Early Atypical Body Piercing References

A la the entry below, I came across a couple references to early “non-traditional” body piercing that I’d like to repost here. This first one, about a Madison piercing, is from Rack Rope And Red-Hot Pinchers: A History of Torture and Its Instruments by Geoffrey Abbott (Headline Book Publishing, 1993). It reads,

Chain through the Neck
In the more exotic parts of the world, more exotic punishments were administered. In China, monks who broke their sacred vows were punished by having a hole burned through their necks with a red-hot iron. A long chain was then passed through the hole and, stark naked, he would be led along the streets, any attempt to relieve the pain caused by the weight of the chain on the open wound being thwarted by the application of a whip carried by another monk bringing up the rear.

This also echoes the BME/News “dragon fish” feature on the more drastic but similar use of sub-clavical piercings.

Along those lines, Hieronymus Bosch’s Christ Carrying the Cross, painted in 1490, features a crowd scene that includes Moors (I think) wearing cheek and chin piercings.

This 16th century glazed ceramic plate of a face made of penises (bought by Ashmolean Museum in Oxford for about a half million dollars in 2003), created by Francisco Urbino in Italy, appears to have a Prince Albert type piercing in the “earlobe”. Whether that’s flight of fancy or something that’s representational of actual piercing subculture, I don’t know… That said, given the number of people I know that have pierced their genitals without any awareness of other people doing it, I assume it existed.

John Joyce (Scarab Body Arts) Interview – BME/News [Publisher’s Ring]

JOHN JOYCE INTERVIEW

After being turned on to quality piercing by a dedicated body artist after a series of body piercing and tattoo misadventures as a teen, John Joyce decided to set himself on a career as a piercer. With much hard work — and very long hours — he’s now the owner of Scarab Body Arts in Syracuse, NY, where he’s the head piercer as well as an experienced scarification artist. He’s run his shop and his life with the code his parents raised him with — “anything worth doing is worth doing well” — and he works with a focus on quality materials, quality service, and safety.

BME: Tell me a little about yourself?

I’m thirty years old and grew up just outside of Syracuse, New York. I’m the oldest of three, and had a very normal childhood. We grew up in the country, so most of my childhood was spent making forts in the woods, riding ATVs, or playing hide and seek in the corn fields surrounding our house. My father worked hard, and my mother stayed home to take care of myself, my younger brother, and my younger sister. I did very well in school, was on the wrestling team, and like all kids that grow up in the country I worked hard and partied just as hard. After high school, I went to college briefly for Architecture, and joined the Carpenters Union.

BME: What did you do before you got professionally involved in body modification?

I’ve been working for as long as I can remember. My father is a workaholic. He believes if you want something you should work for it, and you should never have your hand out unless you really need it and have done everything you can for it first, and he instilled that in both myself and my younger brother. When I was a kid, I used to spend summers working on farm in Canada. I learned all about hard work there. They had hundreds of acres in Dacre, Ontario. They milked their cows by hand, and did everything the old fashioned way. When I first started going up there they didn’t even have electricity. I would get up every morning and get on a 3-wheeler and go find the cows with a couple herding dogs, we would bring them back to the barn and that was the start of my day, then it was on to working in the hay, or the pigs, or the chickens, or whatever. They were some very long days, but I loved it. Any free time was spent playing on the lake, sitting around a fire, and just enjoying the outdoors.

When I was about fifteen I started working for a commercial flooring company on weekends or whenever there was a break from school. I started as a laborer, and by the time I was seventeen I was installing floors by myself and sometimes had guys working underneath me. This is when I joined the Carpenters Union. I worked at three different flooring companies by the time I was nineteen and did some warehouse work at one of them. I put a lot of hours in and even though I haven’t been doing it for eleven years, my knees are still a mess from it. I would look at the older guys that had been crawling around on concrete for twenty years, and they could barely stand. I knew I needed to figure something else out.

Since I had been reading blueprints for the last few years while doing floors, and I liked to draw and design things, Architecture seemed like a good thing to go to college for. I did very well in school and liked it quite a bit. There was a lot of creative freedom at first and even though it was a lot of work, it was fun. Then, they took that creative freedom away, and it just became tedious, and soooo much work. My hats off to anyone in an Architecture program at any University.

I had a bunch of other little jobs as well. I worked retail at a store that was a lot like Hot Topic, only before Hot Topic was around, as well as a Halloween store. I also served ice cream at a Friendly’s, and when I was very young I mowed lawns at a cemetery with one of my uncles.

BME: But these days you’re the owner of a tattoo and body modification studio.

Yes, I currently own Scarab Body Arts in Syracuse, NY. I do full body piercings, henna design, scarification, and I am also a NY State Licensed Massage Therapist. People can get in touch with me through the studio email, [email protected], the studio phone number is 315-473-9383, the studio myspace page is http://www.myspace.com/scarabbodyarts, and my IAM page is j_scarab.


Scarab’s reception area and piercing room.

BME: When did you first become aware of body piercing?

I’m not sure when I first became aware of piercings. I was always around people with tattoos — my dad had two, my mom had two or three, and their friends had a couple. Other than ear piercings I never really saw anyone with piercings, and this was before you saw people with piercings every time you turn on the TV. I guess my first exposure to piercing in a broad sense was National Geographic Magazine. I grew up next door to my grandfather Ray — he was a man full of knowledge and stories.

Since this was before every house had at least one computer and was hooked up to the Internet, I did all my research for school papers at his house. He had not one, but three computers, can you believe that, haha? He also had two or three full sets of encyclopedias, and in chronological order he had every issue of National Geographic Magazine. Whenever I was doing research on outer space, or underwater sea life, or whatever, I would run across these pictures of people in Africa with stretched lip piercings, and stretched earlobes. I though it was amazing! I started going to see him every time he got a new issue to see the photos in these magazines. I was intrigued and the first time I saw a septum piercing in one of the photos, I couldn’t help but wonder how it was done, and how I could get one. It still to this day is one of my favorite piercings.

BME: Was that your first piercing?

No, my first piercing was my earlobe. I was probably thirteen or fourteen and had been bugging my mother about getting it done. She finally agreed, but only if I let my uncle do it for me. Since I was the oldest in my family, my uncle was basically my older brother, and I thought he was the coolest dude around. I mean, he introduced me to Pink Floyd The Wall, Led Zeppelin, KISS, Motley Crue, and Mountain Dew — all the good stuff, hahaha! Anyway, how could I turn that offer down? So, to my mother’s surprise, I said yes. My uncle took one of his piercing studs, soaked it in rubbing alcohol, and stuck it through my ear. The whole time my mom was telling me I could back out at anytime. I know it wasn’t the cleanest, safest way to to do it, but I wouldn’t have had it any other way. My favorite person in the world was giving me my first piercing, while listening to Led Zeppelin! It was my very own coming of age ritual, and I loved every second of it.

I still hadn’t met anyone with any professional piercings done, and hadn’t seen any, until my parents made the mistake of taking me to get my first tattoo. I started asking for a tattoo on my sixteenth birthday. I didn’t know what I wanted. I just wanted a tattoo — I needed a tattoo. My father had one, my mother had one, and all the adults I looked up to had one, so I thought I should have one too. When I turned seventeen, I got my first tattoo. My parents took me, and my mom got one with me. I had no idea what I wanted, and it was basically a flash shop, so I started looking at the walls. I figured since I was a scorpio, I would get a scorpion. Super original huh? Haha…

Well, I found a flash page that had some scorpions on it and I picked one out. The one I wanted had a rose in its claw, so I told the guy I wanted that scorpion without the rose. He told me “NO.” He said, “that scorpion comes with a rose — if you want one without a rose, pick a different scorpion.”

I was seventeen, maybe 115 pounds, and he was in his forties and probably 250 pounds. I didn’t know any better and man was that guy intimidating. So guess what, I got a scorpion with a rose. Fan-fuckin-tastic!!!! For about six months anyways. Then I hated it. But while I was there, for the first time, I saw a jewelry case full of body jewelry, and I saw a portfolio full of things that I had no idea you could pierce. This got my wheels turning and I couldn’t stop thinking about getting something — anything — pierced. Two weeks later I went back and got my tongue pierced. I asked him about piercing my septum, but he told me I wouldn’t be able to hide it until it was healed so I settled on a tongue. He didn’t ask for ID, he didn’t ask anything actually, just sit down, pierce and done. On the way home, the ball fell off the barbell and I almost lost the piercing. On top of that, it was not pierced straight at all. That was my first professional piercing, and the first of many not so great experiences.

BME: When did you decide you actually wanted to become a piercer?

Once I got my first piercing, I was hooked. I started looking into getting other piercings done. Unfortunately, even though my parents were fine with me getting tattooed, they didn’t understand my desire to get pierced. Out of respect for them, and maybe a little out of fear, I stuck to piercings that were easy to hide. And thus began my journey of bad piercing experience after bad piercing experience. I got my nipple pierced, which turned out to be placed far too deep. I got my tragus pierced, with jewelry that was far too large. On top of that, after the needle was in, the guy left the room to take a phone call before putting the jewelry in. After this I got my nipples repierced, and while one came out perfect, the other side was horribly crooked. I had a Prince Albert piercing done that was far too deep and done with jewelry that was too thin. It ended up tearing and bleeding like crazy. I even had problems when I went to get me lobes pierced at 10 gauge. The guy pierced over the one hole I had and it went well, but the other ear he lost transfer on. He reinserted the 10 gauge needle and lost transfer again! This happened four times before he got the jewelry in. He turned my earlobe into hamburger. There wasn’t a lot of information back then and I went through every studio around. I could go on, but I think you get the point by now. I was always taught that anything worth doing is worth doing well. Obviously the majority of piercers then didn’t grow up with that mentality. It wasn’t like today when you could walk into any number of $20 piercing studios to get that kind of service. I was paying just as much, if not more, than I charge today for piercings, and that is with much lower quality jewelry. I would say I was paying an average of $60 a piercing, sometimes more.

Eventually I was recommended to a new piercer that had just set up a small studio in Syracuse. It took me a while to find, since it was hidden in the very back of a salon with no sign outside. Once I found it, I decided to get my tongue repierced. I was completely amazed at the professionalism of this piercer. his knowledge, his demeanor, and his bedside manner — everything was top notch. I started having him redo all the piercings that I had done from other studios. He showed me a septum retainer and explained that I could start with that to hide it. Finally, I could get my septum pierced — the one piercing I had wanted for sooo long. I became a very loyal client and we became friends. I watched his studio grow into a new location, I watched him bring in a tattoo artist, and I spent as much time as possible in his studio.

One day he mentioned to me that he was thinking about apprenticing someone. I jumped at the chance. He told me that it was very important to him that whoever he brought in knew about the history of modern piercing, and that the person proved themselves. He gave me all kinds of articles and interviews to read. He gave me a copy of Modern Primitives, which I read cover to cover and was completely in awe of the people and the stories in it. He showed me PFIQ, and Body Play magazines. I loved all of it. He introduced me to BME, where I found even more information — I couldn’t get enough. I read about Fakir, Jim Ward and Gauntlet, Keith Alexander, Jon Cobb, Sailor Sid, Doug Malloy, and more… I figured a good way to prove I was serious was to sign up for either the Fakir Intensives in California, or the Gauntlet courses in NYC. I filled out the information for the Gauntlet courses, I booked a room at the Gramercy Park Hotel and I spent a lot of money getting the trip together. I received my Gauntlet handbook, read it cover to cover and couldn’t wait for start date. I took a bus to NYC, found my hotel and decided to walk around and find where the classes were scheduled to take place so I could get there on time first thing in the morning. I was only about a block and a half away, but when I got there the doors were chained shut and it looked abandoned. Being a Sunday I convinced myself that they were just closed on Sundays and all would be fine in the morning. First thing Monday morning, I show up at the address, and it’s still chained up. I waited around for a while and no one else showed up. This was my first time in NYC and I had no idea what the hell I should do. I went back to the hotel, made calls to every number I could find on the paperwork I had. Most of the numbers had been disconnected, but I eventually got a hold of someone. They told me that they were very sorry, and that I must of somehow fallen through the cracks because everyone was supposed to be notified that Gauntlet was no longer in business and the classes were canceled. I asked about getting my money back, and was told that everything was tied up in legal matters and it was just gone.

