Personal Evolution – Part VI

Sorry it’s been a while since I posted one of these (click here for the full series) — as always, this series seeks to show people with significant facial modifications, with photos showing where they started and how they got to where they are now. If you’d like to be in a future series, please get in touch with me — I’d like to keep this series going! In any case, here are today’s personal evolutions (click to zoom in):

evolution-6-iestyn-flye
The Evolution of Iestyn Flye

evolution-6-jason-sand
The Evolution of Jason Sand

evolution-6-jester-mayhone
The Evolution of Jester Mayhone

evolution-6-revina-lower
The Evolution of Revina Lower

evolution-6-victor-peralta
The Evolution of Victor Peralta

Personal Evolution – Part V

Here’s part five in ModBlog’s ongoing series showing the personal evolution and transformation of people with significant facial body modifications, tracking them from before they were modified, to their current states, plus a few steps along the way. As I said, this is ongoing, so if you’d like to be involved (or know someone who should be included), get in touch with me via my facebook page or via email, including the relevant images. Thanks again to everyone who’s taken part — it’s been wonderful watching people take control of their biological destiny and set it on a new course that more closely matches their dreams.

As always click the “evolution” tag for the whole set!, and click the pictures to zoom in. Yesterday we made some changes to the way ModBlog displays pop-up images — they now no longer shrink to the size of your screen if they’re too big to fit, so I hope this will allow people without gargantuan monitors to properly view these very large images.

evolution-5-bigger-nostrils
“Bigger Nostrils”

evolution-5-Gergely-Komaromi
Gergely Komáromi

evolution-5-John-Anderson
Josh Anderson

evolution-5-KingBody-Art Tei-i
KingBody Art Tei-i

evolution-5-Kriss-Czyrt
Kriss Czyrt

evolution-5-Samantha-Kaepora
Samantha Kaepora

evolution-5-touka-voodoo
Touka Voodoo

Personal Evolution – Part IV

I’m happy to release another installment in ModBlog’s series on the transformative journeys of individuals with significant facial modifications! As always, you can hit the “evolution” tag to see the whole series, and if you’d like to take part in a future post, please send me a small collection of headshot photos, starting with before you began modifying yourself, ending with where you’re at now, and a few steps inbetween (I’m easiest to reach at [email protected] or on my Facebook page). If you know someone you think should take part, send them a link to the series and encourage them. Thanks to everyone who has taken part so far. Click to zoom in, and enjoy!

evolution-4-loy-machedo
Loy Machedo

evolution-4-Lucas-Verheijen
Lucas Verheijen

evolution-4-Peter-Csirmaz
Peter Csirmaz

evolution-4-scott-gary-major
Scott Gary Major

evolution-4-sebastian-popp
Sebastian Popp

evolution-4-Stephie-Von-Hutter-Thomas
Stephie Von Hütter Thomas

Personal Evolution – Part III

I proudly present part three in a series of entries that at a glance shows individuals with significant facial mods from the beginning of (or before) their transformation to their current state. You can click the “evolution” tag to see the whole set. If you’d like to take part, please get in touch with me along with relevant images, via either email ([email protected]) or Facebook. Enjoy, and click to zoom in!

evolution-3-adam-skipper
Adam Skipper

evolution-3-cammy-stewart
Cammy Stewart

evolution-3-Erik-Kiviharju
Erik Kiviharju

evolution-3-Jol-EYezak-Dunl-op
Jol EYezak Dunl Øp

evolution-3-Kala-Kaiwi
Kala Kaiwi

evolution-3-pauly-unstoppable
Pauly Unstoppable

evolution-3-pip-snowie-green
Pip ‘Snowie’ Green

evolution-3-rafa-mendes
Rafa Mendes

evolution-3-ron-hanneman
Ron Hanneman

evolution-3-swirly-wanx-sinatra
Swirly Wanx Sinatra

Personal Evolution – Part II

This entry continues in a series that shows the personal aesthetic evolution of people with facial modifications, tracking them from before they started (or as early as they can document) to where they are now, with a few steps in between. If you’d like to take part by the way, please drop me a line via email ([email protected] just for this project; please use the regular channels for normal BME submissions) or on my Facebook page, including at least three relevant photos. Enjoy!

Oh, and an interesting side comment — for a lot of heavily modified individuals, I’ve noticed it’s hard for them to track down unmodified photos (or even sometimes “less modified” photos), as if they’re making efforts to erase any record of who they were before so that their current state can be eternal.

