Dear Abby, Fearmonger Much? [The Publisher’s Ring]

Dear Abby,
Fearmonger Much?


“A word to the wise ain’t necessary, it’s the stupid ones who need the advice.”

– Bill Cosby

In one of her most recent Dear Abby letters, Jeanne Philips (aka “Abby”) received a letter from a certified operating-room nurse regarding the risks of tongue piercing. Philips, adding a better safe than sorry response posted the letter to her column which ran with a large headline proclaiming “tongue rings can lead to heart surgery”.

Dear Abby is syndicated in over 1,200 papers and has a readership of approximately 95 million people, who all just got collectively stupider because of her largely unquestioning parroting of this misleading nurse’s claims.

According to the nurse, Karen Murphy from Morten Plant Hospital in Florida, “tongue studs can lead to endocarditis” in “otherwise healthy young people”. Saying that tongue piercing can lead to heart disease is like saying that having a dog can lead to fatal allergic response — yes, it’s true, but you have to have a pre-existing medical condition. In my example, you have to have a pet dander-type allergy, and in Murphy’s tongue piercing example, you have to have already have a valvular heart disease. It is extremely rare for endocarditis to affect someone who doesn’t already suffer from heart disease, and those that are tend to be older with already failing health.

Endocarditis is usually caused by a staph or strep infection, which admittedly are the types of bacteria common with body piercing infections. If an infection from a piercing has these bacteria enter the bloodstream (which is certainly possible from tongue piercing), those bacteria can lodge in the heart’s lining or valves. If the person has congenital heart defects, problems with the heart musculature such as hypertrophic cardiomyopathy, valve damage from diseases such as rhematic fever, or artificial heart valves, they are at risk of these infections. Anything that can cause oral injury — even teeth cleaning — requires the individual to first take a course of antibiotics to reduce their risk level. Other injuries (even papercuts) can lead to endocarditis in these individuals. Luckily, according to the American Heart Association (americanheart.org), endocarditis is extremely rare in people who do not suffer from the heart conditions I’ve just mentioned.

To be very clear, telling normal people that they shouldn’t get tongue piercings because of the risk of heart surgery is like telling them they should stop going to the dentist for the same reason! While it is important to point out that the Dear Abby column did disclaim in their response that they’d been informed by the AHA that only “certain individuals, people with a medical history of rheumatic fever or rheumatic valve disease — or any heart valve disease” are at risk, Jeanne still concluded that all her readers are “better to be safe than sorry”. Given the screaming headline and the page real-estate given to the misleading nurse, it is safe to assume that this will be yet another thing that will make educators, legislators, and parents behave even more ignorantly toward body piercing.

Estimating from body jewelry sales (straight ¾” and ½” barbells are almost all used for tongue piercing), there are millions of people with tongue piercings, and only a handful of those have had this complication, whereas the rate of infective endocarditis in the general public is between 1.7 and 4 per 100,000 — meaning there is no statistical evidence that tongue piercing leads to health complications in any meaningful numbers.

I have a letter I think I need to mail in.


Dear Abby,

Should I go outside? Every year, approximately one thousand people in the United States are struck by lightning, and about a hundred of them are actually killed! You recently said that “otherwise healthy” people might be “better safe than sorry” and should avoid tongue piercing because of the risk. Given that going outdoors — or using the telephone while it’s raining out — is far, far, far more dangerous, surely you must agree that it would be best if I didn’t go to work today.

Frank O’Derby

PS. I’m a little concerned that three hundred people have died from bee stings over the past couple decades. Do you think it would be a good idea to ask my Senator to ban honey?

There’s one thing the world desperately needs more of, and that’s common sense. It’s one thing to expect without fulfillment that Ms. Dear Abby had the “uncommon common sense and youthful perspective” she claims to have, but entirely another thing to wish that the OR nurses had it as well. If they can’t think clearly about tongue piercing, can we really trust nurses like Karen Murphy to think clearly about our emergency health care?

Note to self: don’t get hurt in Clearwater, Florida.


Shannon Larratt
BME.com

Fighting For Freedom In Iraq One Screaming Eagle At A Time [The Publisher’s Ring]



Fighting For Freedom In Iraq
One Screaming Eagle At A Time

“The only part of the conduct of any one, for which he is amenable to society, is that which concerns others. In the part which merely concerns himself, his independence is, of right, absolute. Over himself, over his own body and mind, the individual is sovereign.”

– John Stuart Mill, “On Liberty” (1859)

I have hope for any culture that allows a tattoo studio to exist. Any culture that permits its people to choose their own tattoos has made a very important statement that is all too rare in this world: the citizens, not the government, own their bodies and have full sovereignty to decide what will become of them. This is the most base and important right that a person could have — and one that people in the US state of Oklahoma still don’t enjoy… unlike Iraqis.

It is true that tribal tattooing has been popular in Iraq for thousands of years — even Saddam Hussein had protective glyphs tattooed on him, and in her book NPR correspondent Anne Garrels describes seeing heavily tattooed Shiite mothers in the overflowing hospitals created by the wars. In addition, after the first Gulf War left so many Iraqis without hands, arms, feet, and legs, Sharia courts which often amputate these parts as punishment started to add tattoos to the foreheads of criminals so that war amputees wouldn’t face the stigma of people assuming they were criminals. But all of this tattooing is very different than what happens in a Western-style tattoo studio. Until recently, all tattooing in Iraq was legally limited to permanent marking designed to uphold social order — that is, the tattoos were for communities, not for individuals. Similarly, Oklahoma permits cosmetic tattooing — that is, tattooing which allies an individual to the group aesthetic.

Reuters is currently reporting on Sarmad Shamael, a quiet 29-year old who has a small basement tattoo studio in one of Baghdad’s many rough neighborhoods. Instead of using breast milk and ashes to scratch traditional designs, he uses architect’s ink and a homemade tattoo machine to render the same sorts of images you might see anywhere in America — “Celtic crosses, screaming eagles, and death’s heads” as well as plenty of dragons from a beat-up book of tattoo flash he managed to import.



Sarmad Shamael at work in his tattoo studio
Photo: REUTERS/Ceerwan Aziz

The new Iraqi government is certainly no more liberal than Saddam was, but thanks to an almost total collapse of government since the occupation started, Iraqis are operating in a lawless environment — it’s not so much that tattooing has been made legal, it’s more that there’s no one enforcing the laws. As Sarmad puts it, “now people have a choice about what they do, there are no laws to restrict them.

This is true across Iraq as formerly banned industries and subcultures ranging from pornography to heavy metal to pharmacological vices flourish. The mainstream of Iraq — like the mainstream in the West — likes to call them “the bad side of freedom” and debate whether it’s an American conspiracy to corrupt their culture. At first after Saddam’s fall, Iraqi police continued to enact the vice laws, but American MPs, seeing overflowing prisons, forced the Iraqis to release people who committed these crimes and the official raids stopped.

The main risk comes from religious vigilantes who have been bombing businesses that they don’t agree with. Al Khayam theatre, near Sarmad’s tattoo studio, has recently began showing adult movies — “In Saddam’s time I had one old night watchman. Now I have three young people armed with Kalashnikovs,” said the manager. Sarmad’s customers as well face resistance to their tattoos, with one 19 year old — tattooed with a scorpion and an American Indian head — describing his father trying to burn his tattoos off with acid. Luckily his mother convinced his father that “the damage was already done,” and now young Mohammed Jasim, presumably having saved up another $15, is back in the rusty metal tattoo chair.


Photo: REUTERS/Ceerwan Aziz

Business is still slow, with Sarmad doing a tattoo only every few days since he opened last April, but he’s improving, and doing his best to control contamination inside his studio. He doesn’t advertise, promoting himself only by word of mouth and the large lion and dragon he’s tattooed on his own forearm underneath the text, in English, “I want to kiss you.”

Salman Rushdie recently argued that the level of freedom in a culture can be gauged by its willingness to accept pornography. “Pornography exists everywhere,” he wrote. “But when it comes into societies in which it’s difficult for young men and women to get together and do what young men and women often like doing, it satisfies a more general need. While doing so, it sometimes becomes a kind of standard-bearer for freedom, even civilization.”

While I certainly agree with Rushdie, I think at an even more base level, it is tattooing of the individual that is the best indicator of how free a culture is. A culture that tolerates people tattooing themselves as they see fit — not as the law, the tribe (or even the family), or their social stature dictates — is a culture that tolerates the idea that people own themselves. The belief in self ownership, rather than ownership by the tribe, is the first and most important step toward true personal liberty and all that comes with it. Pornography is the second stage of freedom, as it enacts the right to use one’s body as a form of communication with others in any way one sees fit. But both of these freedoms boil down to the same thing — being allowed to do whatever you want, no matter how odd it may seem to others, as long as you’re not hurting anyone else.

“A lot of people ask me, why are you so strange,” says Sarmad Shamael, sitting in his little tattoo studio in Baghdad. “I tell them: because I like it.”


Shannon Larratt
BME.com

Stelarc Video Interview: TransVision 2004 [The Publisher’s Ring]


Stelarc Video Interview
TRANSVISION 2004 COVERAGE: PART TWO


“We mostly operate as Absent Bodies. That’s because a body is designed to interface with its environment — its sensors are open-to-the-world (compared to its inadequate internal surveillance system). The body’s mobility and navigation in the world require this outward orientation. Its absence is augmented by the fact that the body functions habitually and automatically. Awareness is often that which occurs when the body malfunctions.

– Stelarc

Australian performance artist Stelarc has been doing public suspensions since the 1970s. He is literally the first face many people who are now “elders” in the suspension movement came in contact with, although his use of suspension is very different than the standard we seem to have settled on more recently.

In 1987, two years before RE/search released Modern Primitives, Adam Parfrey’s Apocalypse Culture hit the shelves. My father bought me a copy, highlighted the opening quote — “There is nothing more terrifying than stupidity – Werner Herzog — and that now beat up copy still rests on my bookshelf. Amid articles on eugenics, nuclear war, modern fascist movments, schizophrenia, and child molestation, was an interview with Fakir Musafar somewhat derisively discussing Stelarc.

While they’d later find a common ground for discussion, at the time Fakir was none-too-kind, writing,


“He has a tremendous amount of guts, but I think his civilization varnish has not been scrubbed enough. He is capable of enduring things longer than he does. If he hung for a longer length of time, he’d have a mystical experience. I can’t help to think that he may have had one or been on the border and it scared the hell out of him. So he limits the length and calls it art. What he’s dabbling in is magic technology.”

But it was enough to get a generation desperate to find literature on something that was calling to them seeking out Stelarc. A few years earlier (1984) Stelarc had released Obsolete Body: Suspensions, a book of writing and photos on flesh hook suspension, using the body as a sculptural installation in various art spaces (and public spaces as well). As much as Fakir expressed dismay at Stelarc’s refusal to embrace the spiritual application of suspension, Stelarc had become — without even knowing it at the time — one of the modern suspension movement’s godfathers. Back then, only he and Fakir were out there doing it publicly and sharing their experiences.


TOKYO – 11 MAY 1980. PHOTO: KENJI NOZAWA


“The insertions were done with the body laying on the floor, below a halo of rocks which had been suspended from eye-bolts in the ceiling with slip-knots. When everything was connected the cords were tugged, releasing the rocks. As the rocks came down, the body went up. The body started to gently sway from side to side, triggering random oscillations of the ring of rocks. Everything was in motion, balanced and buoyant. Everything was connected and and contained. Thoughts of obsolescence flickering in and out of the silence. The telephone rings. Murmurs. Distractions. Sitting, suspended and anxious.”



MUNICH – 8 AUGUST 1977
PHOTO: HAROLD RUMPF

TOKYO – 12 MARCH 1978
PHOTO: TONY FIGALLO



TOKYO – 2 MARCH 1980
PHOTO: NINA KUO



MIURA – 30 MAY 1981

PHOTO: ICHIRO YAMANA



YOKOHAMA – 29 MAY 1988
PHOTO: SIMON HUNTER
STELARC’S FINAL SUSPENSION

I finally had a chance to meet with Stelarc in person at TransVision 2004 in Toronto (click here for part one of our TransVision coverage) where he was giving a presentation on his work. Stelarc is friendly and approachable, and most of all down to earth with an easy boisterous laugh. At his talk he covered everything from his early suspension work (which ended in 1988, a decade before the suspension mainstream would boom) and “third hand” experiments (a fully functional third hand, controlled by nerves in other parts of his body).



TOKYO – 8 MAY 1981
PHOTO: JUN MORIOKA


TOKYO – 22 MAY 1982
PHOTO: AKIRO OKADA


“Whilst the body activates its extra manipulator, the real left arm is remote-controlled and jerked into action by two muscle stimulators. Electrodes positioned on the flexor muscles and biceps curl the fingers inwards, bend the wrist and thrust the arm upwards. The triggerings of the arm motions pace the performance and the stimulator signals are used as sound sources, as is the motor sound of the Third Hand mechanism itself.”

Stelarc also discussed his exoskeletons and robot appendages, and his work with electric muscle stimulation, including pulling “volunteers” out of the audience, wiring them to his control box, and forcing them to dance — any attempt to resist his commands were met with pain, increased voltage, and eventually failure as they involuntarily moved exactly as he choreographed. In previous performances Stelarc has wired himself with these devices and been controlled by both audiences and other factors like Internet ping times.



“During the Ping Body performances, what is being considered is a body moving not to the promptings of another body in another place, but rather to Internet activity itself — the body’s proprioception and musculature stimulated not by its internal nervous system but by the external ebb and flow of data. Ping values from 0-2000 milliseconds (indicative of both distance and density levels of Internet activity) are used to activate a multiple muscle stimulator directing 0-60 volts to the body. Thus ping values that indicate spatial and time parameters of the Internet choreograph and compose the performances. A graphical interface of limb motions simulates and initiates the physical body’s movements. This, in turn, generates sounds mapped to proximity, positioning and bending of the arms and legs.”

Stelarc also showed some of the work he’s been doing on his “third ear” project, in which a replica of his own ear will be implanted into another part of his body — instead of listening though, this ear may talk instead. Helped by Oron Catts and Ionat Zurr of Tissue Culture & Art, Stelarc has been “growing” these replica ears inside biotumblers as his own cells permeate a polymer latice. Finally, Stelarc also showed his avatar projects (an Alice-based communication system coupled with a very creepy animation of his head), allowing computers to speak on his behalf as him.

