three continents since 2001, and has never lived anywhere for longer than eight months since the age of 16. She loves fonts, puns, being barefoot, and office supplies. “Calm” to her is the roar of the ocean.

Online presentation copyright © 2005 BMEzine.com LLC. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published online April 4th, 2005 by BMEzine.com LLC from La Paz, Mexico.

Missing Parts [Guest Column – Stepping Back]

Missing Parts

“One sees clearly only with the heart.
Anything essential is invisible to the eyes.”

-Antoine de Saint-Exupéry, Le Petit Prince

When your physical appearance changes against your will, like scarring or losing a limb, is it considered body modification? I’m not just talking about accidentally slicing your finger open while cutting a watermelon, or burning your arm on a stove rack, but rather, severe circumstances like what happened to Ella Earp-Lynch (IAM:ella), who was burned by a pot of boiling water at age four, or to Amina Munster (IAM:Amina Munster) who had her leg amputated and the tips of her fingers fall off as a consequence of nearly drowning before the age of two.

Ella, who has scarring on nearly a third of her entire body, says that she absolutely considers what has happened to her as body modification. And why? “The disingenuous answer would be to say, ‘because my body is modified from the way it originally was, it’s different from the way it was at birth’.



Amina and Ella

But I can also say that I first started thinking of my scars as body modification when I began to see the beauty in them, and to feel that having them made me more, rather than less attractive.”

These women interpret their experiences in very different ways. Ella showcases her modifications, and even highlights them with Dremel and scalpel scarification and branding. This decision was easy for her, and began when her friend, “a scarificationist, mentioned that he thought that the small scar on my left shoulder looked like a bird, specifically, like a Chinese phoenix, and said that he would like to try and “bring it out” with a technique he had been experimenting with using a Dremel tool to
abrade the skin. This started me thinking, and I realized that herein lay the solution to my problem — I had always wanted further mods but had had a hard time figuring out how to incorporate tattoos with my extensive scars.”

“Another part of what I like about my current project (of modifying/outlining my existing scars and eventually mirroring their outlines on the other side of my body with more conventional scarifications) is that I feel it reflects my attitude towards my scars more accurately to the average person, and makes it easier for them to see what I see.”

Amina, on the other hand, hides her “modifications” both in real life and online, where she is an active and popular Suicide Girl.

She debuted on SuicideGirls.com in late December 2002, and she has never shown her missing leg or fingers in any of her photos. She’s fairly heavily tattooed, has a gold tooth and breast implants, all of which she considers mods, but does not consider her “missing parts” body modification. She believes that in order to classify something as body modification, it needs to be an intentional act.

Why the gray area? Intentional amputations happen, accidental amputations certainly happen more often — but when is it considered body modification? Is it simply in the eye of the beholder?

I decided to interview Amina to find out what it is exactly that stops her from classifying the accidental changes to her body as “body modification.”


Amina Munster

BME:
What happened to your leg and your fingers?

AMINA:
When I was seventeen month old I was left home with a babysitter because I had a fever. Instead of the babysitter watching over me and my five year old sister, she decided to call her friends and invite them over for a pool party. Believing that I could swim, I left the playroom, went outside, stacked up laundry baskets to climb over the pool gate and jumped in the spa that the babysitter had been heating up for her friends. The babysitter never found me, my next door neighbor heard my sister screaming at the spa. It was the neighbor who took me out of the water and called the paramedics.

My leg was lost due to loss of circulation and oxygen. My right leg was amputated below the knee. My fingers were left to fall off by themselves. When I was sent home, the tips of my fingers were black and dead. The tips gradually fell off by themselves. Resulting from this accident I am missing a quarter of my right leg, the tips of all five fingers on my right hand and half of my right lung.

BME:
Did anything happen to the babysitter? Was she charged with any criminal acts?

AMINA:
My parent’s home owners insurance paid for the hospital bills and a hefty settlement. My parents decided not to sue anyone. When I turned eighteen, I was told by my parents that I had the option to sue anyone I wanted including my parents, the babysitter, the hospital, or the babysitter’s parents considering that she was seventeen at the time of the accident. I decided to not sue anyone; the accident happened so long ago, isn’t the expression let dead dogs lie?



Amina’s black fingertips before they eventually fell off, and her amputated leg.

BME:
Why did you become a Suicide Girl?

AMINA:
Honestly, I have loved models and modeling since I can remember. I grew up looking at the Varga girls and 50’s style pin ups. Suicide Girls was like a breath of fresh air to me. I thought that it was amazing to find a place where girls were considered beautiful and had piercings and tattoos. I became a Suicide Girl just to try something different and I will never regret it.

BME:
Why did you decide not to show your leg or your fingers in your photographs?

AMINA:
When I had originally applied to Suicide Girls years ago I decided to keep the leg, or lack there of, a secret. I felt that SG would not accept me to be a model if they knew I was an amputee. Throughout the years it has gotten difficult to keep coming up with creative ways to cover my prosthetic leg, however, I still have not been able to shoot the mermaid set that I have dreamt about.

BME:
Who takes your photos for SG?

AMINA:
Currently all of the sets that I have up on Suicide Girls were shot by a friend and Missy, the owner of SG. However, recently I was able to shoot two sets with Steve Prue, who I greatly adore.

BME:
Did your photographers try to convince you to show your leg?

AMINA:
I have worked with many photographers and I have never felt pressured to show my leg. I did recently take a series of photos displaying the temporary prosthetic leg, but that was at my request. I love this leg because you can see the insides, it looks bionic.


Her leg and fingers are always hidden in her pictures for Suicide Girls

BME:
Are you planning on showing the online public that you have amputations?

