A brief history of BME and reflections on the first ten years [The Publisher’s Ring]


A brief history of BME
and reflections on the first ten years


“Love knows no limit to its endurance, no end to its trust, no fading of its hope; it can outlast anything. Love still stands when all else has fallen.”

– I COR 13:7-8

Ten years have passed since BME was first uploaded. In that time it has gone from being one of the first websites on the Internet to being one of the oldest and most successful, not only in body modification, but of all subjects. I have a pretty bad memory, so it’s possible that some of these things are out of order, but let me try and tell you how BME came to be what it is now.

Following are some of the looks that BME has had over the years; unfortunately no archive that I know of exists for versions of BME prior to 1997. If anyone reading this has earlier versions, please send them my way!



















In the summer of 1994 I was at a turning point in my life. On one hand I was building the world’s first Internet casino, was about to be featured in WIRED magazine for it, and had a flagship telephony product that was being hailed as revolutionary. On the other hand, I was fresh out of psychiatric prison, at odds with my family (it was my mother who had me drugged and locked up after I grew up to be “too weird” for her sensibilities), and had just moved back to Toronto. I was living with a stewardess at the time, which gave me a lot of unattended time to myself as I enjoyed her fancy apartment.

I’d always been “online”, but only via the BBSs I accessed using my text-only DOS-based computer. One of the systems I used had a primitive USENET gateway (newsgroups; now Google Groups) which allowed access to rec.arts.bodyart, a discussion group for all things body modification. The BBS I was using only allowed reading, not posting, so after a week or so of monitoring it in silence I set myself up with a full Internet account and “delurked”. One short week after that — August 15th, 1994 — I made the following post:

Is anyone out there interested in starting an e-zine dedicated to piercing and bodyart? It’s a project I would like to get started... I have access to a 1200dpi scanner, and lots of equipment, and have various piercings of my own I could use, but obiously [sic] I need help... If anyone is interested please email me.

For a first issue I would like to make a sort-of-FAQ with photos (among other stuff) — something that newbies could ftp and would answer a lot of question — but I don’t want to use magazine pictures so I would need people to mail me pictures or email me scans of stuff... not just finished piercings but procedural photos if you have an unusual piece of pierce. (I will probably use photos of having an 8mm dermal punch put through my conch.)

      

Response was not very strong, although I did get a few photos, but I think it was luck that made the biggest difference. My ears were stretched to over an inch using homemade jewelry, but I wanted something better. In my search I happened to walk into Stainless Studios where I met Tom Brazda. He’d just hired Ryan Worden (who now runs BMEshop) to run the counter, and in September 1994 hired me to make jewelry, even though I’d never done it before, let alone even operated a lathe. Also working at Stainless Studios was Ryan O’Brien who would later run BMEbooks. In any case, with the help of their customers and portfolio (and my friend Saira’s computer, which was much better than my own), on the evening of December 7th, 1994 I was able to announce BME’s creation.


Newsgroups: rec.arts.bodyart
Date: Tues, Dec 6 1994 10:02 pm EST
Subject: Body Art Magazine / WWW Site

Ok, well the magazine is much more on its way! The initial pictures from the first issue are available on my WWW site.

http://www.io.org/~glider

There are a bunch of pictures: hand web, large piercings, stretching, implant surgery, eyebrow... they are 1200dpi colour 24bit scans, all 640x480 in .jpg format — check it out. Text will be there soon too...

shannon larratt
[email protected]

It was amazing how quickly the site grew. As soon as it was up, word started to spread and people started sending in their pictures and stories as well. At this point it was nothing but a few text-only menus with links to images which could be downloaded and viewed later, but bandwidth began to spike — by December 15th it was already clear that female genital piercings drew a server-crushing amount of bandwidth!

Within a few months BME was ranked as the 25th most popular site on the fledgling Internet — of all subjects. As the Internet grew, BME normalized to about 850th of the four billion or so sites now online, but bandwidth continued to grow, cracking a million hits in the first month, and then quickly moving up to a million daily and later twenty million daily! Hosting wasn’t cheap back then, but in another “just got lucky” moment that seems to define BME, one of Internex Online’s employees turned out to be a fan of the site and helped convince her bosses that BME deserved free hosting, which they continued to provide until they were bought out by a larger telecom corporation.

That company wasn’t willing to provide me with free hosting, but they understood the business potential of the volume of readership BME was drawing. We had a series of increasingly unpleasant meetings discussing advertising, memberships, and so on. As luck would have it again, an employee of another small hosting company — Quintessential Communications (now Sound Concept) — offered me hosting under their “FreeQ” banner and with their help was able to stall becoming commercial for a few more years.

Eventually bandwidth bills caught up to Gypsy and Brian at Quintessential, and BME did take advertising, getting early support from companies like Anatometal and Unimax which was essential in keeping BME afloat. At about this time we started adding paid membership options as well, which also started to allow me to dedicate more and more time to maintaining the site and building software tools to improve it. Now that we were paying for our bandwidth usage (which was cripplingly expensive back then, and we often ran at a dramatic loss), BME bounced between ISPs a little to keep costs low, including a few more years with a new company owned by Paul Chvostek, the founder of the company who’d offered us hosting back in 1994!

BME also expanded into BME/extreme with the help of Shawn Porter who I met after the death of body modification pioneer Jack Yount — we officially launched BME/extreme on the first anniversary of Jack’s death. A little later BME/HARD was launched using all the images I’d been getting from people for the first few years that I deemed “too dirty” to use in the main sections. I’d resisted adding them because I didn’t want erotic aspects to dominate the site, but the fact is that erotic application of body modification and play is a significant sociocultural demographic, and it would be contrary to BME’s mandate of accurately representing this community to exclude it any longer. With that decision, BME had matured as a commercial entity and began to be able to stand on its own two feet.

However, BME’s financial growth brought its own problems. The first time we offered online memberships we had virtually no fraud control in place (no one did; it was too early). We were later horrified to discover that we had a fraud rate of about 75%, which instantly destroyed that billing system. I later moved on to Online Financial Systems, an early third-party adult processing competitor to companies like Ccbill (no mainstream billing service would take BME, so we had to work with people processing for pornographic sites). As much as the credit card companies “tolerate” adult sites (because they are profitable), they make life hell for them — increased rates, draconian charge-back policies, aggressive security hold-backs, and so on, and that’s if you can even find a bank willing to take on an adult customer. Most will not. Because of this BME found itself processing out of the Bahamas. The site was making enough money to pay its bills, but then the bank started getting slow on their transfers to us… and slower… “sorry, there’s a technical problem down here… you’ll get the money next month, we’re very sorry…

After months of charges (as well as a security deposit and a rolling hold-back) had been sequestered in their tropical holding cells, it became clear they’d defrauded us and we had little to no recourse to reclaim it.

It took a few months of negotiations with new banks but eventually BME was back taking memberships — although this cycle of economic abuse would happen several more times, and I expect it to happen several more times in the future. Sometimes all it takes is the wrong person at corporate headquarters to clue in to what BME represents and we find ourselves on the street. That said, every time this has happened, BME has stayed online and continued to run, almost entirely due to generous support from those who create BME through their images and stories. It’s very important to understand that the reason that BME has worked (or at least why I think it’s worked) is because of those people. BME isn’t a magazine with a mandate of its own to push — it seeks not only to be representative of the voice of the community, but to actually be created cooperatively by the community itself.

As much as BME had tools for this community beforehand — a simple forum system, personal ads, and later even online “beauty pageants” — it’s really October 15th, 2000 that needs to be mentioned. The Net was already way into the blogging phenomenon, and I decided I’d like to have an online diary of my own. I put together a simple system for journals, and since it wasn’t really going to be much more work to do so, made it available for others to play with, posting the following message:


October 15, 2000:  I am so tired! I probably shouldn’t tell you about it yet, but if you want to see what I’ve been working on, go to http://bme.com/iam/ -- Feel free to play with it if you want to, but do realize that we’re talking pre-Alpha stuff here and I’ve only completed about 25% of the programming. If you do play with it, and you experience “odd” behavior, please do tell me though.

As had happened six years before with the main BME site, IAM quickly snowballed and a vibrant community was there within the week! I added features as quickly as I could and started tying parts of the IAM site and BME together. IAM went through a set of growing pains similar to BME and now continues as (I believe) the defining online body modification community (and a pretty nice piece of software as well).

IAM has been able to provide a backbone of communication and introduction for people, and has helped catalyze tens of thousands of intense friendships, dozens of marriages (and some divorces) and now babies as well (including my own I suppose). In-person meets (echoing back to the rab munches of USENET) are common and from them suspension groups, bands, and more have sprouted. BME has grown from my little one-page website idea to a distributed empire given life by the ideas of hundreds of thousands of creators.

Maybe I’m kidding myself and the reason for BME’s success is simply pictures of female genital piercing as I opined in December 1994, but speaking without misery it’s my opinion that the reason this growth happened is because BME was always run first as a devout offering to something we all believe in, and second as a business. BME’s stated goals are as follow:

  • To let people know they are not alone and to help them to understand who they are and what they are going through.
  • To provide a space allowing people to share their experiences with body modification and manipulation.
  • To politically and commercially encourage the ethical growth of body modification and manipulation.
  • To generate revenue and succeed as a traditional business, and to reinvest a part of these profits in body-related projects.
  • To educate the public about body modification and manipulation for the purposes of safety, history, culture, and good will.
  • When possible, to unify people interested in body modification and manipulation subjects.
  • To never judge one body modification or manipulation activity as more “right” than another and never succumb to public (mainstream or non-mainstream) pressure to draw this line.
  • To act as a media liaison to encourage accurate portrayals of body modification and manipulation and to encourage positive mainstream acceptance of body modification and manipulation activities.
  • To work with other body modification and manipulation groups to further our common goals.

While I’ve left a lot out in this brief history — the creation of BMEshop, Uvatiarru (our movie), all the BMEbooks productions, legal fights, HUSTLER offering to buy BME, constant content theft, threats, ModCon, the Church of Body Modification, BME/Japan and much more — but that brings us basically up to date.

Reflecting on Ten Years

So… ten years of my life have been used on this project. I estimate I’ve spent at least 30,000 hours of time building and maintaining the site (and that’s my “lower limit” estimate). Was it worth it? Absolutely. As time has gone by I have become convinced of one thing:


“We are right.”

That is, the way that we live is the right way for us to be living (I make no claim that there aren’t other paths up the mountain, but for me, and many people reading this, this is the right path for us). The things we do and the things we document on BME, almost universally, are good, in the purest sense of the word. They bring us joy, they expand and enrich our lives and horizons, they help us view the universe through larger eyes, they feel good and make us feel good about ourselves, they teach us and they help us talk — and all without hurting anyone else. Yet millions of dollars in resources are dedicated to enacting laws to ban our practices and to ban us from even talking about them, and trillion-dollar corporations do everything they can to make operating businesses on the subject hellish. My wife and I even risk prosecution and imprisonment in countries close to our hearts due to being BME’s publishers.

Why would the power players of modern society so resist the oldest form of human art and expression? It’s simple and disturbing: we are an affront to conformity, the conformity they need to maintain their power structure.

Let’s be real clear on something. The average person is an idiot. So blank and malleable in fact that the stranger telling them for a few seconds what to do — or what to buy — will be heeded. Don’t believe me? Explain advertising. The simple fact that advertising exists is all the proof you need to know that the vast majority of people are sheep. If this were not true, advertising would be based exclusively on the comparative merits of the product, which we all know is not the case. It’s one of those “can’t see the forest for the trees” scenarios — because of the abundance of ads, most of us don’t see their real message revealing the pathetic nature of most humans.

By definition, a person with piercings or tattoos — or who likes to shove a football up their rectum (damn near killed ’em!) — is breaking the rules and unable to believe that the status quo applies to them. The more they engage in body modification and play the more they realize that the status quo is a myth, that happiness really does come from within, and that life is what you make it — not what you pay someone else to make it. Thus we, the modified, are dangerous to them. It’s no lie that many of us have experimented with “risky behavior” as we are accused — because we don’t accept their rules. Because we want to know for ourselves. Because we desire to take an active role — or an active roll — in life.