After TransVision, Stelarc and I were able to sit down for an interview to talk both about his suspension work and his other art. I’d like to present that video now. It’s 45 minutes long so the file sizes are quite large. Please save it to your computer, rather than trying to view it in your browser!

Choose your format:
Video Size Download Size Format
Low quality: 320×240 30 meg Windows Media DOWNLOAD
Low quality: 320×240 37 meg Apple Quicktime DOWNLOAD
High quality: 480×360 132 meg Windows Media DOWNLOAD
High quality: 480×360 124 meg Apple Quicktime DOWNLOAD

That’s actually the first real video I’ve edited using Avid, so I apologize for any errors. While you’re waiting for it to download, I’d like to strongly urge you to go and browse Stelarc’s website at www.stelarc.va.com.au, as the interview assumes a basic knowledge of his work. Not only is Stelarc one of the seeds of the suspension movement, but he’s also an important seed in cyborg culture, distributed intelligence, technoethics, and other fields he likely never knew he was even performing for.

Edit/Update (October 2012) – I’ve posted this to YouTube here:

Thanks to Stelarc of course, and to Philip Barbosa for videotaping the interview and presentation, and thanks to Bo De Duyen for allowing us to film there. Thank you as well to everyone from BetterHumans and the WTA for inviting us in the first place.


Shannon Larratt
BME.com

TransVision 2004 Coverage: Part One [The Publisher’s Ring]


TransVision 2004 Coverage
PART ONE: A RAMBLING OVERVIEW OF TV2004

“Transhumanism is a way of thinking about the future that is based on the premise that the human species in its current form does not represent the end of our development but rather a comparatively early phase.”

– Prof. Nick Bostrom, Oxford University

   

IMAGE SIDEBAR


Below are a few photos we took at TransVision. I felt a little bit like a “science groupie” asking people to let me take a photo with them, but hey, it was exciting for me! I should also note that in this article I’ve barely skimmed the surface of most of these brilliant minds — I strongly encourage you to check out their websites and google them for more.


Steve Mann (wearcam.org) speaking about wearable computing, glogging, and sousveillance. I really urge you to visit his websites to learn more about how he’s augmenting and mediating the human experience using a cyborg body.


João Pedro de Magalhães of Harvard Medical School talking about his work in trying to find — and one day cure — the genetic causes of aging. You can see in this picture how unfortunately empty the event was.




Dr. Rafal Smigrodski (Gencia Corporation) talking about his work on mtDNA replacement which could cure diseases such as Parkinson’s, Alzheimers, and diabetes, as well as dramatically extending lifespans.




Biogerontologist Aubrey de Grey talking about life extension by “cleaning” our cells of the toxic aggregates that our bodies are currently unable to deal with. Great beard, great mind.


Allen Randall’s talk on “Quantum Miracles and Immortality” included discussion of a number of amusing thought experiments. In simple terms, quantum theory suggests that all possible states exist at once (ie. there are multiple worlds, like in that show Quantum Leap). Therefore, if you try to kill yourself in a way that has an (impossibly high) high chance of success in every one of these worlds, only the immortals survive — thus creating a quantum state that favors your immortality. I’m not really sure if this talk was supposed to be serious or just really funny, but I enjoyed it and I’ve always been a sucker for philosopher mathematicians.


Torsten Nahm from Bonn, Germany talking about aging, and arguing that being biological (wetware) sucks because of that aging. By moving into a digital form, we can become immortal, make backups of ourselves, experiment with different lives, and anything else we’d like. However, we need to decide whether the transition from one form of being to another involves not only rebirth, but death.


Ben Hyink’s talk on preserving network integrity during the process of uploading. That is, how do you keep an entity alive and conscious as it transitions into a new body? Unfortunately like many of the plenary talks, Ben was not able to fit all of his interesting ideas into the allotted time.


Anders Sandberg introducing Nick Bostrom’s closing talk. I first interviewed Anders for BME back in I think 1996. Anders’s enthusiastic online promotion of transhumanism has introduced thousands and thousands of people to a more forward-leaning way of thinking. I really liked Anders, although I only got to speak to him briefly. Super nice guy… actually, everyone I met at the event was really nice.




Nick Bostrom of Oxford University and the WTA puts transhumanism — and our need to embrace it — in simple and convincing terms in his closing talk. Nick is also the author of the transhumanism FAQ which is an excellent introduction to the subject along with Anders’s pages.

With George Dvorsky of Betterhumans, one of my hosts (Simon had already slipped out; I’d hoped to include both of them). As well as his work with Betterhumans, you may also want to check out his personal site and blog.


With Rudi Hoffman, “Cryonics Insurance Specialist”. I really got a kick out of Rudi — as much as he’s a real cliché of a salesman, he’s a a lot of fun and an incredibly enthusiastic spokesman for jumping into the future by jumping into a vat of liquid nitrogen. Contact Rudi if you’re trying to find an affordable way to have your brain — or entire body — frozen Futurama-style.


A group photo taken near the end of the event. Shannon Bell is on the far left (when I mentioned that Shannon had joined us to friends, they were extremely excited — she has a reputation for being one of the best professors you can have at York University, as well as being a distinguished author and researcher). In the middle of the front row is Stelarc who you’ll meet in more detail in part two of this article, and between them is José Luis Cordeiro who will be hosting TransVision 2004 in Caracas, Venezuela.


Transhumanism, at its simplest, is a way of thinking and being that embraces the idea that our experience as homo sapiens is just one small step in an ongoing evolution, and that we should take an active rather than passive role in “making ourselves better”. Transhumanists are a mix of philosophers, futurists, sci-fi buffs, and bona fide scientists advocating ideas such as uploading (the transfer of consciousness into computers), genetic enhancement, immortality, machine-human integration, and nanotechnology. Body modification culture lies on a related path and represents a real-world application of breaking the biological mold and transforming ourselves into something we perceive as “better” than what nature gave us.

TransVision, the yearly convention of the World Transhumanist Association, took place in Toronto, Canada for 2004 and BME was there thanks to an invitation from our friends over at BetterHumans. It took me a moment to actually figure out where it was being held, because nowhere on their website did it list an address or even the name of the building that was being used — but, after a bit of googling for the JRR McLeod Auditorium, we made our way to the University of Toronto Medical Sciences Building.

The conference had drawn speakers from all over the world — a sizable European and Scandinavian contingent, South Americans, and of course plenty of Canadians and Americans. It seemed to touch on every demographic from young fashionable cyberpunk kids, übergeeks, scientists, artists, and one seeming half-wit conspiracy nut that asked “how many methods of human improvement are there”, besides “chemical augmentation” (which he certainly seemed to be enjoying) at every talk he attended. One thing that surprised me was how empty the event was and how few people other than the speakers seemed to be there — many of the talks I would attend had less than twenty people sitting in the auditorium, with most of the seats empty.

After picking up our press passes, Phil Barbosa (who’d joined me to help film the event) and I went to the front row to wait for the opening talk by Steve Mann to begin. Steve Mann is the real deal. A genuine geek that looks every bit the part, Steve Mann has lived with wearable computing and camera technology since the mid 1970s and is a leading — and seed — researcher in these fields. He’s vehemently anti-corporation, is a political activist on surveillance issues, as well as being an environmentalist using guerrilla installations of solar cells and wind turbines.

Mann concentrated his talk on what he’s best known for: glogging, or “cyborg logging”, a form of literature (if that’s the right word) that predates but closely resembles blogging and moblogging and mandates that the glogger extend their body and consciousness into artificial and reconfigurable appendages. Using his wearable computing and media system, sometimes in collaboration with other cyborgs, he explores, documents, and shares his view of the world he sees. His inverse surveillance or sousveillance (“watching from below”) regularly brings him in conflict with those watching from above — he observes that those who run their own surveillance cameras are usually those most offended at his sousveillance of them in return. Mann went on to talk about “dusting”, a slightly improved version of an additive compositing technique that’s been in common use since the beginning of photography, which he seemed to think was important. This illustrated one of the pitfalls about becoming so engrossed in personalized technology while being heralded as the primogenitor — a difficulty in recognizing or taking seriously work done by other researchers.

As much as Steve Mann gave a largely brilliant talk, it also illustrated a fundamental problem in passing knowledge and ideas from hardcore geek culture to the mainstream: it’s not that charismatic (Reason magazine described Mann as “rather creepy” and spoke of him derisively in their event report). Steve displays a sense of humor that’s highly personal and a difficulty in communicating with other humans, which is genuinely ironic given the amazing tools he’s helped developed to facilitate these communications. His websites are ugly and primitive, the photos of him wearing his inventions are “unflattering” to say the least, and he uses common terms in ways that are awkward and unconventional (such as his insistence that Linux and other open source programs are not software, because wares are items of commerce — better tell that to the open source software movement). The best chefs understand that the way they present their dish greatly affects diners perception of it… Scientists need to embrace the reality of human interaction and start to include marketing as an important part of transhumanist dialog. Body modification for example is successful not just because it’s “right”, but also because it’s cool and accessible.

The title of Steve Mann’s talk had been Glogging: Sousveillance, Cyborglogs, and the right to self-modification. The right to self-modification is of course something that I’m very concerned about since it affects the readers of BME (and myself) on a daily basis, and is one of the key points where transhumanism and body modification intersect. Ultimately if we’re going to leap forward from these dirty ape fleshbag bodies of ours, we have to embrace the right of every individual to transform themselves in any way they see fit, be it a split tongue or be it a robotic tongue. Unfortunately, Mann hadn’t mentioned a word about it in the talk, which I found odd given that it was part of the title, so I asked him about it afterwards — given that in many parts of the Western world, even traditional “self-modification” like tattooing is illegal, was there any movement inside transhumanist circles to politically fight for the right to self-modification?

While Mann didn’t know of any such battle, he does have an interesting counter-attack to those who tell him he has to remove the electronic parts of his body — he says “sure, but only if you sign this form assuming liability if I’m injured due to not having them.” It’s a curious idea — if an augmented human is “more” than an unaugmented human, does that mean that in relative terms a normal human is handicapped? Is taking a cyborg’s electronics away the same as telling someone they can’t wear their glasses, or can’t ride on their electric wheelchair? Since we can always improve, where does one draw the line — and should one draw such a line at all? If we’re thinking along such paths, is not genetically improving your child a modern form of child abuse? Or will political correctness force us to define “human” as “stupid and limited, and that’s how we like it?”

Later in the conference I attended a talk by Dr. Rafal Smigrodski, a specialist in mitochondrial genome manipulation. In how to buy new mitochondria for your old body he describes what he believes could add a decade or more to people’s lifespans, as well as curing many mitochondrial disorders using a technique not so different from the Keith Richards urban legend in which he solves his heroin addiction by flying to Switzerland where all of his blood is removed and completely replaced with new, healthy, and unaddicted blood. Dr. Smigrodski touched on the right to self-modify issue as well, pointing out that he’s been forced to concentrate his research on those with diseases or otherwise improperly functioning physical forms — and that convincing governments that aging is a disease will be far from an easy thing, even though aging appears to be a terminal condition that we all suffer from. I think it was Nick Bostrom that would say later in his closing remarks that most people have a Stockholm Syndrome type relationship with aging, whereby they give artificial value to that which has imprisoned them.

From my point of view, the right to self-modify is something that transhumanist researchers should be embracing. It’s all well and good to develop technologies that ease the suffering from extremely rare disorders, and maybe that gives us “expendable” people to experiment on (it’s a terrible way to put it, but if we use the ill as fair game to do our early experiments on, that is what we’re doing), but until these technologies are available in unrestricted form to the general public, they’re not particularly transhumanist. Perhaps I’m speaking callously, but in my opinion, if we’re to move humanity forward, we should be concentrating on transforming the best of humanity into something even more, rather than trying to alleviate suffering in that tiny, tiny minority of people who are born with terminal or crippling diseases.

Aubrey de Grey as well gave a fascinating talk on removing toxic aggregates that our cells can’t break down, but he as well must face these same issues — how do you start using these technologies to enhance humans, rather than just fixing them when they break? I don’t want to keep repairing my old Ford Escort… I want an upgrade to a flying Lamborghini.

I’d come into the conference assuming that most transhumanists shared my own views: that we should be aggressively transforming humans into the things we dreamed of as children slumbering after spending the day reading science fiction, beings with far more power and options than we have as humans. However, there’s certainly no agreement inside transhumanism that this is the right goal. Mark Walker, editor of the Journal of Evolution and Technology and research fellow at Trinity College, spoke on the Genetic Virtue Program which he proposes is “the only hope on the horizon that humans might remove themselves from the slaughter bench of history.

The basic idea is that since behavior is at least thirty to forty percent inherited (so you will act like your parents) and thus genetic in nature, that by using genetic manipulation we can, in time, breed a race of humans that are more compassionate and loving, and less aggressive, greedy, and prone to lying (and presumably sinning). While there is a certain truth to Walker’s proposals, the idea of using science to limit humans rather than expand them wasn’t really received that well by the audience. I pointed out that historically progress tends to be made by selfish, aggressive, and sometimes even “evil” people, and that breeding a society of well behaved losers might not be in our best interests as a species. One neurologist in the crowd pointed out that the ability to lie was an important part of an advanced mind, closely linked to the ability to consider different variations on the same idea, and that attempts to genetically force moral behavior might have to sacrifice intelligence in exchange — but Walker’s ideas certainly underscore the fact that there are a myriad of ways to move humanity forward (as well as many definitions of “forward”), and that transhumanism covers a very broad range of politics and faiths.

As is probably clear, I enjoy the hard science, and I believe that we must embrace the absolute right to use that science to better ourselves. To me, that’s the whole point — if all science does for us is fix people who are born “broken”, then we’re actually moving in the wrong direction. While I certainly hope that we can care for all people, if resources are going to be poured into improving humanity, I’d like to see it poured into improving the best humans, thereby moving us into the future. Because of this, I was looking forward to seeing Natasha Vita-More’s posthuman prototypes debate their own design.

When Natasha got on stage, more flash bulbs went off than at any other talk I’d been to. With zoom lenses fully erect, an army of transhumanist men showed they were still slaves to testosterone — Natasha lives in a transhumanist body herself with obviously “augmented” mammalian features and a clear attention to fitness and form. I don’t say this to be crass — the mass appeal of extreme cosmetic surgery is very relevant to transhumanist bodies and I was looking forward to hearing her thoughts on it. Unfortunately her talk was rubbish and full of sloppy thinking and inadequate research. She’d “interviewed” a number of fictional and non-fictional post humans, including her own imaginary creation “Primo”, Agent Smith from The Matrix, and Honda’s Asimo robot.