Remember, you can click the “evolution” tag to see all entries of this type.

evolution-2-anthony-green
Anthony Green

evolution-2-Hugh-Mattay
Hugh Mattay

evolution-2-John-Osborne
John Osborne

evolution-2-mechanical-demon
Mechanical Demon

evolution-2-mikel-monkeymeat
Mikel Monkeymeat

evolution-2-the-lizardman
The Lizardman

Personal Evolution

I’m starting a new series for ModBlog called “Evolution” (so in the future you’ll be able to see all of them by clicking the “evolution” tag). Here are the first eight — more will follow in future entries. The point — as if it’s not obvious — is to show people with prominent facial modifications transitioning from their unmodified form to where they are now, with a picture or two inbetween. Click to zoom them by the way. Without further ado, I bring you…

evolution-1-james-keen
James Keen

evolution-1-joe-munroe
Joe Munroe

evolution-1-katya-kadavera
Katya Kadavera

evolution-1-muga-suastica
Muga Suástica

evolution-1-rolf-buchholz
Rolf Buchholz

evolution-1-sarah-bizzara-mills
Sarah Bizzara Mills

evolution-1-shannon-larratt
Shannon Larratt

evolution-1-simon-peglegs
Simon Peglegs

Rose Adare: Restraint & Revolution

Recently a friend forwarded me a video of an art opening — the one I’ve included below — asking me if I recognized anyone. I watched the video with curiosity, and yes, I did recognize someone, seeing my friend Kala Kaiwi (who was just featured in part III of the “Evolution” series) and a number of other modified and atypical models immortalized in paint. The artwork turned out to be that of Hawaiian artist Rose Adare, who I tracked down and interviewed about her current Restraint & Revolution gallery show.


“I set out to paint nontraditional people in a traditional medium.”

I should also mention that you can find out more about Rose and her art at her website RoseAdare.com, where you can also get in touch with her about both originals and prints (which are very reasonably priced by the way, starting at $20). Her current show will be at Holualoa’s J+ Gallery until March 10, 2013.

* * *

* Are you a modified person yourself, or more of a fan?

I don’t have any hardcore bodymods yet, though I do have a fiery tattoo on my lower back I drew while learning to fire spin in Ireland, and I have four spike piercings crowning the top of my ear. All of my piercings were done by Kala Kaiwi, our resident specialist on the Big Island of Hawaii — he’s also the model in Primal Buddha.

* How did you get into piercing and tattoos?

A lot of things drew me to bodymod. I was a San Francisco goth while studying at the Academy of Art University — another shadow in the Deathguild scene, dancing on coffins at Spike’s Vampire Bar at Burning Man! In 2005 I was in a collision with a municipal train and wound up in ten body braces. With the overall body-pain I had to escape the cold of San Francisco so I moved to Hawaii. I wound up living with the wonderful John Corbin — R.I.P., fondly remembered as Burning Man’s flaming bagpipes. He used to have a flamethrower which would set off a huge jet of fire when he wailed! His house was covered in surreal murals, and my room was a bright pink girly-girl room with a mural of Pudge the Fish (the sandwich eating fish from Lilo and Stitch). Here’s me, lying in black, in a bright pink room with Pudge the Fish. Aloha!

Years later my partner, Alex Stitt, the fire dancer in Pyro Paramour, moved into a new place with Robert Bennett, the model in the painting Ardens. I adore Robert. He’s family, and the one who painted all the murals in my old house. He’s one of the best tattoo artists on the Big Island, and unlike many tattoo artists he’s also a painter, which gives him an eye for detail and form, and his professionalism is next to known.

rose - primal buddha

* What were you “trying to say” with this series of paintings?

When I was dreaming of Restraint & Revolution I was imagining all the different kinds of corsetry. The painting series is about how people push social boundaries, and corsets are amazing because they have transformed from a symbol of chastity worn under the clothes, to sexy, naughty lingerie worn over top. A complete 180! Everyone in the series pushes those boundaries. Kimberly Dark (Mysterium) is one of the top six LGBT speakers in the country, Carol Queen (Queen 2B4) founded GAYouth and the Center For Sex and Culture — the woman added words to the sexual dictionary! — Jason Webley (Eleventh Hour) is an underground musical genius, Buffy Saint-Marie (Sky Dance) is a Native American musical powerhouse, Ariellah Darker Still (Bring Me My Ghosts) created Dark Fusion belly dance, and Master Obsidian and slave Namaste (Genuflect) are award-winning sex positive role models. They’re all amazing because they change the world by expressing who they are. I mean, if we’re talking about body-mods and self actualization, let’s talk about Billy Castro (Bonnie is Clyde). He’s a transgender porn star. He even spoke at Stanford at the Clayman Institute for Gender Research.

* But beyond corsets of the traditional body-reshaping clothing type, you’ve also painted the play piercing sort?