I could go on and on with statistics to prove it (and have done so on my IAM page), but one of the things that has been revealed within the last four years of political turmoil is how far removed the average person’s worldview is from reality. At this point not much over 10% of Americans believe in the concept of evolution any more, and polling has showed that adherence to these views are deeply linked to political allegiance — or, to put it another way, the average person believes what they’re told to believe, not what they observe or understand to be true. Not only that, but the average person not only does not want to discover the truth for themselves, but they become openly hostile when that truth is expressed to them, and violent if it is presented alongside difficult to refute evidence.

People who “break the rules” by doing things like abnormally* modifying their physical form take a step toward rejecting this idealogical control structure. Because of this we have ridiculous and hypocritical laws restricting body modification,

* Abnormal: Not typical, usual, or regular; not normal. Much greater than the normal; “abnormal profits”; “abnormal ambition”. Syn. Exceptional, Rare.
Normal: Conforming with, adhering to, or constituting a norm, standard, pattern, level, or type. Syn. Routine, run-of-the-mill, obvious, mediocre.

Below are a few photos of abnormal people attending some of the earlier BME BBQs:







or pushing it back far enough into adulthood that it is less able to be a formative experience. Those at the upper end of the power structure do not want those below them realizing the power structure is illusory — so they combine a two pronged attack of restricting growth at the edges while dumbing down and bulk-marketing that which they can’t stop. Body modification and other fringe lifestyles are treated with a mix of derision, restrictive legislation, lampoonery, and finally watered-down price-slashed mainstreaming.

Society is made up of 99% sheep, 0.9% goats, and 0.1% wolves. Before I get into that though, let me just rewind to the Janet Jackson nipple piercing fiasco and the other recent obscenity fines in America. What you may not know about these is that as much as obscenity is defined by “community standards”, only a handful of people actually find these materials obscene — in the $1.2 million dollar fine handed to FOX over Married by America, only three letters were written to the FCC complaining. Three.

Maybe right now you’re asking yourself why FOX would accept the largest fine in broadcasting history for something that offended only three people out of millions of viewers (I’m quite certain that everything on TV offends at least three people). Simple answer — it was a $1.2 million campaign contribution to help convince Middle America that we — the freaks — were closing in on them. And it worked — they had a knee jerk reaction, called for “moral values”, and TV censorship is at an all time high in America, and liberties are being rolled back across the nation… including a reconsideration of whether tattooing and piercing should be legal — including even documenting it as on BME. Sometimes they do this with outright bans, but normally they do it with soft bans involving ridiculous and unfeasible health or zoning requirements. What’s happening is clear though — a tiny number of people are manipulating the group mind in order to suppress the vocal minority who aren’t connected to the enslaved and unquestioning Borg Collective paying the richest people in the world to stay rich.

 

But getting back to animal land, it is the job of the goats to have fun, explore the borders, occasionally eat a tin can, and try and let the sheep know that just because “sheep” and “sheep herd” use the same spelling on their root word doesn’t mean that they’re conceptually the same thing. Sure, you’re a tribe member, but you’re also an individual. Then you’ve got the wolves, who live off the sheep. The job of the wolves is to keep the heard healthy but beat down enough to make easy victims, while killing any goat that gets too uppity.

Speaking as a lunatic who buys this metaphor, I’d like to think that BME reminds the wolves that the goats actually enjoy kicking, don’t really mind if their lip gets pierced by that risky tin can, and point out to some of the sheep that if they’d like to take on the goat role, they’re perfectly welcome to do so. I’m looking forward to ten more years of kicking wolves, and partying with risk-enamored converted sheep and all my goat friends. If a wolf kills me, which is certainly quite likely, at least I’ve died honorably… but I’d like to keep telling everyone that it’s OK to break the rules because the rules are a myth. I’d like to keep telling people that any way you want to live is fine and the more doors inside yourself you want to open the better. I want to keep broadcasting everyone’s transformative stories so they can reach as many people as possible.

Before I finish, I have one last — and most important — thing to say to everyone: Thank you for your help. I think we have done a good job together, and have expressed something wonderful. Here’s to ten (thousand) more.


Shannon Larratt
BME.com



Be Careful. You Have Enemies. [The Publisher’s Ring]


Be Careful. You Have Enemies.


“Trust not him that hath once broken faith; he who betrayed thee once, will betray thee again.”

– Shakespeare

In this column I’d like to give you a behind-the-scenes look at some of the things body modification artists and studios have to deal with that clients may not be aware of, and that younger artists may still need a warning about. It’s very easy for us to get a false impression of the world because of the crowds of mod-friendly people who characterize BME members, but the world in general is far from so accepting a place. You all know about how this restricts our lifestyles on a surface level, but what you may not be aware of is that these sometimes prejudicial laws are also a tool for profit and business manipulation.

There are a lot of people who’d like to see the body modification industry go away or at least be under heavy regulation. Some feel this way for moralistic reasons, and others, such as those in government health agencies, are simply trying to do what they believe is in the best interests of public safety. Then there are those in competition, such as ear piercing gun manufacturers (or even just competing studios), who want piercing to be popular, but are motivated to keep financial traffic away from certain studios so they can drive as much of it as possible to their own establishments. What the industry needs to understand is that these people aren’t going to fight you by firebombing your shop — they’re going to play the system into shutting you down.




Luckily, these Police officers are modification friendly. (photo: CJ)

In order to play the system against you, they (whoever “they” may be) need to find a place that you come into conflict with the law. Most obviously this can involve finding (or sometimes fabricating) procedures that may not be entirely legal; tongue splitting, scarification, suspension, or other health code or criminal violation. If the assault is from outside the industry the outsiders tend to be easy to recognize at least.


Hey Shannon,

    Hate to bug you but this has come to my attention over the last couple of weeks through **** ***** and ***** at ***** **** Tattoos. Over the last week there have been a large number of people calling us and other shops saying they are looking to have their tongues split. What is odd is these are not heavily modded people, or even slightly "in the know" of the industry. As we all know, if you really want this done, you probably have a general idea of who to contact and/or you are at least well acquainted with your piercer because you probably would have some other work. These are so called "normal" people with no mods and they are all doing it by phone call only. We have had even one request come from an underage kid whose parent's had allegedly agreed to sign for him to have this done. These requests are flooding into our shop, through call-ins, other shops like ****, and ***** **** Tattoos, which causes me to believe that a possible investigation is happening in Ontario right now for body art practitioners that "cross the line."

We of course deny any and all knowledge/involvement and urge others to do the same. Just a heads up.

*****

In “the old days,” those doing procedures that were gray or overtly illegal operated by word of mouth, accepted new clients only when they were referred by an existing client, and certainly never advertised or talked to reporters — even photos sent to private insider publications like BME or BCQ were sent through anonymous email accounts with no names attached. When it comes to procedures like tongue splitting, practitioners should consider the wisdom of their predecessors’ discretion.

Sometimes though it’s not so easy to identify one’s enemy. Since piercing is a business, and there are now people who make their living at it, sometimes those people get carried away with fighting their competition. I’m reminded of a well known Chicago piercer, ***** ***** who conspired with the Health Board to have his competition shut down, which eventually lead to the death of a number of America’s first studios. By managing to convince the Health Board that he was their lone ally, even though he was piercing out of a tiny single room studio in the back of a clothing shop without even a separate sterilization room, he was able to dramatically increase his income and reputation — but at what cost?

Later the Health Board in the same region put a ban on suspension performances. Seeing another opportunity, this piercer attempted to “rat” on any competing shop who he felt was involved in BME BBQs or other events that might legally cross the line. It boggles my mind that someone who did “legally questionable” procedures themselves as well as suspensions would choose attempting to initiate prosecution of others for those activities as their line of attack, but ***** ***** is far from the only piercer I’ve seen try and convince the government to go after his competition, the whole time professing to be doing “the right thing”.

Others, like Canada’s **** *****, genuinely believe that instituting a conservative piercing industry is the right decision. One part civic duty, and one part — and much larger part — shameless self promotion, ***** keeps himself in the public eye with body piercing world record attempts and rabid promotion of body modification safety. An apparent career nomad, as he moves into a new region, piercing shops in the area start to feel heat due to his actions.


I work at a shop here in ***** called ********. The owner, **** *******, has been trying to get a proper body art bylaw instated here for approximately seven years. As of about a month ago, '****', or ***** ****** as I know him mostly, popped up and started trying to get the bylaw proposal thrown out with all sorts of ludicrous allegations. He wants to make scarification type mods illegal, and has been a thorn in our side since the first day we met him. We don't want to make anything illegal, and that is not what **** has been working for, for so long. We simply want to have, at the least, a minimum standard, and people checking up on the industry to make sure things are being done properly. '****' is a media hound, and will do anything, or say anything, to get himself some attention. He even went so far as to generate fictitious death threats, allegedly from our shop, in a hope that the police that showed up today would arrest my boss, so that he couldn't speak, in support, at the final council meeting tomorrow.

I enjoy being able to submit photos of my mods, but with him on the site, I think that I will have to be more selective about what BME gets to see.

****** ****

Later this same piercer decided that BME was a part of the problem, and began “harvesting” the site for any photos or stories that he felt could do damage to competing businesses. He even went so far as to phone in fake complaints to the police when BME events were being held in an effort to make life unpleasant for the members of the site in return for them not helping him shut down his competition.





Police, called to investigate a suspension party, instead reveal their sense of humor. (photo: CJ)

While regulatory and internal attacks are the most common, as I mentioned earlier, the ear piercing gun industry is another source of grief. The gun lobby has already managed to silence through threat of lawsuit many of the people who spoke out against them, but now that government health agencies are starting to regulate in response to the dangers of piercing guns, manufacturers are beginning to target piercing studios themselves. I believe this is in an effort to convince the government that studios are “even worse” than piercing guns.

Hi Shannon,

I just wanted to give you a “head’s up” about the “Ear Piercing Manufacturers *** ** **** ******” ‘s president – **** *****. You may have already heard of this jewelry salesmen / lawyer. He has harassed the APP and several other organizations related to personal services. He individually approaches health units and tries to convince them that the Ministry of Health has allowed ear piercing guns to be used on cartilage, etc. (assorted lies). He has a big surprise coming when the revised PSSP comes out.

Anyway, I just received a package from his office in **** with pictures from your site (Sprocket in Stratford, etc.) where he is actually looking for health violations and reporting them to me (piercing without gloves, etc.). I am sure that he has already forwarded his information to the Health Unit in Perth. He has managed to get himself into meetings at the Ministry of Health in Toronto, and was actually *** ** *** ****** **** **** ***** *** ******** Health Canada’s version of the PSSP.

Have a great day,

*********

The point of all this is that there are always people who can profit from your loss, so there will always be people who will use any dirty trick they can to try and cause you to lose. Above are only a very small number of the attacks I hear about weekly. Most of them come from those who seek financial gain, and others come from moralists and theocrats, but whatever the source, the preparations and defenses required are the same.

A few basic rules:

  1. Be a professional, be safe, and have high standards in all things.
  2. Be polite to the authorities and the system, but know your rights, and know where their rights end, and don’t be afraid to assert either.
  3. Don’t say anything online in a public or semi-public forum that you wouldn’t feel comfortable telling your local newspaper and your competition.
  4. If a procedure is not explicitly legal, don’t charge for it and don’t do it on people you don’t know and trust.
  5. If part of a procedure such as the use of anesthetics is not explicitly legal, don’t publish photos of it or have the clients write about it in a way that links back to you.
  6. Don’t talk to strangers about the procedures, and don’t become a braggart. Boasting about procedures is as likely to cause you grief as it is fame.
  7. If you decide to do an interview with the media, don’t be afraid to say “no comment”. Reporters aren’t your friends — they have a goal that’s distinct from your own, and what’s a “good story” for them is not necessarily the one that’s in your best interests.