She “asked” these entities what they thought about themselves, humans, and so on, and in her answers made it clear that she had little comprehension of the technology involved, and was primarily interested in making her own sadly uninformed comments. Most obviously she claimed that Asimo was a primitive machine that could do no more than walk up and down stairs, a foolish statement to put it politely. Her commentary on the other technologies was equally ignorant, and her own “Primo” creation showed that she couldn’t even use the terminology correctly (ever get annoyed at the technobabble in Star Trek?) let alone illustrate it in a way that anyone can take that seriously — even if you’re just an “artist”, you still have the responsibility to understand the language you’re speaking. This saddened me, because Natasha is clearly a brilliant and creative women, but she disgraces herself when she speaks so foolishly.

Unfortunately Natasha was not the only person speaking this way at TransVision. I suppose that’s to be expected when you have a wide range of people commenting on such a diverse subject, but what disturbed me about it was that few inside transhumanism seem to have the courage to shout out “the emperor wears no clothes”, but instead seem to prefer a circle-jerk where everyone congratulates each other on how clever they are with little willingness to look at the thoughts critically — although they’ll galdly rip to shreds outsiders who criticize them.

In my opinion, transhumanism doesn’t need ill-informed people who go off on flights of “what if” fancy. You know what? All of us have been doing that since we were five years old. What transhumanism needs is transhumanists. Not people who talk about. People who do it. I have enormous respect for people like Steve Mann and Stelarc (or Todd Huffman with his magnetic vision) who are actually out there living transhuman lives and having transhumanist experiences, rather than just talking about them without any first-hand knowledge, as well as the scientists doing the foundation research that will make it possible. I am not convinced that the philosophers and artists are any different from science fiction authors — an important element in inspiring people to live as transhumanists, but no more than that.

As much as the conference was utterly unpromoted and almost unattended, there was an abundance of fascinating characters. Sitting next to me at several of the events was the boisterous and friendly Rudi Hoffman who was there selling life insurance for those seeking cryogenic suspension with Alcor — for about $40 a month you can buy an insurance policy ensuring that upon death you’ll be frozen a la Han Solo. Unfortunately the insurance doesn’t cover the cost of bringing you back to life — it’s hoped that future generations will do so for you. But still, your chances for reincarnation, as slim as they may be, are a lot better if you’re preserved in a vat of liquid nitrogen than if you’re rotting in a pine box buried in the ground.

Also sitting next to me — in the front row — for several of the talks was a tall, slender Asian man with a big bag of groceries. Oblivious to those around him, he prepared and ate several salads and fruit dishes, carefully weighing them and then entering them into a spreadsheet on his laptop as he ate, afterwards spending ten minutes loudly flossing his teeth. This seemed to me to be a strange thing to do, and by their strained glances at him, I think some of the speakers were debating whether or not they were being insulted. Later I discovered that he believed that in order to best achieve longevity one should adopt a paleolithic diet, since that’s what our bodies are presumably evolved to survive on.

Meeting José Luis Cordeiro, the host of TransVision 2005 (to be held in Caracas, Venezuela) was rewarding as well. Cordeiro has written extensively on both transhumanism and the socio-political future of Latin America, but even though his books sell well from Mexico southward, he’s had little luck reaching the North American market — as he opined in a seminar on writing transhumanist books (moderated by Simon Smith) information flows out of America, but rarely in. I believe that Cordeiro is exactly what transhumanism needs — an optimist (but a realist) with a technical background, and with a sense of humor and the charisma required to present far-out ideas to the general public.

All this said, I really must encourage readers to take advantage of events like TransVision when they happen in your area. Don’t underestimate the value of getting to meet world class thinkers — even the ones you disagree with — in person. Don’t underestimate the value of introducing yourself into dialogs you might otherwise not be able to have. As much as I didn’t think much of a few of the presenters, the ones I disagreed with the most are also the ones that got me thinking aggressively about where humanity is going and how we should take it there.

Finally, if I could say one thing to transhumanists in general, it is to follow Steve Mann and Stelarc’s example and make it real. Don’t just talk about far future fantasies. Taking the first step may not be as fantastical as masturbating over the year 3000, but it’s the only way that we can force transhuman evolution without being restricted by governments and corporations, who will act in the best interests of nationalism and capitalism, rather than humanity’s future. While it’s true that we’ll see the occasional Mr. Hyde as a result, I call out to Bruce Banner: it’s time to irradiate yourself.


Shannon Larratt
BME.com

Revenge of the Tattooed Nerds [The Publisher’s Ring]


Revenge of the Tattooed Nerds

“Eccentricity has always abounded when and where strength of character had abounded; and the amount of eccentricity in a society has generally been proportional to the amount of genius, mental vigor, and courage which it contained.”

John Stuart Mill

One of the things I love about tattooing is that it attracts interesting people from all demographics. The simple truth is that some people feel a desire to permanently mark themselves with things that profoundly affect their lives. I don’t know if this is some genetic leftover that helped primitive humans hold their social fabric together, or whether it’s an unavoidable byproduct of being both narcissistic and sentient creatures. Either way, people get tattooed every day with the things that define their lives — and “nerds” and “geeks” are no different.

Over the last couple of weeks I’ve been talking to people with “nerdy” tattoos — computer logos, video game themes, science, math, and engineering imagery. Below you can read their stories in their own words:


The Cult of Apple

While I have received the occasional Intel, AMD, and Sun tattoo pictures, as well as a few Linux Tux and FreeBSD tattoos, no computer company has as many tattooed users as Apple does. We’ll begin this article by letting a few of those people explain their Apple tattoos in their own words.

Nicole, 21, Seattle
Apple Employee

I’ve been an Apple enthusiast since I was young, and when I was 12 years old I said my first tattoo would be the Apple logo. It was Apple and my skills in working with and fixing Macintosh computers (as opposed to PC repair, which seems to be dime a dozen) that allowed me to get a good job outside of the small town I grew up in, and allowed me to escape from that close-minded, racist place. It was also my enthusiasm for Apple that was a factor in meeting my life partner; without being Mac users, we probably wouldn’t have found such a common bond. I wanted to get the tattoo to symbolize my coming-of-age, because what it stood for was such a factor.

I actually had the logo tattooed in the September after I turned 18; that gave me nine months to get up the courage to get anything tattooed. The specific logo used is straight from an Apple sticker: size, shape and coloring. By the time I was tattooed, Apple had actually changed their corporate logo, but I had always pictured myself with the older rainbow logo. One thing that I’m quite proud of about the tattoo is the fact that no black ink was used. Every other Apple tattoo I’ve ever seen has a black outline around it. I read an anecdote from Steve Jobs (one of the founders of Apple), who was discussing the design of the logo. He insisted on having no black outline around the original logo, at great expense, but he wouldn’t settle for less. I had to shop around to find an artist willing to do it with no outline, but it was worth waiting for. It’s still as crisp and colorful three years later.

My personal reasons for having the tattoo weren’t that I was slavishly devoted to the company — I had the tattoo for reasons outside its duty as a logo. Even if the company went out of business, I had the tattoo my coming of age; and it was only a symbol of such. My feelings about Apple have become stronger after getting the tattoo; it’s always a blast to meet others with Apple tattoos, and it’s certainly a winner in “who’s geekier?” competitions. I actually started working for Apple about two years after getting the tattoo (where I’m still employed); and no, I didn’t show off the tattoo in the interview. The period between the interview and getting hired was pretty heart-wrenching; I wasn’t sure how I would feel, being rejected by the company that I have indelibly marked on my body!! Luckily, it was unfounded fear.

Apple customers can see my tattoo on a daily basis during the summer. Most customers don’t notice it (or don’t say anything), but the ones that do always love it. Everyone asks if I got it so I could get a job there. My co-workers love it as well. I showed it off in our first day of training together, and I’ve seen pictures of other employees’ tattoos.

Christy, 20, Ithaca, NY
Music major

I was never much into computers until I went to Ithaca College. My parents had a PC at home and I would use it for schoolwork, but when I went to college I bought a G3 iMac (which I later replaced with a G4 ibook) since our music program strictly uses Apple Computers. I use the computer to run music notation programs like Finale and Sibalius, but that in itself isn’t reason enough to get the logo tattooed on your body. The more I learned about the company and the people who used them, I fell in love. It sounds ever so geeky, but all of my friends use Macs, a lot of them for film editing that they do. We are all up on the latest software and hardware, and are fanatical about it. I couldn’t think of a more thrilling activity then watching Steve Jobs give his keynote presentation at the MacWorld Conference.

For a long time I just didn’t have anything that I felt strongly enough to tattoo on my body. Then I decided to tattoo an Apple on me! It just embodies everything that I am. It is more than just a computer logo to me. Apple computers are beautiful. I love design. I love to look at beautiful things. Architecture, fine art, interior design, superb tattooing, I just love it all. Apple gets it — they make beautifully designed products, and that is what I am about. The other main factor is when I think of Apple computers, I think of my friends and I smile. I met a lot of them through rendezvous on ichat at my school, and they mean the world to me. I didn’t get an Apple logo tattooed on me because I claim to be the goddess of computers, but what the logo has come to mean to me, and when a little Apple can make you smile so much, why shouldn’t it be tattooed on your body?

I had a “friend” design the tattoo for me though. As time progressed, we “grew apart”, and when I looked at my back I couldn’t think of all the happy things that it meant to me, just fighting and tears. I had to get it off of my back. I should have just left it as Apple designed it. I covered it up with an old school piece, which still isn’t finished. I most definitely am going to get another Apple logo though, on a different part of my body, which you may or may not ever see 😉

Sam, 30, Canada
Mac Consultant

I first started using the family Apple IIe computer in 1984 and used it exclusively while I lived in England until 1992. When I came home to Canada, I started using a Macintosh LC II as it would provide a similar setup to what I was used to. A year later my first computer was an Apple PowerBook 160. In 1995 I started tinkering with friends’ computers and by 1996 I started charging money for my services.

In 1999, I moved to Ottawa to become a Macintosh computer consultant working solely on Macintosh computers. In 2001 one of my service calls was to fix an iMac at One Body Piercing in Ottawa. This was when I started thinking about the body mod world. I thought it was cool and decided an Apple tattoo would be the natural choice given that it’d been a part of my life for almost twenty years. I always that Apple was to the computer industry what Harley Davidson was to the motorcycle industry — the definition of perfection. Besides, bikers have Harley tats and not Kawasaki, so why not an Apple tat for me?

I early 2002 I moved out of Ottawa, quit my job, and started my own Macintosh consultancy business. On my 29th birthday I went and got the Apple tattoo done. I never really cared about the pain because it wouldn’t last long. I didn’t want to get a tattoo that was too big, so one that’d hide under my watch was perfect. I was thinking about an outline that I’d get filled in later, but when I found out that the outline would cost the same as the filled in version, I got it filled in.

The few customers that I have shown my Apple tattoo seem to notice the logic of it, but I haven’t had any negative reactions towards it, except from my mother, but she’s okay with it now.

Joseph, 23, Upstate NY
Computer repair technician

My parents made me learn to type over summer vacation when I was about seven. The next year, I was required to learn TI Basic (on a TI 99/4a). There were computers available to me ever since I can remember. I learned how to write code, and the computer became something completely different, something much more useful. It seemed as if they could do anything. My first real job was working as “student help” at a school (where I work again now) installing network wiring and loading new computers for student use. Only for brief periods have I done anything else, and not because I wanted to.

I thought about the tattoo for a long time, and thought it would be kind of funny in a way, but also seriously considered it’s impact on my life and on my future. I finally decided I really didn’t want to have a job outside of computers in the first place. Fellow geeks should be able to understand a tattoo like this, shouldn’t they? I had rationalized that it wouldn’t really hold me back if I stayed in the computer field, and if I wasn’t in the computer field, it would be a constant reminder that I wasn’t doing what I really love. I don’t have any regrets.

When I initially approached the artist he was very excited, and we came up with the idea of an oval shaped plate missing from my forehead with a hole showing a computer inside. We discussed how the use of “torn flesh” had become common and expected. It was unanimously decided that we would use shattered bone as the outline for the opening. We got together later with a few photographs of parts as well as some real computer parts and I showed him some of the basics. I pointed out the important pieces that I required in the tattoo. I let him do the rest on his own and when I returned he had the tattoo drawn up. I don’t remember having any complaints about what he drew up, but I had to remind him what color some of the parts were during the process. It ended up being a computer processor in the center (the processor is a bare 500 mhz Motorola MPC 7400 chip) with two memory chips on one side and some surface mount parts on the other side on a green circuit board.

People have very mixed reactions about it. Most of them are good, but some people don’t seem to grasp the concept of the tattoo at all and have difficulty understanding why I would do something like that. I don’t often let people see it to maintain a low profile. I know for certain there are people I work with that don’t know I have it. People do occasionally ask why I didn’t get it tattooed on my ass or something, but I can’t understand why someone would ask as question like that if they understood what it was.


Zelda’s Army

Video game tattoos are probably by far the most common “tech” tattoos that are sent in to BME. While nearly every game and every character is tattooed on someone, two game franchises absolutely dominate in numbers: The Legend of Zelda and Quake, with Zelda-themed tattoos having by far the most profound and personal meaning to their wearers.

Wesley, 24, Murietta, CA
Piercer at The Electric Chair

Link, from the legend of Zelda, this guy was my brother growing up. I’m from a generation of latchkey kids who had the Seavers for parents and video games as baby sitters. Not to mention that I am still an avid fan of 8-bit video games. Be it playing them on an emulator or just washing the old cartidges off with rubbing alcohol and using one of my two NES systems.

How happy was everyone who played this game when they got a piece of Tri-force, a bomb, or pretty much any item in that game for the first time? I can recall it almost as well as I can recall my first kiss. So it was a no-brainer that celebrating Link was what I wanted tattooed on me. I hunted down the image on the internet and took it to Kim Durham. We tried placing it normally, but since I wanted to make sure that you could see it through my ear tunnels, so I put my plug back in and we used my ear to draw a circle on my neck then placed the transfer in the circle.

This stands as one of my favorite tattoos. It also doesn’t hurt that it’s one of my most complimented tattoos. The colors are vibrant enough to attract attention, and any person who sees it wants to wax nostalgic about one of my favorite conversation subjects; old video games!