So here I was, in New York City for the first time, nothing to do, and stressing about all the money I was out. I found as many piercing and tattoo studios as I could and checked them all out. I went to Venus, I went to NY Adorned, I went to some place called East Side Ink (I’m not completely positive that’s right), but at this place I talked to guy named Brian who said he had just left a position at Gauntlet and was very sorry to hear that I got stuck in the middle. I called Shawn, the guy I was hoping would train me and he was also surprised at what had happened but said as soon as I was home, my apprenticeship would start. I guess I proved I was serious about getting into the industry.

I loved every second of my apprenticeship. I was there six, sometimes seven days a week, and on top of that I was working thirty to forty hours a week to pay my bills. I soaked up everything I could, and couldn’t of been happier.


Two of very, very many happy customers.

BME: What did your family think about your decision?

Starting off, my family was apprehensive. My father especially just didn’t understand piercings. That being said, even though he voiced his concern constantly, he was still very supportive. His main concern was stability. He’s a family man and he worries a lot. Not getting a steady paycheck, not having health benefits, and the lack of job security really made him nervous.

Those concerns really bothered him when I started my own studio. Like I said, he worries a lot, and he knows how hard it can be to start a new business. Not having the stability of a paycheck every week, and probably never having health benefits, really made him nervous. But he supported me through all of it. He helped me with build-out of the new studio, he bought me lunch when I couldn’t afford it, and stood by my side through all the tough spots. I really can’t thank him enough. Now that my studio has been open for a while, he’s very proud. I took a chance, I worked my ass off, and I pulled it off.

BME: Now that you’re on your own, how do you continue improving your skills?

I’m always improving my skills as a piercer. I’ve been doing this for almost eleven years now and I still change how I do things. There is always someone better out there and you can always strive to be better. New techniques, new tools, new products, there is always something new to learn. I remember the first time I talked to Tom Brazda online. I had already been piercing for years at this point, but in one conversation he opened up so much too me. It made me realize how much more there was to piercing. That guy is a piercing nerd — he is so knowledgeable, so open, and so willing to share. There are so many people out there like that. They know so much and are so willing to help other piercers. I think that is why so many of us “old timers” are looked down upon for our view of the new breed of piercers. When I first started peircing I talked to everyone I could to gain information, and there are so many people now who are completely willing to share that info — Tom Brazda, Ron Garza, Brian Decker, Dave Gilstrap, Pat Tidwell, Brain Skelle, myself… The list is endless, but the newer breed of piercer doesn’t seem to care. They don’t look for that information before they try something new — they just jump in. The information is so much easier to get now, and they just don’t seem to care as much. The learning forum on IAM is a great example.

BME: Are you an APP member?

Oh the APP… where to begin…

I am not a member but I love the APP. That being said, I think whether you are an APP member or not, if you are a piercer you should make every effort possible to attend the APP conference. I spent years piercing in an area where I was the only one using implant grade internally threaded jewelry, and practicing proper aseptic technique. It was amazing going to the conference and being surrounded by piercers with the same ethics. I learned a lot, not just in the classes, but in the discussions that happened throughout the week, over food or over a beer. I made some great contacts, and great friends.


Relaxing at the APP convention.

BME: What secondary education do you have on top of your apprenticeship?

I keep my CPR, first aid, and bloodborne pathogens certificates up to date. On top of that, in 2006 I enrolled at the Onondaga School of Therapeutic Massage. I took Anatomy & Physiology, Pathology, Myology, and so on… We talked a lot about how the body heals, and it really went hand in hand with my piercing back ground. I graduated in December 2006 with the Salutatorian award. I would have had valedictorian but they dropped a couple points off my grade point average for missing time to go to the APP conference and for Scar Wars in LA. Going through massage school really got me excited again about learning new things. I also take classes yearly at the Association of Professional Piercers conference.

BME: Do you see piercing as an artform or as a craft?

I think piercing is more of a craft, at least on the technical side of it. But to be a good piercer you need to be able to put an artistic spin on it. You need to be able to look at someone’s face and be able to see if that Monroe piercing is going to look good where you have your mark, or maybe a millimeter or two to the side. Anybody can learn the skills to run a needle through someone and put jewelry in, but a good piercer takes placement and angles, and everything else into consideration to make it look as good as it possibly can.

BME: Do you think they’ll ever make a reality TV show about piercing? You could star on “Syracuse Steel” or something?

Oh man, I hope not. Who knows though — I never would of guessed that there would be shows like Miami Ink, or LA Ink, or London Ink, or Wherever else Ink. I don’t know about a show just on piercing, but I think sooner or later instead of just tattoo studios, there will be studios that offer both tattoos and piercing on these shows. Piercers meet some interesting people so I’m sure it’s only a matter of time. In fact, one of the artists that work with me, Mike Haines, has been saying for years now that they need to do a show on a whole studio environment. He started saying that back when American Chopper first started and the bike shows were just coming out — this was before Miami Ink and all those.

I’ve had so many great clients over the past decade. I had a woman who had been in the studio with her partner a few times and eventually asked me to pierce her as well. It was a very emotional piercing not only for her, but for me as well. She had been abused as a child, and since then had never had a male touch her or look at her without clothes on. Even her doctors were female. Watching me work with her partner eventually made her comfortable enough to ask me to work on her. We did a Christina piercing — there were many tears shed, but there were also many smiles and hugs when it was all over. It was great to be a part of her self discovery, her growth, and her reclaiming of a part of her.

I once had a 68 year old man come in for a Prince Albert after his wife died. He had always wanted one but his wife just didn’t understand. Out of respect for her, he never got it done. Once she passed away, he decided it was time. First and only piercing he had ever had, and he did fantastic. Smiled through the whole thing.

I also had a woman that was in her seventies. She had never had a piercing before and had always worn clip on earrings. Every year for Christmas and other holidays people would buy her all kinds of nice earrings, because they had no idea her ears weren’t really pierced. She decided it was time to wear some of those, so she came in. Even though it was just a set of 18 gauge earlobes, she was so happy and excited. She came in a couple times after that showing me some of the jewelry she had never been able to wear in the past, now in her ears.

I just recently had a couple come in for their 25th wedding anniversary. For their first piercings ever, she got a vertical hood and he got a scrotum piercing. It was great — they were a lot of fun, happy, and everyone left with smiles.

One of my absolute favorite clients is a guy named Aaron. He originally came to me about his ears. He had two stretched lobe piercings in both ears, and the skin between them was dieing due to poor circulation. I scalpelled the holes into one larger hole. He had a bunch of piercings done at other studios in the past and had problems with most of them. He was surprised at how easily everything healed up after I worked on him and he became a very loyal client. I have since done a number of procedures on him, including a bunch of piercings, dermal punches, and a lip scalpelling. He now wears a 9/16” labret plug in his lip. He was amazed at the difference the higher quality jewelry made and has had no problems with any of his piercings since having them done at my studio.

I really like being apart of people’s lives like that. So many people get piercings to mark an occasion, whether it’s a birthday, an anniversary, a new job, whatever, but it’s always a positive thing and it’s great to share that with people.


Star surface piercing projects.

BME: Do you have a favorite piercing to do?

I’ve been doing this a long time now, and at this point I don’t really have a favorite piercing to do. It’s more about the person now. I like working on people and making people happy. If the client was fun and we had a good time doing the piercing then that is what it’s all about now. It amazes me how many people come in to get a piercing or a tattoo for that matter, and are a complete asshole. I just don’t get it.

That being said, I still love septum piercings. I also really like philtrum piercings [central upper lip piercings], and my new favorite has to be high nostrils. I absolutely love the look of high nostrils.

BME: Do you have a least favorite?

If the person is an ass, then I’m not going to enjoy working on them very much. I really don’t mind doing any piercing but for me the least favorite piercings in general are tongue web piercings and upper lip frenulums — I just don’t like them.

BME: Which do you find the most technically challenging?

It’s hard to say. Everyone is built so differently; a piercing that is very easy on one person can be a complete pain on the next. Every piercing is going to be different, and as soon as you think you’ve seen every possible shape of a navel, a hood, an ear, or whatever, someone will come in with something completely new. I mean, try lining up a pair of nostrils on someone who broke their nose three or four times, or finding the perfect spot for a surface piercing where there is limited movement — it’s great! I like the challenge, it keeps me sharp, and keeps me growing as a piercer.

BME: Is this a career that you’d recommend to others?

I absolutely would recommend piercing as a career. But, you got to love piercing, and I mean really love it. The cool factor wears off, there isn’t a lot of money in it, the hours are usually long, and it’s not always a glamorous job. A lot of piercers work another job, especially during the slow season. I’ve been working at least six and usually seven days a week for most of the last ten years. I remember a year or two after I opened up, I took what I made, figured out the hours that I worked, and it worked out to $2.68 an hour. It’s really just the last two years that I’ve made even a decent amount of money, and it’s not a lot by any means, especially once you factor in the hours. So yeah, you have got to love it, because you’re not going to get rich being a piercer.

BME: Having gone through an apprenticeship yourself, have you apprenticed anyone?

I get people asking for apprenticeships a couple times a week. For the longest time I had no desire to apprentice anyone. I just didn’t see the work ethic, or the determination in the people asking that I had. I finally decided that I needed to bring someone in. He was someone I had pierced a few times, seemed really interested, and very eager. He reminded me a lot of myself when I first got into the industry. I explained he wouldn’t be making any money at all for about a year, and he wouldn’t be piercing anyone for at least six months. I explained the long hours he would be putting in between being at the studio plus working outside of the studio to pay his bills. Everything went really well, he was right on schedule with everything I had planned out, and we got along very well. He really seemed to fit in with the studio. I brought him to Vegas with me for the APP conference, introduced him to people that I had looked up to for years, we took classes together, it was great .Then about eight months in, he started slacking. After about a week of that, he just didn’t show up. People don’t realize that this isn’t an over night process, and it seems cool at first, but it’s a long road, and it’s not always fun, it’s not always exciting, and people just get impatient. I was very surprised when he stopped coming in — it caught me completely off guard. I guess somewhere in there he decided he wanted to be a tattoo artist instead, and piercing just wasn’t in him. I wish he had just talked to me about it, but he decided to just bail.

I waited a little over a year before I even thought about bringing in another apprentice. I had all kinds of offers, but I was really let down, and just didn’t want to deal with it. I recently brought in a new girl, Shelly. I’ve wanted a female piercer here for a long time. She was someone I had done a bunch of work on, proved that she was serious about piercing, took care of her piercings, and was always respectful and nice when she was in the studio. It always amazes me when people that don’t take care of their piercings, or who come in with an attitude ask me to apprentice them. Shelly just started her training in November, so she has a long ways to go still, but so far things are working out very well.

BME: I assume you’re in this for the long haul?

Man, I hope so! I just recently turned thirty and just had my ten year anniversary in this industry. That means a third of my life has been devoted to being the best piercer I can be. I still love piercing, and have no intention of quitting. I do however want to change my focus a little. I can’t keep working seven days a week — it’s just not healthy. Once Shelly is done with her apprenticeship, I’m hoping I can take some more time and devote it to doing massage therapy. I have a separate space for that now, but most of my time is still taken up by piercing. There are so many different modalities and techniques that it’s opening up a whole new area of research and training that I want to do. So, I’ll probably still be working seven days a week, hahaha…


John getting tattooed.

BME: It seems like a lot of piercers seem to “burn out” after a decade and leave the industry… Why do you think that is?