These things should be common sense. Laws are in flux, and it’s not always clear what’s permitted and what’s not, and where the lines are going to be drawn, and even with clearly defined laws, they can still be used as a tool to negatively affect the lives of others. While I certainly encourage people to share their experiences on BME, I also urge people to be prudent in selecting which ones should be shared anonymously. Remember that as much as you have friends watching you, you also have enemies watching you.


Shannon Larratt
BME.com

BME commentary on PA House Bill No. 615 [The Publisher’s Ring]


BME commentary on
PA House Bill No. 615
The Tattoo, Body-Piercing and Corrective Cosmetic Artists Act


“There’s no way to rule innocent men. The only power any government has is the power to crack down on criminals. Well, when there aren’t enough criminals, one makes them. One declares so many things to be a crime that it becomes impossible to live without breaking laws.”

– Ayn Rand

   

If you’d like to read the bills in their entirety, I’ve archived full PDF copies of the bills, up-to-date as of the writing of this article (November 9th, 2004).

    H-832 (passed)
    H-615 (pending)

Earlier this year Tony DeLuca and others introduced several pieces of legislation to regulate piercing and tattooing in Pennsylvania. House Bill 832, which requires parental consent and presence for the tattooing and piercing of minors, passed earlier this year, albeit with a typically unrelated Senate amendment also banning greyhound racing. The second and much longer bill, House Bill 615, has passed the House and is currently in the Senate’s Health and Welfare committee.

It’s not so much that the bill is bad, but that’s it’s just typical government. In its errors and poorly considered drafting it illustrates the truth of the motto, “that government which governs best, governs least.” Like far too much modern legislation, the public would be best served if tax money was not wasted developing and enforcing this new law. The bill is ineptly written, and like most government actions, is beholden to special interests and lobbyists, as becomes clear when we begin with the definitions section.


“Body piercing.” The process of breaching the skin or mucous membrane for the purpose of insertion of any object, including, but not limited to, jewelry for cosmetic purposes. The term does not include ear piercing or nail piercing.

The disclaimer that “ear piercing” isn’t covered by this piercing bill is fairly normal due to the insidious lobbying power of the ear piercing gun industry. However, the instant we read a line that’s clearly fraudulent — can we seriously be proposing that an ear piercing is fundamentally different on a biological level than, say, a nostril ring? — we can be certain that the entirety of the bill is tainted.

The definitions section goes on to define “corrective cosmetic artist” (another group with lobbyists) as something separate from just a tattoo artist. Tattoo artists tend to get started after a year or more of apprenticeship and careful guidance from an experienced mentor. “Cosmetic” tattoo artists on the other hand are often nothing more than estheticians with a week’s training (buy now, and it’s included in the price of the equipment!) — much of the cosmetic tattoo industry is akin to artists who buy a “tattoo kit” out of the back of a lower end tattoo magazine and learn to tattoo from the included videotaped instructions. But I digress…

The bill also talks about safety regulations, registration and accounting processes, but leaves them open-ended, saying that the Department of Health will still have to define them. It is difficult to fully comment on the validity and benefits or lack thereof with a law whose heart reads “to be announced.”

But let’s not get disheartened too quickly. The bill has an interesting limitation put on it.


(f) Limitation.--Nothing in this act shall be construed to permit the department to regulate artistic aspects of tattooing, body piercing or corrective cosmetics which are unrelated to health, sanitation, sterilization or safety standards.

Sounds good, right? Unfortunately it’s a typically hypocritical statement, since we’ve already read that the bill is imposing artistic limitations by giving special status to ear piercing, exempting it from the regulations. Even if you use a spring loaded altar for bacteria to rip a hole in your lobe rather than an autoclaved needle, it’s still body piercing, and it still carries the same family of risks, if not more.

The bill goes on to list some unusual requirements and restrictions for the artists themselves — “minimum health standards”. I believe that most of these are well-intentioned, but in reality are somewhat nonsensical. Infectious diseases are taken very seriously by the bill, as they should be, but the ideas are misapplied.


(b) Infectious diseases.--A notarized statement from a licensed physician shall be provided to this department... confirming that the artist was examined by the physician, a test of the artist’s blood was made and the results of that test indicate that:

    (1) the artist is free from all contagious and infectious diseases, including hepatitis B;

That sounds great, I know, but it’s basically irrelevant. Under no normal circumstances is the client at risk from the piercer’s blood — the risk is entirely the other way around. Diseases like this require blood to blood contact, and while a studio that doesn’t control contamination issues could pass blood between subsequent clients, or a clumsy piercer could have a needlestick injury pass blood from client to piercer, there is no reasonable way for blood to pass from piercer to client. This bill is incompetently written by people who do not understand the issues involved. Especially in the case of government and law enforcement, comprehension must come before legislation, and that is not happening here.

The bill also requires that aftercare instructions be given. Of course I support that, but the bill steps in to make an unusual footnote.


The written instructions shall advise the customer to consult a physician at the first sign of infection and contain the name, address and phone number of the tattoo or body-piercing establishment.

Yeah, and next time I run out of gas in my car, I’m going to call a metallurgist. First of all, most of the time someone thinks their piercing is infected, it’s not. Second of all, doctors have far less experience with body piercing and tattoos than those who actually work with them every day. This clause will have two results: it will generate increased income for doctors, and I believe that, if the instructions are heeded by the client, it will result in a lower standard of care due to doctors’ inexperience with body piercing.

Some interesting social restrictions are placed as well.


(a) Unregistered practice.--It is unlawful for any person to ... assume the title of “tattooist,” “tattoo artist,” “body-piercer,” “body-piercing artist,” “corrective cosmetics artist” or other letters or titles in connection with that person’s name which in any way represents himself as being engaged in the practice of tattooing, body piercing, or corrective cosmetics, or authorized to do so, unless that person has been duly registered and authorized to engage in the practice under this act.

So, basically, the government is taking ownership over these titles as restricted professional terms (just like a normal person can’t call themselves a doctor). Outside of the fact that tattooing and piercing are arguably folk professions a la pottery or dowsing that can’t rightly be treated as “titled” professions, can we seriously expect a government agency that has already shown incompetence in its understanding of this industry to assign such titles?


...the department may suspect or revoke any registration issued under this act for any of the following reasons:
    (3) Being unable to practice with reasonable skill and safety to the public by reason of illness, addiction to drugs or alcohol, having been convicted of a felonious act prohibited by... The Controlled Substance, Drug, Device and Cosmetic Act, or convicted of a felony relating to a controlled substance...

This clause again shows the sociopolitical bias inside this bill, as the US government’s misguided “War on Drugs” perverts another law. Someone having a past conviction for drug dealing seems to me less worrying than someone having committed murder in the past — this bill bans the reformed marijuana user from being a tattoo artist, yet openly invites the convicted murdering rapist pedophile to pierce teen genitals. This entire clause should be removed. It’s irrelevant to the professional issues involved and the safety of the client.


    (5) Knowingly maintaining a(n)... association with any person who is in violation of this act or regulation of the department or knowingly aiding, assisting, procuring or advising any unregistered person to practice a profession contrary to this act or regulations of this department.

Guilt by association? You can’t talk to anyone who they don’t like? These are starting to read like parole restrictions. Read broadly, this clause could ban apprenticeships, ban attending tattoo conventions, and certainly ban discussions with online friends of various levels. It’s wrong to punish someone because of who they know.


Not in Pennsylvania!

Larry Leopard and Ron Garza prepare to devour a willing plain-faced virgin.

Finally, there’s one restriction that goes way too far.


    (d) Facial tattoos.--It is unlawful for any person other than a corrective cosmetic artist registered under this act, or a physician or surgeon licensed in this Commonwealth, to perform facial tattoo services on any other person.

Didn’t the bill start off by saying that no restrictions would be placed on the art? Only on the safety issues? Clearly restricting tattooing to only certain parts of the body is entirely motivated by cultural reasoning, not by safety concerns. The inclusion of this restriction effectively reduces the bill to nonsense. Allowing permanent makeup to be tattooed — where society chooses the artwork by seeking out this year’s “normal” — but banning art chosen by the wearer as an individual, is clearly contrary to not only the declared purpose of the bill, but to free speech and expression in general.


“We won’t restrict your artwork, as long as you only produce the art we permit.”

It’s a dangerous thing when a government deludes itself into thinking that it has the right — or duty — to decide what forms of expression its citizens use. Telling artists not only what they’re allowed to say, but also who they’re allowed to say it to, who they’re allowed to discuss their art with, and placing them under nebulous regulations has never been healthy for either art or for the culturally starved society that enacts these laws.

So what to do? While I could be wrong, I don’t believe that the authors of this bill are overtly opposed to body modification or are trying to legalize cultural bigotry. It’s simply well-meaning but incompetent and misguided bureaucracy at work, and the best we can do as citizens is first to try and inform the legislative branches of our society to not pass ill-advised laws, and to reform those that already have passed. Barring that, we are left with civil disobedience, a path which is as strewn with hardship as it is with honor.

This bill is just the tip of the iceberg. The political process does not start and end on election day. As a citizen, you have more responsibility than just voting — you have to stay informed as to what your elected representatives are doing, and you need to communicate with them about your wishes. You can bet that the ear piercing industry is doing so, and because of their efforts, the law skips over them. People have the same opportunity. You need to call or write your government representative and let them know the wishes of their constituents, and that applies to everyone in the world, not just to residents of Pennsylvania.


Shannon Larratt
BME.com

BME goes to Buenos Aires, Argentina [The Publisher’s Ring]


BME goes to Buenos Aires, Argentina


“Time is the substance from which I am made. Time is a river which carries me along, but I am the river; it is a tiger that devours me, but I am the tiger; it is a fire that consumes me, but I am the fire.”

– Jorge Luis Borges

I’m ashamed to say that if you’d asked me three years ago what Buenos Aires (or any South American city) looked like, I’d picture some shanty-town Caribbean city with a Hispanic population — making me a typically ignorant imperialist North American. However, through IAM I started meeting Argentinians (and others from across South America), and it soon became obvious that South America had a cultural diversity and modern society not much different than our own here in Canada. Since then, Rachel and I have wanted to visit what seemed from the outside like a wonderful place.

After several aborted attempts, we finally made plans to attend the Buenos Aires, Argentina tattoo convention hosted by Piel Magazine (pielmag.com) at the end of October 2004, organized in part by our friend la Negra (iam:la negra). The trip was almost aborted as Rachel was quite sick before we left, but she bravely faced the fifteen hour flight and we were met by Javier (also from Piel) and la Negra at the Buenos Aires international airport.

Luckily a few wrong turns on the way into the city let us see the sparse outskirts, which looked quite similar to poverty stricken regions of Canada or the United States. As we moved toward the heart of the city — the airport is about a half hour drive — it became clear that this was a truly monstrous metropolis. At ten million people, it dwarfs anything in North America except Los Angeles and New York, although it’s still far from the largest Southern city. I asked Javier how many tattoo studios I would find in the city, expecting a hundred or so. “About a thousand,” he told me, “but most are very local.

The “modification scene” in Buenos Aires, and I imagine across most of South America, feels like it did here in Canada ten years ago. On one hand, it’s good, because it means everyone is enthusiastic and incredibly excited, but it also means that many people are operating below what is generally considered safe. While attempts have been made to set up professional organizations to encourage the use of proper contamination control and so on, only the better studios go to that effort. In part because of US financial wars with South America, Argentina has had several devastating economic periods recently as well as political turmoil, which has made many systems bribe-based. This has complicated cleaning up the tattoo industry because while an autoclave is officially required by the health board, the inspector would far rather visit for a monthly fifteen peso bribe. So they’re quite happy to turn a blind eye when a studio chooses to pay this bribe rather than go the more expensive route and upgrade their facilities.

That said, don’t get the idea that Buenos Aires is a backward or criminal city — it’s a safe, modern, multi-cultural metropolis. The food is good and the water is perfectly safe to drink. A myriad of languages are spoken (including English), Internet access is easy to find, the architecture is beautiful, the people are warm and friendly, and the heart of the downtown bears an uncanny resemblance to Toronto’s waterfront region. Temperatures are about the same as you’d find in the southern United States, and other than the truly maniacal driving style, most of what you find in Buenos Aries is incredibly close to any number of European and North American destinations.

