Can I touch you? [The Lizardman]

Can I touch you?


"The factory of the future will have only two employees, a man and a dog. The man will be there to feed the dog. The dog will be there to keep the man from touching the equipment." />

– Warren Bennis


When I last took suggestions and then polled IAM members as to what annoying oft repeated question I should next address in a column I was more than a little surprised at the response:

Can I touch you?

My surprise was accompanied by a somewhat vexing block in terms of writing the column. This was exacerbated by a national tour and other concerns, but I did not simply walk away from the challenge. In fact, I regularly polled myself and some others as to the nature of this particular quandary.

I have touched upon the issue of touching before, notably in my column on confronting rudeness. However, that was primarily the case of unwanted contact and in particular, unexpected, unwanted contact. As we all probably know from experience, and perhaps are even guilty of ourselves, human beings are very tactile by nature. Touching may well be an instinctual response. We often find ourselves admonishing children to look with their eyes and not their hands but more than a few adults could use a refresher course on this subject. The sight of interesting and unusual modifications can often turn otherwise reasonable polite adults into children. A simple “can I look at your tattoos or piercings?” may be quickly followed by their grubby hands pawing away at you.

But what if they do ask (and wait for a response) to touch your tattoo, piercing, implant, or whatever? Now, it may be my paranoia acting up again but I think there is something potentially insidious at play here. Asking first is the polite thing to do but when refused it sets them up to play the victim and cast the modified person badly. How could you, the modified person, refuse such a polite request?

Actually, it’s quite simple. You don’t want to be touched. Touching someone is only rarely really appropriate behavior. Asking politely to do something inappropriate does not make it acceptable.

You might turn it around and ask them if you could touch them back, but this hardly amounts to anything unless every single modified person they ever meet does the same – even to the point of initiating the request. They will not know what it means to have strange people regularly trying to grab at them, and thus they will not appreciate the situation. They will go on thinking that it’s somehow different when there is body modification involved. The implication becomes one similar to the accusation of attention seeking. That people who modify their bodies are asking to be asked to be touched.

While not as desperately serious as saying a woman in a skimpy outfit wanted “it” after a rape, this is basically the same argument and it is as rampant as it is offensive and logically bankrupt. I only bring up such an abhorrent example as rape in hopes that it might be enough to wake some people up. Touching someone’s tattoo without consent is an assault; the constant requests to touch are harassment.

But of course, this is a foggy minefield to walk through since everyone has their own comfort level for physical contact and requests. At the risk of sounding like a hypocrite, I often let people touch my tattoos, implants, and piercings. However, I reserve the right to refuse anyone at anytime regardless of past acceptance on my part.

The fact that enough people suggested and voted on this to make it the overwhelming choice for a column tells me that many people are not having trouble. My initial reaction was along the lines of, “well, at least they are asking instead of just grabbing,” but I see now that misses something.










Erik Sprague

because the world NEEDS freaks…

Former doctoral candidate and philosophy degree holder Erik Sprague, the Lizardman (iam), is known around the world for his amazing transformation from man to lizard as well as his modern sideshow performance art. Need I say more?

Copyright © 2005 BMEzine.com LLC and Erik Sprague / The Lizardman. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published January 13th, 2005 by BMEzine.com LLC in La Paz, BCS, Mexico.



The Lizardman’s 2004 Year in Review [The Lizardman]

The Lizardman’s

2004 Year in Review

Let the egoism continue! Once again, here is a review of the past year from the perspective of The Lizardman. Now, I’m not trying to apologize for my shameless self-involvement but this time around I have tried to include some more general references of note as well. Enjoy the linkfest.

* * *


January
      
Some things never seem to change (substantially). When I was writing the 2003 version of this column a year ago I had a small stack of books and pc games I was working through surrounding me.

As I sit here doing this one, I have a similar Christmas booty in front of me. January 2004 saw me off to a good start on the year. Shannon was kind enough to make my IAM page more open to the general public. I began a series of sideshow personality interviews beginning with my good friend The Amazing Blazing Tyler Fyre. I was filmed by MTV and National Geographic. I got one of now favorite and most beloved gadgets – the Treo 600. And perhaps most notably from a performance body modification perspective I once again worked at the AMJAM Tattoo Expo during which I had my lips tattooed.


February
      
This was the month of the nipple piercing – thank you Miss Jackson! When I get to nipple on broadcast TV and a pierced nipple at that, I simply cannot contain myself. My feelings became expressed in a BME column, of course, and not surprisingly were far more enthusiastic than those of the popular press. February also saw this story on magnetic implants, a good month for modification. For my own mods I experimented with Kaos’s new silicone eyelets to stretch my septum. The results were positive except that after stretching with their eyelets I got my septum to a size where the only jewelry I could wear were the eyelets since non-squish-able jewelry over half an inch won’t fit up my nostril to be inserted into the piercing. Ultimately, I went back to a half inch for the jewelry options. Show wise, I made an appearance at Godsmack’s Grammy Party in LA, did a three day run in El Paso and Las Cruces (selling out and setting an attendance record for one of the rooms), and confirmed our spot on the Spring Jager Tour with Slipknot.

March
      
I moved to Texas but I didn’t escape the cold. March saw me drawn back up north for a small show at the bar in Albany where I used to work (now under new management and ownership) and a trip to Stratton, VT for the US Snowboard Open as an award presenter for Sobe. I also made a trip out to San Francisco to appear on Unscrewed. Back home in Austin, my wife became one of the new Satan’s Cheerleaders.

At the end of the month I left for the Spring Jagermeister Music Tour but not before getting
my fingertips tattooed.


April
      

All of this month and half of May were spent on the road as the host of the Jagermeister Music Tour. This was one of the best tours I have ever had the honor of being part of and stands out as one of the great experiences of my life.


May
      
After returning from tour I took easy for a couple weeks before heading up to Detroit for the Inkslinger’s Convention. More noteworthy for the month were the ocular modifications appearing on BME like the stories on eyelid piercing and eye implants.

June
      
Ronald Reagan died this month; my feelings about him are pretty well summed up in the Ramones’ song: Bonzo goes to Bitburg. It was good month for promotion. A number of TV shows I shot for were aired and I received the first shipment of Jagermeister sponsored gear: shot glasses & lighters. This was also the month that I celebrated my 32nd birthday and got my ears tattooed.

July
      
Start of a month with BMEfest and its pretty much all downhill from there. That is, unless you are buying a house. This was the month that Meghan and I found and put in our offer on what would become our home.

August
      
Things got busy fast in August. Meghan and I closed on our new house, which meant moving. All the while I was spending 4 days or more a week in Dallas as a guest performer with the Brothers Grim Sideshow. I also went out to the Navajo Nation and performed at Window Rock fest. I believe I may have set a record this month, as well, when I pulled my car with my stretched earlobes for an audition tape – I didn’t get the part though, for being too extreme.

September
      
I continued to split my time for the first half of the month between Dallas at the sideshow and home in Austin. While home there was moving, unpacking, and renovations to be done. In Dallas we not only performed but also filmed with Discovery – a series of vignettes for a number of programs that should air in 2005. I also got a little tattoo work done. A short trip north was made for the Boston Tattoo Convention during which MTV finally decided to air our wedding (without letting us know).

October
      
The month for me began with a new round of debating and interviewing over tongue splitting legislation. This time it was in New York. It behooves us all to stay abreast of what is being done legislatively – even in states other than our own. I got a little more green fill done this month but the mod I remember most, if you want to call it that, was a serious ear cleaning. I had a sudden wax buildup that nearly deafened me and needed to be removed by a doctor. With the Fall Jagermeister Tour not starting till the end of the month I only had one show to do (Theo’s in Corpus Christi) and passed the rest of the time mostly relaxing at home and learning to program
pocketc.

November
      
Another national tour! We hit the road with Jagermeister once again. While on tour Meghan and I celebrated our one year wedding anniversary.

December
      
I didn’t get back from the jager tour with Slayer till over half way through the month and then it was all holidays. While not much happened modification-wise for me personally, there was this story on BME about pierced eyeglasses and, of course, the ten year mark for BME.

* * *

There you have it. I promise some more substantive columns soon but for those looking for more year end nostalgia why not try here.





Erik Sprague

because the world NEEDS freaks…

Former doctoral candidate and philosophy degree holder Erik Sprague, the Lizardman (iam), is known around the world for his amazing transformation from man to lizard as well as his modern sideshow performance art. Need I say more?

Copyright © 2005 BMEzine.com LLC and Erik Sprague / The Lizardman. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published January 13th, 2005 by BMEzine.com LLC in La Paz, BCS, Mexico.



Rites of Passage Suspension Family [Guest Column]

  

Rites of Passage

Suspension Crew Family


“Rituals have the power to reset the terms of our universe until we find ourselves suddenly and truly ‘at home.’”

– Margot Adler


Rites of Passage is currently one of the most active suspension groups in America with six chapters across the North East comprising eighteen members. I was able to speak with ROP founder and current leader of the Michigan chapter, Emrys (
IAM:along those lines), as well as New York chapter members Brian (IAM:xPUREx) and Cere (IAM:cere).

BME:  What was your experience in the body modification community before getting involved with Rites of Passage?
BRIAN:  Before I began working with suspensions with ROP I was heavily involved with practicing modification work in Connecticut. I worked with piercing, implants, scarification, and many other more “pseudo-surgical” aesthetic modifications at the time.

CERE:  I was a body piercer of about five or six years and then I left piercing due to the fact that in New York even the best piercers can’t maintain a high enough standard of living (for me). Afterwards though, I remained “in the scene” by working on friends only, and going to conventions, clubs, and so on. EMRYS:  I’d been a body piercer for about two years at a local studio in my home town and served an apprenticeship under a traditional Fakir-trained piercer. I’d experimented when I was younger (nine-ish) with branding myself, cutting myself, and carving words in my skin as a relief of tension. I started stretching my lobes at around thirteen as a result of meeting a Kenyan tribesman that came to my school to give a speech on his culture. I also had a decent amount of tattoo work for someone under the age of eighteen, including a memorial tattoo crowning my head in dedication to my mother.  
Cere’s first suspension being watched over by Brian (front)
and George (back), with Emrys working in the background.

Mothers with Mods [Guest Column – Stepping Back]

  

Mothers with Mods

“It is easier to build strong children than to repair broken men.”

– Frederick Douglas

The image of what a Mother is has drastically changed in the past fifty years. Many years ago, mothers only wore dresses, stayed home to rear the children and take care of their husbands. Then they began to get jobs, laws passed to allow women to get paid the same wage as men, women even started loving other women in public!

   
Monica Beyer (IAM:Orinda)

Now it’s commonplace for mothers to not have husbands, to never wear dresses… and some… some have tattoos! Piercings! The shame! How can they be good role models for their children? What a terrible disgrace! What has the world come to?

Obviously this point of view isn’t shared by everyone, but is still dominant in our society. Everyone who has visible modifications has probably, at some point, been discriminated against, or at least been stereotyped by someone unmodified. Is it worse for a pregnant woman who has visible modifications?