AMINA:
Right now I am wearing a temporary prosthetic leg. My other leg is currently getting airbrushed at the Hart and Huntington Tattoo studio in the Palms Hotel and Casino, they have an A&E show called “Inked” that covers the daily activities of the tattoo shop. My leg and I will be featured on that show. I honestly do not know what the artist is airbrushing on the leg other than a big Virgin Mary on the calf. After I have received the completed leg and have finished filming for ‘Inked’ I will be shooting a set for Suicide Girls exposing the airbrushed prosthesis. It will be the first time that it will be shown on Suicide Girls that I am an amputee. Should be interesting.

BME:
Is the airbrushing just for the photo shoot or will the paint stay on the leg permanently?

AMINA:
The leg is getting airbrushed to look like traditional tattoo work. The paint will permanently stay on the leg and I think I may mount it in a glass box when I am no longer able to wear it. I’ve had plans for many months now to expose the leg on Suicide Girls, I just thought it would be cool to show it looking tattooed. The artist and I both decided on traditional art work, very Sailor Jerry…but with no swallows or flames. I left the majority up to him.

BME:
Do you have any fears about the people’s reactions?

AMINA:
To tell you the truth, the general public on SG may not know about my prosthesis, but it is certainly not a secret. Rumors fly over that website all the time, people like to talk. Even many girls whom I consider to be good friends still feel the need to tell members or anyone interested in SG that I am an amputee. It is truly funny that when peoples own lives stop being interesting that they choose to talk about someone else.

When it is finally shown to the SG community that I am an amputee, I really expect for most people to be shocked. I hope that it will show them that people with missing parts are beautiful too. I really don’t expect outrage, but I’m sure I will get the occasional ‘that’s gross’ comment.

It’s very hard to offend me, as I’ve heard it all before.

BME:
So far, what has been the feedback on your presence on SG?

AMINA:
I have met many girls off of SG who are now some of my best friends. I even met one of my tattoo artists off of SG, he agreed to tattoo me in exchange for three of my baby prosthetics. Naturally I am considerably popular on Suicide Girls due to my many tattoos and the fact that I show my boobies. But I am unsure if
that will all change when my amputations are exposed.

BME:
What brought you to
BME?

AMINA:
A friend and fellow Suicide Girl, Twwly told me about BME, I checked it out and fell in love.

BME:
How long have you been tattooed?

AMINA:
My first tattoo, if I remember correctly, would have to be the Winnie the Pooh outline on the inside of my left ankle. This tattoo was done when I was 15 in my bedroom by my first boyfriend. Of course at such a young age we did not have a tattoo machine and instead used a safety pin. This tattoo has been left untouched all these years as a reminder of my first love.

Since then I have been tattooed by many talented artists including Eric Maaske, Tim Kern, Tim Hendricks, Jim Miner and Chummy. I started getting real artwork by established artists when I was seventeen. I walked into Classic Tattoo in Fullerton, CA with my court papers proving that I was an emancipated teen and Eric Maaske agreed to work on me. My first tattoo on my arm was a pirate girl with a peg leg, some think it to be a self portrait.

BME:
Is it actually a self-portrait?

AMINA:
Technically it isn’t, but I did have her peg leg be on the right side to match mine.


Chest Piece by Tim Kern

BME:
Does being an amputee impact your decision to get tattoos? Do you have any tattoos relating to your amputations?

AMINA:
The only tattoo that I currently have directly relating to my amputations is the Pirate girl by Eric Maaske on my right arm. But I do have future plans for more. When I began getting tattoos on my arm I placed all of them on my left arm thinking that it would take attention away from the right side of my body. It would be a sham if I didn’t admit that. It worked, and when I shook hands with someone they would be so preoccupied with the tattoos covering my left arm that they wouldn’t notice the missing fingers on the hand that they were shaking. Since then I have moved on to tattoo my left arm and chest, and I am no longer trying to cover up my disability with tattoos.

I have found that other people with ‘missing parts’ tried to do the same, so it is not uncommon.

BME:
Do you consider your amputations as “body modification” as they weren’t intentional?

AMINA:
Since my missing parts were not intentional I do not consider them ‘body modification.’

I think modification would have to do with the direct and intentional act of modifying something. Ha, I didn’t intentionally modify my leg, it just kind of fell off. I would, however, consider my white gold tooth as a modification. Although I did not intentionally knock it out, I did choose to replace it with white gold and not a replica of the latter, and unlike most people, I do consider my breast implants to be a modification.

BME:
How did you loose your tooth?

AMINA:
I blame losing that fucker on the leg. I have such bad balance. I was very intoxicated in San Francisco back in April of 2004 I drank some liquor that I will refer to as ‘the devil’ at the Budda Bar. As soon as last call hit, I traveled out onto the street and attempted to walk off of a curb. My attempt was ill fated. I fell flat on my face busting my lip and eye, and knocking out my front #10 tooth at the gum line.

BME:
Why did you choose to replace it with white gold?

AMINA:
The second that I was informed by three different dentists that the tooth replacement was going to set me back a whopping $3,000 bucks I knew that I wasn’t going to get a replica of what I had just knocked out. It turns out that if you knock out just one tooth at the gum line that you have no other alternative than to get a single dental implant, so I got the white gold as a treat to myself. Plus I find frontal gold teeth on men very, very sexy; I just don’t know more than one guy who has them. Bring on the men with gold teeth!

BME:
Any specific or unique reason why you wanted breast implants?

AMINA:
Not to be too blunt, but I love boobies and I love breast implants. Add that to the fact that I was as flat as a twelve year old boy. I got them June 4th of 1999, and still no regrets.

Unintentional vs the Intentional

BME:
What kind of feedback have you gotten from IAM members?