Kathy, 22, Oregon
Botany/Chemistry Student

My twin and I grew up with a few best friends, and one of them was a boy named Kenny who we liked to play video games with. Mostly Zelda, but others as well. We would watch the Zelda cartoons on TV and dress up like the characters for Halloween and pretend to be the characters when we were playing. Kenny was always Link, Becky (my twin) was Zelda, and I was always Sprite. I was a little put off about always being the minor character, but we expanded the role when necessary. As more Zelda games came out we kept buying them and playing them, but the original was always my favorite. I painted my car like the map of the original. I do not play the game all the time, or hardly at all anymore, being busy with school, but it is a reminder of the most fun times of my childhood.

I decided to have it tattooed about 30 seconds after my twin came home with Link tattooed on her back!

The design is the most majestic and simple official picture of princess Zelda that I could find. The color was done to be complimentary to Becky’s Link tattoo. The location was done to match Becky’s as well, though my tattoo is about an inch larger. My feelings on my childhood will never change; I will always want to remember the best parts, the imagination that made everything we did magical. So, I still love the tattoo. I wish it were in a different place, though. I can’t ever see it, and I always have to stretch to put sunblock on.

My college peers usually love it, because a lot of people my age grew up on the game. Sometimes, if they don’t understand that it symbolizes my childhood, they think I’m a bit of a fanatic…

Patrick, 22
Software developer

I wanted to get a Nintendo tattoo since video games were the primary reason I picked my profession. Zelda is definitely a game that has stood the test of time and Link is a hell of a character. I decided to put it on my leg because I’m considering doing a sleeve of Nintendo video game characters. For the design and pose, I just brought some Nintendo Powers to my artist, Nate from Everlasting Art in Philadelphia, who will be finishing it this weekend. He drew a custom piece based on the magazine and some of my vague descriptions like “I want a sort of serious look on his face.”

My coworkers love it. Seriously. It’s sparked an interest in tattoos in several of them. Even my manager and the CEO don’t have any problems with it (or tattoos in general).

Myk, 20, BC Canada
Warehouse worker

I was born in 1983 and four years later the greatest game of all time came out: Legend of Zelda for the NES. I played that game all day long for months and months, and still play it when I get around to it. Every Zelda game after that I have bought and beaten just reminds me so much of my childhood, so why not get a permanent reminder?

In 1998 The Legend of Zelda: Ocarina of Time was released. It’s said to be the greatest in the whole Zelda series, which is true in my opinion. I faked sick a lot to get out of school just to play it. On the cover of the box is Link’s sword and shield which have been used in every game, but just hasn’t been shown in such detail until this game came out. I was obsessed with the design. I took the box to a local tattoo shop at 16 years old and an hour later I was sitting in the chair for the first time. The size, color and style are exactly as it looks, no change at all. I knew I wanted to get a full sleeve on my right arm one day, so I decided to get it on my left upper arm.

I don’t regret getting the tattoo, because it means so much to me, but I do regret getting it done at the place I did. I was young and just wanted a tattoo… I didn’t know I should check out other stores, check for cleanliness and so on. I now see that my Zelda tattoo is very poorly done, but it’s nothing that I can’t get touched up and make look better.

Scott, 21, Detroit Computer/Electrical Engineering Student

I grew up as a military brat, so being on the move and having little to no friends I turned to gaming and technology. I chose to start my sleeve with the Atari symbol because Atari is what started the gaming craze. I actually probably enjoy Nintendo’s work over Atari, but I’m a fan of everything gaming.

I’ve always wanted a tattoo sleeve, but being that I am a professional I couldn’t really go past the elbow. I wanted the brightest color I could possibly get so that’s why I chose Jime Litwalk to do my work — he is the color master. I don’t regret getting this work done. I’m a geek. You would never tell from my appearance, but the geek blood runs through me. I also have a strain of binary code tattooed on my back that spells out Apollo, the Greek god of music and philosophy. Music is another major influence in my life.


Science and Engineering

Tattoos are far from limited to “fan” artwork. While you could unfairly write off the tattoos already mentioned as no different than someone getting an Ozzy Osborne tattoo (not that there’s anything wrong with that!), many people working in science, math, and engineering, choose their own glyphs based on those professions.

Chris, 31, Melbourne
Sound engineer, drummer

This tattoo, along with its partner on the other wrist, “wavelength = velocity/frequency” represent physical constants. They also represent the basis of my work, and of my passion. They were done at a time in my life when I desperately needed something constant, and to help me focus on a long term goal.

I drew up several designs, and drew them on my wrists with ink, to make sure I was going to be happy with the result. I did experiment with different colors in the flames, such as blues and greens, as in a natural gas flame, but it didn’t work at all. Choosing the font for the symbols took the most experimentation.

It hasn’t affected my work at at all. I get other sound engineers asking what the formulas mean though!!

Luigi, 23, NYC
Construction Safety Inspector

I spent four years studying electrical engineering, and I didn’t drop out to some easier subject like some other students. I graduated with a BSEE… not that you can call me a doctor, but it’s still a small accomplishment. Because of this small accomplishment, I got my tattoo. To me, the transistor revolutionized the world due to faster and smaller computers and anything else that can benefit from them. It also has to do with the fact that transistors are in just about everything.

The design is from the IEEE schematic symbol for a transistor. My feelings for the tattoo vary, but for the most part, I don’t regret it. It has had no negative impact on my professional life and can be covered by my watch when I need it to be.

Niki, 20
Computer science and mathematics student

My first introduction to the Mandelbrot Set occurred during my third year of high school. My pre-calculus teacher had some time towards the end of the semester to showcase some of the more interesting sides of mathematics. Of course the Mandelbrot Set (and fractals in general) were included in this mathematical menagerie and really peaked my interest. Infinite amounts of infinitesimal detail becoming increasingly more complex as small changes were made to the input. Needless to say, this laid the foundation of my fascination with mathematics.

During my senior year of high school I was fortunate enough to have a couple of incredible teachers who acted as catalysts and really ignited my interest in math and computer science. After graduating high school I began my college career majoring in computer science and minoring in mathematics. Come fall I will be starting my third year. So far I have been very fortunate and have had many talented professors for both computer science and mathematics, for which I am very thankful.

What better way to express my love for math and computer science than to get a tattoo? And here is this Mandelbrot Set — a mathematical concept that can only be visualized using computer science! It seemed quite natural.

To make the design I wrote a program that would generate the Mandelbrot Set. I decided to shade all of the points not contained in the set green (as green is my favorite color). I had planned to have the formula scarred into my back with the image tattooed over it (and in fact I still plan on doing this). However at the time I did not know any scarification artists and opted to have the formula as part of the tattoo.

I find that more and more each day I realize how right this path is for me. Aside from my Mandelbrot Set tattoo, I also have the letter i scarred into the back of my right calf and the square root of negative one scarred into the back of my left calf (both of which represent the imaginary number). I certainly plan on getting more math and computer science related work done in the near future. My coworkers and clients who do know about it have overwhelmingly responded in a very positive manner.

Michelle, 20, Florida
UF Brain Institute Lab worker

My familial situation growing up wasn’t a typical one, and consequently, I often wondered about the effects it had on my mental and emotional development and state. Basically, I wanted to know why I was the way I was, and eventually, why people are the way they are. That’s why I decided to study behavioral neuroscience.

Initially, I thought of this tattoo as my own take on the symbol of the heart. I’ve come across many heart tattoos and I am always reminded about how feelings, whether physical or emotional, stem from the brain and nervous system, not the heart. The death of my grandmother was a more immediate impetus for me going to the shop and actually getting it done when I did, since the tattoo also has another more personal meaning for me.

The tattoo is six rendered neurons across the right side of my rib cage. The one closest to my front is colored in blue and purple, while the five nerve cells behind it are shaded in black. This is because the five colorless neurons represent five people in my life that I was close with that have died, and the colored one represents me. They are all connected to me, and have influenced my life, both while alive, and in their passing. I decided to get it done over my ribs because my tattoos have to be concealable (and my back is sort of reserved), as I intend to pursue a career in research work, and unfortunately, body modification tends to be discriminated against in most professional fields. I also don’t really get tattoos for other people, so if anyone else can’t see them, that’s fine with me.

Blake, 22, Toronto
Bank Worker

Computers and technology are so fully integrated into society, to the point that without them we wouldn’t be able to function properly. Without computers and computer related technology, we would fall apart. It’s gotten to the point where we rely on them to live… or at least live as we’ve become accustomed to living. So why not push this one step further and display the facts permanently on your body?

Technology and computers control how we live, control our bodies and ultimately control the way we look at the world — in essence, our minds. My tattoo is the DNA double-helix encompassing the binary form of words for “MIND” and “BODY” pretty much summing up these disturbing realizations — that I’ve come to accept, rather than fight. The world of computers will one day, without a shadow of a doubt, end up like a potato bug on it’s back — taking us along with it — but at this point, there is not a damn thing we can do about it… but wait.

Whether it’s liked or not, no one will actually put a great deal of thought into anything you say when you tell it to them. Now, throw in a factor that makes a person ask you a question that involves their interest… makes them want to know (whether it be guided conversation — misdirected truths — media manipulation — or something that people like to look at, like a tattoo). You now have that persons attention, with their mind open, ready to absorb information — whether they accept it — understand it — or choose to debate. I wouldn’t be surprised if a great deal of life changes conversations started over, “Hey, nice tattoo. What is it?”.

Aubrey, 20, Philadelphia
Computer Programmer

I grew up with a biochemist for a father and a physician for a mother. Logic, rational thought, and curiosity were all things that were completely encourged in my childhood. My
parents built a computer from a Tandy/RadioShack when I was less than a year old (maybe before I was born, I’m a bit fuzzy on those periods), so we’ve always had a computer. Putting this encouragement together with the computer resulted in me breaking, rebuilding, and understanding at least half a dozen machines since then — usually with my parents’ support.

Really, my tattoo is about my general love of information technology, and my belief that it is radically and fundamentally reshaping how humans live. We are evolving at a rate never before seen on this planet. Basically, because the time between different generations of technology is shrinking rapidly, our evolutionary progress is increasing proportionally.

I wanted a tattoo. But, I don’t feel comfortable with having a representational tattoo on me so instead I looked for designs symbolic of what I enjoy in life. I’ve always loved computers.

I’d originally wanted to have my entire scalp tattood with the schematic of an Intel 486DX2 (the first computer that was ever mine). But, due to the fact that such schematics are nearly impossible to find in a visually pleasing form, and due to their complexity, this wasn’t really going to work. I started looking for something simpler.

There’s exactly one thing responsible for me having a computer to write this on: the transistor. Had we been stuck using vacuum tubes forever, we would never have had any computer smaller than a living room, or with clock speeds faster than a few megahertz. Furthermore, the schematic symbol for a transistor is also visually interesting, and unmistakable to anyone who’s ever spent time with electronics schematics. It was,
honestly, an easy decision.

I am, and have been for a while, a transhumanist. Having people constantly asking me about my tattoos gives me the perfect chance to talk to them for a bit about my views on technology and where we should be going with it. I know that makes me sound a bit like somebody wearing a “Ask me about [Insert God X]” headband, just sitting around hoping
somebody will let me preach. But, the truth of the matter is that I preach even if people don’t ask.

I’ve been hired for jobs (where geeks had hiring and contracting power) partially because my enthusiasm for technology was made obvious by tattoos. I find it’s very easy to get someone to very quickly believe you actually do love what you’re doing when you can point at your arm and say, “Yeah, that’s a transistor. And I got it in art school.”

Clients and jobs where geeks didn’t have any power almost never “get” my tattoos. I do nothing to hide my ink or piercings from clients, and so they see them, but they almost never say anything about them. To the few who have said something, I’ve gone on and explained what a transistor is, how it works, what it does, and other such information. Any points I’ve lost for having ink tend to be made up quickly with my ability to, in five or ten sentences, tell these marketing types how a computer physically works.

Linux fans? I’m stealing this prompt to tell a brief anecdote. I just got home from the Fifth HOPE in NYC. It was amazing. But, one of the most amazing things was the number of people who understood my transistor tattoo. Up until this time, I’d kept a tally of how many people had properly identified it. It was at thirteen in three years. After just a few hours at HOPE, there was no point in counting anymore. Admittedly, I changed the rules, in that I was counting people pointing, nodding, smiling knowingly while looking at it, and so on, but it was obvious, even without precise numbers, that dozens of people understood it. Not only did they know the symbol, but they made the context jump (which engineers of the older generation never seem to do, even when they think it’s cool after it’s pointed out), and understood why I would have such a thing on my arm. It was very, very liberating, and the tradition of the count has been abolished.


8-bit Gamers

Perhaps because of the nostalgia factor, the games most often etched into permanence are older 8-bit games, and the design of the tattoo regularly reflect an embracing of this technology.

Jolene, 26, Indianapolis
IUPUI Research Associate

I wish I could say that Galaga has been an obsession of mine ever since its inception as Galaxian for the Atari 2600, but the truth is I didn’t discover this fabulous game until I started frequenting the local arcade by my college. A friend of mine and I would go there late at night when we couldn’t sleep. We would just show up in our PJs and play Galaga until 3 AM. We fell in love with the game. It was our escape from school.

I had been thinking about getting it tattooed, but the actual decision was sort of last minute. I was in grad school, taking this class over the summer that was called “Digital Media and Pop Culture.” It was basically all about visual effects in films, the history of video games, stuff like that. On the last day of class, we had the opportunity to earn some extra credit points by sharing a story or experience having to do with movies or video games. So the night before, I went and had the Galaga fighter ship tattooed on my back, and when I told my story and showed the pictures of the process, my professor was extremely impressed. Needless to say, I earned those extra credit points.

I’ve since been planning out which aliens to include, and what challenge stages to integrate into the entire design. I’ve also decided that eventually, one day, when I retire from the game, I will tattoo my high score between my shoulder blades. As far as the design goes, I’ve been recreating all the graphics using Adobe Illustrator from pictures I’ve found online or that I’ve taken myself while playing. Since my skin is such a pale shade of white, I’m having to outline the graphics in a thin black line so they will show up better on my back (this started with the fighter ship, which is white in color, but had to be done in more of a grayish tone on my skin so it would be visible).

I still enjoy Galaga as much as I ever have. In fact, I’m probably even more cocky about my Galaga playing skills now that I have the tattoo, because it goes to show how hardcore I am about the game.