A social shift in what is acceptable and unacceptable is currently underway, and we’re never going to be able to please everyone. Modified mothers and fathers can be equally fit parents as someone without modifications; tattoos and piercings don’t automatically lower someone’s intelligence or make them abusive. Pregnant women or mothers toting around children have enough to worry about, the last thing they need is to justify their lifestyle to those who don’t understand.

Monica Beyer (IAM:Orinda), a successful entrepreneur who owns and operates SigningBaby.com and SigningBabyShop.com, has created a forum for members of IAM to discuss anything and everything they want to while pregnant. She initially started the forum because she couldn’t find anywhere else online where she really fit in. After two failed attempts (they just didn’t catch on) at the forum, she now has 141 members who actively participate in topics ranging from nipple piercings to circumcision to labor. It is a closed forum, so those of us who aren’t pregnant are not allowed to join in the conversation, however anyone who is pregnant is welcome to participate, but you will have to contact Monica in order to view the forum, of course.

Initially, the forums were public, but because of some unforeseen drama (one member used what was said in the forums against other members in order to tarnish their reputation and to ultimately hurt their feelings) and excessive posts by members who weren’t pregnant, Monica decided to make them private. She wanted to keep the forum a “safe place where people can feel free to talk about whatever they want to talk about.” She and other members didn’t think it was necessary to involve people who didn’t have anything worthwhile to contribute. It is a place for support, understanding and the ins and outs of becoming a mother.


Monica’s eggwarrior tattoos
Left one designed by Corbin (age 5), right by Dagan (age 8)
BME:  How long have you been with BME?
MONICA:  I started my original IAM page in February of 2001.
BME:  Can you briefly explain what SigningBaby.com is about?
MONICA:  Well, when Corbin (my middle child) was a young baby I saw a news report on television about a mom who signed with her child, and I wanted to learn more. I bought a book and started signing with him at eleven months, and a month later, when he started signing back, I was hooked. There was an unusual lack of information on the web about signing with babies so I decided to start a website about it. It has had tons of different looks but the goal has always been the same — to share basic information about baby sign language and showcase photos of signing babies (including mine)…
At around the same time I quit my job in late 2003 I was approached by a company who offered to sell me their products at a discount and I would then be able to sell them online and make money by doing so. What a novel concept! The Signing Baby Shop started out with about two books and two videos and I had to learn “on the job” how to start a business, collect sales tax, get a merchant account, get my money out of the merchant account, and have great customer service. It’s been over a year now and I think that I’ve worked out all the kinks but there are always a few situations that come up that I’ve never had before.
BME:  Have your mods or your babies had more of an influence on the decision to start your forums? Or has it been a little of both?
MONICA:  The forums were inspired simply because I was pregnant.
BME:  What are some of the topics covered?
MONICA:  Anything and everything. Recent topics include: size of bellies, insurance issues, job loss, location of kicks, throwing up, veganism, La Leche League meetings. Other recent topics: circumcision, labor, prostaglandins in semen, artificial prostaglandins being made of pig semen, birth, nipple piercings, squirting breast milk, necessity of induction, c-sections, pelvic organ prolapse, epidurals, drug-free labor, recovery, stitches, and sex.
Circumcision is an extremely hot topic. It never goes over well. You might be surprised to hear that quite a few parents in my forums feel that circumcision is not a problem. Many of us (me included) feel that it is an involuntary surgical body modification that should not be done on a non-consenting minor. But an alarmingly large number of parents feel that they should do it so their son “looks like dad” or so they won’t be embarrassed in the locker room. I never thought I would hear a person in this community saying something like that. After all, how concerned are we with “fitting in” with the rest of society?
BME:  Do you know of any medical professionals that take part in any of the conversations?
MONICA:  To my knowledge, none.
BME:  What is your favorite topic discussed on the forums?
MONICA:  I really like talking about myself. It’s true! The pregnancy forum of course is full of pregnant women and since I have been pregnant three times I enjoy sharing my experiences. I’m not sure if I will ever grow tired of telling my birth stories. It’s kind of like, “Wow, I did that, it hurt more than anything else I have ever experienced, and I lived, and I’m going to share the details.” I doubt that it is simply me that feels that way either. I think most pregnant women end their birth experience with a need to share it.


Monica and Lauren
BME:  When pregnant, what was some of the feedback from friends, family and strangers about your modifications? Did people see you as being too immature to be a parent (opinions based strictly on their physical appearance)?
MONICA:  It is sometimes hard to read how people are reacting to you — I was 21 when I had my first baby and was condescended too often by people outside of my family, including medical personnel. Was it because of my age? My lack of a wedding ring? Or my tattoos? The more babies I had and the older I got and the more married I became, the more respect I seemed to garner, even though I was considerably more tattooed during my third pregnancy than my first.
My mother had major issues with my getting tattooed at age eighteen. I’ll never forget visiting her at work (first pregnancy) wearing a sleeveless maternity top, and she was horrified that I was exposing tattoo work to her co-workers. I was embarrassed and humiliated. She never made judgments about parenting, but her feelings seemed to be very apparent and hurt me quite easily. This is also something I’ve seemed to outgrow — I’m not sure if it’s the fact that I no longer care or she’s grown used to them (after twelve years I should hope so).
Now — I have had a recent experience with a medical professional that still makes me quite angry, and it’s not directly related to pregnancy or being a mom, but it is a result of having babies. I am having difficulties due to childbirth and I went to see a local physician. You realize that in an OB/GYN examination room you are pretty much naked and vulnerable and at the mercy of the person examining you. This woman walks in and starts feeling my tattooed skin, saying how fascinated she was with it and other meaningless nonsense, which was extremely irritating to me because I am undressed and need an answer. She proceeds to tell me that I will regret “all of this” when I am eighty and did I know how it would look then?
Mostly the reactions I get are grounded in curiosity or surprise. I have had two epidurals and one spinal block. These are anesthesia given through the back and I have a large tattoo on that portion of my body. The first doctor didn’t say a thing (it was the spinal block and I had a c-section so it was a more serious situation). The second doctor, a man from India, immediately starting asking all sorts of questions. Keep in mind that the tattoo is of a Hindu god and I am in deep labor and I wanted the epidural quite badly and also I couldn’t say a damn thing because I was having back-to-back contractions. The man is asking, “So, did you get this done in California? What made you get this? Wow…” and I was not answering any of his questions. The third doctor was really pleasant and he made the typical medical joke that “I must not be afraid of needles so this shouldn’t be too bad.” In that case I was also in seriously hard labor and was spraying amniotic fluid out with each contraction so I wasn’t talking then either.


Monica at 26 and 27 weeks

BME:  Is there anything you’d like to tell the people that scoff at you for being modified? Now’s your time to vent.
MONICA:  If you would have asked me this question ten years ago or even five years ago I would have been able to write volumes. I’m not sure if this is an attribute that comes with age or not but I no longer get negative comments on what work I have on my body. Stupid comments (stuff like “Hey, I like your tatties, look here at my asshole-baring Daffy Duck!”) are probably going to be omnipresent in my life, but I can’t remember the last time someone said something publicly negative about my body. I seem to get more respect now and I’m not totally sure why — is it my age, like I said, or is it the pack of kids I bring out with me?
Also, I also have developed the ability to be far less offended when confronted with stupidity. I don’t feel the need to justify myself any more. I used to have a big spiel on my IAM page about being a college graduate and having a ‘professional’ job (I worked for a college for two years). I don’t any more. I do care what other people think to some extent but I don’t feel I have to prove my worth over and over again. My justification comes from my kids. They are the biggest reflection of me as a person.
BME:  What do you think is the general consensus about the new parent’s child growing up and wanting tattoos and piercings?
MONICA:  I will happily accompany my children at age eighteen to make sure that the tattoo studio they choose is a high-quality one with high-quality artists (an advantage I definitely didn’t have). Same goes for any piercings they might want. I will agree with whatever local laws dictate as long as my children have demonstrated personal cleanliness and I know they will give their piercing the attention it needs.


IAM:Keebie meets Lauren at the KC Bowl Fest BME BBQ.
BME:  Do you think it’s possible that tattoos and piercings will go “out of style” by the time your children are adults, and they’re going to be embarrassed of the work you’ve gotten done to your body? If this happens, how will you deal with it?
MONICA:  I’m sure that my children will not always think I am 100% cool like they do now, regardless of if I was modified or not. I think most kids go through the “mom’s a dork” phase and refuse to be seen in public with her. My nine-year-old son was thrilled with my latest tattoo project (he thought it was a Pokemon) and I wonder how long he will be excited about things like that. I may be wrong and he may always think I am cool but perhaps not.
I started getting modified before it was as popular as it is now (twelve years ago) and will continue to do so. And if the kids think I am a dummy or a freak of course there isn’t anything I can do about it. I don’t believe I will regret any of my tattoo work.
BME:  Has becoming a parent changed your point of view on mods?
MONICA:  I can’t say that it has.
I still feel the need to get modified and I have so many plans to do so.
BME:  Do you feel that being modified makes you a stronger mother?
MONICA:  I think the lessons I learned as a youth (once I began getting modified at age eighteen) make me a stronger person in general. I learned that you cannot please everybody, that no matter what I personally do I will always be viewed a little bit differently, and I learned to take comments (rude or constructive) in stride. When you are a mother you are put on display almost instantly, and once your child goes to school you have others rating your parenting skills. It’s overwhelming. But having been through a period of time where I was treated differently for the way I looked definitely made me a stronger person.
BME:  How do modifications affect mothers in their post-partum state? Do you see a lot of people getting tattooed or pierced to make them feel better after having the baby?
MONICA:  I think that getting modified any time makes one feel so much better (for me that is true!), but when you spend nine months not getting tattooed or pierced it can be something you think about quite often and when you finally get something done you feel almost normal again, like you’ve regained your body. I had to interrupt my half-sleeve and was quite dissatisfied about that. But the first session out of my pregnancy was amazing.
BME:  Can you elaborate on why it felt amazing?
Was it better than any other time you were tattooed?
MONICA:  I constantly crave getting tattooed, and abstaining for nine-plus months was a really intense period of time. It’s not all I thought about, of course, but I did have several dreams about getting worked on and when I was able to continue work on the interrupted project it was better than ever. For those nine months I felt incomplete (as far as tattoos go).
During the other two pregnancies it was very different. I didn’t have a major tattoo project pending.
BME:  Do you think that the image of what a mother is has changed in the past fifty years?
MONICA:  I think the image and attitude of women in general has changed as well as the image of mothers. My grandmother was the typical woman and mother of the 50’s. She stayed at home with the children and waited on her husband. I stay at home with my children too but the situation is entirely different. I refuse to succumb to the “mothers are martyrs” attitude — that you must sacrifice everything for the good of your family. I’m not saying that I never sacrifice — I do it daily — but I refuse to give up the idea of me.
I know there are those who would prefer for women to do it all regarding the home and the childcare, but husbands and partners are expected to pitch in more and more. When my husband brings up the point that I am a stay-at-home-mom and the house should be clean, I bring up the point that when I worked full-time I still had to do most of the housework and childcare.
It’s been quite a challenge to change his way of thinking — his mother was also a waitress on his family — but we are slowly coming around. After all, it’s not just my home and children! I don’t think it is too much to expect a full-grown man to throw away his freaking dirty napkins or put his dishes in the dishwasher, or to bring the laundry up or down the stairs because I have a lifting restriction.
Single moms are probably the most maligned group of parents. If a single dad (or married for that matter) goes to the grocery store to buy food and has his child with him, he is hailed as a goddamned hero, but take a single mother who is trying to better her situation by going to college or who works full-time and they can be treated like they are less than a mother. I have been one — I know how it is.