Naturally, I wanted to paint a corset piercing. At the time Robert was dating the fetish model Stembot (who’s in the painting Acceptance). She leapt off the couch and said “Let’s do it!” Next thing I know, we’re at Kala Kaiwi’s mod-shop lancing eighteen hoops into her back. That’s how I met Kala. His work is brilliant. Scarification, implants, subdermals — he can do it all and he has it all. Implants in his forehead, spikes drilled into the top of his head, tattooed eyes, knotwork patterns in his skin. Everything. About a year later Stembot moved back to the mainland and Robert met Jesi Collins (Venus Unbound). She’s also an amazing tattoo artist and a wonderful mom (Robert tattooed a lot of the work on her left leg). She and her daughter came to live with us. She has a starfish implant in the back of her hand (which you can’t see in the painting because of her pose), as well as a magnet embedded in her finger to perform magic tricks like picking up paper clips and making them spin on tables. She also has a puffer-fish tattooed on her right leg so when she bends her knee it puffs up! I guess we were one fantastic, freaky family after that. We used to go down to the cliffs in the jungle and Kala would pierce Jesi’s back with these huge meat hooks then Robert would suspend her from a tree and swing her out across the water.

rose - portrait of jesi collins

* How literal are you with your portraits?

I paint people as they are — though Koyote (in the painting Koyote) is wearing costume horns because he’s a fire performer, and I think they suit him. Sexy devil! However, people are motion, and paintings are still. What I mean by that is people, in life, transform from second to second. Every smile and frown and twitch creases the face, so the idea you have of them is an amalgam of these images — the serene, the troubled, the beautiful, the fear; all mashed together. A painting is like picking one character out of the play that is you. My painting of Kala, for example, is undoubtedly him, though only one or two aspects. Unlike photographs, paintings are more than a mere snapshot. They’re archetypes, like streamlined forms of self.

* What about with their body art? For example, do you try and be literal with their tattoos, or do you take liberties to make their tattoos match your artistic style or commentary?

I love painting tattoos because they are the literal meaning of organic art. When it comes to painting in general, I use sacred geometry like the vesica piscis or the nautilus spiral, blending and softening around the edges before bringing it in for detail. This means that certain tattoos come into focus, just as your eye would focus, while others phase out into basic shapes and color. People can’t see everything simultaneously, and that’s important to remember in portraiture. It’s one of the key differences between Classical Realism and Photo realism. An excellent tattoo painter is Shawn Barber. He focuses on the detail of tattoos.

rose - portrait of robert bennett

* What sort of response have you gotten to this series?

The response to my art has been nothing but excellent. Restraint & Revolution will be visiting the mainland U.S. within the next year before moving on to Europe. Yet we were careful about starting in Hawaii. Hawaii’s art is Hawaiiana. Dolphins and orchids and sunset “plein air” landscapes. Hawaii is so vibrant and colorful artists have to compete with nature herself to capture anything half as brilliant. My art, because it evolves out of Classical Realism, takes on more somber tones, and there’s nothing quite like these portraits out here. Our opening at the East Hawaii Cultural Center drew more people than they’d ever had at a single event! People came out in droves, and it was a mixed house. The classic Hawiianna art scene, the local island vibe, the hippies from the jungle, the fetishists from the off grid dungeons, the college students from UH Hilo, the vacationers fresh off the cruise ship — everyone wanted to see! And the truth is, people are often afraid to ask, especially about bodymods. They want to know “does it hurt?” or “why did you do that?’ or “how does that work?” or “is her hand really magnetic?” But at the same time that little voice says “don’t stare, don’t be rude.” At the art show we posted bios of each model so people could read all about these different intersecting, counterculture, underground, subculture lifestyles.

* Beyond capturing a sense of breaking sociopersonal boundaries, is there any other theme to your artwork?

I set out to paint nontraditional people in a traditional medium. Fine art can be so stiff and traditional. Masterfully skilled but thematic. Contemporary art, especially abstract art, can be so expressive that in the end there’s more message than talent or skill. I love the traditionalists, but we can’t all be Da Vinci. I love the innovators, but we can’t all be Duchamp. Fine art needs to evolve, in the same way that the Pre-Raphaelite brotherhood broke the mold, and the Impressionists blurred the boundaries, and the Surrealists escaped reality. But there is a magic to fine art, an alchemy in oil paint, and a soul in composition that we’re losing to Photoshop and instantaneous art. Each portrait takes well over one hundred hours, and is infused with gold leaf, and santo paolo, and whiskey, and peyote — and in the portrait of Koyote even some of my own blood. Blood, sweat and tears. That’s Fine Art. Don’t get me wrong. I believe in instantaneous art, I believe in instantaneous expression, and I believe everyone is an artist, and everyone has a message, and that’s the truth. But which iconic images survive the test of time? Some changed the very way we saw the world. Look at Picasso and Georges Braque and Cubism. But others survived because they captured time and place. Toulouse-Lautrec immortalized Montmartre, as did Modigliani. I love to celebrate people. I love to celebrate our time, and the bodymod scene is a huge part of that. Blood, sweat and tears. That’s love. That’s dedication. And that’s art.

