When it comes to scarification, there are a few artists that are truly masters of the art. One such master is Quebec’s Efix Roy. Working out of D-Markation in Quebec City, as well as touring the globe, Efix’s scars are always incredible. In the third and final animal-related post today, we have one of Efix’s newest scars, a bass leaping out of the water.
This piece in particular is a combination of cutting, peeling and cross-hatching. The cross-hatching is a technique used for shading, and you can see it in the darker areas where the stencil ink is still present.
There is also a close-up image in Efix’s BME portfolio gallery, in addition to many of his other incredible works.
I plan on harassing him on your behalf so you can see how this heals up.
BME/News and Modblog highlight only a small fraction of what
Nikko Hurtado is the man. http://www.youtube.com/watch?v=HQUb1BbyKbU
Nikko Hurtado is the man. http://www.youtube.com/watch?v=HQUb1BbyKbU
I’m curious about the stencil ink in the wound. Is there a chance, if the wound is not disturbed and left to heal naturally, that the ink would heal INTO it and remain part of the piece?
I’m curious about the stencil ink in the wound. Is there a chance, if the wound is not disturbed and left to heal naturally, that the ink would heal INTO it and remain part of the piece?
This looks a bit fishy to me.
This looks a bit fishy to me.