Lauren, Corbin, and Dagan

It’s hard enough to deal with society on a day-to-day basis, but throw in morning sickness, weight gain and water retention and you may be dealing with a hormonal monster! Give the girl a break!

We are an ever-changing society, and the image of what a Mother is will likely be completely different by the time the children of the mothers of this generation start having babies. We’re constantly breaking ground — it’s a very exciting time to be having kids, and with the support from other modified mothers and fathers, it’s getting easier and easier.

– Gillian Hyde   (iam:typealice)


Gillian Hyde is a Canadian writer with a passion for design, ocean, travel, and fonts. If you enjoyed this article, be sure to also read her journal, This Was My Gambia about five months spent teaching in The Gambia.

Online presentation copyright © 2005 BMEzine.com LLC. A number of the photographs in this article are © 2004 Sam Lerner. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published online January 10th, 2005 by BMEzine.com LLC from La Paz, Mexico.




  


The Salaryman’s View: BME/Japan [Guest Column]

  


“To know what you prefer instead of humbly saying Amen to what the world tells you you ought to prefer, is to have kept your soul alive.”

– Robert Louis Stevenson

The alarm rings diligently on the floor next to his face. It’s barely 6 AM but already he is up and has stumbled into the small, plastic box of a shower room. Emerging from his steamy awakening soon after, he pulls out a smart, black suit, white shirt and purple silk tie. Darting out the door as the sun rises over the tops of the tall, modern buildings, briefcase trailing 45 degrees behind him, it’s only a short trot to the next stop on the way to oblivion. As the doors automatically swoosh open, he takes a ticket, sits quietly on the small, round stool, crammed in a line with the other bodies and begins the morning slurping ritual that descends upon them all — rice, raw egg, noodles, coffee. As they pile out and into the river of people that has developed quickly on the street his eyes are met with a myriad of weird and wonderful sights. Red hair, short miniskirts, garish, pink signs advertising rooms for sex, grey suits, lots of grey suits, convenience stores in garish yellows and greens, people, people everywhere. The sounds of outside simmer briskly above his head. He doesn’t even notice the fact that 80% of the people around him are male. Like a salmon returning to spawn he glides into the big building and down, down, down towards the labyrinth of tunnels and tubes that he knows like the back of his smooth skinned hand. For someone who doesn’t really like crowds it still amazes him that he doesn’t scream in the face of the tidily dressed man wearing a pointed hat and white gloves, who is busily pushing him backwards into the tightly crammed train.

“Nobody talks to each other anymore”, he laments. It’s all thumb movements and hand covered conversations with technology. People choose to doze their way through the pain; others project themselves into worlds of superhuman animation. Dyed blonde hair, thick brown make-up, pierced lips and ears, unbuttoned shirts, rolled up minis, gum, perfume, attitude, oozing sex appeal, the high school girls giggle at his conservative glare. He grieves the loss of respect and traditional values that his parents instilled in him when he was growing up. His society is changing, slowly but surely. Young women are marrying later, travelling more and becoming more independent. They can keep their jobs after becoming pregnant, men can get childcare payments, and shock of all shocks, some men actually help with the housework! He spat out an indignant spurt of air. “Not him”, he angrily thought.

At the office an hour later he has everything unpacked and assigned to its space on the tiny beige desk. Hazy light spills in the window, competing brashly with the fluorescent bulb overhead. The routine sights from the car park only inspire him to dream of a life not his own. Comic book imagery drawn by manic student artists night after night catapult him through the numbness and transport him into a time where people are cutting their tongues in half, tattooing their faces, hanging from meat hooks and piercing themselves with large steel needles. This is an alien world to him, thousands of light years away from the subordinate housewife, cleaner, cook and raiser of his children that his post-married life is made of.

His soul thrusts through hyperspace at breakneck speed, colours swirl like a giant kaleidoscopic hurricane, his chest tightens with a mixture of anxiety and unbridled excitement. Old, traditional culture, the one that he grew up worshiping melts in and out of sight… two old philosophies dominate the skyline here; Confucianism and Samurai thinking, a world derived from the Chinese Confucian heritage which values the group over the individual. The group, be it a family, or society at large, is greater then the individual, and group needs take precedence over individual needs. And so it is here that women took their historical place in the home and as inferior, subservient citizens. Swords and soldiers. Warriors and warlords. Tatami and tattoos. Criminals and men of distinction come forward, coloured and confidently like some bizarre, ghostly visitation. He thinks only of Yakuza and instinctively cowers into the foetal position, begging to be spared. As he cries to be saved, suddenly he finds himself dumped on the floor of a dark and pumping room. Music blares and shakes the very marrow of his bones, nubile young bodies gyrate in unison, lights flash, steam rises, all he can see are legs and sneakers. Young males and females alike breathe equality into the air, in fact, in some cases, the females appear to hold their puny male audience in some kind of spell. He just sits there and marvels.

For him, this is the world only seen in his comic books. Standing upright he moves sheepishly to the bar, feeling greatly overdressed and wonderfully overawed. Nobody seems to notice him and this makes him wonder if he really is a part of this strange new world or not. Not knowing what to do or say he opts for a seat at the neon-covered bar, orders a sublime, single malt from a country far, far away and drinks it quickly to calm his shredded nerves. The gravity of the situation now consumes him. Head in his hands he thumps on the bar and sobs for the stability of his drone-like existence, one where men and women both knew their place and the surroundings were as sterile and uninviting as his best company suit.

The music stopped abruptly and snapped him out of his trough, a last tear dried as he spun around to see only the backs of bright, spiky heads, young heads, all looking skyward. Naively he followed their line of sight and was utterly speechless at what greeted him. A beautiful young slip of a woman was suspended from the darkened roof by what looked like ropes from her back. Remembering comic book confusions explained the apparent superhuman feat of spitting ropes from your skin and attaching to something more solid, a la Spiderman in his finest web-slinging adventures, but then slowly and effortlessly the heroine of the moment spun round and around and as he squinted over the top of his thick, square salary man spectacles, a flash of silver pierced his eye. “Surely it can’t be so!” he squealed to himself, grimacing uncontrollably. Her back had hooks in it and she was hanging from them. Nobody appeared to be helping her. He sat there motionless, in emotional pain. But no matter what his instincts were telling him about the girl dangling from the ceiling, he couldn’t help but feel a burning desire to seek her out. She was smiling a lot and that made him itch for her company. He needed to talk with her, to interact with her, to probe her psyche and motivations. He just wanted to help her. A lonesome word echoed through the annals of empty space in his head… “why?”

The word had barely completed its lonely journey through his neglected neural pathways when with a “whoosh!” the young heroine was sitting opposite him, on a stool at the bar. Everyone else had vanished in the same instant. She had a strangely welcoming smile on her face. “Her name was Dita” she said and she believed he had some questions for her. He quickly scanned her friendly face and noticed firstly that her bottom lip was tattooed, subtle with a small narrow black line. His first question was of her heritage, “was she Ainu?” he asked nervously. The indigenous Ainu women of Japan tattooed their lips with a special spiritual significance, to ward off evil spirits. Dita laughed when she replied that “no, she was not Ainu”. The energy emanating from her kept her smooth, dark hair away from her small face and around it he saw various colourful adornments — a silver ring, large circular holes in her ear lobes, petit heart-shaped studs.

Almost without hesitation he blurted out “What does your mother think of all this?! And your husband too?!”

My husband didn’t like my modifications at first. As time goes by and he understands how much I like body modifications, he wanted to get some for himself. . Now he’s started full tattooed sleeves and is planning to get his back tattooed as well. I think my friends and I are a good influence on him. My mother never told me to stop what I do and enjoy. Now I think she knows all about me and my modifications and accepts what I do.

Dita’s arm and the centre of her chest start to bubble gently, like some hot volcanic mud, pushing up three, four, then five small spheres from underneath her skin. She sighs as she lets out “I’d like to get implants done but not so badly. Just thinking. My first plan is tattoo.” And with that they too submerge and are gone.

The room starts to spin violently again, no colours this time but huge Vaudeville type letters of red and yellow and green swirl clockwise above his head: T A T T O O T A T T O O T A T T O O. First one then two frogs jump in from the left, before long they have multiplied out of all proportion, jumping all over him. He recoils back into his familiar foetal position when, without warning a large enveloping womb begins hovering above his head like a mother ship. It extends its elegant fallopian tubes and descends to wrap him safely in its womanhood. He feels safe and warm and loved. Out of the corner of his eye, a pink Cheshire Cat sits perched in the corner, grinning inanely at this new surreal sight, tiny white stars on its forehead sparkling in the dark air.

He opens his eyes to see Dita holding a baby. It is leaning contently against her bosom and she is stroking its soft, dark hair. She starts to speak, her words pre-empting his next query.

Being a mother has only changed my plans for physical reasons, like I have to wait until I stop breastfeeding. That actually gives me more time to think about my future modifications. Also saving money. I don’t hide them, as I said above, and I don’t really show them off. Some people might treat me as a bad mother just because I have these modifications, but thankfully I haven’t experienced it yet.

I think I’m lucky to be a woman when it comes to modifications and their reaction. I haven’t really had any negative reactions. The only negative reactions that I’ve had are from my relatives and my boss. My relatives said that tattoos are stupid. My boss told me to take out my piercings at work. The reason why I don’t get many bad reactions is because I don’t tend to show off my modifications often to people who would take offence.

He spat out the questions anyway but knowing that they had already been adequately answered. All his upbringing seemed to be influencing his thoughts in the direction more of, what other people will think of how you look, rather than how you want to look, regardless of how other people think. This is the way he was brought up and this is the way he brought up his own children, roughly the same age as this well-balanced, down-to-earth girl and mother. She reminds him of pioneers, trailblazers, and strong-minded people, people alien to him. He was in their world now and they welcomed him. Embarrassingly he knew deep down that he would not be so welcoming to them if they had entered his world. Dropping his head in shame he falls to his knees on the floor in front of mother and child and begs their forgiveness. Of course it was instantly forthcoming and as she beckoned him up from below, Dita playfully stuck out the tip of her tongue at him, both her tips!