I’ve noticed the same thing, and it’s something I worried about as I approached the ten year mark. Shawn, who I apprenticed under lasted about ten years in this industry and then basically walked away. For him, I think most of the stresses that pushed him out of piercing were from owning a business, not so much from piercing itself. That is something that I can definitely relate to now that I own my own studio. I love piercing, no matter how stressed I am, or what I’m stressed about — piercing actually calms me. The stresses from owning a business on the other hand just pile up. It’s a very up and down road, and you have to be able to look at the big picture and not focus on things on a daily or even weekly basis. If you can’t, you’ll drive yourself crazy. I think the biggest thing that most piercers end up walking away from is the seeming lack of responsibility from clients and from other piercers. It’s frustrating when you are doing everything you can to ensure the highest quality, safest, experience possible and all the client cares about is saving $5 somewhere else. The majority of piercers out there are clueless — they don’t know what type of metal they are using, or why they should be using something else, and they aren’t up to date with aftercare methods, and they have no idea what aseptic technique is. $20 or $30 piercing shops are popping up all over the place. There is no way you can offer a piercing at that price with high quality jewelry and be doing everything properly. It just isn’t possible. It gets very frustrating at times when you are doing everything you can to do things the right way and to educate the public, working longs hours for little pay, and it goes unappreciated. There have definitely been times when I’ve been at the point where I’ve been ready to just throw in the towel and go back to installing floors, or doing anything. But then I get one of my regulars walking into the studio and I remember why I love doing what I do.

BME: So that’s what keeps you coming back 🙂

I make people happy. People leave smiling and excited, and wanting to give me a hug because I pierced them. It’s a great feeling. Sure there are the asses that just want to save $5 and are rude, and don’t care about their safety, but fortunately, I have some of the most loyal clients around and they make it all worth while.

BME: Do you get many “weird” clients?

You know, I don’t meet nearly as many “weird clients” now as I did when I first got into this industry. But, I’m just going to change that from “weird”, to “interesting” — that sounds much better. When I first started piercing, there was still a huge percentage of slave-and-master and leather daddy clientèle coming into the studio. I still get some now, but not nearly as much. It opened my eyes very early on to how diverse people were and I loved it. I met so many different types of people. I’m not gonna lie — I kind of miss those days. It made the job a lot more interesting when I was doing a couple scrotum ladders a week, or large gauge PAs, or whatever, compared to now, when it’s just nostril after nostril.

One story comes to mind right away though, and I don’t know how many people can ever say they experienced this, so I feel pretty special, hahaha…

This was years ago, but we had a regular that was full of stories. He had been castrated, had a urethral reroute, had male breast implants, two inch earlobes (which were very very uncommon at the time), and so on… He still had a fully functional penis, and right below that where his scrotum used to be, he had an opening for a urethral reroute, and just below that he had a vagina made. He had a conversation with the owner of the shop about his procedures and offered to show him. They called me into the room, where I watched this man jerk off with one hand, insert a metal sound into his vagina with the other hand, and ejaculate out of his urethra relocation. Now that is Amazing Stuff!

BME: Oh — yes — he’s great! I know exactly who you mean (this individual is also featured in the ModCon book). We’ve already talked about this a little, but what do you think is it that makes you — or anyone — a good piercer?

I think a good piercer is someone who knows their limits. Knows when they need to do more research and knows when to say no. So often I see piercings done on people whose anatomy just doesn’t allow for that particular piercing. A good piercer needs to know more than just how to push a needle through the skin — anyone can do that. They need to practice and understand aseptic technique. I’ve seen piercers change gloves at the weirdest points during a procedure. The don’t understand when or why they should be changing gloves — they just know they are supposed to change their gloves at some point. A good piercer needs to know what they are putting in people. So many piercers have no idea what type of steel they are using. They don’t know the difference between “316L”, “316LVM”, or why they should be using “316LVM F-138”. A good piercer understands how the body heals and understands the aftercare they recommend, and knows how to troubleshoot if there is a problem. A good piercer is confident, but not arrogant. Most importantly, a good piercer is always learning.

BME: We talked about some of your oldest clients, but what have your youngest been? What’s your policy and feeling on age requirements?

The youngest person I have pierced was five — it was a set of earlobes. My insurance company has since changed their policy and I am now no longer allowed to pierce anyone under the age of fifteen.

It’s really hard to say, “at such and such an age, you are responsible enough to care for a body piercing.”

Everyone is so different that it just doesn’t work that way. I’ve had thirty year olds come in and act like complete asses. They don’t listen to me when I go over after care, they act very immature, and I can’t get them to stop text messaging long enough for me to go over anything with them. All they want to know is, is it gonna hurt, is it , is it, is it?? A couple weeks later they call back or stop in complaining that it’s not healing, and when I ask them a few questions, I find out they are doing everything the exact opposite of what I told them. Then I’ve had fourteen year olds come in, ask what the jewelry options were, ask me about sea salt soaks before I even mention it, ask about retainer options, and other jewelry once it’s healed, and a bunch of other good questions. Questions that show that they have done some research and are completely ready for the piercing and they heal with no problem at all.


Large scale skin removal: grasshoppers mating, done in two sessions.

BME: On a technical level, what range of tools do you use to penetrate the skin?

I use needles, scalpels, and dermal punches — it really depends on the situation. In my opinion, it’s a matter of the right tool for the job. A 5mm dermal punched cartilage piercing is going to heal a lot easier than a 4 gauge needled piercing. I know this from experience because my conches were pierced with 4 gauge needles and immediately stretched to 2 gauge about eight years ago. Not only did this completely suck balls, but the healing took forever and was very problematic. I also have been using punches for all my surface work for a couple years now. I have found the punch and taper method to work far better for me. I know a few piercers who have great results with a needle, but for me the punch and taper technique has drastically improved the success rate of surface piercings that I have done. Anatometal’s new flat surface bars don’t hurt either [hey, Barry, maybe I can get some free ones for the plug, hahaha?].

I’m not a fan of using dermal punches on soft tissue like earlobes. I think in that instance, you want to leave as much tissue as possible for future stretching, so a scalpel is better off. Like I said, it’s the all about the right tool for the job, and a proper understanding of how to use that tool.

BME: What do you think of ear scalpelling?

I do quite a bit of ear scalpelling. Most of the time it’s to redirect the piercing. An example that comes to mind is on one the tattoo artists that work with me, Rick. He had his ears stretched to 1/2” from regular gunned piercings. They were drastically uneven — one was very far forward and one was very far back. I scalpelled them up to 3/4”, cutting one side only in the front and one side only in the back. It evened them out very nicely and he is now at 1 3/8”.

BME: How do you draw the line of what you will and won’t do?

If I think it has a good chance of healing, and not cause any problems, I’ll do it. I’m not into shock value and doing piercings just to get the photo, knowing they’ll probably be taking the piercing out in a couple days or weeks. Under the collar bone piercings completely freak me out. They go so deep into the body cavity and in some people there is a chance of hitting lung tissue. Most people don’t realize how far up your lungs actually go! Eyelid piercings just seem like a bad idea — I mean, come on!

It’s not that I don’t think people should be able to get these things done. I absolutely think they should be able to, but I’m not comfortable doing it. There is too much liability involved and if something goes wrong, even if it’s months later, that person could very easily come back after me. I love seeing people push the boundaries when it’s done safely, and the research has been done first, and the parties involved take full responsibility for their actions. I’m not just talking about whoever does the work, but also the person who gets the work. I’m reminded of two recent ModBlog posts. One was the 1/2” or whatever it was Achilles piercing, and the other is the implant gone wrong on the girls leg. That Achilles piercing was very impressive, and I absolutely loved it. I know a lot of piercers gave you a lot of shit for posting it, but I’m very happy you posted it. I love seeing what the human body can pull off, what can be done to it, and how far it can be pushed. That being said, I’m not going to pierce anybody’s Achilles, I can promise you that! The girl with leg implant is a great example of the client taking responsibility for her actions. Things can and do go wrong, and everybody was ready to jump on the practitioner and wanted him called out. She wanted an implant in her leg, she took the time to seek out a practitioner, she knew the risks, and unfortunately it didn’t work. She understood all of that before hand, and when it didn’t work, she didn’t get all pissed off and want this practitioner’s head on a stick. Even though it got pretty bad for her, she took responsibility for her choices. If the practitioner did something wrong, and was negligent in any way, and she could prove it, then sure, go after him. What people need to understand is sometimes things just go wrong, it’s not anybody’s fault — they just do. When that happens, you need to do exactly what this girl did, and just call it a loss, deal with the consequences, and move on.

Sometimes shit happens, and it doesn’t mean you get to sue somebody or are entitled to anything. We’re pushing limits here, and there are risks with those limits, know them beforehand and be willing to take them, for better or for worse.


Fresh and well-healed scarification by John Joyce.

BME: Over the ten years you’ve been in this industry, how has the public attitude toward piercing changed?

Piercings are definitely becoming more common and more acceptable. Sure it can still be a hard to get a job with a lot of facial piercings or 1 inch earlobes, but it’s a hell of a lot easier than it was ten or even five years ago. I’m getting a lot more people in their thirties and forties who work in office settings getting nostril piercings. I still hear people complain all the time about how they don’t get treated with respect because of their piercings. While I’m sure there are times when that is true, I think a lot of it is also in how you carry yourself and how you present yourself. Ten years ago I had a lot of visible piercings, far more than I do now. This was definitely not the norm back then, and I never felt like I was being treated poorly. I treated people with respect, and they gave it back to me. If you act like a punk kid, then you’ll be treated like one, whether you have piercings or not.

BME: Are you still getting piercings yourself?

I have settled down a lot with my piercings. Many have been retired, but I still have quite a few. There are a few things I still want to do, my high nostrils being one of them. Unfortunately, I do not have a lot of faith in the majority of piercers around here. This means I either travel the four and a half hours to a piercer I trust, like did for my 4 gauge nostrils, or I wait until I’m done training Shelly. What could be a better test for an apprentice than to pierce the one who trained her?

BME: Finally, is piercing a trend?

Well, when I started my apprentice just under eleven years ago, my grandmother told me that piercing was just a trend, a fad, and then what was I going to do? When I opened my studio, just over six years ago, she told me the same thing — she still loaned me money to get started though. So, is piercing a trend? Sure, just like tattoos is a trend — a couple thousand year old trend!


John cutting at the ScarWars convention.

BME: A lot of piercers seem to move into scarification and implants in their later careers, yourself included.

I’ve been performing scarification, both cutting and branding for about six and a half years. It’s just within the last three years that I’ve really become comfortable with my cutting skills, especially removal. I really love doing scarification pieces, and while I don’t get to do it as often as I would like, I’ve been fortunate enough to do some great pieces on some great people. Shawn, the guy that apprenticed me for piercing had taken the Branding Intensives offered by Fakir. He actually did quite a few brandings and I learned a lot from him. Implants are something that I was very interested in for a while. I got into them a little, got a lot of info, and performed a couple on close friends. The few that I did healed up very well, and are still in to this day, but doing them stressed me out tremendously. I still perform genital beading, but for now I’m not really interested in doing transdermal or subdermal implants.

BME: Tell me about how you became proficient in doing scarification?

Shawn taught me quite a bit and I eventually started doing some brandings under his supervision. He eventually started doing cuttings on some of his clients. This, he didn’t master quite as well as branding, and even though he wasn’t what I would call a good cutting practitioner, I still learned a lot from watching him. Eventually, one of the girls he had worked on asked me to redo a piece he had done on her.

I ended up doing a few pieces on her, simple line work and geometric stuff. For a long time that was all I did. I couldn’t have asked for a better person to try new techniques on. She was very open and took the process like a champ. I tried different blades on her, found what worked best, and slowly started doing more intricate pieces. For the first couple years, all I did was single line work — no removal, and mostly geometric shapes. I constantly checked portfolios of artists I respected, and I still do. People like Ron Garza, Blair, Steve Haworth, and Lukas Zpira. Later I learned about Ryan Ouellete, Brian Decker, Wayde Dunn, Jessie Villemaire, Dave Gillstrap, and so on. These guys were doing amazing work, and some of us were learning around the same time so we were all growing together. I asked questions about blade types, about aftercare; I asked anything I could think of. Shawn Porter started the Scarification Forum and I asked if I could participate. This was a great place to get info and share photos, and get critiqued. I was invited to work at Scar Wars I [scarwars.net] in Philly, and unfortunately I had to back out because I had just started massage school, but I didn’t pass up the opportunity to go to Scar Wars II in LA. I did a few pieces there, including a collaboration with Brian Decker. It was great watching everyone work, and I learned a lot. I did quite a few pieces at this years Scar Wars III in Philly, including another collaboration with Brian, and I got to work alongside Wayde.