The convention itself was hosted at the Centro Cultural Borges, an art gallery in the traditional sense of the word. Approximately fifty studios and suppliers, mostly from Buenos Aires, but with some travelling from across South America and one from Spain, filled two halls which over the weekend were attended by about ten thousand visitors. Entry cost was eight pesos — less than three dollars. Because of the devalued currency, most things cost very little in Argentina. Cab rides across town cost only a dollar or two, a large apartment can be rented for a couple hundred dollars a month, a beer costs less than a dollar, and meals cost less than half what we’d pay in Canada. Tattoos in Argentina cost about a third what they cost in North America and Europe, which is in part why only one artist from off the continent made the trip. It’s unfortunate though — I can’t imagine a much more rewarding working vacation for an artist than South America.

People at the convention were very friendly, and while many spoke almost no English, we had a note reading (in Spanish), “May we take your picture for a Canadian tattoo magazine?” Everyone was gracious and happy to help out, and a lot of people took my picture as well. The bustle of the convention was much more “happy” than any convention I’ve been to up north. I don’t know if it’s because it’s a booming culture, or just because South Americans are joy-filled, positive people in general.

Below are some of the photos that Rachel took in the studio space that Piel provided for us. I can’t thank Javier and la Negra enough — they went out of their way to make us feel welcome and provide us with anything we needed.

People almost seemed not to believe me when I told them how much I was enjoying myself both at the convention and in Buenos Aires. Maybe the grass is always greener on the other side, but to those of you in Argentina, let me be clear: there are many things about your country that I envy. Don’t assume things are better in the north — they’re just colder! Along those lines, I asked Javier what his plans were for the future of this convention, now going into its fourth year. He told me that one day he hoped it would be a world class international convention.

This surprised me — this year saw top quality artists from around the continent attending, tattoos, piercings and modifications, art fusion demonstrations, body painting, music, art galleries, contests, demonstrations, and everything you’d expect from a big international convention — including a performance by Norway’s Pain Solution. Other than not getting much media attention outside of South America, this already was a world class convention as far as I was concerned.

“When do you think that will happen,” I asked. “Maybe in year four or five?”

Javier didn’t think it would be recognized as a large international convention until maybe year fifteen. I hope he’s wrong — the only thing that keeps it from happening is jingoist North American tattoo media (BME was the only one there) and the economic issues that make it less profitable for traveling artists to attend. Maybe after reading this, and looking at the snapshots we took around the convention, studios will start to think seriously about visiting Buenos Aires and other Southern conventions instead of boring themselves with yet another American or Canadian show.

Think about it: the airline ticket is no more expensive than flying across North America. Sure, you’ll charge less for the tattoos, but your cost of staying in Argentina is half to a third what it would cost to visit a North American city convention, and you’ll gain far, far more on a personal level than you ever could staying close to home. I know I’ve already said it a couple times, but South Americans are vital, wonderful, gregarious, welcoming, happy people, and their continent — and its inhabitants — are extremely attractive.

As good as time as we were having, especially getting to finally meet many online friends in person for the first time, unfortunately the illness that Rachel had contracted in Toronto got progressively worse over the week, and on Saturday night, the second day of the convention, we had to fly back — as I write this she’s currently in the US receiving medical care. She as well though, even through the sickness, agrees that Buenos Aires was a wonderful city and looks forward to returning and exploring more of the country and the continent.

So our coverage includes only the first half of the convention. Sadly this means we missed Håvve’s Pain Solution performance, which I’ve been looking forward to since reading his book — I’m sure there will be more coverage on Piel’s website as well over the next few weeks. But missing it gives me an excuse to travel again!

South America is far from a cultural wasteland. There’s another Buenos Aires convention coming up at the end of November, and a convention farther south in Patagonia from the 10th to the 12th of January, 2005 (that’s the poster on the left of course). I believe it’s being organized by the artist that’s the first portrait in Rachel’s studio set above. Everyone I talked to spoke highly of this tattoo convention — “It’s wonderful; you spend all day swimming in the river, and then the convention opens at five and goes until two in the morning.

If you don’t know what Patagonia looks like, go type it into Google Images and look at the stunning results. Knowing how much long flights stress me out, I can’t believe I’m making these plans, but I’d like to have BME down in Patagonia covering this convention. I encourage all North American (and European) artists and body modification fans to consider it as well — you won’t regret it, and it will open your eyes to another world and a parallel culture, and I think of all people, tattooed people can appreciate multiple worlds.

In closing, let me repeat what a wonderful time I had at this convention and in the country in general. Thank you to Javier and la Negra and Piel Magazine for their generosity and for throwing a great event, and thank you to all the wonderful people we met who made us feel so welcome.


Shannon Larratt
BME.com



Buenos Aires Tattoo Expo 2004 Exhibitor List: Ricky Ramirez, Lilis S.A. – Ficoinox, The Underworld – Addiction Tattoo Magazine, Bad Trip Tattoo, Micropoint, Rayo Rojo, Black Eage – Norberto Tattoo, Totas Tattoo – Negrado, Matrix Tattoo, Bola 8, Funbox, Alkimia, Joker, Shirtkam, Tattoo Museum, Tattoos by Roly, Ezequiel Nunez – Alex Tattoo, Clasic, Cover Your Bones, Nomades Tattoo – Blue Tattoos – Altstadt Tattoo, El Hombre Illustrado, Tattoos by Bara – Well Done Tattoos, Nazareno Tubaro – Esteban Felix, Dr. Qto Tattoo – R.C. Punteras, Lucho’s Tattoo, Cucaracha Tattoo – Top Cat, Tatuarg – Manitu – Acertijo Tattoo, Mr. Crowley, Corazon Salvaje, Nosferatu, Gustavo Tattoo, Tienda De Tatuajes, Delivery Tattoo Express – TattooAme.com, Tattoo Arte, Piel, PPM, Pecka Tattoo, Echysee, Ritual Eterno, CXG, Universal Tattoo, Tattoo Secrets, Suavecito Tattoo – Wicked Tattoo, Cancerbero Tattoo, Freak Models, X&X.

Why young people need body modification [The Publisher’s Ring]


This Article Is A Thought Crime:
Why young people need body modification


“Ninety-nine out of a hundred are automata, careful to walk in prescribed paths, careful to follow the prescribed custom. This is not an accident but the result of substantial education, which, scientifically defined, is the subsumption of the individual.”

– William Torrey, US Commissioner of Education

One of the dirtiest and hardest to break urban legends in body modification is the idea that there’s some physical reason why young people can’t get piercings. The fact is though that there is no physical reason why people of all ages can’t get tattoos, piercings, scarification, or even more “extreme” modifications. Not only that, there are no valid reasons of any kind unique to minors barring them from body modifications. None. Yet nearly every area bans all or some modifications for those under the age of eighteen, and even more surprisingly, this ban is supported by the vast majority of professional piercers who rationalize it for a variety of questionable reasons.



Like Father, Like Son

I was tattooed as a minor and I was pierced as a minor, including genital piercings. All of these things had a highly positive effect on my life, and I believe were instrumental in helping make me an independent adult capable of thinking — and doing — for myself. I’d like to now take a look at a few of the reasons presented by people opposed to piercing and otherwise modifying minors and break them down, and then propose what I believe the reason for this ban is, and why it’s fundamentally wrong.

FALSE: Young or growing bodies can’t heal modifications.

While an oft repeated lie, this is simply false. For most of human history people have engaged in tattooing, scarification, and piercings to mark puberty and coming of age rites, these acts taking place generally between age ten and fifteen. These modifications “survived” well into adulthood with no ill effects from either the youthfulness of the body or its subsequent growth. If anything, a young healthy person may heal modifications with more resilience and positive results than an aging individual. In any case, there is no functional or biological reason why minors can not successfully be pierced, tattooed, or otherwise modified.

FALSE: Taking care of it is too much for a minor.

This is fundamentally insulting, but it is a reason that’s presented very regularly. First of all, “taking care of” a piercing or tattoo is very easy and it’s well inside the grasp of even a fairly young child. It’s no more difficult than wound care in general (ever cut yourself as a kid?), and certainly far easier than tasks we expect a minor to be able to handle such as taking care of a pet, doing chores around the house, and so on.

FALSE: It’s too big a decision for a minor to make.

It’s somewhat difficult to pinpoint exactly when a person has experienced enough of life to be able to make major decisions, but luckily this is an issue that we’ve had to face in far more grave scenarios than — gasp — a navel piercing. We allow people to drive cars (which actually kill people when things go wrong) in their mid teens. Education decisions that will affect a person’s life far more profoundly than a little scar from a regretted piercing start getting made by people in their early teens. We allow people to marry and have children in their teens — you may disagree with this, but the law does allow it. As decisions go, the potential negative outcomes of a piercing or tattoo are dwarfed by the potential outcomes of many, many other decisions that teens are forced (and permitted) to make.

FALSE: It’s too sexual for a minor to have.

The fact is that minors are out there having sex. Like it or not, it’s rare for someone to “wait” until they turn eighteen or get married. Some people do, but it’s not normal, nor is it legally mandated. Pop music and youth fashion is highly sexualized (and publicly so), far more so than a navel piercing or even a genital piercing (which is private) when it comes down to it. Without a radical puritanical overhaul of Western society such an argument is hypocritical at best.

FALSE: It’s depraved, and young people need to be protected from depravity.

        …or to put it more simply…

FALSE: As long as you’re living under my roof, you follow my rules.

Certainly one can make these sorts of subjective arguments about what’s appropriate behavior and what’s not, but let’s first mention that when you look at human history, body piercing and body modification is normal — our modern Western society is an odd-ball in that we don’t embrace it. In any case, while parents certainly may have some right to control or at least guide their children’s behavior, the government has no place stepping in and making the rules for them. If a parent wants to punish their child for getting an eyebrow ring, they can do so, but it’s not the State’s place to restrict the practice.

So now that we’ve seen that the presented reasons are deceptions, or at best ignorance, let’s talk about the real reason body modification for minors is illegal.

Allowing minors to engage in body modification risks them breaking the bonds of artificially extended adolescence, and helps free them from the bonds of slavery. Modern society is built around a large “slave class” of workers who are subservient to the social machine, and people are kept loyal to it through fear and blindness helped by never allowing individuals to fully move out of childhood. This makes them dependent on the State and the corporation, afraid to strike out on their own into a world that makes individuality and liberty extremely difficult to obtain.

I’ve written in the past about the education system and its goals, and this article is in part a rehash of some of those points. To simplify, the purpose of the education system is to slow down people’s ability to learn independently, making them easy to manipulate and enslave. This was done after the excellent education Americans received in the 1800s started resulting in “class jumping” where poor but well educated and bright individuals became wealthy, and those that were unfairly abused by corporations had “discontent” due to their awareness — a smart, informed person doesn’t like being a slave, they discovered, and it’s hard for rich people to stay so much richer than everyone else without slaves (or as they put it these days, indentured servants low wage employees).

The things that we learn as we graduate high school are within the intellectual grasp of the vast majority of ten year olds, given a functional education that is. I’m sure many of you reading this remember devouring books as a young child, and maybe even being told to “stop reading those books — you’re too young!” when you strayed into the science books (or whatever your interest was).

The truth of the matter is that once you hit about sixteen it’s all downhill from there as far as the way your brain (and your body) works. If you are conditioned before that point to be a slave, it’s harder and harder to break out the older you get. That’s why almost every “primitive” culture — which needed all of its members to help on the hunts, the food gathering, and so on — engaged in body modification and other “manhood” or “womanhood” or “warrior” status rituals at young ages. If people don’t define themselves as strong, independent, and competent people as youths, they will forever be constrained to relying on someone else for guidance and even food. How different is a person who’s been conditioned from birth to be dependent on their government and their employer and unable to go out on their own any different from a slave in the most traditional sense of the word?