Turning around, he realises that they have both been sitting in the back of a shiny black truck for the last twenty minutes. It must have happened before but he was sure he had been sitting on a stool. Dita hops over the front of the hood in one short Potter-like burst and begins to pull the truck, hooks still in her back, skin stretched tautly on her back. He shouts at her to stop but all she does is turn around and blow a huge plume of bright orange flames into the air above him, while laughing merrily and skips into the darkness. Happiness flows from her whatever she does. On the floor, there he is alone again but for some small movement on his right. A pretty little baby crawls over to him and into his space. He bends over to pick it up and as he does so, it gets to its wobbly feet. With his head next to the baby’s it whispers softly in his ear, “Only if I want to. She won’t tell me to get modifications or not. She’ll be happy if I want, because it means that I would understand what she enjoys so much.

Another plume of flame and the baby was gone.

He stands dazed and confused. A light comes on and lights up a long stairway in front of him now. With trepidation leaking from his shoes he timidly creeps up towards the top to a small black door. Tentatively he pushes it open and peeks outside into the retina burning daylight that stands like a wall of intensity, blocking his entry to the next adventure. He eases out of the doorway, interested to have a look at what is going on next, only for his eyes to see a door into Clonesville. Aghast he steps into the river of people that surges past his tired face and with that he was gone. Gone down the street, miles away from the doorway, towards the big building under the ground along with all his fellow ant workers.

Just before he heads for the descent, he passes a busker outside of the crowds. She is dancing in circles, fingers clicking delicately in small brass cymbals. He is mesmerised as are others watching her show. She seems strangely familiar but annoyingly he can’t quite place her. He thinks it weird that a young girl would be dressed in such vibrant red costume and skipping around outside for the entertainment of others. The more he watched however, the more he was finding himself being drawn in, a slight foot movement here, a tiny hip sway there. It was invigorating for him to feel positively influenced by this girl. She was doing something that no one else was but he was doing something that everyone else was doing.

“Some people lead, others must follow”, he mused to himself as he slid down the moving metal staircase and into the abyss. He was back in his world again. Back on the seat. Back on his way to his daily banality. Before he sits down, he picks up the new glossy magazine lying there, left by the person before him, “2BME”, and stuffs it into his vinyl briefcase, to be read once he gets to the office. Maybe this one will take him back to that place… for once, he was looking forward to going back to the office.

– Ferg   (iam:bizarroboy)

Luvpain99: Well, it was quite a year [Guest Column]

  


WARNING: This interview contains graphic photos.

LuvPain99:
Well, it was quite a year.


“Practice yourself, for heaven’s sake, in little things; and thence proceed to greater.”

- Epictetus

Matthew A., a 28 year-old network administrator from Warren, MI goes by the handle Luvpain99 both on IAM and elsewhere. Matt lists his hobbies as “model trains and rockets, chatting online and programming.” Matthew is also a very staunch patriot, a born-again Christian, and involved in a long-term relationship.

A quick perusal of either Matthew’s journal, however, reveals some other, more “specialized” interests; his site on IAM in particular outlines a fascinating story of the journey Matthew undertook during the past year: over a period of twelve months, Matthew’s penis was subincised, his glans was split, a scarification project was began on the head of his penis, and three attempts were made to remove Matthew’s testicles, culminating in a successful bilateral orchiectomy (full castration) on April 9th, 2004.

The last attempt at self-castration resulted in a hospitalization, psychiatric commitment, and having to come out as both a homosexual male and a male desiring castration to his parents. He left a note in his apartment in case anything went wrong during the procedure so anyone finding him might have a better idea of what was motivating him.

Matthew epitomizes the “DIY” ethic (Do It Yourself) — although some might say a little recklessly. Aside from the last two operations to remove his testicles, Matthew completed all of these modifications himself, usually alone, with no assistance other than his own knowledge and boundless inner strength. While he still has struggles to face, Matthew is now a happy eunuch who maintains high visibility both on IAM and the Eunuch Archive.

In this interview we briefly cover what Matt’s been through this year — watch out for a full interview with him in one of BMEbooks’ next releases!


BME:  First, why do you perform such intense surgical mods on yourself?
MATTHEW:  Well the reason I do most of my mods myself are many — I’m a little cheap, and I would love to become a piercer or practitioner down the road but I don’t like experimenting or messing up on others. I’d rather make a mistake on myself and learn from that than on someone else. Plus it is a feeling of accomplishment being able to do something on myself.

BME:  I know you had some difficulties with the head split and castration attempt in particular, leading to Emergency Room admissions both times. How did you find the strength to keep going?

MATTHEW:  Well castration was something I have wanted since I was thirteen and I finally knew I was ready and had to do it no matter what. It wasn’t easy — the failed self-attempt was a major setback. I ended up being psychiatrically committed. I knew I would do it again — I tried talking the doctor into finishing it up. I kept telling them I would do it again when I got out. In hindsight, after I completed the headsplit (with a cautery pen), if I had just laid down in bed I’d have been all right, but I was afraid of falling asleep still bleeding. I decided it was better to be safe than sorry and went to the ER for bleeding control.

When I attempted the castration though I was unable to control bleeding and had complications relating to scar tissue in my scrotum from prior experiments and play. Once I saw I would be unable to finish it myself, I tried to do enough damage to both testicles that the doctor treating me would have no choice but to complete the castration. Unfortunately, that wasn’t the case. Later, I had a cutter perform the procedure on both my partner and I. His went off with no problems, but during mine only one testicle was removed as there was equipment failure during the procedure. Again, I was really frustrated. It seemed like I would never be able to achieve my goal.


BME:  Why was castration such a big goal? Is it a turn-on?

MATTHEW:  No — it never was a turn on. The goal was to solve what I considered a problem. I wanted to get rid of my sex drive.

BME:  Why didn’t you want a sex drive? No offense, but you’re a young, physically healthy guy… why eliminate your sex drive?

MATTHEW:  That’s a very difficult question to answer, and over the years there have been many different reasons for my wanting castration. I think that question is more suited for a book than an interview but I’ll try to do my best to summarize some of the key points for this interview.

To start out, castration has been a desire of mine since I was about thirteen years old. My memory is a little fuzzy about the exact time and order of events. I think I should probably give a little background about myself first before proceeding. First, I grew up in a very strong Christian Baptist family that was very active in the church and I went to a Christian school. I had a lot of health problems as a child — heart problems, asthma, allergies, hernias, and so on, so I was in and out of hospitals and doctors offices a lot until about third grade and had a high pain tolerance, as having blood drawn and other tests just didn’t bother me after the first few hundred times.

I believe what really started my interest in castration was realizing I was attracted to other guys — with my Christian upbringing I felt it was wrong at the time (I’m still unsure about it being right or wrong but that’s another story). It was around that time I started CBT (“cock and ball torture”) and using sewing pins to pierce my testicles as a form of atonement, but I soon found out I enjoyed it. I know at that time I wasn’t being sterile as I didn’t have the proper equipment, but I was playing it safe using 99% alcohol to clean a new needle and wipe the skin beforehand. I was very lucky then that I never got an infection or caught something. Being ashamed of being gay was probably my main reason for the longest time. However, that was no longer a reason when I finally did accomplish my goal.

The second reason I can think of would be “bad thoughts that hurt others”. The people that know me know that I’m a caring guy; one that likes to help others. I try to live by the Golden Rule — “do unto others as you would have them to do unto you” — I hate hurting someone intentionally or using them or taking advantage of them. This one is hard to explain but it deals with trying to get rid of urges to do things. I am very good at my controlling urges, but am always afraid of giving into them. I gave into some of those urges as a teen and still regret it today.

That was still a reason at the time of accomplishing my goal, and I’m very glad to say that accomplishing the goal of castration really did help with this issue.

The third reason I can think of is lowering and totally getting rid of my sex drive. I know that might sound strange to most, but for me I really didn’t get any pleasure out of masturbation or sex. I get pleasure from cuddling and being with someone, but not from sex. For me, getting off was just a release my body needed and not a pleasure. I think my body had two settings: normal and pain (with maybe a slight pleasurable sensation here and there). I just got tired of having to get off all the time and work hard at it for basically no enjoyment. I figured without a sex drive there would be no need to get off. That was a major reason for obtaining my goal. It has been seven months now since I have gotten off.

The fourth reason, which never really was a reason for me until after my castration, but many other people have used it as a reason for their castration, is being calmer. I’m not sure if it is just the castration or a combination of the medications I am on right now, but I’m definitely feeling a lot better… more at ease and at peace with myself and others.

The fifth and final reason I can think of, which wasn’t a primary reason, but something I had hoped for and managed to have come true is I was able to be castrated along with my partner. It has always been a dream of mine to have another partner that was a eunuch, as sex is not important to me. I really don’t know how to describe it other than it was awesome having my partner there when I was done, and being there for my partner when he was done. There is so much symbolism there that it is just unbelievable, at least to me, and how I look at things.


BME:  So you’re happy with the castration now? Any downsides, or things you weren’t anticipating? I know you’re taking calcium supplements to prevent osteoporosis.

MATTHEW:  I’ve hardly had any hot flashes — currently I’m trying to figure out what’s causing the severe headaches I’ve been having. I actually think it might actually be the calcium, which brings up a concern. I have no plans to undergo testosterone replacement — I like not having a sex drive too much to change that…

BME:  There are weekly tablets now like Fosamax and Actonel you could investigate…

MATTHEW:  I’ve only been off the calcium for a week, but with being sick lately with the flu it’s tough to tell exactly what’s causing the headaches.


BME:  You mentioned growing up in a conservative Christian environment. I know your faith is very important to you — how does it affect your choice of modifications?

MATTHEW:  My relationship with Jesus does affect mods as I do try and keep my mods positive and displaying my beliefs, as you can see from my tattoos!

BME:  Was coming out to your parents, both in terms of your homosexuality and desire for castration, as hard as it sounds like it would be? I mean, under the circumstances, you were pretty much forced to do so, having just been hospitalized due to doing serious damage to your own testicles…

MATTHEW:  Well, it was done in the hospital, and luckily I had written a letter stating what I had intended to do in case something happened. I just gave it to them to read.

BME:  That had to be a load off your chest at the same time, too.

MATTHEW:  Luckily they have been real supportive. They don’t understand everything but they care and are supportive of me.

BME:  That’s really a fortunate (and rare) thing.

MATTHEW:  Of course the big thing is, even with people outside my family, is people doesn’t understand my reason is more to be “sex-free” — everyone thinks it’s more of a desire to become a female.

BME:  I know just from knowing you as well as I do that you don’t desire feminization; you just want to be a castrated male.

MATTHEW:  Right now things are improving, but it is too soon to say how my situation will be as I’m still fighting for disability and other issues.


BME:  Hopefully there will be fewer ER visits for mods gone wrong! Are you a supporter of doctors and other medical professionals offering these procedures, so people won’t have to continue relying on cutters or doing the job themselves?

MATTHEW:  I’m a supporter of informed people having the right to choose if they want a doctor, cutter, or to do it themselves. That being said, I do think there should be a license for cutters so we can find qualified people into body mods able to do these things, and have access to more supplies than a normal person but not have to take tons of classes.