AMINA:
I have had nothing but pleasant encounters with fellow BME members. I do get a lot of questions about how I lost my leg and fingers, but that’s just natural curiosity. I guess I should have an explanation somewhere on my page, but I don’t want my missing parts to define who I am. I don’t want someone to visit my page and just see information about my leg, there is much more to me than that.

BME:
Do you find real life people more accepting than online people, or vice versa?

AMINA:
The only place that I have shown my prosthesis online is on BME. Since I usually wear pants and never have my leg exposed in real life, I do not really know what the general public’s reactions would be. Other than some people noticing that I may be limping a little one particular day, it is rare that any one would ever think that I have one leg. I have never had a problem finding lovers, most men just don’t care. Although I do have that ‘Deuce Bigelow’ fear of not telling a man beforehand that my leg is a prosthesis and then watching it fall off in his hands. Now that I think about it, my friends and I have played many jokes similar to that one on unsuspecting targets.

BME:
Why do you keep it a secret?

AMINA:
If you’ve done something for so many years it just becomes routine. I would be delusional if I ever thought that my lack of a right leg could ever be considered a secret. My story seems to be something that people like to tell at cocktail parties. More often than not, when I meet someone that knows anyone that I do, they already know of my amputations. I kept it a secret on Suicide Girls possibility to be accepted or just to be one of the girls. Instead of Amina the amputee, I am just Amina. I wear pants daily because it is simply less of a hassle. Although online I could write a story and paste it on my profile that will hinder repetitive questions, I cannot walk around daily with the story taped to my chest. I will be showing it soon on Suicide Girls because I can no longer remember any reason to keep it hidden. It is what I am and ultimately makes me who I am.

BME:
What do you think of people who intentionally amputate their fingers or other body parts?

AMINA:
I will not ever say that it is disgusting or gross or that I do not understand it. Since I was a child I have wanted to amputate one of my toes, not because I would like how it looks but for more aesthetic purposes. I’ve always hated that my toes touch, as everybody’s toes do. I just always figured that by eliminating that one toe between my middle toe and my pinkie toe that the problem would be resolved. So I myself have considered voluntary amputation. I’m sure most people do it for different reasons, like cutting the bad parts out or eliminating something you prefer to be without. I know someone that voluntarily amputated a body part and to this day I still do not know the reasons that person had. But it was their choice, not a common or accepted choice, but a choice that person is very happy with.

If I had two legs would I prefer to have one amputated? No, never. I would never wish that upon someone who did not wish it upon themselves. Why? Simply because it is a hard existence. Not just because of the jokes, ridicule, stares or innocent questions, as that could not possibly be any less of
a concern for me. But the physical technicalities are so hard and unending.

I’ve had to learn to walk fourteen times in my life, my prosthesis cost up to $20,000, and if I decided to drop some weight for health reasons, I have to get another leg. The shape of the stump changes with every couple pounds I lose. Since May of 2002 I have lost twenty-one pounds. However, I have only had two legs in that time. Some days my leg will be black and blue from walking, some days I can’t walk. Sometimes I wish that I could walk for more than eight minutes without giving my leg a rest. My knee is half the size as my other knee due to atrophy, very similar to the Chinese women who wrap their feet, and my knee never had the chance to grow beyond a juvenile’s size. Sometimes I envision my bone growing through the end of my stump as it did twice when I was younger. Also, because I am currently without health insurance, and if it were not for my Prosthetist being a good friend of mine, I’m sure that right now I would be without a prosthesis.

I have heard the saying “God only gives you what he thinks you can handle” many times. And if I believed in God I think I could find some peace in that.


* * *

Certainly, if I break a fingernail or get a bruise on my leg, I would not consider it body modification nor body art. I guess, ultimately, it’s up to the people who have unintentionally injured their bodies to classify any changes as “body modification” or not. Regardless of whether it’s by choice or accident, these girls’ bodies are different than what they’re supposed to be. Everything after that is left up to interpretation. Who really needs the labels anyway?

– Gillian Hyde
typealice


Gillian Hyde (iam:typealice) is a vagabond, though her roots run deep into Nova Scotian soil. She’s lived and worked on three continents since 2001, and has never lived anywhere for longer than eight months since the age of 16. She loves fonts, puns, being barefoot, and office supplies. “Calm” to her is the roar of the ocean.

Online presentation copyright © 2005 BMEzine.com LLC. Picture of Ella by Warren Baird. Front page picture of Amina taken by Steve Prue. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published online February 9th, 2005 by BMEzine.com LLC from La Paz, Mexico.

The Salaryman’s View: BME/Japan [Guest Column]

  


“To know what you prefer instead of humbly saying Amen to what the world tells you you ought to prefer, is to have kept your soul alive.”

– Robert Louis Stevenson

The alarm rings diligently on the floor next to his face. It’s barely 6 AM but already he is up and has stumbled into the small, plastic box of a shower room. Emerging from his steamy awakening soon after, he pulls out a smart, black suit, white shirt and purple silk tie. Darting out the door as the sun rises over the tops of the tall, modern buildings, briefcase trailing 45 degrees behind him, it’s only a short trot to the next stop on the way to oblivion. As the doors automatically swoosh open, he takes a ticket, sits quietly on the small, round stool, crammed in a line with the other bodies and begins the morning slurping ritual that descends upon them all — rice, raw egg, noodles, coffee. As they pile out and into the river of people that has developed quickly on the street his eyes are met with a myriad of weird and wonderful sights. Red hair, short miniskirts, garish, pink signs advertising rooms for sex, grey suits, lots of grey suits, convenience stores in garish yellows and greens, people, people everywhere. The sounds of outside simmer briskly above his head. He doesn’t even notice the fact that 80% of the people around him are male. Like a salmon returning to spawn he glides into the big building and down, down, down towards the labyrinth of tunnels and tubes that he knows like the back of his smooth skinned hand. For someone who doesn’t really like crowds it still amazes him that he doesn’t scream in the face of the tidily dressed man wearing a pointed hat and white gloves, who is busily pushing him backwards into the tightly crammed train.