rose - portrait of stembot

Evolution is Beautiful — BME/News [Publisher’s Ring]

Evolution is a Beautiful Thing

Success means having the courage, the determination, and the will to become the person you believe you were meant to be.

– George Sheehan

 

G.C.

Like Toph who I also recently interviewed, G.C. (iam:G.C.) is one of a growing handful of people choosing to stretch their lip piercings out to dramatic sizes, defining an entirely new aesthetic code, unique in Western history. As well as other stretched piercings, he currently wears a 41.5mm plate in his lip, and took some time out to talk to us about his successul life — which you may be surprised to hear is full of fishing trips and a cadre of unpierced friends.

BME: How old are you and what do you do for a living?

G.C.: I’m 23 and I work in a foundry. I mix the alloys, and transfer and pour the molten iron — it’s not your everyday job but it more than pays the bills and allows me to live the life that I love. I just want to enjoy life to the fullest, with no regrets. My dad always told me to work to live, not to live to work — I think that’s sound advice.

I love to fish, which is when I do my best soul searching — if I catch a fish it’s a bonus. I just love being outside with nature, which leads me on to survival camping, playing Frisbee down the beach, and music is a big part of my life… I couldn’t live without that. It could be said that I like to party a lot, although I’m down to one night a week now… That’s a whole ’nother story. My friends and family are very important to me.

BME: Did you have this job when you started stretching, or did you get it with the piercing in place?

When I started the job, if I remember right, my lip was at 15mm. I suppose I did most of the stretching while I’ve been working there. My employer obviously thinks I look weird and was a bit of a risk to employ but gave me a chance and has since said that I have proved him wrong. Thankfully now they judge me on my work and have said I have a job for life if I want it. I think if I did have to find new work it will hinder me somewhat, but I’d hope from the reference I would get from my current employer it shouldn’t be too difficult to find more work. I have good experience in the industrial trade, plus multiple fork truck licenses.

BME: What got you interested in body modification in the first place?

Probably like most people, the old National Geographic magazines. When I was a kid my dad had a subscription, and since then I’ve always been more interested in tribal culture than just seeing modified people around town.

BME: What made you decide to start pushing your modifications past most people’s borders?

When I was twenty I got offered a well paid job as an engineer for Honda, but I would have had to move and take out all of my piercings. I didn’t want to, but it was such a good opportunity that I did it… I just felt like there was a part of me missing, like I was living a lie. I was incomplete. This might sound sad to some people, but although my mods don’t define me, they are a big part of who I am. I made the decision to stay true to myself, and that has included “going extreme”.

BME: How do most people respond?

My family doesn’t really like it, but they accept it, which is all I ask. Some of my friends think I’ve gone too far, but the outcome is the same — at the end of the day, when they look at me, all they see is Chris. You can tell this when they look you in the eye when they talking. I’ve gone out with mates from work, and someone will come up and ask a question, and afterwards my mate — who isn’t into piercings or tattoos at all — will say, “I forgot that you’ve got all that in your face… I see you every day and you’re just Chris to me.” When someone spends the time to get to know you they realize you ain’t weird at all — strangers can be abusive, but I take that in stride.

BME: What did they think about you in Africa?

A pretty good one really. I was on the west coast in southern Gambia where they don’t and never have, as far as I know, modified themselves, but most didn’t even bat an eyelid. Just instant acceptance — it was really refreshing.

BME: Does the radical stretching affect your dating life?

Not a lot. I still live in my hometown with a big alternative scene, but my last girlfriend didn’t even have a single piercing or tattoo… I’d like to think being a fun person and not being above making a fool out of yourself helps.

BME: How did you do your lip stretching?

It’s been a long time, so hopefully I remember everything right… I got my lip pierced by Sarge at 1.6mm (14 gauge) about six years ago. It healed in a couple months and then I just started to play around with it — just pulling on the labret, really… After four months I went up to 2.4mm, and had loads of room to spare so I went straight up to 3.4mm, then 4mm the next week which finally filled the gap. I think I stayed at this size for about four months — this was also the last size at which I wore jewelry made specifically for a lip until I reached 24mm (1”) some years later. I didn’t get on the Internet at all until I reached 2ga, so I didn’t even know that people made large gauge lip jewelry and just made do with what I could get.