While the piercers and parents who parrot these “rules” are largely unaware of this underlying reason, you can bet that the lawmakers are very aware of them and work incredibly hard to sustain this repressive status quo.

With that in mind, let us re-examine the above objections to modified youth.



Eleven years old, self stretched

TRUE: Young or growing bodies can heal modifications.

Young people tend to be healthier and better able to heal modifications than aging individuals. If you’re going to do things like stretch your ears, your body is far more accepting of it the younger you are. In simple terms, the younger you are when you start stretching your ears, the better they will look when you’re done.

TRUE: Taking care of it is easy for a minor.

Caring for body modifications is really quite simple. Even if a minor willfully ignores the care required, the consequences are almost always extremely minor, and can teach young people in a safe fashion what will happen to them if they are not responsible for their decisions.

TRUE: It’s an excellent way for a minor to learn decision making skills.

Body modification is both “minor” and profound at the same time. By taking responsibility over their lives and bodies in this way, young people learn how to take care of themselves and how their decisions affect them.

TRUE: It’s a good way for a minor to learn about their sexuality.

Too much of a minor’s sexuality is out of their control. The media tells them how they have to behave and dress and express themselves, and massive pressure is on them to engage in sexual behavior before they are ready. This is already happening, it’s legal, and it’s very dangerous — teen pregnancy (and abortion), rape, STDs, and other problems are frighteningly common. Body modification allows a young person — or an older person — to take personal control over their sexual identities and encourages responsibility in a safe and healthy way.

TRUE: As long as you’re living under my roof, you follow my rules.

Well, this one might be true as stated, if the parent has limited empathy for their child that is. Children do not always have the same beliefs or interests as their parents, and ultimately, as they start to assert that personality, parents have a choice of going to war over it, or learning to love their child for who they are and making compromises so they can remain a family. Simply saying “no” without real discussion is a poor way to parent and has resulted in far too many broken homes, a tragedy that could have been averted with nothing more than an open mind.

I hope I’ve helped clarify that the end result of allowing young people to modify their bodies is not only positive, but could help catalyze much larger and extremely beneficial societal change. We can move forward to a draconian future where immense government and corporations dictate how the drones lead their lives, or we can move forward to a collaborative utopia where everyone is valuable and everyone is allowed to express themselves, working together for both common and individual goals.

I believe that this freedom is an essential notion, and that unless we imbue it in the youth, our society becomes something far darker than it even is now. Piercers, I’m not asking you to break the law — I’ve already put myself at great risk by writing this — but please don’t keep repeating the lies. Let young people and parents know just how positive body modification is for a young person. Let legislators know that it’s safe and healthy and most of all improves people’s lives.

And young people, all I can say to you is that when I — and most of the current generation of “celebrity” piercers — were your age, there were no studios and we had to pierce ourselves. At least you have the benefits of resources like BME so you’re not running blind like we were! Write about what modification does for you, good and bad, and submit it to BME or your own sites and journals. Write about it for school to help educate your teachers. Try and explain to your parents why it matters to you. Get them involved even. If body modification is good, we can prove it through our lives, right?

But please understand this: This is an uphill battle, and as “mainstream” as body modification is, it’s far from accepted. Don’t join this army unless you’re willing to fight, and fight hard. If you get modifications that the public can see, you will have to work twice as hard to get your share of jobs and education. Do everything you can to educate yourself, both at school and outside of school. Get in shape, learn every skill you can — welding, flower arranging, everything — and just make yourself an amazing individual that can do a lot of things and think intelligently on a lot of subjects. The more “powerful” and independent you are, the more you can assert yourself as an individual, and the less power anyone else has to tell you how you can live your life.

Most of all though, don’t believe their lies, and don’t accept their prison.


Shannon Larratt
BME.com

Recommended reading: “Underground History of American Education” by John Taylor Gatto. You can read it online for free here. This book will change the way you look at the Western world and its institutions. Read it before it’s banned.

PS. To the nutcases who are calling the FBI because of the photo at the start of this article, of course it’s a fake photo. We don’t live in a perfect world, yet.


Punch and Taper Surface Piercing [The Publisher’s Ring]


Punch and Taper Surface Piercing

“Great ideas, it is said, come into the world as gently as doves. Perhaps, then, if we listen attentively, we shall hear amid the uproar of empires and nations a faint flutter of wings; the gentle stirring of life and hope.”

– Albert Camus

GLOSSARY
Since this article contains terms that not all readers may be familiar with; here are a few quick definitions to help you, and there are many more in the BME/encyclopedia.

Surface Bar (“Staple Bar”): A surface bar is a barbell that’s quite literally shaped like a staple. Its goal is to place as little pressure on surrounding tissue as possible, thus its unusual shape.

Tygon: Tygon is an inert and extremely flexible plastic tubing. Instead of attempting to find the “perfect shape” as a surface bar does, Tygon works by being flexible enough to just “go wherever your body wants it to”.

Dermal Punch (“Biopsy Punch”): A dermal punch is a cylindrical blade that doctors use to remove tissue samples for biopsies. It is also used by piercers for large gauge piercing work and of course the technique discussed in this article.

Drop Down Threading (also Step Down Threading): This is a form of externally threaded jewelry where the threaded section has a smaller diameter than the main rod, thus minimizing irritation if it’s drawn through a piercing.

It’s rare these days to see new innovations in the field of body piercing. It’s been almost a decade since piercers like Jon Cobb, Tom Brazda, and Steve Haworth pioneered procedures like the surface bar, pocketing, and the transscrotal, and while things have certainly been improved and fine-tuned since then, not a lot has changed when it comes down to it. However, over the past few years, a number of artists have been working out a new method of surface piercing which promises even better results than are possible using traditionally placed surface bars.

This new procedure is called “punch and taper” or “transdermally implanted” surface piercing. It is similar to surface bar piercing, and in fact uses surface bars as jewelry most of the time, but in an effort to reduce trauma and pressure (and thus migration) the entry and exit points are formed with a dermal punch and the “tunnel” for the jewelry is formed with a taper or elevator. The end result is a surface piercing that heals faster and has a far greater survivability rate than a standard clamp and needle type procedure. I recently had a chance to talk to three piercers, each that can make the claim of having independently invented this method. They were kind enough to talk to me both about the procedure itself and the development that went into creating it, giving a rare insight to the technical “craft” element of body piercing as it advances.

Before we begin I’d like to introduce them to you, and make one thing very, very clear:
This article is not a how-to. This is an advanced procedure and the text here is not enough to teach you how to do it.


BRIAN DECKER

iam: xPUREx

Brian was the first person I saw doing this procedure, although in the early days he was using a very different version than he uses now. He pierces (and more) at Sacred Body Arts on Canal St. in NYC. Brian is also an accomplished scarification and heavy modification artist.

TOM BRAZDA

iam: TomBrazda

Tom is considered the primary inventor of the surface bar and ran Stainless Studios in Toronto, Canada for ten years (where I worked for him and learned a lot!) before moving on to a smaller salon environment. You can find him at TomBrazda.com.

ZACHARY ZITO

iam: zak

Zak is currently working at Mainstreet Tattoo in Edgewood, Maryland. It all started one day at the age of thirteen, when he was skating home from a friend’s house and found a PFIQ on the side of the road, and the rest is history. He’s been piercing since 1993 and like most piercers at the time is largely self taught.
BME: What do you tell people when they come in asking about surface piercing?
TOM: First we talk about risks and rejection, and then I explain to them the different ways I can do the piercing. We talk about care issues and possible lifestyle changes that will help them contribute to a successful healed piercing. We also talk about longterm concerns such as accidents and how to deal with them — all in all this initial consultation takes about an hour.
ZAK: Usually for me it starts with a phone call from someone just trying to find a studio that will do it — most in this area turn them away due to inexperience, and eventually they get pointed in my direction, and then I have them come in for an in-person consultation.
BRIAN: I explain the procedure in detail to them, the way the jewelry has to be custom designed for them, and how and why it works with their body. I haven’t used a needle for a surface piercing in four years and with the results I’ve seen with transdermally implanting the bars, I’m not about to start again. Some people find the idea of punching and elevating the skin unsettling, but I assure them it’s not nearly as bad as they think… I can’t remember ever having anyone walk out because I’m not using a needle, and these days people actually seek me out because I don’t use a needle.
BME: Let’s get right into the procedure itself. How exactly do you do a “punch and taper” or “transdermally implanted” surface piercing?
TOM: After I’ve talked to them for long enough to make informed consent, we inspect the area of the proposed piercing in terms of tissue stability — does it stretch or flex, and how does it fold when they bend? I look for the most stable placement I can find. Then I determine the dimensions of the jewelry that are going to be needed. If I’ve got it handy we can go ahead and do the piercing, but a lot of the time it has to be custom ordered.

Before we actually start the piercing, we talk about what they can expect from the procedure itself. I prep the area and spend a lot of time marking it to make sure I’ve got the best placement both in aesthetics and technical placement. This is redone as many times as it takes for me to be satisfied it’s the best it can be.

I actually give the customer the choice of insertion method after explaining all the issues to them, but if they choose the punch and taper method, the first thing I do is double check all my tools to ensure I have everything and all the sizes are right and everything fits together as it should. I also make sure I have enough gauze on hand, because some bleeding control is often needed — although because the vascularization is much higher in the deeper fatty tissue, unless you go a little too deep there’s usually not a lot of blood.

I make the two holes by dermal punching down into the tissue. I take a normal taper and put it into the first hole and pull up on the skin a bit to make sure that the taper is at the bottom of the subcutaneous layer. Then I gently push the taper toward the other hole, applying force as necessary. When the taper is at the exit hole, I put one of the dermal punches back into the hole to “grab” the end of the taper. I find this works better than a small receiving tube because some of the fatty tissue can get in the way and the dermal punch helps cut the tissue if needed.

After the taper is through, I follow it with a second taper that’s screwed onto the jewelry. That pulls the jewelry into place, and the rest goes like a normal piercing. I make sure to keep them in the studio for ten minutes to chill out to make sure they’re OK, and make them promise to come back and check with me later so we can be sure everything’s healing like it should.

Above: Punch and taper procedure by Tom Brazda
BRIAN: First thing I do as well is the jewelry design — a lot of poking and pinching at the skin. My main goal is to fit the jewelry exactly to the piercing tunnel I’m going to make. Any pressure is going to mean a greater chance of scarring or migration. It takes a bit of practice learning how to hold the skin in different areas, and what areas need what depths.

After prepping the skin and marking, I pinch the skin up with my thumb and index finger, and twist a 1.5mm biopsy punch down into the dermis and straight into the subcutaneous tissue — generally that’s 2 to 5mm, 2mm being thin skin like temples and inner wrists, and 5mm being areas like the back. These aren’t just standards though — you need to pinch up the skin before punching so you can make it much easier to tell when you’ve reached the subcutaneous layer.

After I’ve removed that small cylinder of dermis, I insert my elevating tool straight down into the hole and shift it so it’s parallel with the skin. I slowly work my way across the subdermis at the same depth as the lifts on the jewelry I’m putting it. The tool I use for the elevation is 6mm bar stock with about two inches of one end milled down to about 2mm width. It’s sturdy and and the ease of using the handle allows me more control and requires less pressure than a taper pin, especially in harder to separate areas like the nape. The consistent flattened shape of the tool tip keeps the pocket tight and uniform so the jewelry sits firmly.

I then insert a small 12ga steel rod that’s round on one end and externally threaded on the other into the pocket as if I’m doing an implant. To make sure the tunnel doesn’t arc up into the dermis, I poke the end of a 12ga taper down into the exit hole and match it up with the end of the rod and follow the rod back out that exit hole. So at this point it looks like a surface piercing with a straight bar in it.

Since I bend all my own pieces, I use step-down external threading on my jewelry. I’ve tried bending internally threaded jewelry but it tends to buckle and break. To keep from pulling threading through the fresh piercing I us a tiny 1/2″ piece of Tygon tubing to attach the surface bar to the 12ga rod. The rod then pulls the jewelry into the piercing in one smooth motion and is removed. The entire thing from punching to putting on the beads takes just a few minutes.