“Nobody talks to each other anymore”, he laments. It’s all thumb movements and hand covered conversations with technology. People choose to doze their way through the pain; others project themselves into worlds of superhuman animation. Dyed blonde hair, thick brown make-up, pierced lips and ears, unbuttoned shirts, rolled up minis, gum, perfume, attitude, oozing sex appeal, the high school girls giggle at his conservative glare. He grieves the loss of respect and traditional values that his parents instilled in him when he was growing up. His society is changing, slowly but surely. Young women are marrying later, travelling more and becoming more independent. They can keep their jobs after becoming pregnant, men can get childcare payments, and shock of all shocks, some men actually help with the housework! He spat out an indignant spurt of air. “Not him”, he angrily thought.

At the office an hour later he has everything unpacked and assigned to its space on the tiny beige desk. Hazy light spills in the window, competing brashly with the fluorescent bulb overhead. The routine sights from the car park only inspire him to dream of a life not his own. Comic book imagery drawn by manic student artists night after night catapult him through the numbness and transport him into a time where people are cutting their tongues in half, tattooing their faces, hanging from meat hooks and piercing themselves with large steel needles. This is an alien world to him, thousands of light years away from the subordinate housewife, cleaner, cook and raiser of his children that his post-married life is made of.

His soul thrusts through hyperspace at breakneck speed, colours swirl like a giant kaleidoscopic hurricane, his chest tightens with a mixture of anxiety and unbridled excitement. Old, traditional culture, the one that he grew up worshiping melts in and out of sight… two old philosophies dominate the skyline here; Confucianism and Samurai thinking, a world derived from the Chinese Confucian heritage which values the group over the individual. The group, be it a family, or society at large, is greater then the individual, and group needs take precedence over individual needs. And so it is here that women took their historical place in the home and as inferior, subservient citizens. Swords and soldiers. Warriors and warlords. Tatami and tattoos. Criminals and men of distinction come forward, coloured and confidently like some bizarre, ghostly visitation. He thinks only of Yakuza and instinctively cowers into the foetal position, begging to be spared. As he cries to be saved, suddenly he finds himself dumped on the floor of a dark and pumping room. Music blares and shakes the very marrow of his bones, nubile young bodies gyrate in unison, lights flash, steam rises, all he can see are legs and sneakers. Young males and females alike breathe equality into the air, in fact, in some cases, the females appear to hold their puny male audience in some kind of spell. He just sits there and marvels.

For him, this is the world only seen in his comic books. Standing upright he moves sheepishly to the bar, feeling greatly overdressed and wonderfully overawed. Nobody seems to notice him and this makes him wonder if he really is a part of this strange new world or not. Not knowing what to do or say he opts for a seat at the neon-covered bar, orders a sublime, single malt from a country far, far away and drinks it quickly to calm his shredded nerves. The gravity of the situation now consumes him. Head in his hands he thumps on the bar and sobs for the stability of his drone-like existence, one where men and women both knew their place and the surroundings were as sterile and uninviting as his best company suit.

The music stopped abruptly and snapped him out of his trough, a last tear dried as he spun around to see only the backs of bright, spiky heads, young heads, all looking skyward. Naively he followed their line of sight and was utterly speechless at what greeted him. A beautiful young slip of a woman was suspended from the darkened roof by what looked like ropes from her back. Remembering comic book confusions explained the apparent superhuman feat of spitting ropes from your skin and attaching to something more solid, a la Spiderman in his finest web-slinging adventures, but then slowly and effortlessly the heroine of the moment spun round and around and as he squinted over the top of his thick, square salary man spectacles, a flash of silver pierced his eye. “Surely it can’t be so!” he squealed to himself, grimacing uncontrollably. Her back had hooks in it and she was hanging from them. Nobody appeared to be helping her. He sat there motionless, in emotional pain. But no matter what his instincts were telling him about the girl dangling from the ceiling, he couldn’t help but feel a burning desire to seek her out. She was smiling a lot and that made him itch for her company. He needed to talk with her, to interact with her, to probe her psyche and motivations. He just wanted to help her. A lonesome word echoed through the annals of empty space in his head… “why?”

The word had barely completed its lonely journey through his neglected neural pathways when with a “whoosh!” the young heroine was sitting opposite him, on a stool at the bar. Everyone else had vanished in the same instant. She had a strangely welcoming smile on her face. “Her name was Dita” she said and she believed he had some questions for her. He quickly scanned her friendly face and noticed firstly that her bottom lip was tattooed, subtle with a small narrow black line. His first question was of her heritage, “was she Ainu?” he asked nervously. The indigenous Ainu women of Japan tattooed their lips with a special spiritual significance, to ward off evil spirits. Dita laughed when she replied that “no, she was not Ainu”. The energy emanating from her kept her smooth, dark hair away from her small face and around it he saw various colourful adornments — a silver ring, large circular holes in her ear lobes, petit heart-shaped studs.

Almost without hesitation he blurted out “What does your mother think of all this?! And your husband too?!”

My husband didn’t like my modifications at first. As time goes by and he understands how much I like body modifications, he wanted to get some for himself. . Now he’s started full tattooed sleeves and is planning to get his back tattooed as well. I think my friends and I are a good influence on him. My mother never told me to stop what I do and enjoy. Now I think she knows all about me and my modifications and accepts what I do.

Dita’s arm and the centre of her chest start to bubble gently, like some hot volcanic mud, pushing up three, four, then five small spheres from underneath her skin. She sighs as she lets out “I’d like to get implants done but not so badly. Just thinking. My first plan is tattoo.” And with that they too submerge and are gone.