BME:  Do you have plans for future modifications?

MATTHEW:  I’ve got lots of ideas — I want full genital bifurcation and would like to fill my now empty scrotum with beads.

BME:  Are you planning on doing those mods yourself as well?

MATTHEW:  Yeah, I am!

BME:  So no fear then?

MATTHEW:  Well, I just learned suturing, and got a nice new tool this year that I haven’t tried out on myself yet, but I have tried it out on dead chicken and it works fine for cutting and such…


BME:  I’m guessing that’s a hyfrecator? [A hyfercator is an electric cautery tool somewhat similar to an arc welder for flesh.]

MATTHEW:  Yeah, it’s nice. Also, it doesn’t put out too much smoke like the battery powered cautery pens I’ve used in the past. I’ll see how that works for finishing the glans split and for the penis split hopefully.

BME:  Whom do you admire as far as modifications go?

MATTHEW:  IMG:moddick68 has done some awesome work, and IAM:subcision has a beautiful sub.


BME:  So in your opinion, how was last year for you?

MATTHEW:  It has been a trying year full of ups and downs. I’ve managed to survive it and when I get back on my feet again I’ll be ready to do more mods and support BME and the EA (the Eunuch Archive, located at eunuch.org).

BME:  Were you glad when you found BME? Had you felt isolated before?

MATTHEW:  BME and the EA both help me out a lot and showed me there were others like me. I used to think I was strange and only one like that.

BME:  Are you still involved with the EA?

MATTHEW:  Yeah, a little — I’m trying to get more involved again.


BME:  So how would you sum up where you’re at during this point in your life?

MATTHEW:  Hmmm… it’s hard to say. I’m just a normal behind-the-scenes guy that loves doing mods on himself, wants to become a piercer, wishes he could legally be a cutter, and loves helping others, BME and the EA…

BME:  …and one of the strongest people I know!

MATTHEW:  …and you should probably add “shy” to that… not shy shy, I just don’t talk much.


I’m sure in the coming year Matthew will continue, shy or not, to boldly make his mark in the body modification world…perhaps not with words (although this interview puts that notion to rest) but surely with scalpels, needles, hyfrecators and whatever else he can get his hands on!

Hopefully Matt will talk to us again and fill in the rest of his story, as we’ve only just scraped the surface with this introduction. Matt has been a regular contributor to BME and you can see many of his pictures both in BME/extreme’s castration and genital modifcation sections, and in his bonus gallery in BME/HARD.

– Chris Clark   (iam:serpents)



Chris Clark is a 32 year old farmboy, journalist, and musician actively involved in heavy body modification and ritual. He is also a Parkinson’s Disease survivor (and thirver) and is currently writing Matthew’s biography for BME/Books.

Online presentation copyright © 2005 BME.com LLC. Photos copyright © 2004 Matthew A. and LuvPain99.com. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published online January 8th, 2005 by BME.com LLC from La Paz, Mexico.



  

Ryan Ouellette: Lord of the Blade [Guest Column]

  

Ryan Ouellette

Lord of the Blade


“I’m tired of all this nonsense about beauty being only skin-deep. That’s deep enough. What do you want — an adorable pancreas?”

- Jean Kerr

There’s something quite profound about scarification that marks it apart from other forms of aesthetic body modification. Whereas tattoos and piercings augment and decorate the body by adding ink or metal, a scar is created merely by interacting with what’s already there, harnessing one of the peculiarities of the skin and channelling it to decorative ends. By using a scalpel, branding iron or cautery pen, it is possible to create intricate patterns in the skin, which, when healed, form distinctive and permanent scars. I really see this as body modification in its purest form — the body itself is producing the artwork, sealing over the inflicted wound and leaving an enduring mark that is actually part of the skin, not an inorganic addition.

Unfortunately, the idiosyncratic nature of an individual’s healing often makes the results of scarification fairly unpredictable, and as such the designs attempted have usually been fairly simplistic. In the West, scarification has tended to be either pieces made up of single line scalpel incisions for fine work or large, heavier scars produced by branding. Over the last few years, however, a number of scarification artists across the globe, feeling artistically constrained by the limited results and narrow range of designs that can be produced by single-line cuttings and the unpredictable and brutal scars left by brands, have begun to experiment with skin removal techniques, using their tools to actually remove areas of the upper layers for skin to produce larger, bolder and more predictable results.

Fresh skin removal scarification Healed skin removal scarification
Fresh and healed skin removal by Ryan Ouellette

Skin-removal really is in its infancy, and this article is in no way intended to be a how-to or instruction manual on the intricacies of this invasive and potentially dangerous procedure. Please do not try this at home. Instead, I hope it will illustrate what it is possible to do with the human body’s largest organ and germinate a few ideas in your head. I’ve been fortunate enough to be able to interview one of this community’s most prominent, prolific and talented scarifiers, and this article is in many ways both a portrait of him and an introduction to his often astonishing work.

Although not the ‘inventor’ of this technique by any means, Ryan Oullette (IAM:The Fog), a twenty-five year old artist working out of Precision Body Arts in Nashua, New Hampshire, is widely regarded by his peers as one of the best scarification artists currently practising skin removal. Photos of his scars were recently showcased in National Geographic magazine, the patterns and motifs he produces are brave and original, and his work — both fresh and healed — is simply stunning. Chatting with other scarification artists, Ryan’s name comes up again and again when they’re asked whose work they particularly admire.

Ryan Ouellette Ryan Ouellette at work
BME:  Where are you from originally, Ryan?
RYAN:  I grew up in a small rural town called Pepperell — it’s just over the border in Massachusetts only about a half hour from the little city I live and work in now, Nashua. BME:  What got you interested in body-modification in the first place?

RYAN:  I have no idea to be honest. It was never a choice, it just felt natural. Like shaving or eating. I ‘play-pierced’ myself a lot when I was younger, with sewing needles and things like that. I used to do crude scarification on myself with needle heads in my bedroom. I never thought it was unusual behaviour and I didn’t see it as ‘self harm’ or anything. It just felt natural. I started getting actual piercings in my mid teens and it just grew from there.

BME:  How long have you been ‘in the business’ as a piercer and practitioner?

RYAN:  I’ve been piercing professionally for about five years. I had hopped around part-time at some shops for another year or so before then but I would say that was more of an amateur thing. I took over my shop about four years ago and I started cutting maybe six months after that.

BME:  Did you apprentice?

RYAN:  I’m completely self-taught as far as technique goes, although I’ve done a lot of formal training for piercing (Association of Professional Piercers anatomy classes, aseptic technique, and so on). I got some little pointers here and there from talking to guys like Lukas Zpira over the internet. I try to soak up all the ideas I can from watching videos and looking at pictures of other artists’ work. But mostly it was just trial and error.

One of the bigger things that sticks out in my head is reading an interview about Blair and his branding. He talked about how a lot of branders were scared to hit the same line multiple times and he said something along the lines of “work it until you’re satisfied”. And that really influenced my cutting style. Instead of trying to get a perfect line in one pass I hit and re-hit the same multiple times until I got it looking exactly how I wanted it. My cuttings are actually influenced most by Blair’s brandings if that makes any sense.

BME:  When did you start doing cuttings, and how did you develop?

RYAN:  Aside from the little chicken scratches I did as a teen I started professional cutting about three-and-a-half years ago, early 2001 I think. Originally I only bought scalpels to do work on myself. I never intended to work on other people at first. I did some small pieces on myself over the course of a few months. After that I did one on a guy I worked with, then my girlfriend. Gradually, it grew to regular customers, and once word got out on the internet I started to get a lot more people coming in asking about it.

BME:  Do you perform other forms of scarification such as branding or electrocautery?

RYAN:  I only do cutting. I’ve never even attempted any form of branding. At first I looked at scarification as the name for any scar procedure and I looked at things like scalpels, cautery pens, hyfrecators, and so on as different brushes used for one kind of art. Now that I’m experienced with a scalpel I see cutting and branding as two completely separate art forms. I might get into branding in the future but right now I feel most comfortable with a blade.

BME:  Why and when would you choose skin removal as a method of scarification as opposed to simple scalpel cutting or any other methods?

RYAN:  It all depends on the design. My earlier work was basic geometric designs — lines and curves. No solid or bold sections. After a while, I got bored and I felt that in order for my designs to evolve I needed to have larger sections, so that’s when I tried out flesh removal. My first one came out terribly. I cut it the way I would a single line piece and it ended up being way too deep and it healed really unevenly and didn’t look good at all. I gave up on flesh removal for about a year and then decided to try it out again, this time on myself. I changed what I thought was wrong with my last one and the piece came out to my satisfaction. After that it just felt as comfortable as anything else, so I incorporate it into most of my designs these days.

BME:  How do the results differ, in your view?

RYAN:  I just like the bold sections more than single line work. There is only so much you can do with single line pieces. After doing single line pieces for a year or two I was getting a lot of requests for designs that just couldn’t be done without flesh removal. Also, it’s easier to get a nice distinctly healed scar with flesh removal. I seem to get more consistency with them. I try to push myself each time. I think I do my best work when it’s something that looks too complicated for me.

Skin removal scarification by Ryan Ouellette Skin removal scarification by Ryan Ouellette Skin removal scarification by Ryan Ouellette
BME:  Can you talk me through the procedure, from start to finish?

RYAN:  Well it’s actually pretty similar to a tattoo for set up. The skin is shaved when needed, cleaned (sometimes with iodine, sometimes with Technicare), and then I put on a stencil. After all the prep stuff I usually make a quick pass over the entire design with a #11 blade scalpel. I basically consider it guide-lining. It’s not very deep, and it looks pretty uneven at first. It’s basically just opening up the skin over the whole piece very shallowly; the depth isn’t evened out until the next step.

    Number 11 scalpel blade
11
Number 15 scalpel blade
15

Next I’ll usually change blades to keep it sharp, and then I’ll go back over the design and slowly even out the depth and width. The depth and width varies depending on the design. If it’s single line I tend to go a bit deeper and wider. If I was doing removal I would go a bit shallower because I’ve learned that if you do flesh removal too deep it tends to blob out and heal unevenly. For removal sections I get my outlining done and then I use some haemostats to basically just pull up a corner. Then I use a #15 blade and slowly separate the tissue up and away while I lift with the clamps. I try to go as even as possible because you obviously want a uniform removed section for good healing. I try to make my removed sections as small as possible because I’ve noticed that if you try to remove too large of an area the center of it tends to be excessively deep. I’ll often split a removed area into smaller sections or strips and remove them individually instead of just on one large hunk.

As far as the depth goes I’ve talked to a lot of very good scarification artists and their techniques all vary. Depth is really just whatever works for the individual. Generally you’re going into the tissue below the cutaneous layer but not through the fascia. And I’d say that good flesh removal is typically slightly shallower than single line scarification. You really want to keep it uniform. You don’t want to see pits and valleys because that means different tissue layers, hence different scar production.