Above: Punch and taper procedure by Brian Decker
ZAK: Assuming we’ve already talked about everything, I start with explaining again why and what materials I’m using, tell them about sterile technique, and the exact process I’m about to use. We also go over their daily activities and lifestyle again to be as sure as possible that nothing will clash with the piercing they want. We determine the perfect jewelry for them after examining the local anatomy in terms of rise and bar length.

Once all that is settled everything goes in the StatIM autoclave. While we’re waiting for that a gross decontamination scrub is done and all the marking is taken care of. The StatIM cassette is opened, hands are scrubbed with Technicare, rinsed, dried, and then misted with Vionexus. I put on my first pair of sterile gloves, and using a sterile 4×4 of Nugauze that is saturated with Technicare I prep the area. These gloves are then disposed of and I put on a new sterile pair.

I massage the tissue, doing a non-invasive dissection, to make dermal elevation easier and less traumatic. With a 1.5mm biopsy punch the exits of the wound channel are incised and removed. I use a four inch long threaded taper and insert it into the entry point and elevate the channel being created across the length of the piercing. When the taper reaches the exit hole I massage the tissue to help the taper exit. After that, all that’s left is threading a titanium surface bar onto the taper and feeding it through the channel. I use disc ends for beads, clean the area, and apply a Tegaderm patch to keep the wound from being exposed to outside elements during the first stages of healing.

BME: What sort of aftercare do you recommend to people?
ZAK: In a perfect world I’d suggest dry wound care, but since we don’t live in a perfect work I try to get people just to do as close to dry wound care as they can.
TOM: Just leave it alone as best as you can. If you bump it or it comes in contact with something unclean, clean it with saline immediately. It should be washed daily — gently — and given a couple sea salt soaks for a few minutes, or longer if it gets irritated. Most of all though people need to be aware of their surroundings and prevent problems rather than treating them. Lastly, good health! A healing piercing needs proper resources — nutrients — to be able to heal, and your immune system has to be strong. It doesn’t just happen on its own.
BRIAN: From my point of view, the most important part of the aftercare for surface “piercings” are the warm or hot water soaks which help soften crusting and drain bacteria from the inside of the pocket. The average body piercing is through less than half an inch of tissue, but surface piercings are usually much longer, making it harder for your body to excrete harmful bacteria and dead tissue from inside it. The warm soaks will also increase blood circulation, and your body needs these white blood cells to heal the piercing, just like any wound.

The only antiseptic I recommend for healing is natural sea salts — four teaspoons in a gallon of water, which can then be microwaved to heat it. If you measure this correctly it will match your body’s salinity. Soaps usually have colorings, perfumes, glycerins, triclosan and so on — chemicals that are too strong and can damage and destroy healing tissue. Even for people whose bodies are strong enough to heal with these soaps, healing without them will probably be quicker since your body won’t be spending time fighting off the things that are in the soap!

BME: If they take care of it, how long does healing take, and what sort of success rates can they expect?
BRIAN: I think with “perfect” care, complete healing can be quicker than a standard navel or nipple, depending on the placement. Areas with little movement tend to heal in four to six months assuming they’re not banged up. The sad thing is, most people don’t take perfect care of their piercings, so healing times are often longer than they need to be. The success rate I’ve been getting is very good though — exponentially higher than with needle piercing.
ZAK: I think the majority of healing takes place in the first three months, but I agree that the complete healing is closer to six months. As to the success rate, nothing is 100%, but in the time I’ve been working with this method I haven’t seen any of the pitfalls and problems traditionally associated with surface piercings — no scarring, no rejection, no wound drainage problems, and so on. I’ve even seen them take substantial abuse and other than temporary swelling and a bit of bleeding, they tend to return to normal and don’t show long term effects of that trauma.
TOM: I’m seeing them healing in no more than three months, personally, but with a surface piercing aftercare is for life. Success of the piercing involves a lot of factors — sometimes it can come down to a choice between lifestyle and a piercing. Enough damage to a well healed surface piercing can cause migration at any time. I tell people that a surface piercing is not permanent in that somewhere down the road it will probably need to come out. Of all the ones I’ve done I’ve only seen one reject though, but I only do the ones I think are going to be successful.
ZAK: I’ve done quite a few of these as well, to the point where I’ve stopped keeping track of the numbers. Initially I had everyone coming back in weekly so I could keep an eye on them, but all I ever saw was immaculate results… It was actually funny to see people coming in with Tegaterm tan lines around the piercing months later.

Above: Punch and taper work by Zachary Zito

BME: How did your surface piercing technique evolve over time, and how did you come upon this particular technique?
BRIAN: I adopted the idea from doing transdermal implants — which is why I call them “transdermally implanted surface bars”. When I first started doing them, I was using a #11 scalpel blade to make incisions into the skin. Why I didn’t think to use a dermal punch is beyond me, but after talking to Tom a few years after doing them exclusively with a scalpel I switched. Another one of Tom’s incredible ideas that I’ve adopted is milling down the bottoms of all my bars for a while now, in order to lessen the chance of the jewelry “rolling” over. It’s worked wonders.
TOM: I think about nine years ago we actually talked about it after looking at pictures of Jon Cobb’s wrist piercing, an 8ga straight bar going from one edge of the wrist to the other. Looking at that all I could think about was how much damage the needle could do traveling across all that tissue and blood vessels. At the time I thought about making two scalpel cuts and tapering across the holes. The idea stayed in my head, but I didn’t think that such a long bar across the wrist was a good idea anyway so I didn’t try that.

At about that time we stopped using curved barbells for surface piercing and developed the surface bar. After refining the surface bar I looked at the tissue that I was going to pierce in order to anticipate potential problems and work around them. Later came the use of flat wire bars, which makes a big difference if you’re working with thinner tissue.

Down the road you always find those things that you wish you could do but are limited by your process. How do you pierce a person with tissue you can’t even grab? Or a piercing so short that you know it’ll reject quickly? Thinking about these problems brought me back to the old idea from Jon’s wrist piercing. It took me a while before I found someone who’d let me do a piercing that would be a good proof of concept. If you’re doing it on a spot that would have been easy to pierce with a normal surface bar technique it wouldn’t have proved anything.

Once I did this, I wanted to get around another problem in surface piercing, and that’s getting a proper entry through the skin, going straight down, straight across, and then straight up. Before you could only do this by piercing at the exact right spot based on what the tissue did when you clamped it, but otherwise the piercing arced through the tissue placing weird stresses on the jewelry and pushing it upwards, increasing the risk of migration. Even if you got through the dermis and epidermis correctly, you still arced through the subcutaneous tissue, which would be visible as a slight bump in the middle of the piercing. So that’s how using the dermal punches came about, and how I got to the procedure I’m using today.

ZAK: When I started doing surface piercings I was using Teflon and Tygon barbells and placing them with standard piercing needles. Later I switched over to titanium staple bars, but still used needles to place them. When I started to experiment with the idea of using a punch and taper technique rather than a needle, I didn’t know that other people were developing it as well. I was mostly thinking of the shape of the initial wound channels; where the jewelry was sitting on the tissue itself. I thought that using this technique would drastically change things, and the results have been very positive.
BME: What kind of response have you had from other piercers, and — to ask you an uncomfortable question — what would you say to piercers reading this who’d like to start using the technique?
ZAK: All the colleagues that I have shared this with, done demonstrations for, or showed healed results to in person have had nothing but good results themselves with it later. If you want to start doing this, find someone that is experienced and do some shadowing to see what’s involved firsthand.
BRIAN: Pierce yourself or your friends before you pierce customers! It might take some time to learn the feel of the tissue you want to work with since there’s no standard depth for proper separation. If you separate too shallowly, you’ll run into rejection problems. Learn to bend your own jewelry as well so you aren’t forced to wait for custom orders (or compromise and pierce too shallow or too deep). I don’t think this method has any special risks — just the time it takes to do it, maybe five minutes instead of one minute. It’s also a bit messier, as it’s not unusual to strike a small blood vessel with the punch and have to pinch the skin for a minute or two before proceeding with the elevator. It won’t affect the outcome though, but you’ll spend a bit more on gauze maybe!
TOM: This piercing does take more skill and understanding of the anatomy to perform it well. Shit, I think you could say that about all piercings, but if you’re going to do this, talk to other piercers that have tried it before?

Above: some of the steps in doing a punch and taper surface piercing (photos and procedure: John Joyce, Scarab Body Arts, Syracuse NY; iam: j_scarab).
STEVE TRUITT

I also had a chance to talk to Steve Truitt of Stay Gold Tattoo in Albuquerque, New Mexico, who you may know as stainless on IAM. Steve has been piercing professionally since 1995, and uses a slight variation of this technique for his own surface piercing work. Steve also is an experienced implant and scarification artist, and runs an active suspension group in the Albuquerque area.

BME: Tell me about the punch and taper technique that you use?
STEVE: I started off back in 1996 or 1997 using the HTC surface bars, and used those until I tried Tygon in 1999. At the time I was just placing them with a needle, but now I’m using a punch and taper method. Procedurally it’s similar to what Zak, Tom, and Brian are doing — after the cleaning, marking, and so on, I massage the skin for a minute or two to separate the skin from the fascia. Then I dermal punch straight down into my marks. I insert a threaded taper into the first hole and guide it across until it exits the other hole.

That taper is attached to Tygon tubing which I draw through the piercing. I trim the Tygon as needed, and it’s done. It’s a little more bleeding than using a needle, but it has a much higher success rate — probably at least 85% or higher (and I’m doing three or four people a week with this method).

BME: What gave you the idea of switching to using a punch and taper method?
STEVE: I’d tried it a few times over the past five years, but that was using an elevator rather than a taper. I decided it was just too painful and traumatic to do as my normal procedure, but after talking to Zak about how he was doing them, I ordered some punches, tried it, and loved it!
BME: How come you don’t use the metal jewelry like most people are using?
STEVE: Most people find the Tygon is a lot more comfortable to wear. The Tygon does need to be changed occasionally, so I have them come back in the first few months to change it, and then three or four times a year as long as they have the piercing. I can swap in a steel or titanium bar after nine to twelve months, but most people do seem to prefer the Tygon.


Triple chest piercing by Steve Truitt

BME: Are you seeing about the same healing times?
STEVE: Just switching to punch and taper I saw healing times for surface work drop from six to nine months, down to two or three months in most cases. Even in the harder to heal surface piercings like spinal piercings, they heal in four to six months.
BME: I’ll ask you as well — any advice or warnings to piercers who’d like to start doing this?
STEVE: Learn to swim before you jump in the ocean! I see a lot of “piercers” that are attempting things way out of their league. Take your time, learn how skin works, how the body heals, and get all your basic piercings down before you attempt to move to the more complicated procedures and tools.

The risks of this procedure are minimal in the hands of an experienced piercer, but they’re greatly compounded in the hands of a hack. You have to be a lot more careful looking for veins with this method, since you don’t want to push a dermal punch in and take out a chunk of an artery, nerve, or vein! Other than that, the only negative I can think of is that there are some States that don’t allow piercers to use dermal punches.


Thank you very much to the piercers above, and as well I’d like to thank Jakk “ScabBoy” Cook (Express Yourself, Lackawanna NY), Matt Bruce (Spitfire Tattoos, Victoria BC), John Joyce (Scarab Body Arts, Syracuse NY), Tony Snow (Bad Apple, Las Vegas NV), Emilio Gonzalez (Wildcat, Antwerp Belgium), and Keru von Borries (La Paz, Bolivia), who all helped in creating this article with supplemental interviews, commentary, and procedural photos.


Shannon Larratt
BME.com

Overdone: Why Do People Get Star Tattoos? [The Publisher’s Ring]


Overdone:

Why Do People Get Star Tattoos?


“Quod est ante pedes nemo spectat: coeli scrutantur plagas.”

(No one sees what is before his feet: we all gaze at the stars.)