I got a 5mm bullet retainer and just pushed it in — I didn’t use any tapers. It bitched a bit, with a little swelling, but after a week it was fine. I won’t lie though, it was an uncomfortable week. After another week it was looking good so I put in a 6mm tunnel that I blocked with wax and left it in for six months. Then I started stretching again, going up 1mm every two weeks until I was at 15mm. By this time I was using acrylic plugs and cutting a groove around one end for an o-ring to sit in so it didn’t come off all the time. I must have stayed at this size for over a year while I got used to it and before I went past the “point of no return” where I couldn’t downsize any more.

I obviously decided this was for me, and bought a 16mm plug and upsized 1mm every two weeks until I reached 21mm where I stayed, again, for over a year. This was mostly because I couldn’t find suitable jewelry as my lip was getting fatter and the plugs I was using did not have enough wearing surface on them. Then I discovered BME through friends who were already here and I met Karl (iam:MobyK), told him about my plight, and he said he could help and sent me three plates — 22mm, 24mm, and 26mm. I went straight to 24mm, with Diddy’s help who scalpelled it for me. That took a month to heal and I put the 26mm in with ease, and within six months I was at 32mm and left it there while I went to Africa.

When I got back from Africa I put in the 34mm, and then Karl sent me a 36mm, 39mm, and 41.5mm. I put the 36mm in for a month, and then taped it up to 39mm over about a week, which I kept for about eight months, and finally, taped up to the 41.5mm plate which I am wearing now!

G.C. fishing in Africa, and being explored by his snake.

BME: How do you normally wear the piercing?

I wear the plate every day with the lip permanently down. It’s where it is most natural — if I lift my lip up, it hits my nose and I cant close my mouth, hahaha!

BME: How did you stretch your other piercings?

My lobes I did over a period of about two years stretching 1mm at a time. I was very cautious as I snapped my left lobe previously by — to be honest — stretching too quickly. Diddy dermal punched my conches at 5mm where I’ve left them. He did the same with my flats at 8mm, but I’ve stretched the left to 13mm and the right to 17mm, I’ve since downsized to 16mm because I kept losing the plug. I did this stretch over two and a half years. My septum I stretched up 1mm every two to four weeks, up until about 5mm. I left it there for about a year, and then up to 6mm for six months, and then up to 7mm where it’s been for the last year and a half. My nostrils were punched at 8mm and then stretched to 9mm.

BME: Are the different piercings different to stretch?

I would say just different types of pain really, but you come to know them all as old friends… I’ve tried to apply the same stretching ethics to them all — “if it ain’t ready, don’t put it in there, and if it is, woo hoo!”

I would also like to say that after about 20mm or maybe sooner the lip becomes extremely stretchy — far more so than any other piercing, and you can stretch it very quickly if you want to.

BME: Tell me about how your wrecked your lobe?

I’ve had big time trouble with my lobes. I had quite small lobes to start with — non-lobes, really — so it was hard work from the start. It took me a long time to admit it to myself, but I stretched my left lobe too quickly, going from 25mm to 30mm in about a month. Unfortunately I was not blessed with the most stretchy of lobes and this was too much for me. I had a bad blow-out, and instead of removing the tunnel to heal I left it in the lobe, started to lose circulation, and before I knew it, it was too late, and it split. A rookie mistake, from a rookie at the time, but I quite like what I have done to it now and it taught me a valuable lesson: to listen to what my body is telling me! I have had no such problems since, and now I downsize at the first sign of danger.

BME: Any stretching issues with other piercings?

I only had minimal blowout with my lip — nothing more than a cat scratch with all the scarring on the inside of the hole. I had a bit of trouble with my septum. Stretching up to 7mm it kept tearing so I kept going back down to 6mm until it went in nice. It took about four goes but it’s a nice clean hole.

BME: How far will you continue the stretching?

I don’t really have an end goal size — I’ve moved those goal posts so many times. I once said that I was only gonna stretch my lip to 5mm. I don’t think I will know how far I’m gonna go until I get there. But saying that I have always said if one of my mods starts to become a hindrance then I would stop, but this has yet to happen — whether you believe it or not.

BME: Do you have plans for other modifications as well?

I have plans for more scarification in the near future, and have considered subdermal implants down the line and apart from a full tattoo suit, nothing more as yet — but never say never! Evolution is a beautiful thing.