Ryan Ouellette at work

In terms of blood control, basically I just pat my field with paper towels as I work, again similar to tattooing. I really like to keep my lines clean and as dry as possible. Some people bleed more than others, obviously, so sometimes it’s hard to keep things as clean as I like but I generally don’t like blood to leave my immediate field. I don’t just let it drip all over the place like some people tend to do. It’s partially for contamination control but it’s mostly just so I can clearly see the cut depth and width clearly. The bleeding tends to stop within five minutes of finishing a line. So by the time I move on to a new line my previous ones are usually dry.

I’ll occasionally clean the field during the procedure, typically between steps. So maybe once after all the outlining is done, and then again when the piece is completed. I typically clean the field with green soap solution, again like a tattoo. After I’m done I’ll bandage the area with a sterile non-stick dressing. I usually tell the person to keep it bandaged for at least four to six hours. Sometimes, particularly for flesh removal, I’ll just have them keep it bandaged overnight. As for removed skin it’s basically nothing by the time I’m cleaning everything up post-cutting. Without blood supply it shrivels up within just a few minutes.

BME:  What are the benefits of skin removal — what can be done, and what are the limitations — what can’t be done?

RYAN:  I think the main benefit with flesh removal is additional control. With a single line cut you make a cut and basically just widen it out and change the depth. So if you make a slight error all the cuts from that point on are going to have to work around that one mistake or even it out. With flesh removal you can control both the outline and center of all lines and sections. If I want to do a grouping of small tight lines, especially with angles or curves I’ll almost always do it with removal. If you do single line you are basically splitting the skin open so that can sometimes limit what you can do right next to a line. With flesh removal you are going shallower so the skin tends to open less. So I can do tightly compacted lines and feel confident that they’ll heal where I put them. If I tried to do lots of small lines within an eighth of an inch they would tend to scar outward and probably blend together during the healing process. The lines are more straight down and tend to heal in their original location unless they keloid a significant amount.

As far as what can’t be done I guess I would push people away from very large sections of removal. If someone wanted a removed section bigger than maybe two inches wide I would probably try to change their design or flat out turn them down. As far as complexity I’ve never had to turn something down because it’s too complex. I’ve had to rework designs to simplify them slightly in order to be able to cut it into someone. Obviously you can’t do shading, so I have to redraw things to make them bolder, kind of like a solid black tattoo.

There are some areas I would prefer to not work on like hands, wrists, necks, and so on. But I’m sure if someone really wanted a piece there I could figure out a way to do it safely. I’d just have to do it a little shallower than average. I did some flesh removal stars on the side of my girlfriend’s hand and it was very difficult. Two little coin-sized sections took me about two hours because I had to be so careful with my depth and remove the tissue at the exact same shallow level.

Skin removal scarification by iam:The Fog Skin removal scarification by iam:The Fog
BME:  What are the risks?

RYAN:  Risks are similar to any comparable procedure like tattooing or branding. The biggest risk would be infection but I’ve never had a problem with that. I give very clear aftercare instructions so it hasn’t been an issue. That’s the only thing I would call a risk. There are more complications that could come up like uneven healing and scarring mostly. Occasionally a person can get kind of a rash around the piece, depending on aftercare. It’s usually from wrapping it the wrong way or not cleaning it often enough.

BME:  What aftercare do you generally recommend?

RYAN:  My basic aftercare is that they keep it covered with plastic wrap and Vaseline for about seven to ten days. It keeps the body from forming a scab which makes it heal more from the bottom up instead of from the sides inward. It’s just important with wrapping that you keep the piece clean and somewhat dry. So I tell the person to unwrap and clean it throughout the day. I usually just have them use an antimicrobial soap like Satin or Provon. If they don’t clean it often enough the fluid under the wrap can cause irritation or a rash. The rashes are more frequent if I have to shave the person before the cutting.

I basically just worked out my aftercare with trial and error. I also talk to a lot of other artists about technique so I steal a lot of ideas from them. Sometimes I’ll suggest using a mild irritant like lemon juice mixed with the Vaseline. It can tend to make the body heal with either a darker hypertrophic scar or, with a little luck, raised keloid tissue.

BME:  How long is the healing period, generally, and what are the stages of healing?

RYAN:  Complete healing varies on how they take care of it. With the wrap I’d say that the body will form a new layer of skin over the whole design within around two weeks. If they keep it unwrapped the body will scab slowing the healing process to maybe three weeks. If you add in agitation, picking, or scrubbing it could lengthen it out to a month or more.


healing skin removal scarification
2 days old

healing skin removal scarification
5 weeks old

healing skin removal scarification
3.5 months old
BME:  What kind of results does skin removal produce — what do the resulting scars look like compared to other forms of scarification?

RYAN:  With my removal it’s not really making the body heal in a specific way. It’s really just emphasizing the way an individual’s body will heal a cut. I’d say on a whole removals tend to give a better more distinct scar. But it’s very difficult to force the body to heal one way or another. Keloid tissue is more of a raised pinkish tissue. It’s basically what most people hope for with healing but it’s actually not that forthcoming in a lot of pieces. I’ve notice that the body heals more commonly with hypertrophic tissue. This tends to be more of a darker granulated, less raised tissue. What I shoot for with aftercare is either a very dark distinct hypertrophic scar or an evenly raised keloid scar. I never guarantee a certain look though, that would just be impossible.

As for how it looks compared to other scars I’d say flesh removals don’t scar outward as much as some other techniques. Brandings tend to heal outward a lot more due to the heat damaging surrounding tissue. A lot of single line scarification tends to be deeper than removal so the line can heal a little wider due to it having a tendency to heal in more of a V-shape then wide U like some removals.

BME:  Is there anything else you’d like to add?

RYAN: 

Yes! It’s really important that people remember that these procedures can be extremely dangerous if not done by a skilled professional with a decent amount of anatomical knowledge and experience working with skin. If not, people could end up in hospital! The difference between single line and removal can be compared to the difference between punch-and-taper piercing and transdermal implants. They might be similar but the latter is a lot more advanced and dangerous.


If you’re interested in getting work done by Ryan, his shop Precision Body Arts is located at 109 West Pearl Street, Nashua, New Hampshire (or call 603-889-5788). You can also see more of his work in his gallery on BME (and of course you can view other artists working in similar styles in the general scarification galleries as well).

As scarification techniques evolve, designs which previously would not have produced good, clear, dramatic looking scars become possible. The only limits are those of your imagination and of your artist’s skill. Choose wisely.

– Matt Lodder   (iam:volatile)



Matt Lodder is a 24 year old native of London England. He wrote his Masters dissertation for the University of Reading on “The Post-Modified Body: Invasive corporeal transformation and its effects on subjective identity”.

Thanks so much to Ryan for agreeing to be interviewed, and for being so eloquent and forthcoming with information. Thanks also to Quentin (iam:kalima) and Vampy (iam:vampy) for their help in answering my questions, and also to Shell (iam:stunt_girl) for her last-minute assistance!

Online presentation copyright © 2005 BMEzine.com LLC. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published online January 7th, 2005 by BMEzine.com LLC from La Paz, Mexico.



  

Forty is the new twenty. [Guest Column]

  


Forty is the new twenty.

By Mandi Konesni

My mother is my hero, and she’s the greatest and strongest woman I know. Having said that, most people are probably rolling their eyes and thinking of their own mother. That, and a lot of you probably think I’m biased, which I more than likely am.


“Age is something that doesn’t matter, unless you are cheese.”


– Billie Burke

Mother and Daughter


“The Backstory”

My mom was taken away from her mother when she was young, and was pushed from foster home to foster home. Sometimes, they weren’t exactly the nice place they were thought to be.

She emerged from high school to set off on her own life, but was plagued by chronic asthma so bad she could hardly walk out of the front door without having an attack. The doctors put her on Prednisone, a corticosteroid. After years of being on it, she weighed 370lbs. Rather than hiding because of her asthma, she was hiding because of her weight. It hurt that she wouldn’t come to our school performances and things that were important to us. We didn’t see what she saw when she looked in the mirror… we saw a loving and caring mother who would do anything for us.

My mom swore when she was younger that if she ever hit three hundred pounds, she would commit suicide rather than live a life of relying on others for daily tasks. After she hit almost four hundred pounds, she hit rock bottom. She got depressed and suicidal, and my dad called hourly just to make sure she was still alive. When I think of how close we came to not having her here, I still get tears in my eyes. Then on Christmas Eve she had a massive asthma attack. She almost died in front of us, and it took four paramedics to carry the stretcher to the ambulance. She was mortified, and came out of the hospital determined to find a better life.

After a year of waiting and going through tests, she was finally approved for gastric bypass surgery. It took two years for her to lose the weight, but she now weighs a hundred and forty pounds and looks absolutely amazing. However, she still has the excess skin to be removed, and because of that, she still feels that she doesn’t belong in her own body — that she’s a prisoner of her own flesh.


“Modified Mom”

Mom found an outlet for herself, a niche that allowed her to be happy with the way she looked when she saw herself in the mirror: Mom got pierced.

Her first piercings were her nipples. She got them done at Juki’s Tattoo in Toledo, but had to take them out to get tests done at random times because of her asthma and upcoming surgery. Finally she got tired of spending money on re-piercing them, and ended up learning to do them herself. My mom has pierced her own nipples five times each, and has kept them open for years. Then she decided she wanted her hood pierced, but was so embarrassed by the excess skin that she didn’t want to go to a piercer to do it. I bought her the supplies she needed as a birthday gift, and she pierced her own horizontal hood. After a week, she decided that she didn’t like it and wanted it vertical — promptly taking it out and re-piercing it. A week later she had to re-pierce yet again because the bead popped out and the ring was lost. A self-done navel piercing, two self-done cartilage piercings, and a professional tongue piercing soon followed; as well as three tattoos.


Looking at my mom now is amazing. She’s a totally different person. She smiles and laughs, she has the confidence to show off her modifications, and help other people decide if piercings and tattoos are right for them. She allows her children to find their own way as well, knowing that her modifications became such a huge part of her life that she couldn’t possibly restrict that happiness from us. She’s my best friend and I know I can tell her anything and she’ll understand. Finding herself has led her to re-discover her long-lost childhood and has helped her to better redefine herself as a woman, not as a forty-something year old housewife and mother.


“Mom Speak”

After getting gastric bypass surgery, what made you decide to modify your body further?

I’ve always found piercings and tattoos sexy, but my weight kept me away. I was afraid people would say rude things and make fun of me if I tried looking “sexy” at 370 pounds. At thirty-eight years old, I figured that if I didn’t get the things I wanted done soon then I wouldn’t do them at all. Unfortunately, it worked too good and I couldn’t stop. Besides, now, I can look down and see my piercings!

Do you have any specific reasons or meanings for the modifications that you have gotten?

Tinkerbell was kind of a “Neverland” thing. She’s magical and cute, reminding me that just because I’m not a child anymore doesn’t mean I can’t still have that naivety and innocence that I long to keep. My heart tattoo was a celebration of losing the first two hundred pounds. I felt brand new, and decided to get my tattoo as a permanent reminder of how far I had come. The Leo sign was honestly a compliment to Tinkerbell when I got it, but now I see it as an embodiment of myself — a true Leo in every way, shape, and form.