Collaborating with Brian Decker on a cutting.

Something I was really surprised about at this past Scar Wars III in Philly was the lack of learning artists in attendance. There are so many people in the Scarification Learning forum, and there are even more people offering scarification that have a long way to go. I can’t stress enough how much knowledge there is to be gained at an event like that. It’s an opportunity to watch the best of the best of the best work, and pick their brains. It’s an unbelievable opportunity, and I think it is really foolish to miss it. It goes back to what I was saying about some of the new piercers. It seems like the easier the information is get get, the less people want to take advantage of it!

BME: What types of scarification do you do?

I do strike and cautery branding, as well as single line cutting, removal, and just started with some of the cross hatch shading technique. That is something I’m still experimenting with. I do far more scarification by cutting than I do by branding though.

BME: I know you have Architecture experience, but what’s your artistic background and what is your design process?

I’ve been drawing for as long as I can remember. In high school I spent a lot of time in the art room, even though I wasn’t enrolled in art classes. One of the instructors was even convinced I was one of his students. I started taking design classes my junior year in high school, and then enrolled in Architecture courses in college, so most of my formal training has been more in design than art. I’ve always been surrounded by artists though. Growing up, my uncle who was an amazing artist. He did a lot of pen and ink, and some three dimentional sculptures. I spent a lot of time with him and tried to emulate his work. Once in high school, most of my friends were art majors, which is why I spent so much time in the art room. And of course for the last ten years, I’ve been working side by side with different tattoo artists.

My process for coming up with design for scarification is very similar to a tattoo artist. I do a consultation with the client, take some notes, and talk size and placement. Then I use all sorts of reference material and do some sketches. I always try to keep placement and body movement in mind, so I can place the piece so that it works and flows with the body. Sometimes, I’ll have one of the tattoo artists give me a hand with a design, and we all kind of work together.


Cutting with skin removal, fresh and healed.

BME: Is your scarification clientèle at all different from your piercing clientèle? Is it something you offer commercially?

The clientèle really isn’t any different. Most of the people I have done scarification on were originally my piercing clients. I do far more scarification on woman than I do on men, but that’s true of piercing as well. For a long time I just offered it to people I knew, but now I offer it commercially. It’s not a huge percentage of my income, and in fact, If I stopped doing scarification all together it wouldn’t really affect my yearly income. More and more people are asking about it, so hopefully that will change.

BME: What does the future hold for scarification in your opinion?

I don’t think it’ll ever be common enough for me to do it exclusively, at least not during my career, but I do think it’ll become more common. In the past it was mainly just people who worked in the industry, or who were pretty close to someone in the industry that got scarification done. At this point I’ve worked on a very wide range of clients. I did a branding on a guy’s shoulder who was in his mid thirties and who drove from Connecticut to get it done. He was very conservative looking guy, and his only real concern was if it would affect his golf swing. I’ve worked on a girl who had some existing scars she wasn’t happy with, and wanted to make it a more positive thing. I’ve worked on people who weren’t comfortable getting tattoos because the thought of a foreign substance being put in their skin made them uncomfortable. Scarification has come a long way since I started doing it. The work being done now has so much more detail in it than it did back then. Especially now with the new shading technique pioneered by Dave Gilstrap, which Wayde Dunn has really ran with as well. It’s making scarification more appealing to a wider range of people.

BME: Thanks for taking to us about all this!


Shannon Larratt
BME.com

Inflated! (BME/News Publisher’s Ring)

Inflated!

I first met my friend “Anon” when he sent me photos of his mineral oil injection which had, as they always do, gone terribly wrong. In his early thirties, his interests centered around body inflation of all sorts — saline, air, water, pumping, and more — but he had catastrophically deformed genitals thanks to his body’s response to the mineral oil. After hiding it, untreated for half a decade, he met the woman who was to be his wife and eventually had to face the wages of his fetish with her.

Ultimately, his story is a love story, and with her support, he went through a difficult repair process and now enjoys his fetishes with borders that they can both enjoy without risk.

Anon’s deeply damaged genitals prior to surgery

 

* * *

Tell me a bit about yourself.

I was born and raised in the Montreal, Canada area and am a strictly heterosexual male, married, with no kids yet. I came from a normal family — you know, we ate dinner together every night — not super happy and close knit like the perfect families you see in the movies, but we were all pretty much normal and content. I was always more reserved and kept to myself growing up, with no girlfriends until I met my wife five years ago…

I breezed through high school and then did one semester of college. I didn’t really like the way the teaching structure was set up: “Ok, class, read pages 100 to 975, do the exercises on pages 976 through 980, and if you have any questions ask me later” — a quote from almost all my teachers… If I wanted to teach myself everything, I would have gone to the library. I dropped out and went to work and had several jobs over the years until I found I had a talent and passion for computers. Now I work in the IT industry in a corporate environment.

What body modifications have you undergone?

The only permanent “mods” I have are one nipple ring in my right nip, and a huge asshole from regular stretching.

I had tried genital beading a short time after having read an article in Penthouse. I didn’t know how so I just cut slots in the skin and pushed the beads in and taped up the holes. After a couple days, the holes hadn’t healed and were starting to look bad, so I got scared and opened them up. I hadn’t used stainless steel so the beads were turning black… I popped them out, washed everything, and let it heal.

I now have skin graft scars on my entire penis and scrotum except for the knob. The graft was the result of that stupidness with mineral oil…

Why did you inject mineral oil into your genitals? It almost always turns out badly when people try that… I hope it wasn’t after you saw it on BME!

I decided to do this on my own but it happened in two steps. Once, before I had heard of BME, I wanted to do something to make my dick bigger a little more permanently. Thinking of the different things around the house, I came up with the bright idea of injecting mineral oil. The reasoning was “if we can drink it, I can inject it.” Thing is, I didn’t know at the time that mineral oil is used to help with constipation — the body can’t absorb it so it gets expelled…

The first time I only used a little — maybe a couple of CCs. It made a small bump on the top of my cock about an inch long by 3/4 inch wide and 1/4 inch high, roughly oval in shape. I got scared at that point and stopped. The lump sort of flattened, like a saline injection and stayed sort of soft for about a day, getting firmer and firmer. It stopped changing texture after a day or two and didn’t move in any way, shape, or form after that.

When I did the major injection I was twenty one or twenty two and it was several years after the first injection. I hadn’t had a girlfriend (or sex) yet and my dick was all lumpy. I was depressed and looking for a way out, either up or down — I don’t think I cared. I started obsessing about my dick and I can remember thinking that if I made it bigger and smoothed out the bumps, maybe I would get some confidence back and find myself a woman… Vacuum pumping was temporary, as was saline, and I came back to the oil… It had worked the first time, so I did it.

The same state came over me again where my hands were shaking, my heart was pounding, and I was not in control anymore… the little short circuit in my brain that pushes me do do all these things was more there than I was I think. I injected some oil into my cock and it looked good, so I injected more… I was hard as a rock and I could really see what it looked like — nice and fat and smooth. It looked normal, but really fat, like after a good pumping session. I was in a trance and just kept thinking how I wanted to be bigger and injected a whole lot more into my sac, at the base of my cock. It didn’t hurt at all — none of it. I don’t know if it was the euphoric state I was in, or if mineral oil just goes in that way. I massaged the oil around to make it even and by then was so primed up I had to jerk off. I had no other choice: I had to cum…

In all I think I injected 500cc into my sac and maybe 250cc more into my dick…

Over the next couple of days the euphoria wore off pretty quickly. I was sure I was going to die because of this. Not because it looked bad at first or anything — I just sort of had a premonition… Because of my state of mind at that point I just said “ok, shit happens” and let it go… The appearance deteriorated over the first week, sort of stopped for a while, and then constantly got worse and worse…

The problem is, my dick, like every other guy’s on the planet, isn’t erect 24 hours a day. Because I had filled it up while hard, my skin was stretched out over the length of my erect cock. When I go soft, I am about half the erect length, and the oil and stretched skin had to go somewhere… the best analogy I can think of would be grabbing your cock at the base and pulling the skin towards the knob. It sort of bunches up around the head, right? Imagine this now with 250cc of oil under the skin. The oil wanted to stay long and flat because it was hardening, but my soft cock was trying to pull back into my body like usual.

It took about a month but I finally wound up with a sort of doughnut shaped bulge of skin around the head of my soft cock. The bulge took up the whole length of my dick between the head and the base. It wasn’t lumpy, and it stayed smooth, but it was very firm and not pliable. It was permanent, and when I got hard, the skin didn’t change shape or stretch out. It pulled the skin from the base of my dick outwards. I was the same length hard as before, only half of my dick stayed inside. Think of my previous analogy — when you pull the skin of your dick towards the head, the pad at the base sort of pulls up along your cock, right? Same thing was happening to me. All the time. The skin that had been injected didn’t move, didn’t slide, or bend — it was just stuck to the outer half of my dick. Because the skin didn’t move this caused two complications.

First, because I had also injected into my sac, the joint between dick and sac was no longer very flexible. Erections at night and from masturbation pulled out my dick, but the skin under there couldn’t handle it and eventually split. The split grew wider and deeper until I was scared it would cut into my urethra. It never healed over and no matter how often I washed it, it was constantly seeping puss or lymph… the split never cut into the urethra but it wound up covering a third of the diameter of my dick.

The second complication was caused by the same problem — getting hard was pulling on tissue that had no give but was aggravated by being soft too. The skin just below head of my dick and where the shaft attached started to split as well. The head of my cock was slowly being pulled under the skin, but there was no give there either. The skin split on top of my dick too, just below where the glans ends. This pocket went about half way around and was about 3/4 inch deep, and because it was very hard to keep clean, puss and lymph would build up under there. The pocket broke through eventually and made a second hole in the surface skin. That hole slowly tore out along the whitish scarred lump until it totally separated on that side.

All this took about five years to evolve. It wasn’t painful, but it was gross. I had to put folded up paper towels in my underwear to keep the oozing under control, and it always stank.

What did you tell the doctors when you eventually decided to have it treated?

What did I tell them? The truth. I wanted them to fix it and I wanted everything to work so I had to give the docs all the info they needed to do the job right. I actually had several doctors… In Montreal there are mostly teaching hospitals so I saw just about every intern there — they don’t see stuff like this every day I guess! My actual doctors though consisted of three of the senior urologists and the senior plastic surgeon.

They started by removing most of the mass from my sac as much as they could. I had an epidural and sedative for this part and I actually started to wake up during the operation. All of a sudden I could feel them pulling on my genitals. It was scary for a few seconds until someone gave me another shot of sedative and I fell asleep again. This took a while to heal, and there was a complication because the drains were taken out too early so I had a build up of blood in my sac. They had sent me home to rest and I would go in a couple times a week for follow up. The blood clot finally forced open the sutures, so when I went back in they had to rinse out the holes to break up the clot. I was told to massage out as much of the clot as I could every day in the shower after irrigating the hole with saline from a big syringe. The first time, about 125ml of clotted blood came out. I was resigned to all this so it didn’t affect me too much… well, when the sutures split I freaked out a bit, but afterwards I was sort of detached — clinical about it all.