BME: I hope you don’t mind this questions, but some people have suggested that there’s a line past which stretching is no longer visually appealing, and moves into freakish territory — what is your feeling on how aesthetics are interpreted at the borders of how humans express themselves?

I believe in the old saying, “beauty is in the eye of the beholder.”

What one person calls freakish is another person’s normal. I think if you read into it more than that you’re just pushing your beliefs onto someone else. People have to live their own life to be truly happy.

BME: What defines your own personal aesthetic? Is this something you find attractive in others?

I don’t know if I could define my aesthetic. I think its just something that’s evolved with me.

Of course I think women with lip plates of all sizes are very attractive, but it’s not important to me. As I said, my last girlfriend had no piercings or tattoos, but I think that did put a strain on the relationship as she was not used to all the attention. Like Toph had said, it would be easier to date someone with mods because they would be more used to the reactions.

BME: Do you have a reversal plan if you change your mind? I know Toph said he’d just let them close up if he wanted, but you’ve had yours a lot longer and I doubt they’d close.

I don’t think my lip will ever stretch back enough to do a decent repair job on it, although maybe I could with some of the other piercings. However, I am 100% positive that would never happen. This is the path that I have chosen and am most happy with. I did not take this decision lightly. I thought about it long and hard before going too far to turn back. Although my mods don’t define me they are how I feel most comfortable in life and worth all the sacrifice.

G.C. drinking and eating.

BME: Do you have to do things differently with the big lip plate?

When I kiss I take the plate out — I can leave it out for half of the day and have it go straight back in no problems. I drink using my tongue as a bottom lip… and if I’m going down on a girl I turn my head sideways and stick the plate right up there (oh no he ditant!!!). I eat with a knife and fork just the same as everyone else… honestly, there really isn’t a lot of stuff I can’t do now that I could before and my speech is still perfect.

BME: As it’s getting more common, what advice would you have to people considering doing this?

I don’t know how qualified I am at giving advice, but listen to your body and take things at your own pace. If people have questions they can write me.

BME: Thanks for chatting about this!

Thank you for taking the time to read my ramblings!


G.C. when I first met him,
before most of the stretching.


G.C.’s stretching begins.

Duff

In the time that I’ve known Duff (iam:Duff), she’s gone from a very traditionally and “mainstream” pretty Russian girl, to an absolutely striking woman that’s pushing the boundaries of aesthetics. Both her and her husband now wear lip discs — hers is at 32mm (approaching an inch and a half) — and, with the aid of translation software — my apologies for any errors that have crept in — we talked about her plate as she’s one of the few women in the Western world currently wearing one.

 

BME: How was your lip piercing made?

Duff: At the Moscow tattoo convention in August I decided to do this, and cut my lip up to 10mm and began stretching. I did the stretching gradually, in one or two millimeter increments, using tape to increase the size. Assisted by my husband (iam:pjevl), I stretched to 32mm over six months.

BME: Was it easy to stretch?

It was only difficult in the beginning. Once I passed 16mm, it went very easily.


Duff before the lip plate

BME: How far do you plan on stretching?

Oh, haha, I have already heard this question probably a million times! In all fairness, I don’t know. For now, it’s interesting and I like it and I don’t have any plans to stop. I keep stretching my lip, but it hasn’t torn yet!

BME: Do you have future body modification plans?

Yes, certainly! I want to continue stretching my lip and my nostrils, and I’d like to re-stretch my earlobes. I took the tunnels out because Moscow is very cold — it’s simply intolerable! Your ears freeze if you don’t wear a scarf and a hat.

I’d like to get more microdermals as well — I already have three in my breasts, but want more. I have many plans — but many are secrets! Definitely I want more tattoos. Ever since I was a child I’ve dreamt about being a mermaid, and I’ve been haunted by this dream until now. When a master tattoo artist that I’m waiting for arrives in Moscow we will begin on this project. Other than that, I also want to get a series of implants in my hands.

BME: What happens if you change your mind?

I am not going to change my outlook — never. I am very sure of it.

In Russia, a lot of people have pierced themselves, stretched very quickly, and are now taking those piercings out and sewing them up. For me it’s not so simple — for me this is my world, my culture, and my happiness. In the beginning, my family was against me doing this, but I’ve been modifying my body since I was very young. My parents never expected me to look like this — they thought up one life for me, but I ignored it and created my own life.

BME: What do you do for a living?

You may be surprised to find out that [I did this at] age sixteen! I study, but I don’t enjoy it. People are wild, and this is not a natural environment. In the spring or summer my husband and I are looking forward to moving to his hometown, far away from the noisy capital, where we plan to save up money so we can travel, which is a dream for both of us. We’d very much like to meet people from all over the planet.

BME: How did you become interested in body modification?