Russ, 26
Computer Engineering

Back when arcades were hot-shit, like during the days of Mr. Do, Dig Dug, Jungle Hunt, and Berserk, my mom worked at a bowling alley on Cape Cod. The arcade in the bowling alley was loaded with video games, and also loaded with quarters. Every morning when my mom would open the alley, she would tag me along, and the service operator would come to empty the quarters out of the machines. After he rid a machine of its bounty, he would load it up with the maximum allowable free credits (usually 9). Then I’d have about an hour and a half to play free video games all morning until clients started coming in. This lasted a while before the local kids caught on that there were free video games. This was probably the nostalgia I was trying to commemorate with these tattoos.

I wanted a tattoo, and I wanted something that sort of defined me as a person. I spent a lot of time playing Nintendo when it was in its prime, and knew that my love for old school video games was never going to wane. I tend to be a huge fan of pop culture in general, so any tattoo I was going to get was going to be along those lines anyway.

On my right arm I have an Atari logo, and underneath it are four recognizable icons from the early eighties: Blinky from Pacman, a Space Invader, a Pooka from Dig Dug, and Mario from Donkey Kong. The Atari logo was my first tattoo, which reflected the first real “video games” that I ever played. The four icons below it, I felt, encapsulated a general range of the sort of thing anyone living in the arcade era could be familiar with, and I also thought those four icons were pretty representative of something I would want on my body forever.

My left arm has four icons from the Nintendo era: Link from the Legend of Zelda, Megaman, Super Fire Mario, and the Black Mage from Final Fantasy. Although they are pretty mainstream choices, I just wanted some kind of reminder that most of my early teens were spent having sleepovers and playing rented Nintendo games until 5 AM.

I don’t play a lot of newer games, so when people see the tattoos, they always assume I am a huge gaming fan, which I’m not, although I do love the oldschool. especially Robotron 2084.

Rahima, 20, Midwest
Entrepreneurial Management and Marketing

I still remember when I was four and my mom led me to the towering display of Nintendos at Kmart. Since then, I’ve gone through several different game systems (remember Virtua Boy?) and literally hundreds of games. I’ve had numerous other hobbies and interests, but none have stayed with me as long as video games have. Video games aren’t an obsession of mine, I only play four or five hours a week, if that, but I have always played them. I think because I haven’t become insanely obsessed with them, I haven’t have a chance to become burned out by them. I also feel that video games have been a huge part in allowing me to have a close relationship with my autistic brother. He doesn’t understand what goes on in most of the world, but he does understand video games.

While on break from college, my friend had a tattoo done, and I was insanely jealous of it, so I figured after years of wanting a tattoo, the time was right. The idea for the 1-Up mushroom just popped into my head and I instantly loved it. I figured I wouldn’t regret having the 1-Up mushroom on me when I’m older because video games represent so much of my childhood.

Most people love my tattoo and I like seeing the smiles and memories it brings back to them. Some people ask if I will regret the tattoo later on, but I really felt like it belongs on me. A month later after getting the 1-Up mushroom tattoo, I had the Goomba added on the inner part of my ankle. If anything, the tattoos serve as a great memory of my childhood, and something that I frequently look fondly at.

I do go to a rather snobbish business school, so some people are surprised by my tattoos. I know that I have potentially closed some doors with them, but I never wanted a piece of corporate America. I have thought long and hard about the possible consequences and discrimination I may face as a member of the modified community, and am ready to take on any and all of these challenges with open arms.

Steve, 24, Lynnfield MA
CIS Graduate

I have always loved video games, and I like my tattoos to be something that I can smile at, and at the same time be important to me. At one point in my life I had lost a lot of friends but video games were still there for me. When I went to school I made my first friends in the school’s arcade playing Gauntlet. They are now my closest friends. Video games are also a good outlet for me because when I get mad or am in a bad mood I can play a video game suited to my mood. I can blow things up, or I can play a video game that makes me smile, or even cry.

Nintendo was always something innocent. It reminds me of my childhood, and I miss the innocence that came with childhood. I originally just wanted a full sized Nintendo controller, but now my plans are to make my whole right leg a Nintendo piece — I just need more money!

Since I got my first tattoo I have become more open to people’s free expression. In my mind I was always tattooed anyway though. My feelings about people opposing the modified community have grown, and in a way it angers me. Sure it’s human nature to fear what we don’t understand but in these times we have enough problems and the last thing we need is something so petty such as this.


Other gamers

…But 8-bit gaming is far from the only kind immortalized with tattoos. As more time passes, the torch is passed to PC gamers as well.

Shan, 28, Dallas
Obscurities Counter

Most of my tattoos spawn from childhood memories. At the age of nineteen, my uncle was paralyzed from the neck down in World War II. Every month the government would send him a large check to compensate for his disability. He would use that money to find ways to entertain himself. I lived with my uncle most of my early life. Every week some new gadget was coming in the mail. I was about six when the computer arrived; we unpacked it, and plugged it in and wow, was it amazing. As I was going through the bags I found a strange box with the word Ultima on it. My uncle not being able to really move his arms, always needed help with his toys. I was his arms and legs in a land far away, killing dragons, and collecting gold, or flying through space, discovering new alien races. Everyday after school, turned in to every night after school, and then every morning before school. If I had any free time, I was behind that machine in a different world.

Most kids my age didn’t have computers; in the early eighties they were pretty expensive. Everyone else had Ataris, so of course we got one as well. The games this machine would let you play just weren’t as involved, and were really basic. I still played them, but it wasn’t until the Nintendo that I really got hooked on platform gaming. First Nintendo, then Sega (you had to have both in my neighborhood). Computers were still a rare thing, but slowly they became more inexpensive and the games were easier to find. As I grew, so did the machines, faster processors, amazing graphics, surround sound audio or 3-D realistic environments. It’s a whole new world, and you can visit it too. That’s what always attracted me, the interaction between the artificial intelligence, and the choices I could make. There are no limits. Sure you can read a book, and explore other worlds, but how often can you decide what the outcome is, and watch it all happen with your eyes, not your imagination.

Tattoos are a huge part of my life, they are my work, my memories, and the things in life that make me happy. Throughout history people have had tattoos for many different reasons. Sailors would get symbols to keep them afloat, or to remind them of that woman they met at port. Warriors would get symbols to scare their enemies or to show rank. I get tattoos that remind me of the things I love, and what I want to carry with me for the rest of my life. When I look in the mirror, or down at my body, I feel the opposite of regret. I smile and know what I have done is right.

The Lizardman, 32
Performance Artist

This tattoo was partly motivated by my love of goofy things — especially in otherwise often serious arenas like permanent body modification. I was also interested in exploring an atypical tattoo location (fingertips). The idea of getting a gaming based tattoo was very simple since it is something I really love to do. Outside of sex it is my preferred and driving force when it comes to pleasure oriented experience!

Coming up with the idea and being amused by it was enough but I held off for a few months just to be sure I really wanted to do it, as is usual for me. I didn’t see a drawback, so I got it. The idea itself contained all the design elements — to have the standard FPS control keys tattooed on my fingers as if prolonged gaming had imprinted them there.



If you enjoyed this article, you can check out lots more tattoos like these in BME’s Geek Tattoo Gallery. If you’d like to send in your own for that gallery (and get a free membership in return), just email a crisp high-res photo of it to [email protected]. Thanks,


Shannon Larratt
BME.com

Montreal Tattoo Convention 2004 Report [The Publisher’s Ring]


Montreal Tattoo Convention 2004 Report

by Rachel Larratt


“If particular care and attention is not paid to the ladies, we are determined to foment a rebellion, and will not hold ourselves bound by any laws in which we have no voice or representation.”

Abigail Adams

Every woman I know that’s been to a tattoo convention knows what most of the photographers can be like — dodgy old men trying to convince you to come to their hotel room. You can easily recognize their sleazy work in the magazines; they’re the guys that think you have to be nude to “properly show off” that little star on your wrist.

Want a picture of your sleeve in the magazine? Let’s get you out of that shirt and bra, sweetie. It’ll look better that way. Trust me, I’m a photographer. Now push your breasts together for me. Look sexy, baby. Why don’t you take off those pants as well? Don’t worry, honey, all the other chicks are doing it too. Don’t you want to be famous?

Ever wonder why some tattoo magazines are full of women whose only shared characteristics are bad tattoos and bared breasts? It’s because the men taking the photos don’t care about the tattoos — they only care about getting girls naked. If you’re a regular at tattoo conventions, I’m sure you know the photographers I’m talking about. We’ve all been harassed by them. After turning them down, I have had these old men sneak back about twenty feet and take my picture with a zoom lens, only to end up with nothing but a shot of me holding up my middle finger.

This is a tradition that I want to stop.

Earlier this summer, after spending an hour at the Toronto convention and being completely disappointed in the atmosphere, I left. While I’d already told everyone I was going, I began to question my upcoming plans for the Montreal convention. Should I go? Should I spend the money on a booth? Will people be just as grumpy? After all, the French, especially the Quebecois, do have a reputation for being rude to us Anglophones.

Spending one minute at the Montreal Tattoo Convention completely shatters those stereotypes. Friendly people had come from all over the world, and it was clear that they were there to have a good time. There was no posturing or attitude, and it just felt like everyone was there to meet the top international tattoo artists and to simply enjoy the art.

Even though many of the people attending the convention spoke only French, the language barrier never hurt us at our booth. I made my way through the day with a lot of smiling and body motions to show people what I wanted them to do. I had my lovely assistant Jen translate whenever I couldn’t get my intentions through, and Phil Barbosa (who you know as the photographer who shot the ModCon book and other BME events) helped me keep the lighting and technical aspects in check.

I started off taking pictures of the few people there that I knew and then started tackling the crowds. No pressure and no sexualization. I stuck with “may I take your picture?” and people seemed to liked that. Now let me share some of those pictures with you.

I’d love to continue shooting conventions all over the world. I really had a great time taking portraits of both old friends and total strangers. Thank you to my assistants for the help, to the organizers of the convention, and especially thank you to everyone who let us shoot them. It was wonderful getting to meet all of you (and to see some of you again). I hope you enjoyed the photos, and finally let me also thank that small minority of photographers out there that understand that women with tattoos are still women deserving of respect and courtesy.

   
     Rachel Larratt
     BMEzine.com


Rachel Larratt is the copublisher of BME.com, the largest and oldest full-spectrum body modification publication on the planet. Her background is as diverse as one would expect of BME’s coowner, and includes everything from body piercing to developing technology for high-bandwidth media distribution.

Copyright © 2004 BME.com Requests to republish complete, edited or shortened versions must be confirmed in writing. For bibliographical purposes this article was first published July 13th, 2004 by BME.com in Toronto, Ontario, Canada..


BMEFEST 2004 Debriefing [The Publisher’s Ring]


BMEFEST 2004 Debriefing


“The goal of all civilization, all religious thought, and all that sort of thing is simply to have a good time. But man gets so solemn over the process that he forgets the end.”

– Don Marquis

As you probably know, BMEfest 2004 took place this past Friday (July 2, 2004) here in Toronto (a giant thank you to everyone who helped put it on, especially to Blake and Badur who did almost all of the hard work in setting up the event). We had approaching 600 attendees, four bands (Monroe, Defence Mechanism, The Matadors, and The Legendary Klopeks), a second run at The Pain Olympics, as well as performances by The Lizardman and Orbax’s Circo Loco. Because of the size this year we had to hold it at a different venue than the traditional “back yard” environment, so we went with Lamport Stadium (literally a football stadium) which was the only space available downtown.



Left: Windows Media, Right: Apple Quicktime (same movie, different file format)
Both videos are 320×240, 7 minutes long, and about a 21 meg download

The video above was shot by my sister (iam:hellisfum), although she’s asked me to emphasize that it’s just something that she patched together in an afternoon for me and shouldn’t reflect on her as an editor!

While the overwhelming response was extremely positive (more), I heard a few others opining for years gone by and I as well missed some of the freedom and laid-back atmosphere we were able to get at last year’s rural party. Because we get so many legal threats to attack the event, we had to make sure that we did everything by the book, which meant permits, security staff, restrictions on bloodplay and suspension, control of smoking, fireworks, and alcohol, and other similar annoyances. There were also some big mistakes made in terms of the way things were laid out (why oh why didn’t we put the beer tent and the bands closer together), and although everyone involved worked hard to try and minimize these issues, the fact is that given our constraints they weren’t something we could entirely eliminate.






Just some of the photos from BMEFEST 2004.
Lots more are in the BBQ gallery.

Photos:equal, mufkin, draider02, dawnie, lilfunky1, hotdogcore.

So what should we do next year?

BMEfest is an event for the community on BME. So I’m asking you for your feedback and your desires for next year. First of all, I should mention that we do have a few constraints in our planning:

  • We have to be able to handle four or five hundred attendees (or concede that not everyone who wants to can come).
  • We have to be able to handle all ages, both because some people are underage, and others come with their children.
  • It is likely that fake complaints will be called in about the event to the authorities, so we do have to be “mostly legal”.

As I see it, there were a few main problems this year:

  • The security (which we needed) made some people feel unwelcome.
  • Organizationally everyone was running blind and it was the first time any of us had tackled anything like this. Given that, an excellent job was done, but there were areas where experience would have paid off.
  • Some of our legal restrictions took away from the vibe of the event. Personally I think people should be able to bring their own booze in and stuff like that.
  • The space was not ideal in that it was too large (although there wasn’t anything half way in between), and this was made worse by a few decisions that turned out not to be the right ones in terms of layout.
  • As much as everyone wanted to take a break from it this year, it would have been nice to use some of the space for flesh pulling, suspension, and other things like that. The Astroturf also meant no fire play which has always been a staple of BME events.

There were little issues too like not having any shade so people were literally bursting into flames, but those are mistakes that are easy to make and easy to correct the next time around. Anyway, here are a few options for next year:

Go rural

Have the event out on a farm again, and skip the law — out of sight, out of mind. This is basically what BMEfest 2003 (more) was. It’s a very relaxed and friendly way to do it. Some of the costs on rentals go up, but other costs go down. The only (giant) negative to this option is that it means the event isn’t on transit in a big city, so people either have to drive or we have to arrange travel.

Get smaller

Bring the event back into the backyard. Unfortunately this simply isn’t that legal — it’s actually quite miraculous that earlier years where we did this were not shut down. However, if we could get a series of backyard BBQs in Toronto, we could run shuttle buses between them all day long, and have a “distributed” event. However, I’m not sure that we wouldn’t just have “clumping” at single locations and many people wouldn’t meet each other like in a single space. It might however allow us to bypass many of the legal requirements, and it would be small and friendly… but an organizational nightmare.