My wife didn’t look too much because she’s squeamish, but she was always there to support me. Luckily, I had continued doing inflation play after injecting the oil which had stretched the tissue, so there was enough healthy skin to leave me a good sized sac. The scrotal results were encouraging, and it was time to remove the rest of the mass from my dick. The doctors had no idea if I would still be able to function afterwards — at this point I could still get hard and ejaculate — so the wife and I went to a fertility clinic to set up a sperm bank. We found out that I was producing no live sperm… no sperm at all in fact. There just seemed to be some immature sperm but nothing else. That hurt. I wasn’t really sure if I wanted kids but to have the option taken away like that hurt both of us…

The penis operation was sort of like a breast lift. They cut a vertical incision in the skin above my cock to where the base was supposed to be and pulled the shaft back up to that point. They stitched the skin together around the base to close it up. Then they removed all the injected skin on my shaft, which is to say, all of it. There was no original skin left on it at all, so they took a slice of skin from my belly in the crease where your pants button up for the graft — a free tummy tuck. The plastic surgeon had never done anything like this before so this was her best guess. She wrapped the strip around the shaft from the base towards the tip and stapled the sides of the strip together to form a sort of tube. They put it in a cast and sutured the knob to my belly button. The cast was to keep the graft in place, and it was stitched to my navel to keep it stretched out.

I was in the hospital for two weeks I think, but I can’t really remember because I was on morphine. The pain was excruciating. I would get erections at night, and at first I was happy it still worked, but getting hard in the cast pulled at the graft. I can remember waking up writhing in pain from my hard on, and hitting the plunger for more morphine from the automatic drip. I would fall asleep only to wake up later writhing again… I asked for something to keep me from getting hard, but they said that kind of medicine restricts blood flow and wouldn’t be good for the graft. It was a week before I could get by without the morphine, and a week after that they sent me home.

I complained to the nurse that the cast smelled funny before leaving and she told me that it was because I couldn’t wash properly, but the next day I was delirious and running a fever. My wife rushed me back to the hospital where they took lots of blood for tests, and discovered I had a systemic infection. About an hour later the plastic surgeon showed up and took off the cast. She started grumbling under her breath and started to remove bits of skin and staples. The skin was brown and looked like leather. When she was done she said something like “it’s all messed up” and stormed off.

I was scared shitless. I thought my dick was going to fall off! Turns out that 80% of the graft had failed — only a fifth of it was still alive. Apparently they had me under observation in the urology wing, but the nurses didn’t recognize the signs of the graft failing. They kept me for another week to cure the infection, cleaned up my dick, and sent me to the local clinic for daily follow ups. The failed skin had to scar completely and the grafted skin needed a chance to heal. I had to take baths every night in water and use bleach to clean it.

When it was finally healed enough to try again the plastic surgeon used another technique. She took a patch of skin off of my thigh, a rectangle about 4 inches by 6 inches which was only the surface layers of skin though, unlike the first strip which had the complete epidermis. A sort of waxed gauze was used as a bandage that gave support, but was not too rigid. This graft worked much better with about 80% surviving this time, and then back to the baths and cleaning, until the grafted skin spread to fill in the gaps. In all it took about four months.

All this time I had a catheter through my belly, directly into my bladder to urinate. Even that caused problems. Because I was being seen by a plastic surgeon and not a urologist, they forgot to have the catheter changed. After four months, mineral deposits had formed on the tube in my bladder and the doctor couldn’t get it out. This caused more complications, pain, and worry… The funny thing about all this is that I am a hairy guy. Why is that funny? The first graft came from my belly, and since it was the whole thickness of skin it included the hair follicles — I now have a couple of spots on my dick that I have to pluck once in a while. If I don’t, my wife complains they tickle her throat!

After the initial healing was done, we were super happy. I could still get hard, and could still ejaculate and orgasm. My dick was short though — skin grafts shrink while they heal, so I only had about half my original length. But, at least that half could be used for what it should be — SEX!

A friend of mine who had similar graft work after cancer almost totally lost sensation in the shaft. Did you lose much sensation?

I lost a lot, but not all of it — maybe 60%. I am really happy that none of the oil made it into my knob! I strongly suggest pumping for your friend. It engorges the skin with blood, and the swelling helps the tissue expand.

I guess if the oil had gotten into the glans, you’d probably have lost it, and if you’d gone deeper, into the cavernosum, you’d need an implant to get hard?

Yup, that’s what the docs told me, but the implant wouldn’t work. No glans, no skin, and no cavernosum — nothing to put an implant in! It would have come off… ugh… I get chills just thinking about it…

How was the healing?

I had trouble sleeping… The catheter and bag meant that my bladder hadn’t been used to hold piss for four months, and it shrunk. Also, because the skin grafts were tight and inflexible, being basically scars, erections at night were painful if they lasted too long. I’d have to get up to piss every hour or two, making for short nights… When I finally got back to work, bus rides turned into my worst nightmare. Almost every day I would get on the bus only to have to take a piss five minutes later and by the time I got to town, the pain from holding it in was terrible. After a while though things got back to normal.

I started pumping both my cock and balls again, and have done some inflation. The pumping actually had an added benefit too. Pumping my cock actually helped stretch out the grafted skin! When I get hard, I actually have almost all of my original length and the skin is much more supple. I also went back to the fertility clinic for more tests and found out that I am now producing 40% live sperm, 90% of which are “fast”, which means that I could reproduce naturally without too much difficulty!

That’s excellent news. Do you mind telling me about the first time you had sex after your penis was fixed? What was it like?

The first time we tried, not long after the operation, sort of flopped. We were both too nervous… but the second time, we both came — it was a very special moment for us. We had loved each other for a long time and had not been able to have sex… sure, we did other things but it was not the same.

All in all it turned out very well. The graft is more supple but doesn’t slide up and down like normal dick skin, and I think this is a good thing… for my wife. She really likes how it feels. I’m sort of like a real, living, textured dildo!

Think you’ll every try a permanent expansion again, this time with something a bit safer like silicone?

No — I will never do anything like that again. Pumping is the only thing I do to it now. I think the fact that I’m with my wife, coupled with all the pain I had to endure have knocked back that uncontrollable urge, so I won’t get carried away… in any case, my wife likes it the way it is!

* * *

You’ve mentioned pumping and inflation — let’s talk about your play activities.

In my case, “play” has always been private and sexual in nature. Everything I ever did to myself was either to make something bigger, or to get off. Simple as that. These things turn me on in one way or another. Don’t ask me why though because I couldn’t tell you — the only guess I can come up with is that it is genetic.

Part of me actually thinks it’s quite normal, and that most people just keep it repressed.

Normal? I don’t think so. Some people may keep these urges repressed and that’s not good, but I tend to think that there is no “norm”. Everybody’s brain is wired differently — simple as that. That’s why we have violent people and passive ones, leaders and followers, mathematicians and poets and race car drivers. It’s rare that one person is really good in more than one situation. I think the same goes for our appetites and urges as well…

So you literally think it’s genetic I guess —

My first cock pump was stolen out of my dad’s drawer — washed before use of course — and he had some other stuff in there too… we are of German descent on his side, and if you think about it, where does most of the hardcore kink on the net or on video come from? Deutschland. 1+1=2, I guess…

I don’t suppose it’s something you really talk to your parents to, but do you know the extent to which he was into these things? I wonder…

No, we didn’t really talk about it but he had needles and elastic bands and tubes, and a dildo too… he knew that something was up. When he gave the “sexuality speech” to my sister and I, he told us about the time he put a hatpin in his dick when he was in puberty and it got stuck. He had to go to the hospital to get it removed. The point of the story was to get us to ask questions instead of doing something stupid… I wasn’t much of a talker I guess…

So how did it all start for you?

The first “weird” thing I can remember doing goes back to just after I hit puberty. I had taken a latex rubber glove from the first aid kit and blown it up in my pants. The sight of my “balls” blowing up, slowly getting bigger and bigger was a real turn on for me. The pressure of the inflated glove pressing on my cock and balls was also really nice.

Around the same time I had seen one of the James Bond movies where Bond kills the bad guy at the end by putting a compressed air pellet in his mouth. The villain blew up like a balloon, floated up to the ceiling where a spike burst him. I don’t remember which episode it was and I’m not sure if I saw the movie before or after the glove but these two things are what kicked off my obsession with erotic play in the inflation-expansion-stretching fetish domain.

Over the years I have “played” by sticking things up my ass, always deeper and bigger, always trying to get in a little bit more — I love being fisted by my wife! I also love things in my mouth… the dildos I used up my ass also went down my throat, after being cleaned. Never real cock though — as strange as it may seem, I have absolutely no homosexual tendencies, repressed or otherwise… I have inserted condoms and balloons into all my different orifices and blown them up. I have pumped my cock and balls. I’ve done saline and air inflation of my cock, balls, and breasts. Deep sounding. Multiple piercings of my nipples, cock, and balls. At one point I even bought several six foot diameter balloons — the same ones you can actually get inside. My current play favorite is body inflation. Using either air or water, I slowly fill myself up until my belly is completely distended.

I’ve never tried that — what does that feel like? It’s basically like an enema but with a lot more volume?

That’s it exactly, a high volume enema with air or water. This one definitely isn’t for everyone… if your intestines can’t take it, you can’t do it even if you want to! This goes back to my main fetish of inflation, getting bigger, and swelling. It’s also the physical sensation that goes along with it — sort of a double whammy… Think of it this way: you have a thirty foot long balloon in your gut called intestines, and the more you fill them up, the bigger you get!

Is it different depending on whether you use air or water?

The process and feeling are unique to each. With air you just stick in a hose and start pumping until you’re full. You have to go slow for a couple reasons though — to allow your intestines to relax and expand (otherwise you get cramps), and if there is a plug of shit in there somewhere it gives time for the air to seep around it… And you go slow to avoid too much pressure — if you burst your intestine you’re probably going to die from it. Also, from my experiments with inflation in other body parts, air can infuse tissues which is probably not a great idea.

Water is different in that it makes a big mess… I usually do it lying down in the tub. Again, low pressure is the key to getting big, but because water is denser than air it won’t seep around any plugs. This means you have to fill up some, let out the water — and anything else — and start again, and usually you get more in every time. I think it is also safer because it won’t permeate the tissues like air does. It won’t compress though, and it also tends to come out right away since it’s harder to hold in.

In both cases the best position for filling is on your back in an almost seated position. Lying flat stretches out the stomach too much and you don’t bulge as much.

And what does it feel like?

The sensation is incredible… you can feel both air or water slowly seeping deeper into you, filling you up, pressing on your bladder, stomach, belly, and diaphragm… slowly pressing your belly outwards, getting tighter and tighter — I have actually had to take shallow breaths because of the pressure. The sight of your belly blowing up combined with the tight, blown up feeling is a real trip! With air it is lighter and gives a rounder, more pronounced belly. Tapping on it when you’re really full sounds almost like a balloon — hollow… Water feels much heavier, and when you’re full, you’re full… because of the weight it tends to spread you out more width-wise than in height. You’re not going to look nine months pregnant — more like you’re pushing out your gut as far as you can. Obviously the more you do it, the bigger you’ll get too. At first it can be a little disappointing because you can’t hold too much. You really have to be able to relax and let it flow.

Getting the air or water out again is also different. When I use water, it all comes out in a few minutes. The whole process, including several inflations, can take an hour or so combined. Air on the other hand takes a lot longer. Since you can’t really move around when you’re full, you had better pick a good spot. The best thing to do is roll over on your left side and just fart until it all gets out. It usually takes me twenty minutes to get the air down to a “normal feeling” pressure, but it can take hours to get it all out. I guess air is better if you want to have sex or masturbate while filled because you keep it in more easily and can do it pretty much anywhere. Water is good for solo sessions.

* * *

After all the problems you’ve had, what do you think keeps you going?

Sometimes I just really get the urge to blow myself up… A raging need to inflate, stretch, or pierce something and get off by doing it. I have toned down my activity now that I’m married, but it always comes back to getting bigger and getting off. My wife isn’t really into this stuff but she tolerates it, and even participates sometimes when I get the urge!

That’s good — I know a few guys who’ve actually gotten divorced because their wives weren’t able to understand their needs in this area.

She doesn’t really like most of the things I do but won’t put her foot down if I feel like scratching an urge, even if she doesn’t understand why… She doesn’t stifle me at all, but having her in my life and knowing that she doesn’t want me to get hurt keeps me grounded and within safe limits… before I met her I was obsessive about my fetish. It was compulsive and dangerous I wound up in the hospital a couple of times…

In any case we love each other enough to be able to let these things slide…

I think it’s quite normal for guys’ masturbatory play to amplify when their partners aren’t around or they don’t have them. I know that’s the case for most of the people I’ve interviewed!