– Marcus Tullius Cicero

Bod mod elitists have always made fun of people with modifications they feel have become “common” and moved into the mainstream. In the past (and still now), the legions of people wandering about with kanji symbols tattooed on them became objects of derision, accused of wearing what they didn’t understand or relate to because someone told them it was the cool thing to do. Similar accusations of mutilatory exercises in conformity have been leveled at those with star tattoos, as over the past five years stars have become perhaps the single most common piece of tattoo iconography.

Can star tattoos still have meaning — or did they ever? Why do people get star tattoos anyway? Are they just going with the flow? Have they devalued over time like a Right Said Fred CD? Earlier this year I started asking people why they got their star tattoos; below are some of the answers I got in their own words, along with the tattoos those people wear (click to view them). Decide for yourself if they took their skin seriously enough for you to judge them from your ivory tower.

Sarah W

Sarah is “an artist of sorts” from the UK who draws lots of flash for friends and has an online clothing store. She’s been getting tattooed since she was fifteen and loves being part of such a rich and varied community. She’s also a vegetarian, involved in animal rights, and (surprised?) loves travel and music. She’s still deciding whether she wants to be a tattoo artist or a bag lady when she finally grows up.



I have earlier star tattoos, but they are just simple ones, more for decoration and to fill space. But I’ve always liked stars for their aesthetic qualities — they look very neat and clean. They can be endlessly changed and altered in almost any way to suit any tastes. I also love the idea of tattooed stars relating to real stars, and the relation to the universe and space. It’s a reminder of how small we are within everything that exists and gives me a certain amount of peace of mind that what I do is ultimately unimportant.

This star you’re asking me about was designed by Alison Manners at Ultimate Skin in Leeds. I found a basic star design with an oldschool rose inside it; she redrew it perfectly for me. I chose the color because I love pink and am a bit of a girly-girl, and leopard print because I relate it to pin up girls (something I love), and also to nature. My boyfriend suggested getting it on the front of my shoulder, at the far side of my chest, but I felt it wouldn’t really fit with the chest piece which I have designed. I had always wanted a rose on my sternum, right in my cleavage because it would be very private, and also very suggestive, to show that I am a sexual person. A star with a rose in it would fit perfectly, so it was pretty easy to place it.

Not too many people have seen it because of its location, but obviously I’ve shown it to my friends. They all really liked it when they first saw it, and expected that it was pretty painful to get done. The biggest reaction was from myself, because I was surprised at how different I felt after having it done. It’s the first tattoo I’ve had which I can see when I look at myself face-on in the mirror, as most of my tattooing is on my back. I had a great feeling of satisfaction being able to see it all the time, and comfort within myself after it was done. It was like I was becoming more like me. It’s changed the way I think about my body and myself, giving me more confidence and making me more secure with who I am.

Sarah F

Sarah is a twenty year old hairstylist, a profession she chose because it allows her to look how she wants. She also hopes that because the job lets her interact with the public so often that she can change people’s opinions of the modified, because, as she puts it, “I’m such a nice girl!”



It’s not that I specifically liked star tattoos, I just liked stars. When I started high school I would doodle them everywhere and when I was sixteen I drew up the design for my first tattoo, a star with black and white checkers inside it. That design waited, tacked up on my bulletin board until I was almost nineteen and had the opportunity to get it. So now it sits on my left forearm just below the bend of my elbow, and I absolutely love it. I chose to put it on my arm because I didn’t want it to be hidden, I wanted it to be a part of me that people could see.

I have had my checkered star for over a year and a half and I still love it just as much as the first day I got it. I recently got another star tattoo on my back between my shoulder blades. Sometimes people notice the top point of the star coming up the back of my neck and they are curious to find out what it’s connected too. I always show them if they are truly interested and not being rude. I am happy to show them off.

I don’t care what’s popular and what isn’t. I got my star tattoos because I like them and that’s that. Things that other people do rarely affect my decisions on anything, and my tattoos are no different. I think it’s fairly obvious that I do not follow the crowd anyway. Most likely I will be getting more star themed pieces — how could I not? I never worry about them going out of style. It’s never even crossed my mind. As for the way other people see them, I don’t think that in twenty years people will be saying, “Oh, star tattoos are soooo 1998” or whatever. And if they do, well, I just don’t care.

I think it’s really sad that people make fun of star tattoos just because they are popular. Especially in this community where you think people would be more open minded
it’s sad to hear that people get all elitest about it and think “oh she’s not cool, she must have gotten that because everyone else does.” I know it’s been said before but don’t judge people for anything! You don’t ever know where they are coming from and the reasons behind their actions and decisions.

Claudinne


Claudinne is twenty and an officer in the Dominican Republic Army (a Caribbean nation next to Cuba and Jamaica, and bordering Haiti).



I love stars, ever since I was a baby, so, when it was time to decide on a design for my first tattoo, I had no doubt it would be a star. I did some research, drew a couple myself, and then decided to have it put on my back. Everybody just loves it! Here in the Dominiccan Republic I’ve had girls on the street just going crazy over it! I don’t regret doing it at all.

What other people think about star tattoos doesn’t change my feelings. I’m keeping this one and I’m getting more stars as well. Star tattoos will never look outdated, especially when you add details from your own imagination.

Melissa


Melissa is a nanny by day and Italian photo charm entrepreneur by night with a short fuse for people who don’t use common sense.



I have always loved stars. I love science, and stars are awesome heavenly bodies. To figure out my design I just looked around at some tattoo web sites. I found one that I liked and made it a little more special for me. I wansn’t really sure where to place it, but I always wanted tattoos on my chest, so I took the dive. Didn’t tear up once during it!

My mom hates my tattoos, and a lot of people think where I put them was a bad idea, but I love them and wouldn’t change a thing about them! I don’t care what everyone one else has as tattoos. A lot of people have star tattoos, but they aren’t all the same. There are so many different ones that I don’t think it matters that a lot of people have them.

Darren


Darren is an 18 year old living in the small middle of nowhere town of Tipton, California, where he’s lived all his life. He’s been playing guitar for the past five years, and music is something that makes him tick, along with hobbies like restoring muscle cars.



I’ve always been a tattoo person. I like hearing stories about people’s meanings behind the tattoos, and I like it when someone is able to put a meaning behind something that that put on their bodies. I thought about my design and actually going through with it for two years, and decided to have it done on my 18th birthday. Stars are also kind of an attractive shape. They always somehow seem to catch my eye when someone has one tattooed on them. In life I run into some troubled moments. I would sometimes stop my car and pull over on the side of the road on late nights coming home from hanging out with my friends, if something was on my mind. I would stop and get out, and just look into the sky. It’s almost always overcast here and the stars and clouds were just a design that kinda went together, and I figured if I tattooed it on me, it would always remind me of the things I do and why I do them.

I knew that I wanted the stars and clouds, but I wasn’t absolutely sure. I met Keith Duggan from Tiger Rose over in Pismo Beach who helped me work on the design. I chose to put in on my chest pallet and shoulder, just because I figured it’d be a good place to start, and Keith figured it’d probably look better there. My friends thought I was absolutely crazy. It’s just about ten inches in length and covers a pretty good sized area, and none of them have tattoos. They liked how good it looked and they thought that it was really cool, since it wasn’t just a plain star. A lot of people have said that it suits me just because of my personality. I absolutely love the damn thing. I don’t stop getting complimented on it. I’m actually thinking about making it it bigger and maybe even adding some stuff too.

Each and every tattoo I have and will get will be different in some way. Stars tattoos have been around forever. If you like a design that has stars in it, and feel like later on it’ll be out dated, don’t worry about it. If that star means something to you, then by all means go for it. There are some designs that people feel are “played out”. The nautical star for example, is something I hear about all the time. People say it’s played out, some say it’s cool. It all just depends on how you feel. I don’t regret one minute of choosing to put stars in my tattoo though!

Danica


Danica is a 29 year old administrative assistant to five oncologists at Vanderbilt University’s Medical Center (so all of her tattoos are in places she can hide). She loves her job but dreams of being a concert photographer. Like many others with star tattoos, she lives her life for music and travel, the most important things in her life other than her friends and family.



When I was ten I got my first telescope and fully intended to be an astronaut or astronomer when I grew up. For years I studied the stars, the sky, the moon, and the planets. It was such an awesome feeling for me to know that there are so many things up there that we’ll never know about. As I grew up I bought material items with stars on them. Star frames, jewelry, pillows, hair pins, and so on. I still do this, but I’m a little more picky now about the style of it.

The second tattoo that I ever got was a fairy sitting on a crescent moon holding a star in her hands. The star was never the main focus of the tattoo, but somehow it became the centerpiece. It was my favorite thing about the tattoo. Some years later, my best friend and I decided to get matching tattoos in which we would design from something I had previously seen on a temporary tattoo template. It was a spiral of stars circling around each other with some lyrics that read “gonna twinkle” (a line from a Tori Amos song). It was special to us in that cheesy way, thinking that no matter where we were (as we live hundreds of miles apart) we’s always be there for each other, somewhere under the same star, twinkling. I know, it’s complete cheese. But it’s cute cheese at least!

My biggest tattoo to date (the one pictured above) has 90 stars in it and one line of lyrics set between each star. I wanted it to look like the Milky Way. I remember in the summer, laying under the stars in my back yard just staring at the Milky Way and thinking how incredible it was. I couldn’t (and still can’t) even put into words what looking at that does to me. So my tattoo artist took into consideration what I wanted and he drew it to paper brilliantly. The lyrics go along with the star theme — “billowing out to somewhere”.

People love this tattoo. I get so many compliments on it several times a week. I haven’t had a negative thing said about it since I’ve had it. As for myself, I am in love with this work of art and I’m very proud to carry it around with me. I’m never going to change the tattoo or get rid of it. All my tattoos are bits of my life embedded into my skin. They represent a time and meaning in my life. If I got rid of them, it would be like erasing my memories.

Ali


Ali is a nineteen year old and was working at Burger King when I interviewed her, and assuming her plans went as expected, is just starting college now. Her boyfriend is currently serving in the Army, and Ali looks forward to his return next July.



I’m not sure why I like stars so much. I have stars and moons all over my room and seem to have them everywhere else I can put them! I looked for a long time before I had decided where I wanted it and what I wanted for my first star, a basic pink star with a black outline. When I went to Warped Tour a few days ago a majority of the tattoos I saw were stars — which was cool — but they seemed to be more on guys.

My “American” star was done in honor of my boyfriend and the rest of the people that I know personaly in the military, and is my own design. I’ve never had anyone comment that stars are overrated, but even if they did, I got them because I like them and wouldn’t care what others thought. I think most people have had positive reactions to my stars, and I do plan on getting more.

Janis


Janis is a 28 year old South African working at an accounting and auditing firm. While on a two year working holiday in the UK she was bitten by the “tattoo bug.”



My baby sister originally went overseas with me, but didn’t stay long. Once home, we would send each other text messages all the time and one night she said something about the brightest star in the sky and how it was me “watching over her” from far away. From then on, I was her star.

I got my first star, the larger one in the middle of my back, as a birthday present to myself in 2001. Then when I went home for my sister’s 21st birthday in 2002 I twisted her arm to have the same one done.

I got the other three done last year, here in Cape Town as a sort of “new beginning” phase of my life. People’s reactions are mostly “why stars” or just, “shit, that’s awesome”. I don’t always explain the full story to strangers — I just say “because I am a star!” which seems to work.

I only noticed recently how popular stars are, and it makes me feel kind of crappy because I wonder if their stars mean as much to them as mine do to me. When I’m seventy and can just barely turn my body to see my wrinkly stars they will still mean something to me. I’m not going to change them at all, but I am getting the Chinese symbol for star done in a week or so.

Melanie


Melanie is a twenty year old now in her third year of an English major. She’s still young, mostly just concerned with living a good life, having fun, and effecting some sort of positive change on the world. She’s asked me to point out first that her tattoo is a snowflake that just happens to be star shaped, not a star per se (“dammit!”).