I have been interested in “updating myself” since early childhood. My parents lived in Africa for three years, and I, being a child, read all about this continent and learned everything I could. I saw many modified people, and it was so beautiful to me. My split tongue comes from my love of snakes — our neighbors had a pet snake, and I wanted to share something with it.

I remember when I was eleven years old I asked my mother whether I could pierce my eyebrow. After many arguments, I was allowed to go to a professional. I don’t consider piercings to be a political act — it’s simply pleasant to me, and I find it interesting that by piercing the body I can strongly change it and make it so much more beautiful.

BME: What made you go so extreme?

I do not think that it is so extreme! In addition to the images I saw as a child, my husband had a 32mm lip — I looked at it, and it was so beautiful and unusual that I wanted to have it as well.

BME: How do people in Russia respond to modifications like yours?

I think you’ll be very surprised — even though I live in Moscow, the capital, it feels like I like in a small village where the people are primitive and have never seen anything before. When I walk on the street I have to cover up, or everyone stares with such amazement that it becomes unpleasant. Many people shout at me, ask to take pictures, and treat me as a circus amusement.

BME: You’re one of the only women I know with a lip plate. Do you think it’s different for a woman to do this, moreso a man?

I don’t believe there is a difference. We are all flesh and blood. The main thing that’s important is that a person knows themselves, feels themselves on the inside, and understands whether these body modifications are right for them.

BME: So you find this beautiful, both in yourself and others?

Yes, certainly it is beautiful and attractive. Updating my body also changes my soul, making it brighter and more beautiful, and with every body modification I become happier and happier. I would love to meet more people, and I hope that when we begin to travel we’ll have the opportunity to meet people like Toph, Karl (iam:MobyK), Zack (iam:SoulOfACokeDealer), and many others. I only wish I knew English better!

BME: And I wish I spoke better Russian! Thank you for talking to me.


Duff with her 32mm disc


G.C. today, at 41.5mm


Shannon Larratt
BME.com

ModBlog News of the Week: April 22nd, 2011

This week’s news is coming to you from a hotel in Dallas, TX.  This weekend is the annual Dallas Suscon, and I’m here for those of you who weren’t able to make it this year.  Over the weekend I’ll be posting up photos and stories from Suscon, as well as getting some interviews for later in the week.  But enough about that, lets get to the news.

Today’s lead story is about a tattoo that the owner should have thought twice about getting.

When Los Angeles County Sheriff’s homicide investigator Kevin Lloyd was routinely looking through snapshots of tattooed gang members, he saw something that caught his eye – a crime scene he was familiar with.  Anthony Garcia, a member of the Rivera-13 gang, had a tattoo that resembled the scene of the liquor store killing of 23-year-old John Juarez in Pico Rivera on Jan. 23, 2004, reports the Los Angeles Times.

There were numerous details the murder inked on the gang member. The paper reports that the tattoo included the Christmas lights that lined the roof of the liquor store where Juarez was shot and killed, the direction his body fell, the bowed street lamp across the way and the street sign. Above everything read the title, “RIVERA KILLS”, a reference to the gang. A helicopter was also placed above the scene raining down bullets,  a nod to Garcia’s alias “Chopper.”

I suppose it’s good to be proud of your accomplishments.  Although tattooing a crime scene on your chest probably isn’t the best idea if there’s a chance you’ll ever have your photo taken by the police.

There’s still more news to come, so keep on reading.

Last week I featured a story from New Zealand where a school has lightened up their dress code to allow minimal facial piercings.  Now that it’s been a week, the “voices of reason” have come out of the woodwork to pronounce that the sky is falling.

EVERYONE KNOWS that teenagers are insane. At some early point within their pubertal experience, the cute kid metamorphoses into an irrational chemical dump and we wave them goodbye forever.  If we’re lucky, the transformation presents a fully fledged adult. But, as with monarch chrysalises caught by a frost, you can get the misshapen beasties too. Their wings twisted, they can’t fly, can’t forage for themselves, and eventually you euthanise them in the freezer.

I must say, though, that today’s teens, perhaps as a direct result of the televisual, are streets ahead of their parents in this regard. Like commercial radio, they have split into a bewildering array of sub-sets. As a general rule, everyone has some sort of niche in 2011 – their parents had few.  So you can be a sports jock, one of the popular kids, a nerd, an arty, a Glee gay, a gangsta or a Jesus/Mohammed/Hare Krishna freak. We never had that array in our time – you either played team sport or you didn’t.