I hear you — If I wasn’t married and I didn’t have to go to work every day I would probably need a football to plug my ass and have a beach ball sized nut sack! I actually still fantasize about that, even after all I’ve been through… injecting saline, or inflating day after day until my scrotum is several feet in diameter… and doing my gut until I’m huge is another fantasy. My biggest fantasy though would be to blow up my wife. Nothing permanent — this is a fantasy — but blowing her tits and belly up like balloons while fucking her… mmmmmmmmm…

My wife is actually a little modded herself… she had breast implants done last year, so she has a little bit of an idea of what’s going on.

Her breast implants were for her own reasons I assume?

I brought up the idea but she had always said she wanted to be bigger — it was 100% for both of us. She actually wants to go bigger now… again for both of us, but this time she was the one who suggested it. Now that I think if it, she really got hot for the idea after I blew up a couple of balloons in her bra under her clothes. We had sex like that and the sight of herself in the mirror with those big tits turned her on.

* * *

When you were young, after doing the inflations in your underwear, what did you try next?

The next thing I can remember is sounding. I would take a 1/4 inch tube and stick it in all my holes. At first I would push it up my cock, using a little spit for lube and working it up. Feeling it go in deeper and deeper was a real turn on. The more I would do it, the further I would go too… all the way into my bladder! A couple of times I would blow air or water into myself this way, filling up my bladder to its limit. It felt really weird, seeing the air bubbles coming out of my dick while expelling the air.

What does it feel like? Is it just like having to pee or is there more to it? Is it a head trip or a physical sensation?

It’s not quite the same as having to pee — I never had to pee that bad! It sort of burns a bit too, but it’s not a super experience physically so I would have to say it’s more of a head trip related to the inflation fetish… It’s probably dangerous too — I don’t think kidneys would react to well having air forced into them.

And you actually did inflations in your urethra as well?

At first I wanted see how much I could blow up a condom in my cock. The pressure would build and I could feel the condom stretching inside my urethra bit by bit… after a couple of tries I could see my cock expanding a little from the pressure. The cool thing about condoms is that they are clean — if not sterile — and very smooth and very stretchy, and also start stretching with little force. A condom blows up easily while you really have to strain to get a balloon going. This means that once the condom is blocked off by the walls of a body cavity, it won’t exert much pressure on anything before stretching off wherever it has room. Being so stretchy and smooth, it can expand like this quite some way. You just have to be careful because they burst more easily.

Once or twice I actually pushed the condom all the way into my bladder. Once the end of the condom was in my bladder — trust me you can feel it — I would blow into it gently. I could feel the condom expanding, stretching out my bladder, until I felt like I had to piss. I could also feel it stretching out the opening of my urethra. While I was doing this I would be so turned on — heart pounding, light-headed, and euphoric. I would only see the excitement of it… after another intense orgasm, the blood in my cum brought me down to earth fast, blood from my urethra being stretched out and torn. Pissing really burned afterwards too, but I have always seemed to heal quickly though and this discomfort only seemed to last a few days. Because of the risk of a condom bursting inside me, I started inflating condoms and balloons in my ass instead.

But you started the ass inflation games with earlier dildo play?

All of these fetishes sort of developed along with each other, and as each one got more and more extreme I would incorporate the others in and develop them as well… I first tried anal insertion using the tube in the shower to blow some air up my ass. I had done an enema so I felt clean enough to start playing up there with my fingers — slowly I would try to get more fingers in. It was a bit painful but it didn’t hurt — it felt good! I wanted to see how deep I could go, and what it would feel like, so I grabbed what I could — the toilet brush! I was still young at this point, and didn’t have any money, and not much sense. It went in fairly easily and I worked it in deeper and deeper. I could feel it hit my intestine where it turns over to the side — a weird sensation, but in a good way. I said “what the fuck” and sort of twisted it to the side so I could get in deeper. I manged to push it in the rest of the way — about fourteen inches of plastic handle was up my ass! You can guess how I felt now, so I masturbated there in the shower with the toilet brush handle up my ass. From then on my parents started calling me “Mister Clean” because I was always in the shower!

As time went on I started working, and I bought several dildos in different sizes, from an average sized dick up to a big chunk of hand molded rubber roughly square, 3×4 inches in size… and even that wasn’t big enough…

I always started with a nice long enema to get myself cleaned out — shit is not one of my turn-ons! I would go lie down in bed and stretch myself out. At first the stretching consisted of putting the dildo and as many fingers as I could up my ass, and later it would be two dildos and fingers, then three… Eventually I was able to fist myself and I have big hands! I bought a Long John Silver dildo — about a foot and a half long and three inches thick — and would ride it for hours. I even used my handyman techniques on it — I had cut out a hole in the dildo near my anus and put in a dissected vibrator, sealed the hole up with melted rubber, and went along for the ride. After a while I wanted even more so I went out and bought “the chunk”… the sensation was amazing, being totally stretched out. I would bring myself to “anal orgasm”, and my intestine would spasm pushing out the dildo — it was like cumming but ten times stronger. Even this wasn’t enough though.

At this point I started experimenting with bigger inflations in my ass. I would inflate condoms as big as I could get them, and I used those cylindrical balloons as well. Not the small ones clowns use to make animals, but the bigger ones. I was blowing them up just to the point where it started to hurt, each time filling up more and more. Feeling the balloon push deeper into my belly, I would masturbate that way with the balloon filling me up. The spasming of ejaculation uses some of the same muscles as clenching your ass so the feeling of being stretched and trying to clench while cumming was mind blowing.

When I finished I would push out the balloon to see how big I had gone that day — by now my ass was huge, but for part of me, it wasn’t enough. I wanted to stretch myself out more… Ingenuity to the rescue again! I melted down the Long Dong Silver dildo on the kitchen stove. At night while my parents were sleeping I had made a plaster mold of a Pepsi Super Gulp bottle and filled it with the melted rubber. Long John wasn’t enough, so I melted down another dildo the next night and I wound up with a big bullet shaped hunk of rubber. I was hard as a rock and dripping with the thought of forcing this thing up my ass — “force” being the operative word! After the standard enema and a little warm-up I tried… and tried. It wouldn’t go all the way in to its biggest point. Did I stop? No, I grabbed a chair, put the dildo on it and sat down. I used my weight to force it in slowly. In a bit, out a bit, in a little more… god, that thing was huge! It took me several tries on different days but I finally got it in. I came so hard I almost passed out! That thing was taking all the free space down there and making more, pressing on my prostate and everything else. I kept at it until I was able to use it like a normal dildo, pushing it in by hand.

I still wanted more, so I made another mold. This one was a vase that was about the same size as the Super Gulp but I used some “lifelike dildos” made of softer rubber… softer because I wanted this one this one to be inflatable. Same process — mold, melted rubber, but I put a thick, three foot balloon inside which was about 8 inches and flat when deflated. I hooked it up to a bicycle pump and really stretched my ass out! This one looked a bit like a giant butt plug — pointy, bigger in the middle, and narrower at the base… the balloon was right at the biggest point which was also about as deep as I could get it inside me. I would start with the chunk, then switch to the plug, again forcing it in with my weight, and then I would start pumping. It was painful but the sensation of stretching out and building up the pressure was intense — I can’t really describe it… just orgasmicly intense! I could feel the plug actually pushing on my pelvic bones… it was amazing being stretched this much!

This became an obsession — I always wanted to get bigger and bigger…

And you were doing vacuum pumping and inflating as well?

Yes, standard stuff. I couldn’t make any permanent growth, but I would get really fat, filling up the tube. I always used my mouth do create the suction so I could go harder than with a hand bulb. I used to blister myself all the time but I wouldn’t stop — the pressure was too exciting. I would burst the blisters as they would appear to keep them from getting bigger and keep pumping… Once I had more blisters on the end of my cock than skin. I couldn’t even masturbate afterwards, it was so sore. I am not a masochist though… pain doesn’t turn me on, nor does inflicting pain. It’s just that sometimes I can turn the pain from some areas of my body off, or change it into pleasure when I’m in the right frame of mind. Nipples, cock, and nut sack — that’s it. Anything else doesn’t do it for me…

After pumping my cock I tried to pump my balls but couldn’t really do it well with a standard pump. This is before I started working, so I didn’t have money to buy anything bigger… I tried to make some pumps out of stuff around the house but I couldn’t get anything to work. That’s when I said to myself, what if I blew my nut sack up like a balloon? It’s “empty” like a balloon and stretchy, and pumping takes a long time anyways — so why not? How to do it though? I got out one of my hoses and a needle I used to blow up footballs, and a stainless steel nail. I cleaned everything with alcohol, put the needle on the end of the hose, punched a hole in my sac with the nail, and pushed the needle in.

Ouch?

It doesn’t really hurt to tell the truth. Sort of a prick and pop, and it goes in. I usually poke around for an area that is less sensitive — in general I don’t feel pain like most people do either… I remember in school we did an experiment where the teacher stamped a small grid of twenty-five squares onto our arms. We then used a needle to poke our skin to see how many squares we felt pain in. Most people felt pain in about 80% of the squares. I only actually felt pain in about a tenth.

Anyway, so you’re sitting there with a needle in your nut sack and a football pump.

My hands were shaking I was so wound up, and I can remember thinking “this is probably not a good idea”… but that other part of my brain that seems to take over when I get an “urge” said, “fuck it, blow” and I did.

The sensation was really different. First, because the needle had a relatively large diameter I was able to inflate much quicker than with, say, a syringe. I could feel the air spreading out under my skin while my sac expanded. It sort of tickled. My sac didn’t blow up like a balloon like I thought it would either — I could see the air spreading out under the skin, raising up the surface like Bugs Bunny digging a tunnel. When the air had raised the surface of my sac evenly I really started to swell. The first time I got to about the size of a big orange. I could feel the air pushing into the cavities where my balls dropped down from as a baby… I was hard as a rock and ready to cum. Then I started to feel the air pushing into the pad of skin around the base of my cock, under my pubes, and I came back down to earth. I hadn’t tied anything off so the air was spreading up into the skin of my belly.

Still excited, I pulled out the needle and watched as I deflated… a little. Then it stopped. Now I was a little worried. I had thought the air would all come back out… not! I pressed on my balls, squeezed them to force more air out, and that worked. I inflated again, this time using a bit of string to tie off my sac. Because I was tied off I could go bigger and use more pressure… I was shaking in the grip of a kind of euphoric madness I guess, and I couldn’t stop inflating and deflating myself. At the biggest, I could see the color of the skin changing to a sort of yellowy orange as air bubbles spread between the different layers of skin. I was the size of a big grapefruit and the skin was so full it was shiny. I jerked off to one of the most powerful ejaculations in my life. Then I came back to myself a little and started pushing out as much air as I could.

I only managed to get out about half — the air had permeated my skin and wasn’t coming out the hole! I was a little worried, but my logic was “if they can operate on people and let air in I’ll be alright.” But later that evening I got the shakes and felt sick. As if I had a fever, but I didn’t… after two days the feeling went away but my sac was still huge.

That’s really frightening — have you ever dragged an infection into your scrotum from air or saline play? I know a couple guys that have come very close to death because of how quickly these types of infections can escalate.

I wound up in the hospital twice with an infection. The first time was really bad. I had tried using water to inflate and was poorly prepared, and when the water didn’t work, I used air. The swelling went down, and then came back, red and hot. I wasn’t feeling very good by then and in the shower one morning about a week later I was massaging my balls when the original hole opened up and some purple yellow puss spewed out. That scared the shit out of me and I got my parents to take me to the hospital.

You’re lucky you didn’t die! Seriously!

I had a general infection at that point and could have died had I let it go any longer. I told my parents that I had fallen on the back of a chair while changing a light bulb. This had caused the swelling and a shaving cut on my nuts caused the infection — I told them that I was too shy to tell them about the swelling. The second time I recognized the symptoms sooner and took myself to the hospital…

On that second air inflation, how long did it take the air to eventually dissipate?