Cancel BMEfest altogether

I’m not sure this is a very good option, but I could “get out of the BBQ game” and leave those events up to others. Rachel and I could instead focus on smaller specialized events like ModCon and ModProm and so on.

Keep growing bigger

Do another stadium or other downtown large-venue event, address the problems that we had at this one (which wouldn’t be hard to do), and make it big big big big. (This would be the obvious choice of course).

Go exotic

Because most people travel to come to BMEfest it wouldn’t cost any more to have the event in the Caribbean. We could even charter a big jet for everyone from Miami and back at the end. It sounds nutty but I really think it could work, and we could give people both an amazing BMEfest and a Caribbean vacation for the same price as one in Toronto. If you’ve seen my pictures from there, you know where my vote could fall. Toronto is nice, but imagine staying on a Caribbean beach with all your friends from BME, going snorkeling, swimming, or just enjoying a lot of rum.


I have some ideas about what I think the best option is, but this isn’t entirely “my” event. It’s your event. So I need to know what you’d like to see for next year. Feel free to say what you liked and didn’t like about this year, and what you’d like to see added or changed next year. Let me know if any of the above options strike you, how you think they should be implemented, or if you have totally different ideas altogether.


Shannon Larratt
BME.com

Shannon Larratt Interview [The Publisher’s Ring]


Shannon Larratt Q&A


“Man is a make-believe animal: he is never so truly himself as when he is acting a part.”

– William Hazlitt

After a quite some time of people suggesting it, I’ve finally done my own Q&A column. All of these questions were submitted by IAM members, and I hope I’ve done an acceptable job answering them. Before you read this, please understand that these are just my personal views. The site is made up of a wide range of people with an incredibly diverse set of beliefs, and this is just one of many of them. So please don’t be terribly offended if you don’t agree with one of my views.

Please excuse the pretentiousness of some of the answers.

 

shawn.spc: Do you remember what you did four days ago?

No, I don’t. My memory lasts between five minutes and a few hours most of the time, although I do of course have a dotty memory of events, but it’s unclear, muddled, and not in chronological order. While I’ve done my best to structure my life in a way that makes this unimportant, it is very damaging to my social relationships. It makes it hard for me to know who I know, who I can trust, who I shouldn’t trust, and who is lying to me or telling the truth. I have to rely on notes, automated assistance, and of course Rachel to get by.

It also makes it extremely difficult for me to write longer essays because when I’m writing them and proof-reading them I can’t remember more than a few paragraphs at a time, so I tend to repeat myself a lot. To combat that I try and write an outline and just expand it gradually, writing a sentence at a time and “filling in the blanks” as I go. I program the same way at this point — one of the good things is this all has forced me to start properly documenting my code!


Anonymous: What is it in Rachel that makes you think she is so amazing and spectacular? Is she really pretty in person or is it just fancy camera work on your part? Does she really “hold you together” as it says on the staff page?

Yes, absolutely. I don’t think people who don’t know me personally understand just how non-functional I am. While parts of me are totally supercharged and far outperform the average person, other parts of my life and persona are extremely troubled and hard for me to control. I think that part of the reason that I’ve worked so hard to have success in an independent lifestyle is that it’s put me in a position where these shortcomings are less relevant. Even still, they’ve progressed to the point now to where it is difficult for me to run my own life, and without her help I would probably fall apart. She’s incredibly intelligent and competent (it’s not as if she’s just “the girlfriend” — she’s an equal partner and probably does more day-to-day in running the site than I do) and her skills perfectly complement mine and I think vice-versa as well. (As an interesting side note, I’ve seen this same sort of partnership in both other programmers and in many body artists that I respect).

And yes, she really is that beautiful in person.


FroggerJenkins: Providing a service of this magnitude, while amazing, must be tiring. Do you ever regret launching BME?

Sometimes the amount of time I have to spend working depresses me, because I often get up at 6:30 AM and work late into the night. At this point I have very little time for anything of my own and it’s starting to wear on me. Sometimes I think as well about how much more money I’d have if I spent more time on work and less time on BME, but I’ve never regretted launching BME. I also think it’s important to note that I’m really just a facilitator or catalyst — I help direct where BME is going, but BME is an expression of thousands and thousands of people, not of me.


xMeMNoCHx: While I enjoy reading your diary posts and articles, a lot of them always seem to deal with darker subjects (the nature of the business I guess)… what in life right now enables you to take a step back and say “damn, it’s good to be me!”?

Not that I don’t enjoy being me, but I’m not sure that anything makes me say “it’s good to be me” in the sense of “rather than someone else”. Every one of us should be able to say that they enjoy being alive. Unfortunately many of us are imprisoned by society and are unable to fully be ourselves and express the things we need to, and thus become miserable.


That said, I did go yacht shopping today, and until we moved back to the city Rachel and I did have matching “his and hers” Porsches. We’re both very hard workers and have always been financially rewarded for doing so. This has allowed us to do things for our friends and community that make us happy, and it lets us raise our daughter without a financial spectre always over our heads. I am very grateful for this.


Uberkitty: If you could suggest a single book to the entire world what would it be? What about suggesting all the writings of a single author?

I highly recommend “The Good Life” by Scott and Helen Nearing. If any single book influenced major change in my life that is probably it. His other books are brilliant as well. I also think everyone needs to read “War is a Racket” by Major General Smedley Butler (which you can read for free online), an anti-war essay written between the first and the second world war. People hear it so much that it must read like a cliché, but those who don’t learn from history really are doomed to repeat it. So more so than focusing on individual authors, I think it’s essential that people read classics, especially those that touch on the issues we believe are “new” or politically relevant today.


ServMe: From what I’ve seen and read, you seem to be living proof that as long as you want to accomplish something bad enough, you can. I suppose that as most other humans you have failed at things, so do you see those failures as the end of something, or just as an intermediary step towards reaching your goal — or coming up with something even better?

I’m not sure if there’s such a thing as success or failure in the way that most people use it. Sure, sometimes a task works the way you wanted it to, and sometimes it doesn’t. But I’m not entirely convinced that the purpose of life is to “win” — I think the purpose of life is more to discover, accept, and experience being alive (and I think body modification is a tool in achieving that for some people). Failure is a part of that, and while I don’t seek out failure, I do my best to appreciate it when it occurs. The only real failure is not appreciating being alive, and there are of course days where I have that failure.


serpents: You have very strong, well-thought out opinions, and very persuasive ways of making those known. You also have a fairly strong natural magnetism of person. You also speak of your narcissism fairly regularly. It’s obvious that despite your best effort, it does seem that a “cult of Shannon’s personality” tries to form itself within IAM members from time to time in that a proclamation from you is instantly carried on high by the masses as gospel, and people who were only moments ago defending their attitudes to the death can sometimes backpedal just as fast to align themselves with your opinions. The question is what keeps you from totally taking advantage of it, setting up an island nation and proclaiming yourself god-king before an adoring mass of followers?

I don’t want followers. Followers are not interesting travel partners in life. I hope that if people back-peddle on their statements because of something I say it’s because they’ve considered what I said, debated it for themselves, and come to a similar conclusion as I did — just believing something “because Shannon said so” is foolhardy. I’m sure I say stupid stuff all the time and I hope that people respect themselves enough to be able to decide on their own which of my words are right for their life and which are not. I have no desire to lead anyone anywhere, although I’m thrilled when people decide to follow a parallel path, and if something I’ve said or done has helped them find it, I’m honored to have been able to do so.


lilfunky1: Have you ever tried to make someone (such as your parents) try and understand the reasons behind your modifications? Did you give up? Or was it never any of their business?

If people understand themselves, then they will understand me as well. The key to understanding what makes other people work is understanding what makes oneself work. While I can try and help others learn about themselves, when it comes right down to it, they have to do it on their own. The people in my family who understand me are the ones that understand themselves.


Netzapper: Would you support a measure (enacted by the United Federation of Planets, Q Continuum, God, or some similarly omnipotent organization) to replace all of the world’s firearms, missiles, artillery, etc. with swords, ballistas, trebuchets, etc.?

When I first read this question I interpreted it as a swords into plowshares question. So my first answer is one to an imaginary question.

Well, that did of course happen in Japan in 1588 when Hidéyoshi and his samurai banned the ownership of swords and firearms by all but the noble classes. They scoured the country telling the people that the swords were going to be melted down and turned into a giant statue of Buddha. Of course, once the swords and guns were all in the hands of Hidéyoshi, they were instead turned into a giant statue of him, and Japan has been a police state ever since.

Sometimes freedom and liberty have to be defended, and I don’t believe that will ever change. Giving up our ability — and our fundamental right — to do so is suicidal.

But in terms of the question that you actually asked, history hasn’t shown us that forcing soldiers to kill each other in hand to hand combat versus from afar reduces the amount of death or increases the “personal responsibility” the soldiers feel for that death. If anything, it makes it worse. So no, I don’t believe such a transformation would be positive


UrgentClunker: How would you define failure, and what would you consider your biggest failure to date?

Failure is not enjoying the game of life. Any time I get depressed and let my fears get the best of me, that’s when I’m failing. An interview bombing, a car accident, a poorly written article: none of those are failures. The only failure is when you don’t enjoy failing (not that one shouldn’t try and “win” every time). If I’m understanding him correctly, my father’s core lesson to my siblings and I was that life is the ultimate game, and victory comes first from enjoying it and second from coming out in first place (and that if you have to kill a hobgoblin, you must make sure he can scream his death scream on the battlefield to open the doors to hobgoblin heaven).


snackninja: Have you ever considered running for political office? What level of government would you feel most comfortable in?

I believe running for political office is an honorable aspiration, and I considered running for the office of mayor in Toronto on a secessionist platform to make Toronto a partially independent city-state. I still think it’s the right thing for both Toronto and Canada, and I’m starting to see more mainstream political groups making noise along the same lines. However, my extreme views on many subjects coupled with my appearance would make it very difficult for me to run for office. There are better ways for me to independently facilitate political change in the world.

What was the first concert you ever saw? The best one?

The best concert I ever saw was during Mojave 3’s first tour (although their final concert in Toronto as Slowdive was incredibly emotionally moving). Not including stuff I saw as a kid, I think the first concert I ever went to was the Sonic Youth tour promoting Goo.

What do you think the next major evolutionary change that the human race will experience will be?

Humans have remained largely unchanged through catastrophes of immense magnitude such as the most recent Ice Age. Humans are successful because we’re smart, but also because we’re incredibly adaptable. So I think it’s unlikely that we’ll see any natural evolution occurring. However, I do think it’s very likely that we’ll tinker with ourselves genetically more and more. It’ll start with gradual improvements — smarter, stronger, healthier, and able to survive in more hostile environments. Whether that eventually takes us into a form other than human, I don’t know. I hope I get to see some of it in my lifetime.

I think the changes facing humanity are more likely to come from our escalating technology. We’re on the cusp of entering space, and cities in orbit, on the moon, and on neighboring planets will very likely come in our lifetimes. We are also facing the risk of increasingly versatile, adaptable, and extremely intelligent machines who could potentially replace us inside the same time period. The Japanese are making terrifying progress in this, and I don’t believe they have the technological checks in place to keep it from snowballing out of control. It’s a very dangerous game, and I think we are making a terrible mistake in barreling forward so recklessly. Whether they are our children (and thus the next step in “human” evolution), or if they’re a science experiment gone horribly wrong is a question for the robot philosophers of the 22nd century to debate.


Celestial_Horror: It seems that many of the most knowledgeable modified people at some point became professionals, and performed modifications on others. Was there ever a point where you considered a career as a piercer or artist?

I did briefly tattoo, which I enjoyed, but to be perfectly honest I’m very introverted and fairly sociopathic. I like seeing my friends, but only for short periods, and I do not enjoy being around strangers. As a piercer, tattoo artist, or other body modification practitioner, you have to be extremely comfortable working with all sorts of people to give them the experience they need. I do not believe that I have the ability to do that.

kamikuso: When did you first get into computers and programming, and how did you go about educating yourself?

My father was always involved in computing and telephony projects as far back as I can remember, and from about the time I was five years old, worked mostly at home. Because of that I got to be around some amazing minds at a very young age, and had hands-on and relatively unrestricted access to new technology. My parents were very careful not to let me or my brother fall into the trap of television, so programming became my entertainment. I was encouraged to learn and loved doing it. I did later spend some time at the University of Toronto in cognitive and computer science, which helped make me less of a “sloppy” programmer, but I think it’s still fair to say that I’m exclusively self taught.


hotpiercedguy: Do you ever wish you were more or less revered? Are you happy with what “celebrity status” you currently have?

I couldn’t care less whether people think I’m a rock star or not (anyone who’s met me in person knows I’m not), although it makes me a little sad when people revere me — they really should be revering themselves instead. There’s nothing in me that isn’t in them as well. That said, having some level of popularity has been useful in spreading the messages I try and get out into the public mindset.


MoDvAyNe: When you started the IAM community, had you ever considered that it would sprout and become a family for others interested in body modification?

I had no idea. I wrote the IAM software because I wanted a tool to maintain my own online journal. I really wasn’t expecting it to be so popular when I opened it up to everyone else as well, but I’m very happy that it was. So many unexpected blessings and life-changing events have come for so many different people thanks to the community that has formed on IAM.


Fidget: In retrospect, is there anything about BME or IAM that you would have done differently, but don’t feel like you can change now that it’s established?

There are some organizational things that I might have done differently, and technologies that evolved differently than I’d expected at the time. I’ve made alliances with people from time to time that have betrayed me or ripped me off, but really, I think all of us could list endless things like that. Other than correcting things like that, I don’t think I’d change anything. The sites’ missions have stayed the same since day one.


Reverence: For most people it’s hard to come out of their shell. Visible modifications are hard for people, as you know, since society places a lot on outward appearance. How long did take you and how much thought was put into your visible mods before you had the work done? Or did you not hesitate at all?

I didn’t put any thought into it at the time because it was who I was, if that makes any sense. I don’t have to justify my modifications to myself because they make sense and they feel right. The only time I’ve had to “make excuses” for my physical appearance is for periods where others have tried to convince me that the modifications were a mistake.

I’m sure there are many people out there who choose modification for fashion or social reasons, and that’s cool and I don’t have a problem with that, but I didn’t choose it. It’s how I was born and it’s who I am, and nothing can or will change that.

That said, I think that people should know themselves pretty well before they go making decisions that could have a harsh impact on the rest of their life. If the modifications they’re making are going to affect their ability to find employment or even fit into the social mainstream, they need to very seriously consider whether they want to make such an immense sacrifice.