The principal has decided to allow self-mutilation as part of the school uniform. From this week, teenage girls who stick pins through their tongues, lips, ears, noses and eyebrows will be allowed to keep the fellmongery that makes up their face.  One presumes that tattoos are next – the tramp stamps beloved of this generation of teen girls who wish to be seen as uniformly rebelling against uniformity. Presumably, this desire also drives the wish to revert to the stone age, or at least the bronze.

Forgive me, but it has always seemed that those who do self-mutilate are either not that attractive, or on some internal and angsty ride to irrelevance. Possibly both. If it is an adornment designed to attract males then it may have some point. Just as a tattoo is a suggestion of sauce, so is the pierced tongue or the ring through the lip. Sluts have always been attractive to men.

Forgive the extended quoting, but there was no way I could leave out some of these ignorant quips.  First, if you’re trying to appear knowledgable of youth culture, don’t use a phrase from a sitcom that was created by the old man who is completely clueless.  I’m looking at you Pierce Hawthorne.  Second, proclaiming that teenage girls are sluts because they get a facial piercing tells me that you may be the one with the fixation on sexualizing children.  You better watch out though these “Glee-Gays” and other deviants are only a couple years away from becoming adults, which means they’ll be the ones determining what’s acceptable, and narrow-minded tools like yourself will be forced to sit on the sidelines wondering why they don’t like you.

For many in North America, Spring means tax season.  Of course with tax season comes stress and financial worries, but for some, tax season means tax refunds.  Not surprisingly if one were to head to a tattoo studio around this time they’ll find that a number of people are using their refunds to get a tattoo.

Now that the deadline for filing income taxes has passed, taxpayers can breath a sigh of relief, and tattoo artists can celebrate. As tax refunds come in, so do their customers.  “It’s pretty much like clockwork,” says Marshall Brown, a tattoo artist at Revolution Tattoo in Bucktown.  “You see an influx of people.” Brown estimates that business goes up by 5 percent to 10 percent in April.

According to a 2008 study by the Pew Research Center, a quarter of Americans are tattooed, up from 16 percent in 2003, according to Harris Poll. The Pew study said one-fifth of tattooed Americans have six or more works of body art.  Mills spent $300 on his tattoo, and if that seems like a lot of money, it shouldn’t. Of 102 people surveyed by this reporter in an unofficial online poll in February, two-thirds said they have spent more than $500 on their tattoos. Nine percent said they had spent more than $5,000.

I can’t say I’m really surprised.  I know I’m guilty of paying a visit to a studio just after getting a tax refund.

Up in Alaska, Native American artist Yaari Kingeekuk is hosting a number of lectures explaining the meanings behind her traditional tattoos.

Yaari Kingeekuk’s face, hands and arms make a direct connection with her Siberian Yupik ancestors, and not just through DNA. Kingeekuk is a walking canvas of traditional tattoos that follow designs reaching back for centuries or more.

This week the topic will be those tattoos. Until the early 20th century, most Alaska Native women bore tattoos. The intricate designs of St. Lawrence Island, where the practice continued longer than on the mainland, were considered to be particularly complex and artistic.  “Tattoo artists were only women,” Kingeekuk says, “because they took the precise time and they were very graceful with their hands. That’s why they didn’t allow men to do tattoos.”
Historically the designs were sewn into the skin using a needle with sooted thread. But for her tattoos, Kingeekuk went to a parlor. It was a necessary concession to life in the big city in modern times. But she balked at referring to the electric tattoo gun-wielding technician as an artist.  “To my mind, he wasn’t a professional professional,” she says. “The art was already planned.” Planned long before she was born. The tattoos present a kind of landscape involving culture, nature, time, family, community, personal accomplishments and world view.

Those chin stripes, for example. “They mean I’m a mature woman. I have children.” The single mom has six children of her own, in fact, plus one whom she’s adopted.  The seven fluke shapes on her arms count the number of whales that her father caught during his lifetime.

It’s a fascinating article, and definitely worth a good read.

Today’s final story is sort of a celebrity related story, but because I’m Canadian I can chalk it up to being more of a political/cultural story.  As you may or may not know, next week marks the first royal wedding in England in a number of years, so of course people are making a big deal of it.

Shop manager Steve White decided to commemorate Wills and Kate’s Royal Wedding by getting the couple’s silhouetted faces tattooed on his leg.  Steve, who isn’t even a fan of the royal family, decided to get the unusual tattoo after “a couple of beers’.  The 29-year-old said: “I don’t think I’m really marriage material myself, so I thought it would be a good way to celebrate someone else’s wedding.”

So that’s it for this weeks news.  Keep an eye out over the weekend for some Suscon posts.  As always if you find a story you think would be a great fit for the weekly news post, just send it in.

Have a fantastic weekend everyone.