Three weeks of wearing loose clothes and tight underwear — loose clothes to hide what I’d done, and tight underwear to press the air into my system a fast as possible. From what I could find out, the sick feeling I experienced was a form of shock. Of course, my logic at this point said, “I lived, I am healthy and healed, so I can do this again!”

I did, many times… too often to count. The sick feeling got less and less every time I did it, but was always enough to make me feel weird for a few days. The biggest I ever got was about the size of a cantaloupe. I have also inflated my cock using a syringe needle — like vacum pumping but instantaneous. I even used so much pressure — with a bicycle pump — that the air was forced under the skin of my knob a couple of times. It was completely inflated, so light tapping on it made a hollow sound like a balloon that’s about to pop. Feeling the skin of your cock being filled to the limit like that is intense! The yellowing was definitely air bubbles, and the sensation was twice as strong in the knob because of its sponge-like nature. I jerked off my now-fat cock and came hard as usual, but it itched like crazy afterwards, especially the knob.

I know there’s no truth to the “if you get air in your bloodstream you’ll die of an embolism” warning, but did you ever worry that you weren’t just going to have a problem afterwards, but actually drop dead on the spot?

I was in the hospital once and the nurse was giving me an IV and there was a tiny bubble in the line. I asked her if it was dangerous and she said no. Air in your bloodstream can kill you, but you need to inject it directly into an artery going to the heart, and you need enough of a bubble to cause cavitation in the heart’s ventricles — it’s impossible to do this inflating your sac. I also came across a procedure or two on the net where doctors inject air into body cavities to perform endoscopic surgeries, and saw a news article where a woman working in a balloon shop fell on the compressed air canister, punctured her skin, and inflated her ass and one leg! Apparently she felt the same shock reaction I mentioned.

I guess it was that shock sensation that made you try out saline instead?

Yes — by now I had an Internet connection so I did a little research and found BME! Wow, there are others like me? Cool! I found the saline section — Eureka! There were no side-effects mentioned, and it was able to be absorbed quickly by the body naturally. What could be better? The only problem was that I was still at home, couldn’t order it, and in any case, was leery of ordering stuff off the Internet and injecting it into my body… I went to the drugstore to see what I could find. All they had was saline for contact lenses… I figured if I could put it in my eyes I should be able to inject it, right?

I built a drip bag by cleaning out a 2 liter plastic bottle and putting a hole in the bottom. I forced a length of vinyl tubing into the hole and sealed it off on the outside using hot glue. I flushed it out with alcohol, filled it, and started… Nothing happened. The needles I had were all very small and needed pressure to get the liquid through in enough quantities to make a visible difference, so I cut the nozzle off of a bicycle inner tube, leaving a circle of rubber around the base. I drilled a hole in the bottle cap the size of the nozzle, put the nozzle through the hole and screwed the cap on the bottle. The cap pressed the rubber circle enough to create a seal so I was in business. I hooked in the bicycle pump and started building up pressure slowly. I could feel the saline infusing the tissue but it was too slow. I couldn’t see it happening so I increased the pressure. I could now see the saline going down in the bottle and see my sac filling up. It was way different than the air. Air is not at all painful — it sort of tickles going in — but this was more invasive, more like it was forcing its way in and it hurt — real pain, not a “feel good” pain… But I wanted to see myself bigger, so I kept at it.

That day I made it to 500ml. My sack felt really full and heavy when I stood up, and it pulled at my abdominal flesh and muscles. The heavy feeling was extremely erotic, but then it started to ache… and spasm. I don’t know if this was caused by the type of saline I used, the speed I infused at, or if it is normal but fuck it hurt!

It was probably the type of saline… You also get a lot of pain if you use water rather than saline.

I laid down on my side cradling my sac for what seemed like a couple of hours until the pain subsided. It went completely away, leaving me with a huge heavy sac full of saline. I started playing with it, fondling, feeling the weight, swinging it between my legs. This actually forced the saline a little lower into my sac and made it look more natural. Again, I was completely aroused… I guess by now I don’t need to explain what happened next!

I tried this several times, again going bigger and bigger. The druggist where I bought my saline started to look at me funny I was buying so much. The biggest volume I ever reached using saline was over a liter and a half… My sac was completely stretched out… shiny and transparent looking. When the pain subsided and I could enjoy the experience I was ecstatic. I was huge and heavy — really heavy! The skin of my sac was super sensitive and it was stretched out so much. It was actually pulling the abdominal skin above my cock down over it. I couldn’t even walk straight I was so big… I noticed that the weight of so much saline was forcing its way down, stretching my already filled-to-the-limit skin even more. What looked like stretch marks formed under my sac, red lines racing across the underside… I didn’t care though, I was huge!

After a shower, I dried off and waddled back to my room. I took off my bathrobe — the only way to dress if you want to hide something like this by the way — and I noticed some moisture between my legs. The weight of the saline was actually forcing it to seep out through my skin! I lay down to take off some of the weight and I played with myself for hours that day while my body reabsorbed the saline. It was an unforgettable experience. I stopped using saline after that though — it hurt too much to be worth it. I tried using hot water to pump several times and got so-so results, but it took too long to get to a good size. Part of the trip is seeing myself grow, not just the results of eight hours of pumping.

* * *

You mentioned earlier that you did some permanent piercing as well?

I have made pincushions out of my knob and nipples — always for the same reason: bigger, bigger, more, more, more! I had read stories about how piercings in erogenous zones increase sensitivity and I said, this is for me. I sharpened a bicycle spoke with a file and polished it until it could cut paper — if you haven’t guessed by now, one of my jobs back then was at a bicycle store. I numbed my nipple using ice and stuck the needle in, and realized that nipples are really tough! I had to re-freeze my nipple three times before I got all the way through. I then put in a ring, bought at a piercing shop, and discovered why people use tapers to get the jewelry in. This was a learning experience though, and the pain of the piercing wore off in a couple minutes, leaving me with a swollen, hyper-sensitive nipple. Being sensitive anyways, it was really exciting. The feel of it, all tight and pulsing was somehow very erotic for me. In the weeks that followed, I moved on to my other nipple, then a frenum piercing.

I went back to the shop and bought a couple heavier gauge rings, wondering how I was going to get them in. I used my trusty bicycle spokes to make homemade stretcher rings. Each time I stretched it was just as sensitive as the first piercing… each time I was so aroused I had to jerk off. Eventually the skin under my knob couldn’t take it any more and split, leaving two little stumps. I wanted to do my cock again so I pierced myself a Prince Albert and stretched it out one ring at a time, up to 2 gauge. It felt great! Feeling the weight hanging off my cock, pulling at it all the time was another unique, intense sensation in among a multitude of unique, intense sensations! I could force my little finger through the hole to the first knuckle. In the meantime this had inspired to do more piercings… My left nipple got the same treatment as the PA, although I stopped at an 8 gauge. My right nipple had four homemade studs through it, one horizontal, one vertical, and two others making an ‘X’ behind them. My knob also got more metal, eventually working up to several ampallangs. I couldn’t wait to heal them… I had to jerk off… the feel of the metal rings and balls in my hand, and the sensation of them pulling at the holes was so intense… I should have waited to heal though, as I wound up in the hospital with another general infection! All the piercings came out after that, but I recently redid my nipples.

* * *

You said your wife fists you and that she’s generally supportive of you, but how did you first tell her about your fetishes?

Well, she doesn’t really like what I do, but sometimes I get her to participate. The fisting for example — she didn’t want anything to do with it at first, but I convinced her to try… she wound up liking it. She likes the fact that she can bring me to such intense orgasms, and actually, the most intense orgasms I have had were from her fisting me. Usually she is in complete control too. When she’s halfway to her elbow up my ass she can make me cum or not — it’s up to her. If she doesn’t stop when I tell her to, I just keep cumming… it’s very intense. She has even said she’s a bit jealous that she can’t cum like that.

When I met her I was badly scarred from the injections — I hadn’t sought out treatment for the mineral oil until after I met my wife. We met, fell in love, and when we were in bed for the first time I didn’t have any choice but to tell her. I choked up and had trouble saying anything… I was scared she’d dump me… remember, this was my first and only relationship.

Wow, that must have been incredibly terrifying…

Tell me about it! That’s the thing with my wife though. I was totally at ease talking to her as opposed to being totally clammed up… this was tough but it was do or die.

I had manged to keep it hidden from her up to that point and put her hand on it through my shorts. She asked to see it and I showed her. She was freaked out, but nowhere near as much as she could have been. She was coming out of a bad relationship so it turned out to be a mutual healing process for both of us — literally in my case. I helped her get her mind out of the past and she helped me get treatment.


Shannon Larratt
BME.com

Themed Martinis!

The Academy of Spherical arts has a very well stocked bar! We are taking full advantage of this with some special BME themed Martinis made especially for ModProm. My team of mixologists (or just friends that like to pretend they are) helped me come up with this list.

spherical-arts.jpg

MODPROM THEMED MARTINIS!

The Christina: Vodka, Triple Sec and Lime Juice – Garnished with a maraschino cherry and a splash of cranberry juice.

The Gelding: A Vodka Lychee Martini with a dripped grenadine garnish and two full lychees, floated not stirred.

The Prince Albert: Vodka, Crème de Cacao and Baileys, garnished with a gummy worm.

The C.B.Tini: Traditional Dry Martini with two large pimento olives, pierced, of course.

The Irizumi: Sake, a small chunk of fresh lemon grass and vodka, garnished with pickled ginger. I think I’m turning Japanese!

The Falkner: Dry Vermouth, Gin and Jagermeister garnished with a candy cane to resemble a hook.

The Sub-tini: Vodka, Crème de Cacao, Banana Liqueur and Grenadine with a sliced mini-banana garnish.

Gauge Queen: Gin, Dry Vermouth and olive brine (one teaspoon) with Spanish blue-cheese stuffed olives as a garnish.

The Piercers Arm: Black Zambuca, Sweet Vermouth and Tequila Rose layered at the bottom, garnished with a pierced liquorice baby!

The Industrial: Gin, Vodka and Dry Vermouth, garnished with a pearl onion at both ends of a toothpick.

Teenage Mutant Ninja Librarian

Shhhhhh!

Donatello (iam:Don) either is or has been a motorcycle riding, experience reviewing, beer dishing, late developing, retired lesbian librarian. As BME’s #1 article moderator, he has confirm-ably read and reviewed literally more personal experiences of modified people than anyone on the planet, giving him a broad and intimate view of modification and the modified community that few others have seen.

Sit down at the back and read the following interview, in complete silence of course.

It's a Mage Hero thing. You wouldn't understand.

ROO: 

Good morning Don! Do you mind if call you Donatello, just for fun?

DON: 

Ha! You’ll make me sound like a cross between a pizza and a flavour of ice-cream, but sure… why not?

ROO: 

So Donatello, tell me a lot about yourself..

DON: 

Well, let me see…

♦ I’m English. I’d better not say ‘proud of it’, which would make me sound like a football hooligan, but for all its faults there’s nowhere else I’d rather live.

♦ I’m a biker: currently riding a Honda NSR125.

♦ I got my first mod (a PA) at the age of 40: I was a ‘late developer’, you see.

♦ I have a wife, a dog and a cat, none of whom are modded (unless you count the animals’ microchip implants, of course).

♦ I started my IAM page on Bonfire Night 2000 but it hasn’t (yet) gone up in flames.

♦ I was for many years a librarian, but have also at various times been a builders’ labourer, a barman, and a football pools collector.

BME BOY

ROO: 

You’ve been a long-time reviewer of experiences for BMEzine.com, what was it that got you started? And more to the point what kept you going?

DON: 

As I recollect, experience reviewing started off life as one of Shannon’s ‘toys’. I gave it a go to see what it was like, found I liked it and more than somewhat to my surprise that I was good at it, too.

As for what kept me going I’ve simply enjoyed doing it!