The room starts to spin violently again, no colours this time but huge Vaudeville type letters of red and yellow and green swirl clockwise above his head: T A T T O O T A T T O O T A T T O O. First one then two frogs jump in from the left, before long they have multiplied out of all proportion, jumping all over him. He recoils back into his familiar foetal position when, without warning a large enveloping womb begins hovering above his head like a mother ship. It extends its elegant fallopian tubes and descends to wrap him safely in its womanhood. He feels safe and warm and loved. Out of the corner of his eye, a pink Cheshire Cat sits perched in the corner, grinning inanely at this new surreal sight, tiny white stars on its forehead sparkling in the dark air.

He opens his eyes to see Dita holding a baby. It is leaning contently against her bosom and she is stroking its soft, dark hair. She starts to speak, her words pre-empting his next query.

Being a mother has only changed my plans for physical reasons, like I have to wait until I stop breastfeeding. That actually gives me more time to think about my future modifications. Also saving money. I don’t hide them, as I said above, and I don’t really show them off. Some people might treat me as a bad mother just because I have these modifications, but thankfully I haven’t experienced it yet.

I think I’m lucky to be a woman when it comes to modifications and their reaction. I haven’t really had any negative reactions. The only negative reactions that I’ve had are from my relatives and my boss. My relatives said that tattoos are stupid. My boss told me to take out my piercings at work. The reason why I don’t get many bad reactions is because I don’t tend to show off my modifications often to people who would take offence.

He spat out the questions anyway but knowing that they had already been adequately answered. All his upbringing seemed to be influencing his thoughts in the direction more of, what other people will think of how you look, rather than how you want to look, regardless of how other people think. This is the way he was brought up and this is the way he brought up his own children, roughly the same age as this well-balanced, down-to-earth girl and mother. She reminds him of pioneers, trailblazers, and strong-minded people, people alien to him. He was in their world now and they welcomed him. Embarrassingly he knew deep down that he would not be so welcoming to them if they had entered his world. Dropping his head in shame he falls to his knees on the floor in front of mother and child and begs their forgiveness. Of course it was instantly forthcoming and as she beckoned him up from below, Dita playfully stuck out the tip of her tongue at him, both her tips!

Turning around, he realises that they have both been sitting in the back of a shiny black truck for the last twenty minutes. It must have happened before but he was sure he had been sitting on a stool. Dita hops over the front of the hood in one short Potter-like burst and begins to pull the truck, hooks still in her back, skin stretched tautly on her back. He shouts at her to stop but all she does is turn around and blow a huge plume of bright orange flames into the air above him, while laughing merrily and skips into the darkness. Happiness flows from her whatever she does. On the floor, there he is alone again but for some small movement on his right. A pretty little baby crawls over to him and into his space. He bends over to pick it up and as he does so, it gets to its wobbly feet. With his head next to the baby’s it whispers softly in his ear, “Only if I want to. She won’t tell me to get modifications or not. She’ll be happy if I want, because it means that I would understand what she enjoys so much.

Another plume of flame and the baby was gone.

He stands dazed and confused. A light comes on and lights up a long stairway in front of him now. With trepidation leaking from his shoes he timidly creeps up towards the top to a small black door. Tentatively he pushes it open and peeks outside into the retina burning daylight that stands like a wall of intensity, blocking his entry to the next adventure. He eases out of the doorway, interested to have a look at what is going on next, only for his eyes to see a door into Clonesville. Aghast he steps into the river of people that surges past his tired face and with that he was gone. Gone down the street, miles away from the doorway, towards the big building under the ground along with all his fellow ant workers.

Just before he heads for the descent, he passes a busker outside of the crowds. She is dancing in circles, fingers clicking delicately in small brass cymbals. He is mesmerised as are others watching her show. She seems strangely familiar but annoyingly he can’t quite place her. He thinks it weird that a young girl would be dressed in such vibrant red costume and skipping around outside for the entertainment of others. The more he watched however, the more he was finding himself being drawn in, a slight foot movement here, a tiny hip sway there. It was invigorating for him to feel positively influenced by this girl. She was doing something that no one else was but he was doing something that everyone else was doing.

“Some people lead, others must follow”, he mused to himself as he slid down the moving metal staircase and into the abyss. He was back in his world again. Back on the seat. Back on his way to his daily banality. Before he sits down, he picks up the new glossy magazine lying there, left by the person before him, “2BME”, and stuffs it into his vinyl briefcase, to be read once he gets to the office. Maybe this one will take him back to that place… for once, he was looking forward to going back to the office.

– Ferg   (iam:bizarroboy)

Overdone: Why Do People Get Star Tattoos? [The Publisher’s Ring]


Overdone:

Why Do People Get Star Tattoos?


“Quod est ante pedes nemo spectat: coeli scrutantur plagas.”

(No one sees what is before his feet: we all gaze at the stars.)

– Marcus Tullius Cicero

Bod mod elitists have always made fun of people with modifications they feel have become “common” and moved into the mainstream. In the past (and still now), the legions of people wandering about with kanji symbols tattooed on them became objects of derision, accused of wearing what they didn’t understand or relate to because someone told them it was the cool thing to do. Similar accusations of mutilatory exercises in conformity have been leveled at those with star tattoos, as over the past five years stars have become perhaps the single most common piece of tattoo iconography.

Can star tattoos still have meaning — or did they ever? Why do people get star tattoos anyway? Are they just going with the flow? Have they devalued over time like a Right Said Fred CD? Earlier this year I started asking people why they got their star tattoos; below are some of the answers I got in their own words, along with the tattoos those people wear (click to view them). Decide for yourself if they took their skin seriously enough for you to judge them from your ivory tower.