Kraz_Eric: I’m interested most in your religious beliefs. I’ve read hints here and there, but nothing concrete.

At its simplest, I believe that we (on this planet) are all part of a single entity, and that we are as interconnected and as dependent on each other as the cells in our own bodies. I believe that this superbeing is what most religions call God, and I believe that we are all God and a part of God. I think most religions try and express this in their own way, but they err in taking the metaphors used to explain this phenomenon too literally and thereby cloud the true nature of the universe.


sadlyinsane: Do you ever worry about the influence that you and your site carry on a large group of a younger generation?

Not at all. I believe in what I’m saying, and I wouldn’t say it if I didn’t think it was the truth, so I have no problem with it influencing anyone, no matter what their age is. I also believe that young people are the future (duh!) and that they’re a lot smarter than adults give them credit for. If that’s who I have an influence over, great!


starspring: Has the look and layout of BME or IAM been determined or inspired by any particular method or design source?

I pretty much just try and keep it as simple as possible. I don’t think that any of my sites really stand out as graphic design masterpieces, but I hope they’re easy to use. In terms of what I do online, my goal is to get the content to as many people as possible, so that’s what influences the design decisions.


medlabchick: Most people know that you would love to live on a tropical island but have you ever thought about building a cabin in the middle of the forest in northern Ontario? Believe me, no one would find you there.

Hey, I’d love to live in a fortified compound in northern Ontario, but I fell in love with and married an American girl who’s spent her adult life living in places like Phoenix, Miami, and New Orleans. While I grew up in a wood-heated house in Canada and love the winter, she’s not quite the fan of it that I am.


jasonthe29th: for what social justice issue would you be willing to give up BME completely? For instance, if giving up BME stopped the death penalty or abortion would you do it?

BME is a part of who I am, and a part of the thousands of people who’ve helped create it. Justice is absolute. You either have it, or you don’t. You can’t have “a little justice”. Thus I don’t believe that you can give up one freedom in exchange for another.


Raistlyn: What are the pitfalls of running BME and IAM?

I believe that BME stays fully inside the law and is a responsible publication. However, there are hateful people out there that have such a problem with who they are themselves that they choose to attack BME to distract themselves from the things they need to fix inside themselves. Because BME is totally above-board, they are constantly fabricating and calling in fake charges to various authorities.

The only other pitfall is extremely long hours which to be honest is burning me out and I have to figure out a way to reduce that workload if I want to keep maintaining the entire site. That said, it’s far more of a positive experience than a negative one. I have some concerns about how the community is changing as time goes by, and whether some of what BME does is relevant or desired, but, for now at least, I’m staying on course and sticking with the plan!


frzamonkey: What is the one thing that we as IAM members do that you wish you could change?

I just wish people were nicer to another. It’s pretty pathetic to watch people who could be friends getting off on tormenting each other for no apparent reason other than enjoying seeing someone else in pain. That’s about the only thing that really bugs me, when people think that rather than curing their own pain, they’ll instead invalidate it somehow by making everyone around them hurt as well.


t.thomas: Do you feel life is dress rehersal for something larger?

I don’t believe that there is something larger in terms of heaven or anything like that. It’s already here and we’re already living in it… we just have to open ourselves to it. Joseph Campbell put it perfectly when he wrote, “People say that what we’re all seeking is a meaning for life. I don’t think that’s what we’re really seeking. I think that what we’re seeking is an experience of being alive, so that our life experiences on the purely physical plane will have resonances within our own innermost being and reality, so that we actually feel the rapture of being alive.”


Erica: I remember that when you first did your modcode, you marked “I happily kill what I eat”. When and why did you become vegan?

I became vegan first for environmental reasons, kept with it for health reasons, and then stayed vegan long term for spiritual reasons. At the point I wrote that I was just transitioning to a fully vegan diet. Ethically, my primary problem was with factory farming and the truly brutal (and environmentally foolhardy) practices they employ, and morally I had real concerns that people were “hiding” the fact that a sentient living creature was giving up its life for our pleasure. I believe that if someone is going to eat meat that they need to embrace the death of that animal and on some level thank it for what it has given them. In the modern context, I don’t believe we can gain that awareness unless we are either raising our own animals for consumption and slaughtering them, or by hunting our own food. While I would not do it myself, I believe that by understanding the life-death-life cycles and taking an active and compassionate role in them one can perhaps justify eating meat, but at this point in my life I would not be able to bring myself to do so.


pella: I think I read some where that you studied art history at university. What are you favorite non-body mod related artists?

I’d like to think I appreciate good art from all eras, but I’m most partial to impressionists like Gauguin and Van Gogh, and as well to fauvism which of course grew from them. I like impressionist works quite simply because they’re beautiful and appeal to me aesthetically, and fauvism appeals to me emotionally.

Do you think a wider more in depth knowledge of not only body art but fine art is valuable for professionals in this industry?

I think an in depth knowledge of fine art and especially art history is valuable for people in all professions. Understanding the art that a culture produces is essential to understanding the context in which the events of the time happened — just knowing the time line is not enough. You have to be able to feel what the people living through it were feeling, and art is one of the only ways we have to transmit that information across time.


Cylence: Do you think it’s possible to take body modification too seriously? I mean, when you start referring to your eyebrow ring as “my transformative spiritual experience” and are willing to be unemployed and exiled from your family or commit suicide rather than take it out, has it gone too far? Obviously an extreme example but I think you see what I’m getting at. Can body modification become too much of a person’s identity, to the point where it is their identity?

I suppose one can take anything too seriously, but no, assuming the person is being honest with themselves, I don’t think you can ever take anything too seriously. “Transformative spiritual experiences” are often found in everyday events, and I would never question someone’s right to find value in that. If they’re wrong, their lie to themselves is far worse than their lie to me or you (since it’s really none of our business anyway). Clearly if someone is willing to ostracize themselves from their family and from society over their modifications they perceive them as extremely essential, and while I think it’s important to know oneself well enough to decide when something is healthy or unhealthy, cutting off someone’s medicine like that is rarely going to have a positive outcome. If someone needs modifications, I think they should be supported in that.


Shannon Larratt
BME.com

Why it’s important to let young people cut [The Publisher’s Ring]


Shooting the Messenger:
Why it’s important to let young people cut


There is perhaps no phenomenon which contains so much destructive feeling as moral indignation, which permits envy or hate to be acted out under the guise of virtue.

– Erich Fromm

Cutting and self-injury is all over the media lately, but because of its graphic nature, few who haven’t struggled with it themselves are able to think about it objectively, understand its roots, what makes it such an attractive path for some people, and how to turn it into something less destructive.

The most important thing to know about cutting is that cutting is not the problem. Cutting is a symptom of an underlying issue, as well as an attempt to survive that issue. It could be active abuse by a parent or partner. It could be work or school related stress. It could be unhappiness from not being socially better accepted or low-self esteem because a single stranger told them they were ugly when they were five years old. It could be as simple as they feel like they have no control over their lives and desperately want something to be inside their power. There are a million terrible things that can happen to a person, and from them a million reasons for cutting. Many cutters have built up such internal walls that they may not even be able to consciously face or name the things that make them cut. But, as murder victims scrawl out the name of the killer in their own blood, so do cutters inscribe the sins of their abusers in their flesh.



Song lyrics or accusation?

Below is a message I recently received about BME’s ritual cutting gallery.


From: Cobra McThunders
Subject: great site…until


hi, my names nicko, im 23, i just stumbled onto your sight and it’s cool, i really dig it, i’ve got 2 tats (traditional) and have always been into disturbing things so to speak, ever since that kid in 3rd grade eat ants i’ve been addicted to that OH MY GOD! feeling in your stomach where you think SICK! but some of the stories and images on your sight rub me the wrong way, dont get me wrong as horrified as i am by hanging by fish hooks, chemical burns,and scarification i understand that in a sterile professional enviroment it’s cool

but dont capitalise on the stories and pics of the cuttings and burnings that are from extreme abuse i read a story of a girl who burned im sorry into her leg, and pics of slicing a star in a leg that was obviously done at home, i didnt come to the site to get teary eyed and give a hug, you see where im getting at, dont go for the low blow, other than that great job.

and do you feel that posting these entries in the free area make it all the more dangerous for old cutters aswell as possible new ones waiting for the social exceptance that they need making the site, for a few, a place to show off there new so called pieces of art, im not a member and that is the reason, so here is where i tred into murky waters, dont you feel that your aiding destructive behavior? i knew a girl in high school who carved, and deep an (f-) f minus about 4 inches long and 2 inches wide above her fist to about her elbow, these are the ones that we have to protect as a society, and not give them a place to display there pain.

nicko k.

I get emails like this fairly regularly. I tried to ignore the generally insulting introduction and replied, “I totally understand where you’re coming from on this. I struggled with whether I should post these sorts of things for a long time. These people are already using cutting and ritual to somehow try and heal themselves. My hope is that by welcoming them into BME and by allowing them to talk about what they’re going through and what they do that they discover ways to channel those energies more positively.

The worry that the images on BME could “trigger” people is a fairly common one. To that I replied, “it’s definitely a worry, and I know it must trigger some people. However, they’re being triggered because there’s something there boiling under the surface. Suppressing it and trying to hide it doesn’t make it go away — it lets it fester until it erupts, sometimes suicidally.

I concluded by pointing out that “Stopping someone from talking about their pain doesn’t make it go away… That’s the most important thing to remember.

The conversation then ended fairly typically, with threats and condemnation, and the clear message that the person I was talking to was utterly ignorant to everything I was saying. Below is their (or their mother’s) final message to me. I get several emails threatening me like this a week on various subjects, so I wasn’t that surprised:


From: Cobra McThunders
Subject: Now you’ve got his Mom online


Dear Heart,

Let me let you in on a little secret, before you were speaking to my son. Now you speaking to his MOTHER.

I just took the liberty of sending your website, and your e mails to the National Center for Missing and Exploited Children, the FBI, and every police center, and child abuse center I could find.

You sick witch. How dare you cover your sorry excuse for a human being self by saying you are helping children, or that you are not liable.

You are an opportunist. A exploiter of children. You hide yourself behind some ignorant wall of superiority, trying to rationalize what you are. Allow me to help you, you are the scum of the earth. A person who participates in exploiting children.

We’ll see what comes of my letters, and phone calls. You just met yourself a real woman, and a good mom.

I hope you spend a long time in jail.

Jane

Unfortunately it’s unempathic attitudes like these that underlie the causes of cutting in the first place, and when persisted in can drive young people to acts far worse than cutting: suicide or even Columbine-type shootings as desperate attempts to end the real source of the pain.



SILENCED

Now, I’m not a doctor, nor am I a therapist. Keep that in mind as you read this — it is not medical advice. I have however faced (and I think bested) cutting myself, and I have corresponded with thousands of people who’ve gone through the same.


Why people cut

To put it very clearly: most people cut because they are being abused mentally or physically and the cutting helps them survive by making them feel alive and by allowing them to be the one controlling the pain. This abuse can be current, past, or sometimes just day-to-day stresses piled up past the breaking point. The people arguing most strongly to silence cutters by attacking the act of cutting are often the abusers themselves — making it an act not unlike a Mob boss killing a witness — and because of the stigmas attached to cutting, self-righteous parents like “Ms. Cobra McThunders” end up further abusing battered young people — and protecting and enabling those that brought out their need to cut in the first place.

When animals are taken from their natural environment and imprisoned in small cages or otherwise have their normal lives stolen from them, they develop obsessive and self-harming behavior. They walk over and over in circles, they tear out their own hair, they chew their feet until they bleed, they stop eating, or they become violent. It should be patently obvious in these cases that their self-harming behavior is a direct result of their captors not meeting their basic needs. Humans are no different, and many cutters feel imprisoned, abused, and misunderstood by their parents and others in positions of power over them.



CAGE: “15 bars for 15 years”

If a person is cutting themselves, you can bet there’s something wrong in their life, either actively or as an unhealed wound from the past. Their cutting is both a desperate attempt to communicate this to anyone who can hear them, as well as an attempt to seize some control over a life that they feel little connection to or power over. It is better to hurt yourself than to have someone else hurt you — if you’re the one doing it, it’s under your control, and it’s your decision.


The issue of “triggering”

It is absolutely true that some people cut themselves after seeing the photos of other cuttings on BME. I’ve even received pictures of people cutting with their computer visible in the background, tuned to the cutting gallery. It wouldn’t surprise me if some of them cut for the first time after seeing those galleries. However, those galleries are never the cause itself.

If a person is cutting it means that they are trying to find a solution and they are trying to find a way to cope. It also means that they’re trying to find that solution inside themselves rather than the far more common solution of turning to drugs or external validation like abusive or promiscuous sex. You know what? I think it’s a good sign if a person chooses to cut themselves before turning to drugs. It’s not a permanent solution, but it’s a lot better than many of the darker options.



Now, don’t get me wrong. I don’t think it’s a good idea to cut. It’s dangerous, and it can leave you with marks that are extremely socially stigmatizing. It can also mask the real problem, give your abusers the excuse they need to compound the pain they already level at you, and even result in your psychiatric commitment or worse. Cutting is not a long term solution — but it is a warning that should be listened to, not silenced.

Imagine if people calling suicide hot-lines were hung up on because the operator sensed that they were in tears!


The real “cure” for cutting

If only the symptom (the cutting — which also serves as a survival tool) of a real problem is eliminated, then the person will try and resolve the problem in other ways — they may be driven to drugs, promiscuous sex, obsessive compulsive behavior, or even suicide — the third most common cause of death in teens. Under no circumstances is trying to force the cutting to end a solution in and of itself.



ALONE… LIES, PAIN… FEAR

I certainly concede that in most cases cutting is detrimental to a person’s life, but in the short term it is an essential safety net. However, in the long term it is equally essential that the cutter both try and find an alternative to cutting, and that ultimately they address the root cause. If the root cause is not addressed, the problems will escalate. I can not emphasize this enough. As long as the root stress is there (and there may be many different ones, and more may come in the future), the drive to cut will still be there. Thus, not only must the cause be addressed, but a better way to channel those energies must be found so the cutting does not repeat from the inevitable future wounds that all people face in life.