I originally thought of getting a star tattoo on my foot because I liked the look of it, but I held off on it because a star really had no personal meaning for me. I think stars are very strong looking, and they come off as bold on the wearer. Star designs have been around for an awfully long time, and I don’t think they’re going anywhere. I guess I vote that they’re “eternal”. Also, I am a big fan of black tattoos as opposed to color (just on me! color on other people is cool!) and star designs have a tendency to look very sharp and sexy in black. However, I decided to wait and think on the idea, because I just didn’t feel personally connected to stars.

Later, I was flipping through one of my favorite books, called Principia Discordia, when I saw the design. It was a picture of the snowflake, and scrawled next to it were the words “Look for this snowflake — it has magic properties.” Principia Discordia is a funny book about an “anti-religion” called Discordianism, which kind of mocks the concepts of organized religion. It was written in the 60s by a couple of stoners, and it has grown into a sort of sub-culture. It’s hard to tell whether or not the whole so called religion is one big joke or not, but it basically advocates living life your own way with a sense of humor and not taking things too seriously.

I discovered the book when I was in high school, and it was really important because it took up a lot of my time then, and I was really involved in researching the sub-culture aspect of it, and its origins. It helped me to realize a lot of my own beliefs, and understand my opinions a bit better. I always knew I wanted a tattoo from that book (it’s filled with funny pictures and random designs) and when I saw the snowflake, I knew that was it. It had a star-like quality to it, but it wasn’t a star. And according to the book, it had magic properties to boot, so how could I beat that? It was very meaningful to me, so that was it!

Most of my friends aren’t really into tattoos, so they just tell me it’s hot and it looks good, and that’s about the end of it. To me it continues to represent a really cool book and the memory of a period in my life where I experienced a lot of personal growth.

Sarah S

Sarah (I’m beginning to think that name is more popular than star tattoos) is a twenty five year old into music and works for a music label. She’s mostly into things like Fear Factory, Perfect Circle, Tool, Pantera, and so on, and loves dancing — everything from belly dancing classes to going out clubbing. She loves art, is constantly reading and learning, and gets a kick from all things weird and wonderful.



I’ve always had a thing about the star shape. All my doodles were stars. I’m a pagan, so the pentacle-pentagram and other symbolic star styles are important to me. I wear stars in my jewelery, on my clothes, they are all around where I live. You can see it as a symbol of the five elements or as distant planets, balls of gas that cast such a spell over anyone who looks up and realizes how small they are. They’re my shape and my symbol, and that’s why I had a version of one done and will have more versions ingrained on me.

This star is based on a favorite necklace — like a talisman for me but it broke… It was in a mehndi style and looked a lot like a flower, and I added the swirls from some flash — I wouldn’t usually choose flash unless I could change it enough to make it my own. I have only had good comments, and people have liked the fact that it’s not one that is seen a lot. That’s what makes them comment, that it was unusual. I still love it, but I want to add to it now.

I going to expand it and have it trailing into my future designs, which will keep with the celestial, goth, and mehndi themes, because those are styles that I have been drawn to since I was a child and they have personal meaning behind them. I’m not worried about them becoming dated, since fashion goes round in a huge circle. If I worried that any design I was going to have wasn’t eternal for me, I wouldn’t have it done. The tattoos that last are the ones that are imagined from the heart, not from society.

Natalie


Natalie is twenty years old and helps manage a Hot Topic. She enjoys her work, and is also passionate about photography, describing herself as a sentimental person who enjoys getting tattoos, whether they mean something or not.


As a child, I always enjoyed stars in general. They make me happy and are beautiful. I chose to make my first star tattoo a rainbow pride shooting star to show my support of gay rights and gay marriage. My second star tattoos are located around my areolas. I thought my nipples were a tad too ordinary, so I decided to decorate them. The tattoos around my nipples were simply for show and enjoyment. They don’t have any specific meaning, like my rainbow pride star tattoo.

After getting my first tattoo, I gathered a lot of opinions from friends and the tattoo artist himself, as far as placement went. As far as design, I compiled three or four pictures and the tattoo artist went to town with them, and it looked perfect for me. My boyfriend loves them! As for people who say they’re overdone, I don’t give two shits about what others think of my tattoos. My tattoos are my tattoos. I didn’t do it for anyone else but myself.

Ronda


Ronda is a seventeen year old that’s been interested in tattoos and body modification for far longer than she could find someone willing to work on her.



I liked tattoo stars at first because I just thought they were beautiful, and then I realized that they kind of symbolize a few things in my life. They mean something to me, and I loved that they were simple at the same time. I got my stars scattered because the points in my life were somewhat scattered, and not exactly in a perfect line. I decided I wanted them on my back because I want to make them part of my backpiece in the future.

As I’ve had it, I’ve loved it more and more because when I see it I’m happy and I can remember something by it. People who see it say it looks beautiful, cool, or interesting, but of course they don’t know that it stands for something. When I decided a year ago to get tattooed, I didn’t notice that stars were a popular design. It bothers me because I think people automatically think I got them done because they were just “cool” or whatever they really think. I assume things like that sometimes as well, because I know people do things because everyone else is doing them, but I am not one of those people.

To me these stars feel eternal. Real stars are always up the sky, they’re always burning and shining bright, and so are many things in my life. As far as what other people think, basically I just don’t care too much about what other people think.

I hope this helps clarify, that, in the simplest of terms, that if you speak ill of someone simply because they’ve chosen a star or a kanji symbol to express themselves, that you’re a moron. It’s not relevant what language a person is speaking — what’s relevant is what they’re saying and if anyone else is listening. The people I talked to here were speaking with stars. There should be no question left as to what they’re trying to say. The question now is whether anyone heard it.


Shannon Larratt
BME.com

Extreme Makeunder? [The Publisher’s Ring]



Extreme Makeunder?


“We all wear some disguise, make some professions, use some artifice, to set ourselves off as being better than we are; and yet it is not denied that we have some good intentions and praiseworthy qualities at bottom.”

– William Hazlitt

Last night on ABC’s hit show Extreme Makeover, Jeanene, a “punk rocker” got what they called an extreme makeunder, promising that with the aid of their surgeons “even a punk can be hot”. The show painted a very sad picture of a woman who’s spent the last half decade pathologically getting body modifications in order to cover up her unhappiness with her body. “This is like my mask,” she says. “Look at my hair not at my chest, look at my ears not at the hair on my chin…”



Jeanene, the “freak” sister, wearing no makeup and, unbeknown to her, showing off her natural beauty and charming smile.



Erica, her “pretty” sister, wearing plenty of makeup and, unbeknown to her, barely hiding her deeply judgemental nature.

Now, don’t get me wrong — first, I have no problems with cosmetic surgery. I’ve even had cosmetic surgery myself, as have many people I know. If you’ve got something about your body you don’t like, change it so you do! That’s the wonderful and empowering thing about body modification — including plastic surgery — it lets you be who you want to be; it lets you seek out the ideal you and express yourself as publicly as you want to. Second, if Jeanene is now happy with her new look, she looks great and I’m glad she’s where she wants to be.


“We are so accustomed to wearing a disguise before others that eventually we are unable to recognize ourselves.”

– Francois De La Rochefoucauld

But this show really rubbed me the wrong way, because as well as being generally condescending and playing up stereotypes, it showcased a very unfortunate undercurrent that certainly exists among pierced and tattooed people — people who, like Jeanene, got piercings and tattoos and make fashion decisions not because they like them, but because by ostracizing themselves first, they eliminate anyone else’s ability to do it for them, and by making themselves “ugly”, they diffuse outsiders’ ability to level that accusation.

But here’s the problem: stretching your ears doesn’t make you ugly any more than listening to rap music makes you a criminal. Stupid closed-minded outsider bigots might decide you’re a criminal if you listen to rap music, and stupid closed-minded outsider bigots will deny your beauty if you stretch your ears, but the fact is that neither of their false assumptions alters reality. If you’re a white dude wearing a suit driving a minivan to work from the suburbs, listening to rap music isn’t going to hide the fact that you’re Mr. No-Risk Joe Normal. And, like it or not, if there are shortcomings in your appearance, stretching your ears isn’t going to mask them in the public’s eye — it’s going to compound them and make it worse by giving them an easy excuse to kickstart their insults. That said, modifications can just as easily enhance your natural beauty if they’re applied honestly and in a complimentary fashion.

Atypical body modification is a personality amplifier.

“Normal people” say very little in and of themselves. Thus, we initially judge them on their innate characteristics — their weight, the symmetry of their face, their teeth, their facial hair, their fitness, their breasts, and so on. While those are certainly relevant if our sole goal is to become aroused, rape them, and deposit our seed — our biological imperative — the fact is that these characteristics are sorely lacking when it comes to actually describing the character or personality of the individual, or for providing enough information to even base a relationship on.

Jeanene is right when she say that there’s a communications element to modifications; “if people are going to judge me, I want people to judge me on my terms.” A person with body modifications has the opportunity to wear their personality far more “on the outside” than a person who sticks with being a plainskin. However, it’s wrong to think of it as a “mask”… Thinking of body modification as something that can cover up things you’re unhappy with is a mistake, and it won’t work any more than you can hide the fact that you’re listening to bad music by turning it up really, really loud.



Jeanene shortly before the surgery: by some people’s rules freakish, unattractive, and unfit for a happy life. Personally I think she looked great, but I’ve never claimed to love blandness.

Jeanene suffered from — or at least believed she suffered from — a hook nose, a slight weight problem, asymmetrical breasts, and excess facial hair. Modified or plainskin, these are issues that would bother most people. Jeanene had it worse because her sister — referred to throughout the show as “the pretty sister” — escaped most of these problems. Jeanene said of her, “[we] are night and day with our appearance. My sister is a very beautiful girl and I wouldn’t mind looking like her. It would be cool if I got the same kind of attention as she does.”

Jeanene though was never able to gain the confidence she needed to appreciate that attention, fearing that if she looked “normal”, people might notice her hairy chin or other shortcomings. Gesturing at her bright hair and stretched ears, with her eyes tearing up, she tells the camera, “it’s easier to have a… you know… sorry…” and has to stop there. The problem came when she saw body modification as her escape, when in fact it just allowed her to temporarily avoid facing the things that were upsetting her. At the same time, it lead to a whole new set of problems and hardships which eventually all escalated to a breaking point where she had no choice but to reject body modification publicly, needlessly slandering people with honest and uplifting modification drives. While it’s not Jeanene’s fault that she was pushed to this — the public can be truly brutal — it does unfairly affect others.



“Pretty” Erica talks about how it upsets her to go out in public with her sister because of people’s reactions.



Jeanene is brought to tears while talking about the abuse she’s afraid to get from the public because of her looks.

Everything You Ever Wanted To Know About Anal Piercing But Were Afraid To Ask [The Publisher’s Ring]


Everything You Ever Wanted
To Know About Anal Piercing
But Were Afraid To Ask


“Some people never go crazy; what truly horrible lives they must live.”

Charles Bukowski


Anal piercing is a bit like tongue splitting — we all thought it was impossible (or at least a very bad idea), but then one person showed one off, and all of a sudden everyone’s doing them [ok, I’m exaggerating a litte — so CNN, don’t come knocking asking about the latest trend unless you want me to go Jayson Blair on you]. But still, unlike tongue splitting, people don’t tend to show off their anal ring to anyone who’ll look, much less talk about it at length. BME finally had a chance to sit down — carefully — with a half dozen people who could talk first hand about their experiences with anal piercing.


Click the thumbnails in this article to zoom in.


Anterior anal piercing

Fresh and bloody
double anal piercing

Posterior anal piercing

First we’ll talk to Travis, a thirty year old white-collar business owner. He’s rather mainstream looking when you first see him, but he does have a few genital piercings, and rather by accident, found himself with an anal piercing as well. After a gland became infected, Travis developed an anal fistula, an infected tract inside the body with one end exiting inside the anal canal, and the other externally, near the anus. Fistulas of this type can be treated in a number of ways. They can be cut out (by inserting a rod into the fistula and literally excising along its length), they can be glued shut internally, hoping they’ll drain out and heal, or they can be tricked into “rejecting,” which is what happened in Travis’s case.