Sarah W

Sarah is “an artist of sorts” from the UK who draws lots of flash for friends and has an online clothing store. She’s been getting tattooed since she was fifteen and loves being part of such a rich and varied community. She’s also a vegetarian, involved in animal rights, and (surprised?) loves travel and music. She’s still deciding whether she wants to be a tattoo artist or a bag lady when she finally grows up.



I have earlier star tattoos, but they are just simple ones, more for decoration and to fill space. But I’ve always liked stars for their aesthetic qualities — they look very neat and clean. They can be endlessly changed and altered in almost any way to suit any tastes. I also love the idea of tattooed stars relating to real stars, and the relation to the universe and space. It’s a reminder of how small we are within everything that exists and gives me a certain amount of peace of mind that what I do is ultimately unimportant.

This star you’re asking me about was designed by Alison Manners at Ultimate Skin in Leeds. I found a basic star design with an oldschool rose inside it; she redrew it perfectly for me. I chose the color because I love pink and am a bit of a girly-girl, and leopard print because I relate it to pin up girls (something I love), and also to nature. My boyfriend suggested getting it on the front of my shoulder, at the far side of my chest, but I felt it wouldn’t really fit with the chest piece which I have designed. I had always wanted a rose on my sternum, right in my cleavage because it would be very private, and also very suggestive, to show that I am a sexual person. A star with a rose in it would fit perfectly, so it was pretty easy to place it.

Not too many people have seen it because of its location, but obviously I’ve shown it to my friends. They all really liked it when they first saw it, and expected that it was pretty painful to get done. The biggest reaction was from myself, because I was surprised at how different I felt after having it done. It’s the first tattoo I’ve had which I can see when I look at myself face-on in the mirror, as most of my tattooing is on my back. I had a great feeling of satisfaction being able to see it all the time, and comfort within myself after it was done. It was like I was becoming more like me. It’s changed the way I think about my body and myself, giving me more confidence and making me more secure with who I am.

Sarah F

Sarah is a twenty year old hairstylist, a profession she chose because it allows her to look how she wants. She also hopes that because the job lets her interact with the public so often that she can change people’s opinions of the modified, because, as she puts it, “I’m such a nice girl!”



It’s not that I specifically liked star tattoos, I just liked stars. When I started high school I would doodle them everywhere and when I was sixteen I drew up the design for my first tattoo, a star with black and white checkers inside it. That design waited, tacked up on my bulletin board until I was almost nineteen and had the opportunity to get it. So now it sits on my left forearm just below the bend of my elbow, and I absolutely love it. I chose to put it on my arm because I didn’t want it to be hidden, I wanted it to be a part of me that people could see.

I have had my checkered star for over a year and a half and I still love it just as much as the first day I got it. I recently got another star tattoo on my back between my shoulder blades. Sometimes people notice the top point of the star coming up the back of my neck and they are curious to find out what it’s connected too. I always show them if they are truly interested and not being rude. I am happy to show them off.

I don’t care what’s popular and what isn’t. I got my star tattoos because I like them and that’s that. Things that other people do rarely affect my decisions on anything, and my tattoos are no different. I think it’s fairly obvious that I do not follow the crowd anyway. Most likely I will be getting more star themed pieces — how could I not? I never worry about them going out of style. It’s never even crossed my mind. As for the way other people see them, I don’t think that in twenty years people will be saying, “Oh, star tattoos are soooo 1998” or whatever. And if they do, well, I just don’t care.

I think it’s really sad that people make fun of star tattoos just because they are popular. Especially in this community where you think people would be more open minded
it’s sad to hear that people get all elitest about it and think “oh she’s not cool, she must have gotten that because everyone else does.” I know it’s been said before but don’t judge people for anything! You don’t ever know where they are coming from and the reasons behind their actions and decisions.

Claudinne


Claudinne is twenty and an officer in the Dominican Republic Army (a Caribbean nation next to Cuba and Jamaica, and bordering Haiti).



I love stars, ever since I was a baby, so, when it was time to decide on a design for my first tattoo, I had no doubt it would be a star. I did some research, drew a couple myself, and then decided to have it put on my back. Everybody just loves it! Here in the Dominiccan Republic I’ve had girls on the street just going crazy over it! I don’t regret doing it at all.

What other people think about star tattoos doesn’t change my feelings. I’m keeping this one and I’m getting more stars as well. Star tattoos will never look outdated, especially when you add details from your own imagination.

Melissa


Melissa is a nanny by day and Italian photo charm entrepreneur by night with a short fuse for people who don’t use common sense.



I have always loved stars. I love science, and stars are awesome heavenly bodies. To figure out my design I just looked around at some tattoo web sites. I found one that I liked and made it a little more special for me. I wansn’t really sure where to place it, but I always wanted tattoos on my chest, so I took the dive. Didn’t tear up once during it!

My mom hates my tattoos, and a lot of people think where I put them was a bad idea, but I love them and wouldn’t change a thing about them! I don’t care what everyone one else has as tattoos. A lot of people have star tattoos, but they aren’t all the same. There are so many different ones that I don’t think it matters that a lot of people have them.

Darren


Darren is an 18 year old living in the small middle of nowhere town of Tipton, California, where he’s lived all his life. He’s been playing guitar for the past five years, and music is something that makes him tick, along with hobbies like restoring muscle cars.