Alternatives to Cutting

It is very important to understand that cutting is a positive and life-affirming act which makes a person able to cope with their problems, albeit an act that is usually fueled by depression and almost always leads to other problems. However, the instinct to cut to feel, to cut to live, can not be cured any more than homosexuality can be “cured”. It is simply how some people naturally respond to certain kinds of stress. This can not be changed. That said, those of us who are cutters can — and must — learn to transform this symptom from something that potentially compounds the problem into something that not only makes our lives bearable, but actually improves our lives and makes us love being alive… even with the stresses.

Any crutch that is to replace cutting must retain that sense of empowerment and “aliveness”. There are two basic alternatives (I don’t consider medicating a person until they’re too numb to care a “solution”) — continue cutting but in a less stigmatizing form, or replacing the cutting with a totally different but equally satisfying act. The first option is probably more common among BME readers, and that is using guided body modification to channel those impulses into something that leaves an aesthetically pleasing result — scarification, tattoos, body piercings, and so on. With the aid of an experienced artist, the energies inside the cutter can be satiated through a form of cutting that results in subjectively beautiful artwork that helps a person to define themselves in an uplifting and empowering fashion. Many people find that this transition teaches them about the source of the problem, and assuming it isn’t ongoing, can heal the festering wounds that kept them cutting for so long.

This approach can also include cathartic acts such as suspension, play piercing, and flesh pulls to burn through those feelings in a supporting and safe context. However, in both of these cases it is important to keep in mind that the flaming rebirth of a phoenix from dead ashes to glorious life is not the same thing as the grim reaper deciding to wear a white robe instead of a black one. Or to speak less metaphorically, one should be wary about simply re-branding the problem into a more palatable form while leaving the compulsive behavior uncorrected.

In addition, not everyone wants to replace their cutting with another form of mutilatory self-medication. One solution that many people have tried successfully is exercise. Exercise connects a person to their body. Through the pain and effort, they become acutely aware of who they are and how they work, and most importantly, gain the realization that they have the power to transform themselves into anything they want to be. In many cases the resulting health and appearance benefits alone go a long way to solving underlying problems — as much as we inside this community try and distance ourselves from such statements, the fact is that beautiful people with beautiful bodies are not only more successful, but happier. Before you decide that is unfair, realize that every one of us can be beautiful if we just try.

I talked to former cutters who used exercise as a way to get their lives under control in a safer manner, and would like to share their comments here in their own words.


Currently I am studying for exams and the stress of it has exaggerated my tendency to self-injure. I don’t cut, I bite, scratch, and hit myself (but it amounts to the same thing — providing reassurance that I’m real, and giving me a sense of connection to my body). I have noticed that on the few days that I’ve chosen to do even a minimal amount of exercise the urge to self-injure has disappeared. For example, last week on the day before an exam, I walked briskly up and down my hundred foot garden fifty times. Afterwards I felt much more ‘of’ my body if that makes sense, and didn’t self-injure at one of the most high-risk times for self-injury for me.

***

I used to cut, and when I decided to stop whenever I wanted to cut again I started doing push ups and sit ups for as long as I possibly could. It was one of the only things that could get me to calm down. It worked wonders.

***

I have a treadmill that I run on sometimes. The burn of the run and the thrill of the run are enough to satisfy my desires that are usually solved by cutting. Afterwards, I feel better about myself because I am making my body more fit and more attractive. I am becoming stronger.

***

I used to cut and then I got involved in boxing. It slowly weened me off of cutting, although I was coming out of weight rooms with bloody knuckles. But, I was also much more emotionally ‘stable’ afterwards because I had gotten a lot of “numbness” out of me. Eventually I weened myself off of boxing as well, and only use it when I am utterly outraged (once every couple months).

***

I am a cutter and have been for over fifteen years. This last winter was one of the toughest of my life and I reverted to cutting — breaking a solemn vow not to I made to my husband — to try and survive the stress. This spring, I joined a gym. The stresses are all still there; money, work, and postponed dreams. But I’m not cutting. I don’t like going to the gym, and the only thing keeping me going is a deep-seeded self-loathing, but I’m not cutting. And risking a little bit of muscle pull is a hell of a lot safer than risking severing a vein in a moment of distraction while cutting.

While one must be vigilant to avoid falling prey to obsessive exercise, a problem linked to cutting behavior which can be destructive to both health and self-esteem, some have argued that it is the lack of exercise in modern society that is one of the reasons for self-injury becoming more and more common. A person with a fit and maintained body feels alive, and it is far more rare for them to feel the need to seek out other approaches such as cutting.

If the pain that caused a person to cut was in the past, rather than ongoing, the solutions I’ve mentioned above can often heal those wounds due to the self-respect and self-esteem they help bloom. A happy person feels good about who they are and has little motivation to hurt themselves — although there’s still a very good chance that they’ll continue to “hurt” themselves in the process of body modification and ritual for self-improvement… Which is perfectly healthy and usually a sign that the individual is becoming more comfortable with who they are by taking a proactive role in defining their own identity.



INSANE… ERASE ME

Although cutting is something that many wonderful people have gone through, it is not something you want to just let fester and continue. But it’s also not something you should be ashamed of. You can transform the energy that drives you to cut to improve your life, and that is what this article was about, and that is why BME has a cutting gallery.

Under no circumstances should a person ever be made to feel bad or be attacked because of their drive to cut. If a person is cutting, that means that they are trying to solve their problems and trying to open a dialog both internally and externally. The cuts are a signal that the desire and the foundation are there for healing to begin. The last thing we should do if we care about the person’s healing is to destroy that essential survival net.


Shannon Larratt
BME.com

Proud to be tattooed? What’s there to be proud of? [The Publisher’s Ring]

 


Proud to be tattooed?

What’s there to be proud of?

 


Well, you walk into a restaurant
Strung out from the road
And you feel the eyes upon you
As you’re shaking off the cold
You pretend it doesn’t bother you
But you just want to explode
Most times you can’t hear ’em talk
Other times you canOh, the same old clichés
“Is that a woman or a man?”
And you always seem outnumbered
You don’t dare make a stand

Bob Segar, Turn The Page

 


Being a modified person in an unmodified world can really suck, and genuinely brings truth to the expression “life’s not fair.” Most people think we’re a bunch of losers, and few of us work to change that perception.But still, I hear a lot of tattooed people (for the sake of simplicity, when I say “tattooed” in this article, take it to include people with any public mods that visually set them apart from the mundanes) say that they’re “proud to be tattooed”, or they’re proud to be a part of the tattooed community. Common slogans seen on t-shirts sold at tattoo conventions such as “the only difference between people with tattoos and people without is that tattooed people don’t care if you’re tattooed or not” imply not only an us-and-them stance, but the idea that we the modified are somehow “better”. The pages of my editorials here clearly have the same bias.


 

But what does it mean to have “modified pride” or to be “proud of your tattoos”? I often hear this coming from people with badly done tattoos that show minimal creativity or skill, and from people who do little to excel in life, thereby strengthening these stereotypes the mundanes already have about us. Pride (like respect) can be earned through achievement and dignity, or it can be seized with conceit as empty pride. When you hear someone say that they’re proud to be tattooed, what are they saying, and what exactly are they proud of? Do they have beautiful tattoos? Have they been successful as a tattooed person? Are tattooed people generally an over-achieving lot? Are we “the winning team”? Or are we no better than ignorant unemployed racists proud of our meaningless skin color?

The stereotype of a tattooed person is that of criminals, drug addicts, and chronic underachievers, and there is a statistical truth to that slander. Sadly, when it comes to people who choose to show those tattoos on public skin, the stereotype is often all too true. Not much to be proud of. That’s no surprise though — tattooed people are treated poorly by the majority; those who are not tattooed. The job market is much more difficult, we have to work harder for the same wages, we get poor customer service, we are shunned in mixed social groups, and are effectively a self-made minority and are treated as such. This stereotype remains because too many people with public tattoos and other mods continue to foster it — although we do plenty of whining about it, as if that could somehow change it. To make matters worse, too few who can shatter the stereotype stand behind their tattoos in the real world, choosing instead to hide them more with every promotion, thus reinforcing and giving a stamp of approval (or at least silent concession) to every prejudice they’ve faced themselves.


“If we were to wake up some morning and find that everyone was the same race, creed and color, we would find some other cause for prejudice by noon.”

George Aiken

 

Let’s be honest for a moment about what happens to most people when they get their hands or faces tattooed or pierced, or otherwise set themselves up visually as an outsider. If you do this, you will be harassed in public. People will make fun of you, and it will be the same insults and rude questions every day for the rest of your life. People will try and hurt you just for having chosen to look different than them. You will get poor service at restaurants, banks, and just about everywhere else. You will be turned down for jobs that you are more than qualified for. You will be turned down for loans that you have the credit rating for. If you work in the modification industry, governments will pass laws against your livelihood. If you have children, it will be harder to get them into a good school, and their teachers and other parents will abuse them because they don’t like the way you look. You and your family will have to work twice as hard and be twice as skilled to get the same amount of pay as people who fit the ignorant, ugly, mundane mold of the mainstream.

But these chosen hardships can be a foundation for strength — as Nietzsche put it (and he was far from the first or the last to say so), “that which does not kill me makes me stronger”. In the beginning of the 1960s, to many people, the Soviet Union had a broad lead in the space race. Even though US engineers had far less experience than the Soviets, and were working with the aid of computers no more powerful than a desk calculator, John F. Kennedy proposed that by the end of the decade — only eight years later — Americans would be walking on the surface of the moon, an almost laughably impossible ambitious goal. On September 12th, 1962 at Rice University he explained,


“But why, some say, the moon? Why choose this as our goal? And they may well ask why climb the highest mountain? Why, 35 years ago, fly the Atlantic? Why does Rice play Texas?

We choose to go to the moon. We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard, because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we are willing to accept, one we are unwilling to postpone, and one which we intend to win, and the others, too.”

 

America did achieve this incredible goal*, Americans are still the only people to have achieved it, and their peaceful domination of space went a long way to defining America as a nation that inspired people around the world to shoot for the moon in their own way.


 *
and they did it with the aid of an eccentric and very heavily tattooed engineer – Erl van Aken – but that’s another story!

It was the facing of difficult tasks (Herculean challenges might be a better term) and overcoming them that let this greatness bloom, and as well, in our own lives we need to choose the difficult path if we want to be great individuals. Heroes are nothing without challenge. We’re already starting down such a path by choosing to be publicly different than everyone else. The problem is that too few of us are also working to succeed. We’ve ridden off to war, but forgotten our swords at home, dull and rusty (luckily our opponents did as well). Hardship in and of itself does not bring greatness, but besting it can. These hardships of being publicly modified can be turned into successes. By facing challenges, we both avoid stagnation and allow ourselves to reach our potential.

The biggest problem in this world is the unholy trinity of stupidity, laziness, and lack of critical thinking. It’s why the biggest, richest governments in the world, made up of multi-millionaire politicians, can continue to trick their impoverished masses into electing them over and over. The masses have spent the last hundred years being conditioned toward ignorance in order to allow them to be controlled (see my previous column on this subject) — which is why modern elections are popularity contests in which fact-free advertising determines the winner and actual debates on the core issues are rare, let alone voters going out and educating themselves independently. Movies and television sell as fact pop science devoid in reality, and movies like the upcoming King Arthur are called “true stories” and “historical dramas”, fallacies that even the most basic of understanding should shatter… but rarely does.

Seeing this, I’m hardly proud to be a human, if I’m to define myself by the actions of these masses. Luckily, I don’t, and if you’re reading this you probably don’t either. I’ve decided instead that the masses haven’t earned the right to call themselves humans. In their failure I see a playing field optimized for success for those who don’t fall prey to the pitfalls of the easy life of the modern wageslave. The modified have already broken one bond of the mainstream — but only one of many — by crossing that social line. While “safe” tattoos grow in popularity every day, we still have a long way to go before the average person can tattoo their face — and I am not at all convinced that the average drone will ever even want to do something like that…

So how can you succeed when you wear public marks that set you up to fail?


“Just as iron rusts from disuse, even so does inaction spoil the intellect.”

Leonardo Da Vinci

 

The answer is simple and found in old-fashioned common sense: work hard and educate yourself. If modified people need to be better than the mundanes just to get the same recognition, we should take it a step farther. Be the best. Win everything. No compromises. That’s really all there is to it. If you’re in school, work hard and get good grades. Excellent grades. If you need help, ask for a tutor, and instead of watching four hours of TV, study and read. Have fun doing it; learn to enjoy it. Go out and exercise. Get fit and build up every skill you possibly can. Learn to weld. Plant a garden. Take Judo. Anything. And do it as a proud tattooed person, and stand up for yourself when you’re challenged.

Take it a step farther and support other modified people who are willing to work hard as well. Seek them out if you’re in a position to hire people, and if you’re in a position to be hired, be so damn good at your job that no one can complain about the fact that you have customized yourself into a more ideal human, and are who you want to be. Be proud, but make sure you can back it up with something worth being proud of. Go out and actively change the world for the better.

If we all work hard to be successful and to break the preconceived notions people have about us, we can change the stereotypes. Maybe we can go even farther, and create a new stereotype. We need to wear our tattoos as war paint for victory, not as the brands of criminals and losers. But don’t forget Kennedy’s words — choose this path willingly because it is hard, not because it is easy. And it will be hard, and it will take a long time before you can reap the rewards of this adventure, but you have already won the first battle by choosing to break the bonds of conformity and becoming publicly modified. You can win the war as well.


Shannon Larratt
BME.com

 

Free Online Resources

 

Since one of the ways the mainstream seeks to quash uprisings by those outside both the mundane and outside their elite control castes is financial pressure, you may be saying to yourself “but I can’t afford to even buy books to read.” You may already read the science blogs online and have discovered that they, like television, leave you with nothing but a shallow comprehension of a broad array of subjects, but without any real depth — sure it’ll help you win at Trivial Pursuit, but what good is shallow knowledge if you’re trying to genuinely understand a subject?

One of my favorite online “self improvement” sites that many people may have overlooked is Project Gutenberg (gutenberg.net). When the copyright on a book expires, Project Gutenberg works to make that book available to the public. Think of it as a free online library where you can read the classics — the books that over time we’ve decided were significant cultural contributions. It’s not going to be the same chuckle-factory as getting stoned and watching people making fun of oddballs on the WB Superstar, but are you looking for temporary amusement in life, or are you looking for knowledge, strength, and success?

And what’s stopping you from visiting your local library?


“Frederick Douglass taught that literacy is the path from slavery to freedom. There are many kinds of slavery and many kinds of freedom. But reading is still the path.”

Carl Sagan