My birthday present tongue piercing I did it mainly for the shock value. I’m a 42 year old woman with a tongue piercing, and I absolutely love it. My nipples I got done before I had lost the weight. I did them to feel sexy, to feel that I had something special about me that other people couldn’t see. I always loved the look of them, and felt they made me more womanly. My hood piercing was inspired by Marilyn Chambers. She’s a porn star, and in “Behind the Green Door” she had a hood piercing and I was captivated by it. I wanted one ever since! Also, because I pierced it myself, it’s deeply personal and symbolic of my inner strength that I never knew I had.

My navel was a spur of the moment thing… I thought it was cute, but never thought and overweight woman could have one. Once I lost the weight, I decided to go for it, even with the excess skin kind of covering it.

When people first find out about your piercings and tattoos, what is the first reaction? Is there a different between age groups?

The first reaction is probably disbelief and shock. People don’t think that a forty-two year old housewife would have modifications, and don’t believe that I do. When they get over that, they always want to see them, even the more private ones. The people who know me almost expect it of me — nothing about me is what you could call “average”! To be honest, there isn’t really much of a difference between age groups. People who are in their teens react the same way as people who are sixty or seventy years old. It’s very accepted nowadays, and people are truly interested in the decorations I have.

If your husband or family complained (as in the recent Dear Abby column) what would your response to them be? How would you feel if they said you were too “old” for such things?

I would tell them that it’s none of their business. Honestly, my piercings and tattoos are highly personal and symbolic of how far I’ve come. No one has a right to tell me what I can and can’t do to my body, especially because I’ve worked so long to like myself in it. What does age have to do with it anyways? I’m a woman, not a corpse! As a human, we have the basic right to sate our curiously and make ourselves happy. No one should come between that. A husband should support his wife in any endeavor, even if it’s not something he particularly enjoys.

What would be your advice to the woman (not the husband) in the “Dear Abby” situation?

If she got the piercings for herself to make herself happy, there’s something to be said when your husband won’t support that. It’s the same thing as in the sixties when women burned their bras. Men in relationships don’t want their wives to suddenly be liberated. However, he pledged to love her and support her no matter what when he stood on the altar. A bit of metal doesn’t change the person he married, but his reaction says volumes. I say, more power to her! My husband didn’t necessarily want me to get the piercings and tattoos that I’ve gotten… but he supported me. Now he refuses to let me even think of taking them out, because he loves them so much!

What role did your weight loss surgery play in your decision to get the piercings and tattoos that you wanted?

Everything. I felt more sexy and more womanly inside, and wanted to express that wanton abandonment for all to see. Most of my piercings are sexual in nature, and I did that on purpose. When you’re over forty, it’s hard to feel sexy in your own right. Every little bit helps! Without the surgery, I probably would have still gotten everything except the Leo tattoo and the navel… only because I wouldn’t have pulled my pants down to get the tattoo, and I felt I was too big for a navel piercing. I’m so glad that I’m not limited by those misconceptions anymore, and I feel good enough about myself that I can change my body however I want to, without worrying about what others will think of me.

After your kids watched you struggle with your weight, and the consequences of losing it, how does it make you feel knowing that they look to you as a hero, and are following in your modification footsteps?

I am who I am because of the things that I went though. I wouldn’t wish my past on anyone, but I wouldn’t change it either. It’s made me the person that I am today. I’m nobody’s hero, but every mother wants her kids to look up to her, and if my children think that I’m a hero it makes what I went through all the better.

Following in my footsteps, you know… I didn’t realize that’s what they were doing. I made it “ok” for them to express their own individuality. I’m not one of those mothers whose kids are too afraid to ask for a piercing, so if they wanted something like that, they knew they could ask and I’d probably let them. Well, I suppose I should say “within reason”… otherwise that’ll probably come back to bite me in the ass!

Any further comments you’d like to share?

Yes. I think that people in this world need to grow up. As a forty-two year old woman, I want to tell Dear Abby and all columnists like her that the times are changing. If you’re writing to the public you need to open up your eyes and mind. Not everyone fits into this “cookie-cutter” mold you seem to have surrounded yourself with. I’m happy, and I wouldn’t be here today if it weren’t for my surgery and subsequent modifications. You can’t tell me that my happiness should be forsaken just to fit into society’s misconceptions. I’d rather be a happily modified woman than another suicide statistic.



Mandi Konesni (iam:cuthalcoven) is is a full-time student studying English and Abnormal Psychology. She spends a lot of time rehabilitating wild animals and rockhounding, as well as reviewing experiences for BME. She plans to eventually teach psychology in Toledo, Ohio.

Online presentation copyright © 2004 Mandi Konesni and BMEzine.com LLC. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published online December 19th, 2004 by BMEzine.com LLC in Toronto, Ontario, Canada.



  

Dealing with the Media [The Lizardman]


Dealing with the Media


“The world is for thousands a freak show; the images flicker past and vanish; the impressions remain flat and unconnected in the soul. Thus they are easily led by the opinions of others, are content to let their impressions be shuffled and rearranged and evaluated differently.”

Johann Wolfgang Von Goethe

The media loves modified people. As a rule, we are visually interesting, provocative, and often present a curiosity to their consumers that has been proven to draw ratings. Shannon recently presented a request for guests he received from the Maury Show on his page and as a result of my comments to him about it he suggested I write a column on dealing with the media. The following is a great deal of personal experience over the last decade combined with the usual dose of my opinions. I am sure there are others here on BME that can greatly add to this and I hope they will via the forums. It is important that as a community we take advantage of the media as the positive tool it can be rather than being taken advantage of by the media.

First, and most importantly, whether you are going to involve yourself with the media as a participant or just a consumer everyone should learn to look past the false glamour associated with media coverage. Appearing on TV, being interviewed on the radio, or whatever it may be is essentially meaningless. Take a look at your local paper and evening news and you will quickly see that a great deal of it is filler and that almost anyone and anything can end up there. Getting covered should not be seen as an end or achievement in itself. If you fall for this you play directly into the hands of those within the media who wish to exploit you and you very likely damage any cause you might have. Media coverage is a tool you can use but it is also a force that can easily use you.

Always remember that the media has an agenda and a plan to achieve it. This is not to say that all media outlets and people are working on nefarious schemes but rather they quite simply do have something they are out to achieve and they will do so at your expense if necessary. Interviewing you or having you on as a guest is simply a method for them to achieve their goal. If you are going to deal with the media then you must also have an agenda and a plan. If you go in unprepared then it is most likely that you will get used and end up looking dumb, or in the best-case scenario you somehow get lucky and escape with your dignity intact but nothing or little gained. At a bare minimum, because it is a business, they will attempt to do as little as possible in terms of compensating you for your contributions.

Never underestimate your importance to the media. As a guest or subject you represent the raw materials of their enterprise. Media is business. No one there is working for free and neither should you. Often, getting compensated for your time and work (and it is work) is as simple as asking. Most worthwhile productions realize that they need to pay and will do so when asked, but rarely offer up front and then lowball. The exception to this being many news programs, which don’t pay on the principle that it would impinge on their integrity. Personally, I don’t see a lot of merit in this claim for most stories but the value of advancing your agenda and getting your message out can be valuable enough to offset not getting paid. Of course, this assumes you have evaluated your ideas and goals and formulated a way to achieve them that uses the media coverage you can get.

If you are going to deal with the media you have to do your research and plan your statements before you are recorded. Even very intelligent people often end up looking silly when hit up for ‘man on the street’ comments because they are not prepared for them. You should not only refresh your knowledge of your topic and ideas but also research the particular show or outlet you will be dealing with. Try to figure out their agenda and how you can either counter it or make it work for you.



At the Don Francisco show, Miami 2002.

Below I have broken down some practical tips and information about various forms of media. I strongly encourage anyone who is thinking about any involvement to consult with professionals whenever possible and if you are going to be doing it with any regularity a manager or lawyer are nearly a must because there is a lot to keep track of and having people who know the business help you is invaluable.

PRINT  
(newspapers, magazines, books and the like)

Print media almost never pays and is mainly suitable for advancing information or advertising yourself or your business. The exception is for photos — read releases carefully and make sure that they only allow for use in connection with the relevant story or entry and that it is only for one story or edition. This insures that any use is legitimate in terms of what you expect and that future use will result in further compensation. In terms of content I prefer to do the interviews by email so that I have a written record of what I said in an unedited form. If the interview is recorded for transcription I request a copy of the recording. Most people will supply complimentary copies of the finished product but are often lazy or forgetful about doing it.

RADIO

Much like print, radio is almost always an unpaid gig. It is best suited for information and advertising. Most radio is live, which means you have to be on your toes and well prepared. Shows may be taped and edited for later rebroadcast, which means you should take care to not present them with anything they could easily manipulate if you think they may be hostile in any way. Very rarely will there be any contracts or releases involved unless they are also recording images for a website or something similar.

TELEVISION

News: As I mentioned above, news shows rarely offer pay but they can useful in that news coverage often increases the perceived legitimacy of your statements. I won’t go into the difference between public perception and truth here, but it is worth noting that if you say something on the news it will likely go further than something spouted off on a talk show and reaches a different audience. News appearances often come with short notice and because the particular show has a story they want to run. It is very important to discern the motivation and goal of the story and to be extremely well prepared. The news rarely uses releases.

Talk Shows: Talk shows are probably the biggest offenders when it comes to claiming poverty and not paying guests. Many will try to draw people in with the promise of a free trip (hotel and airfare). This isn’t a horrible thing but the fact is that they do have a budget for guests and should at the very least be offering money for food as well. Initially, I generally tell them I want to paid AFTRA scale for the appearance. AFTRA is the American Federation of Television and Radio Actors and is similar to SAG (the Screen Actors Guild). They set minimum pay and rates for their members; this is what scale is — a minimum amount for a day’s work. You should also ask for residuals from future airings. This basically means that they agree to pay you a percentage of the original amount each time they air the episode again after the first time — with shows like Maury or Ricki Lake this can add up quickly. If they continue to balk about payment you can also suggest they pay you the day rate you would receive at your regular job since it is likely you will be missing some work to travel and appear. Sometimes they will take to this better and even news programs will sometimes go for this. In the end, don’t be afraid to stonewall — losing the appearance is not the end of the world. Check releases carefully and get help reading them through if necessary.

Domestic Cable (HBO original programs, Discovery, National Geographic, and so on): These programs have widely varying budgets but there is always money there for you — it is just a matter of how much. These shows pay to fly crews and equipment around the world, and there is no reason for you to put in the work (and these are usually the most work and disruptive to your usual life) without being compensated. This is where having an agent or manager really helps. Yes, they take a percentage but they often get you more than you would have on your own which makes up for their cut. It is very hard to get residuals from cable networks though, but worth trying — don’t let it be a deal breaker in their case.