I’ve always been a tattoo person. I like hearing stories about people’s meanings behind the tattoos, and I like it when someone is able to put a meaning behind something that that put on their bodies. I thought about my design and actually going through with it for two years, and decided to have it done on my 18th birthday. Stars are also kind of an attractive shape. They always somehow seem to catch my eye when someone has one tattooed on them. In life I run into some troubled moments. I would sometimes stop my car and pull over on the side of the road on late nights coming home from hanging out with my friends, if something was on my mind. I would stop and get out, and just look into the sky. It’s almost always overcast here and the stars and clouds were just a design that kinda went together, and I figured if I tattooed it on me, it would always remind me of the things I do and why I do them.

I knew that I wanted the stars and clouds, but I wasn’t absolutely sure. I met Keith Duggan from Tiger Rose over in Pismo Beach who helped me work on the design. I chose to put in on my chest pallet and shoulder, just because I figured it’d be a good place to start, and Keith figured it’d probably look better there. My friends thought I was absolutely crazy. It’s just about ten inches in length and covers a pretty good sized area, and none of them have tattoos. They liked how good it looked and they thought that it was really cool, since it wasn’t just a plain star. A lot of people have said that it suits me just because of my personality. I absolutely love the damn thing. I don’t stop getting complimented on it. I’m actually thinking about making it it bigger and maybe even adding some stuff too.

Each and every tattoo I have and will get will be different in some way. Stars tattoos have been around forever. If you like a design that has stars in it, and feel like later on it’ll be out dated, don’t worry about it. If that star means something to you, then by all means go for it. There are some designs that people feel are “played out”. The nautical star for example, is something I hear about all the time. People say it’s played out, some say it’s cool. It all just depends on how you feel. I don’t regret one minute of choosing to put stars in my tattoo though!

Danica


Danica is a 29 year old administrative assistant to five oncologists at Vanderbilt University’s Medical Center (so all of her tattoos are in places she can hide). She loves her job but dreams of being a concert photographer. Like many others with star tattoos, she lives her life for music and travel, the most important things in her life other than her friends and family.



When I was ten I got my first telescope and fully intended to be an astronaut or astronomer when I grew up. For years I studied the stars, the sky, the moon, and the planets. It was such an awesome feeling for me to know that there are so many things up there that we’ll never know about. As I grew up I bought material items with stars on them. Star frames, jewelry, pillows, hair pins, and so on. I still do this, but I’m a little more picky now about the style of it.

The second tattoo that I ever got was a fairy sitting on a crescent moon holding a star in her hands. The star was never the main focus of the tattoo, but somehow it became the centerpiece. It was my favorite thing about the tattoo. Some years later, my best friend and I decided to get matching tattoos in which we would design from something I had previously seen on a temporary tattoo template. It was a spiral of stars circling around each other with some lyrics that read “gonna twinkle” (a line from a Tori Amos song). It was special to us in that cheesy way, thinking that no matter where we were (as we live hundreds of miles apart) we’s always be there for each other, somewhere under the same star, twinkling. I know, it’s complete cheese. But it’s cute cheese at least!

My biggest tattoo to date (the one pictured above) has 90 stars in it and one line of lyrics set between each star. I wanted it to look like the Milky Way. I remember in the summer, laying under the stars in my back yard just staring at the Milky Way and thinking how incredible it was. I couldn’t (and still can’t) even put into words what looking at that does to me. So my tattoo artist took into consideration what I wanted and he drew it to paper brilliantly. The lyrics go along with the star theme — “billowing out to somewhere”.

People love this tattoo. I get so many compliments on it several times a week. I haven’t had a negative thing said about it since I’ve had it. As for myself, I am in love with this work of art and I’m very proud to carry it around with me. I’m never going to change the tattoo or get rid of it. All my tattoos are bits of my life embedded into my skin. They represent a time and meaning in my life. If I got rid of them, it would be like erasing my memories.

Ali


Ali is a nineteen year old and was working at Burger King when I interviewed her, and assuming her plans went as expected, is just starting college now. Her boyfriend is currently serving in the Army, and Ali looks forward to his return next July.



I’m not sure why I like stars so much. I have stars and moons all over my room and seem to have them everywhere else I can put them! I looked for a long time before I had decided where I wanted it and what I wanted for my first star, a basic pink star with a black outline. When I went to Warped Tour a few days ago a majority of the tattoos I saw were stars — which was cool — but they seemed to be more on guys.

My “American” star was done in honor of my boyfriend and the rest of the people that I know personaly in the military, and is my own design. I’ve never had anyone comment that stars are overrated, but even if they did, I got them because I like them and wouldn’t care what others thought. I think most people have had positive reactions to my stars, and I do plan on getting more.

Janis


Janis is a 28 year old South African working at an accounting and auditing firm. While on a two year working holiday in the UK she was bitten by the “tattoo bug.”



My baby sister originally went overseas with me, but didn’t stay long. Once home, we would send each other text messages all the time and one night she said something about the brightest star in the sky and how it was me “watching over her” from far away. From then on, I was her star.

I got my first star, the larger one in the middle of my back, as a birthday present to myself in 2001. Then when I went home for my sister’s 21st birthday in 2002 I twisted her arm to have the same one done.

I got the other three done last year, here in Cape Town as a sort of “new beginning” phase of my life. People’s reactions are mostly “why stars” or just, “shit, that’s awesome”. I don’t always explain the full story to strangers — I just say “because I am a star!” which seems to work.

I only noticed recently how popular stars are, and it makes me feel kind of crappy because I wonder if their stars mean as much to them as mine do to me. When I’m seventy and can just barely turn my body to see my wrinkly stars they will still mean something to me. I’m not going to change them at all, but I am getting the Chinese symbol for star done in a week or so.

Melanie


Melanie is a twenty year old now in her third year of an English major. She’s still young, mostly just concerned with living a good life, having fun, and effecting some sort of positive change on the world. She’s asked me to point out first that her tattoo is a snowflake that just happens to be star shaped, not a star per se (“dammit!”).