International TV: For Americans, foreign television provides some of the most lucrative opportunities. Residuals are almost never there but the up front money is often much better. Again, an agent is very helpful. Many of these outlets pay people to find and shoot the stories and they let them keep the money in the budget that they don’t pay you. A good agent will know the current budget levels for these organizations and get you all you can.

I haven’t mentioned things like variety shows for performers or acting appearances because if you are going to do this then you really should be working with a professional to handle things. Hopefully this helps someone and don’t be afraid to ask me or anyone questions.





Erik Sprague

because the world NEEDS freaks…

Former doctoral candidate and philosophy degree holder Erik Sprague, the Lizardman (iam), is known around the world for his amazing transformation from man to lizard as well as his modern sideshow performance art. Need I say more?

Copyright © 2004 BMEzine.com LLC. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published November 27th, 2004 by BMEzine.com LLC in Toronto, Ontario, Canada.



Fighting Back: Enforcing Tattoo Copyright [Legal Link]


Fighting Back: Enforcing Tattoo Copyright


“I, Robert Barnard, CEO of Digital Storm Group did not intentionally try to harm or offend anyone in the tattoo industry. I thought I was helping the public make an informed choice on the pros and cons of the tattoo industry. Please accept my heartfelt apology and I have shut down my shocking tattoo website and ebook indefinably.”

Robert Barnard violated the copyright of Calypso Tattoo’s Daniel DiMattia by willfully and unlawfully publishing an image of the artist’s work without permission in a commercial text that disparages the tattoo community as a whole. In exchange for not pursuing the violation in court, Barnard ceased publication of his e-book, redirected the web sites for his tattoo and body piercing e-books, paid $1,000 USD to the artist, and wrote the apology above.

This article is about not sitting back and letting people take advantage of body modification artists and enthusiasts.

It shows that we can fight back and win.

Robert Barnard is the author of the e-books “Shocking Tattoo Secrets Revealed” and “Body Piercing Revealed,” as well as other classics such as “Ferrets Revealed” and “Bipolar Exposed.” Cliché riddled, error filled, and abound with misstatements are often descriptions for self-published e-books, and “Shocking Tattoo Secrets Revealed” is no exception. An example of Barnard’s wit and wisdom on the “secretive world of tattoos” is that “occassionally” you can get AIDS from tattoo needles. Evidently, he knows something the US Center for Disease Control does not, as they have never found a case of AIDS transmitted through tattooing. He also warns women that a tattoo may look sexy on their perky young breasts — he uses the word “perky” twice in one thought — but that it won’t be sexy anymore when their boobs start to sag. I can hear the gasps of young women resonating across the Internet with this startling new information. Shocking secret, indeed.

My favorite clichés of Barnard’s are about the reasons why people get tattoos: to please a lover, to be in a gang, and to be a “freespirit.” Oh, but freespirits be warned, “what happens when you grow up a little bit and want to go to work in that law firm and they won’t hire you because of that free spirit tattoo.”

Perhaps it’s because Barnard never imagined the existence of tattooed lawyers that he flagrantly violated copyright laws by stealing images of tattoos to illustrate his text.

Perhaps it’s because he didn’t think that anyone in the modified community is smart enough to understand basic principles of law, that is, because we’re all out getting our gang symbols etched into our skin.

Perhaps it’s because he didn’t realize that one of the tattoo photos he stole might belong to a tattooist whose partner is a lawyer who wrote, “The Tattoo Copyright Controversy” discussing ways tattooists can protect themselves from the very violations Barnard committed. As one friend put, “This idiot fucked with the wrong freaks!”

Yes, he did. And Barnard finally realized it when he received my email threatening suit.

When I wrote the article for BME on copyrighting tattoos, I got a lot of flack: “The tattoo community doesn’t need lawyers treading on it” or “Let tattooists deal with design theft their own way” or “Karma not courts.” However, my article never took a position either way — I just said suing for copyright infringement was an option, take it or leave it.

A few months after the article came out, I was forced to take a position. A “tattooist” had inked a bad copy of a large portion of my custom backpiece — identically. I was pissed off, hurt, and wanted to physically ensure this guy would never tattoo again. But I chose not to sue. Or break his hands. Eventually, Karma won out and the tattooist’s shop had closed down.

I was faced with the decision once again on Monday, October 25th. While checking my email fifteen times a minute, I came across a Google Alert for the keyword tattoo with the title “Is it safe to get a tattoo?” I clicked the link and was directed to a press release for “Shocking Tattoo Secrets Revealed,” which warned that getting a tattoo can be a “life or death” decision and the best way to avoid dying would be to buy this book. Being known for my joie de vivre, I bought it.

Page one of Shocking Tattoo Secrets is a mock-up image of a real book made of paper, an aspirational jpeg for an author yearning to be on the shelves of Border’s Staff Picks. The real irony begins on page two with the author’s copyright notice asking those who did not buy the book directly from the web site to notify the author and they will be rewarded “handsomely” for outing the thief once legal action has been taken.

I scrolled through the pages wincing in pain at the banal cut-and-paste prose that anyone can find on a tattoo web site, with none of the facts and figures he actually gets right attributed to the source.

Then, after suffering through some cheesy clip-art, the images of the tattoos began, one to accompany each body part. None of the images credited the work to the artist or wearer, but many were familiar to me. In the ribs section, I saw a beautiful Japanese piece by New York artist Mike Rubendale, which I knew well. For the backpiece section (a two-sentence paragraph), I recognized the work of Seven Sins Tattoo in the UK. And for the feet … there was the work of Daniel DiMattia of Calypso Tattoo. Not only do I know Daniel’s work well, I know his shoe size, how he likes his coffee in the morning, whether he leaves the toilet seat up or down — all things couples know. But I am not only his partner, I am his lawyer and I know that he did not authorize use of that image to Barnard or anyone connected to his e-books. I also knew his client did not authorize the image.

   

“Didn’t they outlaw torture in the Geneva convention?”

Original work by Daniel DiMattia.

The only other person who could have legally authorized the use of the image is Shannon Larratt who owns the copyright to images that are submitted and posted on BME where much of Daniel’s work can be found. It clearly states on the web site that under no circumstances may BME photos be republished on the Internet or offline unless permission is granted. There was also another tattoo image used in which Barnard forgot to photoshop out the BME logo. So I asked Shannon if he granted permission (never imagining he would) to Shocking Tattoo Secrets Revealed and he said no, offering to help in any lawsuit I pursued. He also pointed me to Barnard’s other site http://www.bodypiercingrevealed.com/.


Oops! Criminal mastermind Bobby B. forgot to cover his tracks.

When deciding to pursue any kind of legal action, you have to stop and think: Is this worth it? Court cases, if not settled quickly, take up a lot of time and money and there’s hardly ever a guarantee that you’ll come out better for it. So I started digging into who is Robert Barnard. Maybe he was a fan of Calypso Tattoo and that’s why he used the image.

Unfortunately, that wasn’t the case. Out of curiosity I did a Google image search for “feet tattoo” and there on the very first page of the search results was the image of Daniel’s work. Then I did a search for “rib tattoo” and Mike’s work came up. Thigh, stomach, legs — the images used in the e-book all appear on the very first page of their respective image search. Barnard didn’t even have the drive to look further than what was immediately presented to illustrate his “work.”

For the sheer reason of his sloth, I decided I was gonna sue. If someone wants to cast aspersions on the body mod community, as many do, at least they should put a little gusto into it. It should never be that easy to undermine artists’ creations and livelihood through gross errors, stale rhetoric, and even illegally using their art against them.

So I sent this email:

From: Marisa Kakoulas
To: Robert Barnard
Subject: Shocking Tattoo Secrets -- COPYRIGHT VIOLATION
Date: Oct 26, 2004

Dear Mr. Barnard,

I just purchased "Shocking Tattoo Secrets Revealed" and found that you unlawfully and willfully used an image of a tattoo by my partner, Daniel DiMattia, in your e-book. I also know that you did not receive permission from the owner of the tattoo to use the image.

I am an attorney and author of the article "Tattoo Copyright Controversy"
http://www.bmezine.com/news/guest/20031208.html. Please read my copyright article -- particularly the damages section -- and contact me immediately so that we may reach an amicable settlement.

I am also in contact with people whose images you have used in your book as well.I will refrain from contacting them until I have heard from you. If you wish, you may have your attorneys contact me via this email address.

Thank you.

Marisa Kakoulas

Barnard replied in minutes saying he was just a hobbyist and didn’t mean any harm and that he would remove the image of the foot tattoo from the e-book.

I took time and read the book thoroughly. In the paragraph under the photo of Dan’s work was a description of getting a foot tattoo: “Didn’t they outlaw torture in the Geneva convention?” In his section on genital tattoos, Barnard says that it “makes him cringe.” Under the photo of the vivacious Isobel Varley, the most senior tattooed woman in the world, his caption of her reads, “Do you think this woman has a little too much time on her hands?” Reading the toxic tone of his writing, I didn’t buy the “didn’t mean any harm” argument, so I wrote back saying that I wanted to speak directly with his attorneys. If he wanted to settle the matter on his own, here were the terms:

  1. Cease publication entirely.
  2. Draft an apology to those your book has offended.
  3. As compensation for harm caused, I set the amount for $1,000 USD, which encompassed the cost of the tattoo and my time spent on the matter. (I didn’t ask to be reimbursed for the $13 I spent on his book.)

I then told him that if it goes to court I may pursue a joint or class action with other artists whose copyright he violated.

Two hours later, I received a transfer of $1,000, a short apology, and the tattoo and body secrets web sites were redirected. Barnard also vowed not to publish anything tattoo related.

To Barnard’s credit, he handled things smart and quickly. I was itching to try a test case for tattoo copyright in the courts. But he explained he’s just a one-man show and has a family to feed. I told him that Daniel has a son to feed as well and that a book that fear-mongers against tattoos interferes with his ability to do so.

Barnard then thanked me for giving him the artist’s side of the story. And then asked me to leave him alone.

I’m leaving him alone. While Barnard has made money off of reviling body art, he’s not a mega-corporation with the marketing ability to affect the minds of many. He really isn’t the ideal test case.

But his story is a good example of how the modified community can fight back against those that violate our rights. I can almost guarantee he won’t mess with us again.

Marisa Kakoulas


This article was not intended as legal advice. It is intended for only general information purposes. This article does not create any attorney-client relationship.



Marisa Kakoulas
Marisa Kakoulas is a New York lawyer, writer, and muse of Daniel DiMattia of Calypso Tattoo, living in Liege, Belgium. She works undercover — or just covered up — as a corporate consultant: proof that tattoos and suits are not mutually exclusive. Her book “Tattoo Law”, an overview of US laws affecting the body modification community, is under way. IAM members can visit Marisa at iam:FREE.

Copyright © 2004 Marisa Kakoulas. Online presentation copyright © 2004 Shannon Larratt and BMEzine.com. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published online November 10th, 2004 by BMEZINE.COM in Toronto, Ontario, Canada.