I originally thought of getting a star tattoo on my foot because I liked the look of it, but I held off on it because a star really had no personal meaning for me. I think stars are very strong looking, and they come off as bold on the wearer. Star designs have been around for an awfully long time, and I don’t think they’re going anywhere. I guess I vote that they’re “eternal”. Also, I am a big fan of black tattoos as opposed to color (just on me! color on other people is cool!) and star designs have a tendency to look very sharp and sexy in black. However, I decided to wait and think on the idea, because I just didn’t feel personally connected to stars.

Later, I was flipping through one of my favorite books, called Principia Discordia, when I saw the design. It was a picture of the snowflake, and scrawled next to it were the words “Look for this snowflake — it has magic properties.” Principia Discordia is a funny book about an “anti-religion” called Discordianism, which kind of mocks the concepts of organized religion. It was written in the 60s by a couple of stoners, and it has grown into a sort of sub-culture. It’s hard to tell whether or not the whole so called religion is one big joke or not, but it basically advocates living life your own way with a sense of humor and not taking things too seriously.

I discovered the book when I was in high school, and it was really important because it took up a lot of my time then, and I was really involved in researching the sub-culture aspect of it, and its origins. It helped me to realize a lot of my own beliefs, and understand my opinions a bit better. I always knew I wanted a tattoo from that book (it’s filled with funny pictures and random designs) and when I saw the snowflake, I knew that was it. It had a star-like quality to it, but it wasn’t a star. And according to the book, it had magic properties to boot, so how could I beat that? It was very meaningful to me, so that was it!

Most of my friends aren’t really into tattoos, so they just tell me it’s hot and it looks good, and that’s about the end of it. To me it continues to represent a really cool book and the memory of a period in my life where I experienced a lot of personal growth.

Sarah S

Sarah (I’m beginning to think that name is more popular than star tattoos) is a twenty five year old into music and works for a music label. She’s mostly into things like Fear Factory, Perfect Circle, Tool, Pantera, and so on, and loves dancing — everything from belly dancing classes to going out clubbing. She loves art, is constantly reading and learning, and gets a kick from all things weird and wonderful.



I’ve always had a thing about the star shape. All my doodles were stars. I’m a pagan, so the pentacle-pentagram and other symbolic star styles are important to me. I wear stars in my jewelery, on my clothes, they are all around where I live. You can see it as a symbol of the five elements or as distant planets, balls of gas that cast such a spell over anyone who looks up and realizes how small they are. They’re my shape and my symbol, and that’s why I had a version of one done and will have more versions ingrained on me.

This star is based on a favorite necklace — like a talisman for me but it broke… It was in a mehndi style and looked a lot like a flower, and I added the swirls from some flash — I wouldn’t usually choose flash unless I could change it enough to make it my own. I have only had good comments, and people have liked the fact that it’s not one that is seen a lot. That’s what makes them comment, that it was unusual. I still love it, but I want to add to it now.

I going to expand it and have it trailing into my future designs, which will keep with the celestial, goth, and mehndi themes, because those are styles that I have been drawn to since I was a child and they have personal meaning behind them. I’m not worried about them becoming dated, since fashion goes round in a huge circle. If I worried that any design I was going to have wasn’t eternal for me, I wouldn’t have it done. The tattoos that last are the ones that are imagined from the heart, not from society.

Natalie


Natalie is twenty years old and helps manage a Hot Topic. She enjoys her work, and is also passionate about photography, describing herself as a sentimental person who enjoys getting tattoos, whether they mean something or not.


As a child, I always enjoyed stars in general. They make me happy and are beautiful. I chose to make my first star tattoo a rainbow pride shooting star to show my support of gay rights and gay marriage. My second star tattoos are located around my areolas. I thought my nipples were a tad too ordinary, so I decided to decorate them. The tattoos around my nipples were simply for show and enjoyment. They don’t have any specific meaning, like my rainbow pride star tattoo.

After getting my first tattoo, I gathered a lot of opinions from friends and the tattoo artist himself, as far as placement went. As far as design, I compiled three or four pictures and the tattoo artist went to town with them, and it looked perfect for me. My boyfriend loves them! As for people who say they’re overdone, I don’t give two shits about what others think of my tattoos. My tattoos are my tattoos. I didn’t do it for anyone else but myself.

Ronda


Ronda is a seventeen year old that’s been interested in tattoos and body modification for far longer than she could find someone willing to work on her.



I liked tattoo stars at first because I just thought they were beautiful, and then I realized that they kind of symbolize a few things in my life. They mean something to me, and I loved that they were simple at the same time. I got my stars scattered because the points in my life were somewhat scattered, and not exactly in a perfect line. I decided I wanted them on my back because I want to make them part of my backpiece in the future.

As I’ve had it, I’ve loved it more and more because when I see it I’m happy and I can remember something by it. People who see it say it looks beautiful, cool, or interesting, but of course they don’t know that it stands for something. When I decided a year ago to get tattooed, I didn’t notice that stars were a popular design. It bothers me because I think people automatically think I got them done because they were just “cool” or whatever they really think. I assume things like that sometimes as well, because I know people do things because everyone else is doing them, but I am not one of those people.

To me these stars feel eternal. Real stars are always up the sky, they’re always burning and shining bright, and so are many things in my life. As far as what other people think, basically I just don’t care too much about what other people think.

I hope this helps clarify, that, in the simplest of terms, that if you speak ill of someone simply because they’ve chosen a star or a kanji symbol to express themselves, that you’re a moron. It’s not relevant what language a person is speaking — what’s relevant is what they’re saying and if anyone else is listening. The people I talked to here were speaking with stars. There should be no question left as to what they’re trying to say. The question now is whether anyone heard it.


Shannon Larratt
BME.com