It’s still fun, but you learn a lot, too: I think I can safely say I now know as much about female genital piercing as most people who’ve actually got one! I’m now coming up to twenty thousand experiences, making me BME’s No 1 reviewer in fact. Which is cool — I think everyone should aspire to being Number One at something.

ROO: 

20,000! Cor blimey, how many “Don hours” do you think it’s taken to reach that amount?

DON: 

According to my logfile, I take an average of 275 seconds to do each one. That works out at… *goes and gets calculator*… a little over nine weeks altogether. Of course, I do go off and get the occasional cup of coffee now and then!

ROO: 

Did you know that at nine weeks a developing baby is no longer an embryo, but a fetus.

Anyway, there’s obviously a huge chasm between knowing the theory behind a specific piercing procedure and having the practical abilities to carry one out.

How do you think the exeriences on BMEzine.com should be viewed? As recreational reading, an informative yet fun way to pass the time, or hints and tips for the wannabe piercer?

DON: 

It’s very much up to the authors, but some of the best ones — the ones we feature — I think incorporate elements of all three.

There’s a definite chasm between acquiring the know-how and putting it into practice safely and with a satisfactory end result, yes. I often wince at the mental image conjured up by these authors who write about buying a piercing kit and an instructional video off eBay and cheerfully assume there’s all there is to it. And of course now with YouTube, everyone and his dog can be a piercer after watching a few five-minute video clips. I don’t want that to sound as if I’m knocking DIY piercing — I’m not, but I do think people should wise up to the fact that it’s not by any means as easy as it looks, and I hope some of the scarier stories we publish on BME illustrate that.

Don's four year old wrist piercing

ROO: 

Have you ever been asked or tempted to perform a modification on someone else?

DON: 

No, I’ve never been asked and I’d say no. I wouldn’t want the responsibility if anything went wrong.

ROO: 

Can you drag up a particularly doomed experience from the recesses of your mind, and the lessons you learned from it? Theoretical lessons of course..

DON: 

I don’t know that I can: what comes across a lot of the time is that the human body sometimes reacts in the most unpredictable way.

It’s a shame sometimes that more authors don’t wait until they can give a longer-term assessment as to the success (or otherwise) of their mods.

As for “doomed”, I need look no further than my own abortive attempts at getting a guiche: five times altogether, with the right “theoretical” attention to reputable studio, qualified piercer, careful placement, proper aftercare… the works. And each one rejected! Sometimes your body just isn’t having it no matter what.

ROO: 

How about piercing yourself?

DON: 

Again, no. The only scenario in which I might be tempted is under the instruction and supervision of a properly qualified piercer.

ROO: 

Safety first eh! How does it make you feel therefore when people submit experiences where they obviously don’t have the expertise to carry out a piercing, but feel they do from reading experiences you may (or may not have) approved? Knowledge in the wrong hands can sometimes be a dangerous thing.

DON: 

You should see some of the experiences we throw out!

Seriously, though, there’s a limit to the extent to which we can shield people from the consequences of their own foolishness. “But it won’t happen to me” is one of the classic lines of all time. Realistically, the most we can hope to do is to say “Look, this is how it’s done: these are the risks. It’s up to you whether you’re willing to accept the consequences”.

ROO: 

What was it that inspired you to add a Prince Albert to your wang at forty years old?

DON: 

I read about one day it in a library book! Seriously — that’s how it happened. The book had a chapter on genital piercings, commenting “Some people find the whole idea totally revolting, and if the very thought of it makes you cringe, this is not for you”. On the contrary, I found the whole idea a complete turn-on, and of course there was only one way to find out….!

ROO: 

That’s fantastic! Do you think that chance encounter brought the inevitable forward slightly, or that was the sole catalyst in your decision?

DON: 

Oh that was it, pure and simple. Whether something else at a later date might have happened to have the same effect I’ve no idea but nothing springs to mind.

ROO: 

Now, regarding these book things you mention. You’re a librarian (not to be confused with a lesbian), is that correct?

DON: 

Was — I’m officially retired now, although I still work Sundays just to keep my hand in. And since you’ve asked, I’ve always found that interestingly enough it’s one of the most tolerant and accepting of occupations as far as sexuality goes.

ROO: 

That doesn’t surprise me really as your career is
centered around literature, which by it’s very nature is all-encompassing.

DON: 

That’s true up to a point. The landmark publication of Lady Chatterley’s Lover back in the 1960s heralded the end of literary censorship as such in the UK. But that’s not to say everything’s freely available now. I can’t imagine any public library in this country stocking the BME ModCon book, for example. And when a few years back we got hold of a couple of books of Tom o’Finland artwork on special order for a customer, they came in sealed brown paper wrappers and we were instructed to hand them over unopened!

ROO: 

Have you ever encompassed someone passionately in the anatomy section?

DON: 

I wouldn’t dare — not with the all-seeing all-knowing CCTV watching me! Actually, its main purpose is to watch for thieves: I’m sorry to say that books on tattooing and body piercing suffer from a particularly high loss rate.

ROO: 

Do you have thoughts as to why that might be?

DON: 

I haven’t got a clue, to be honest — I’ve never come across any proper research into it. Before anyone starts drawing any analogies with lawless tattooed biker types, let me just point out that one of the other most “sought-after” categories of library books is religion.

Make of that what you will!

King of the Kid's Club

ROO: 

I’m dying to know, when you lay down to sleep at night and gently close your tired eyes, do you fancy yourself as an old-age mutant ninja librarian?

DON: 

I don’t know that I do, but I think other people have been known to latch on to that concept (ROO: And there I was thinking I was being original).

Some of my bosses have not been slow on occasion to see the potential for a pierced biker librarian to project an image geared at attracting younger users for whom libraries have not exactly had a huge element of street-cred.

I’m not saying this would work for everybody, but if you’re worried about the effect of visible mods on your job prospects, it’s worth researching what clientele your employer is trying to attract, and making sure you sell yourself on that basis.

ROO: 

A point well made if I may say. Can you give us an example of how you’ve had to ‘shift your image’ during your time as a librarian/bar tender/labourer?

DON: 

In one library where I’d just started working, the other staff were quite friendly and receptive towards my mods: at the time I’d got almost thirty, the majority of which were hidden. There was quite a good deal of friendly banter surrounding their attempts to find out what I’d got hidden away. As it was getting near to Christmas, I got as far as coming up with the bold idea of a mock-up Advent Calendar, with pictures of the mods hidden behind the little windows and ‘opening fees’ with the money going to charity. Perhaps fortunately, I left before the plan reached fruition.

But then in the next library I worked, the contrast couldn’t have been more marked: none of the staff said a word about mods. I can’t say I detected any hostility, and I suspect part of it was just that no-one else had any — or if they did, they kept them well hidden. It was then that I started wearing my septum CBB visibly: it fell down one day and I “forgot” to tuck it back up out of harm’s way. But again, nothing happened, and no-one appeared to even notice. Strange… but you just have to adapt to the different climate.

ROO: 

The Advent Calendar idea was wonderful, personally I think it’s a shame it never happened. Which piercing would have been under the 25th? Your baubles? Can you remember where these two libraries where geographically and did the surrounding neighbourhood have a bearing on the attitude towards your modifications?

DON: 

You’re too kind! The 25th was to have been the PA: the jewel in the crown, so to speak.

Where was I? Hope I’m not going to incriminate myself too much by naming names… Rugby and Stratford-on-Avon. Rugby’s an average English industrialised town much like many others mod-wise: Stratford of course is Shakespeare’s birthplace more or less to the exclusion of everything else — and that just seems to eclipse mods (and many other aspects of modern society) completely. But then places like Brighton, or Camden — or even Birmingham — seem to be different again, although people who live in those places may well disagree with that comment.

ROO: 

Not so much these days but libraries have always had an air of, how should I put this, solemnity about them.

Have you ever encountered any ‘prejudices’ in these settings surrounding your modifications?

DON: 

Oh yes, the image of “Shushhh” with the dragon ready to pounce at the sound of a pin dropping still lives on in peoples’ minds, whatever we do and however hard we try to dispel it.

I’d say I’ve only experienced prejudice indirectly.

The worst example that springs to mind was a woman one day who quite obviously avoided me serving her and went to one of the other staff instead. I found out afterwards that this woman asked my boss on the way out why they employed people with piercings, and to her credit my boss simply told her that my piercings were my business and not hers. She said she was surprised at the woman’s rudeness and she too was curious as to whether it happened a lot. It doesn’t really: sometimes you can sense a definite undercurrent of unease, for want of a better word.

But there’s a still whole generation of older people, particularly, who were firmly brought up in the belief that it’s extremely rude to make personal comments to people about their appearance.

ROO: 

I totally agree. Although ‘kids’ can sometimes be a little rude I often feel it’s genuine curiosity that they’re they’re not quite sure how to put across?

DON: 

With young kids, I’m sure a lot of it’s just natural curiosity. They just ask or say whatever occurs to them, sometimes to the acute embarrassment of their parents.

DISCIPLINE

BME Newsfeed for Jan 26, 2007

Please note that links may expire. IAM members, please help out by submitting stories!

A visit to London and Remembering Mr. Sebastian [Running The Gauntlet – By Jim Ward]

X. A visit to London and Remembering Mr. Sebastian

In March of 1978 the ITAA put on another tattoo convention, this time in Amsterdam. Doug and I decided we would attend. While vending was not an option, it was, nonetheless, and opportunity to meet people and proselytize for our favorite form of body art. Somehow our plans evolved into a month long vacation with Sailor Sid and Elizabeth Weinzirl joining us through most of it.


Doug Malloy and Elizabeth Weinzirl at the ITAA tattoo convention in Reno, 1977

Doug Malloy and Elizabeth Weinzirl at the ITAA tattoo convention in Reno, 1977.

My lover Eric wasn’t included in the plans and wasn’t very happy about it. The fact was I didn’t have the financial resources to take him along, and he wasn’t bringing in any income of his own with which to pay his own way. By this time our relationship was already beginning to crumble.

Elizabeth Weinzirl had a reputation as the grandmother of the tattoo community. At the time of this trip she was in her mid 70s though she could easily have passed for 60. She was a widow, her husband having been dead for a number of years.

  

Gauntlet shirts are now available!
Click above to get one at BMEshop.

She was a delightful, friendly woman, very much at ease in a wide variety of surroundings. Being around gay men didn’t phase her. Truth be told I think she was a bit of a fag hag. She seemed to bask in their presence, and on this trip she had ample opportunity.

Elizabeth’s husband had been a health inspector. I probably wouldn’t even remember the fact except she told the story of his going to inspect a Chinese restaurant. When he pointed out a mass of garbage that needed to be disposed of, the chef replied indignantly, “Not garbage. Soup stock.”

When asked why she got tattooed, she said that her husband wanted a tattooed wife. She considered the options and decided to get tattooed. Some feminists might find this offensive, but it was said tongue in cheek and with a twinkle in her eye. There was never any hint that she felt coerced, and my feeling was that she shared her husband’s interest in and enthusiasm for body art. She even confessed that she had had her nipples pierced at one time, but for some reason had taken the jewelry out.

We arrived at Heathrow on Tuesday, March 7th for a week in London prior to moving on to the Continent. Our main reason for this lengthy stay was in order to spend some quality time with Alan Oversby, better know in piercing and tattoo circles as Mr. Sebastian. We also wanted to meet as many other British piercing enthusiasts as possible.

Accommodating the four of us wasn’t possible in Alan’s small apartment — or flat as he would have called it — so he had made arrangements for us to stay with different friends.


Around Alan's dinner table, left to right, Sailor Sid Diller, Alan Oversby (Mr. Sebastian), Doug Malloy, Elizabeth Weinzirl, and myself (Jim Ward).

Around Alan’s dinner table, left to right, Sid, Alan, Doug, Elizabeth, and myself.

Regardless of where we stayed, we were all treated as honored guests. Doug and I stayed with a delightful gay couple who lived in Clapham. Their names were Mike and Robin. I believe Sid stayed with Alan, but I can’t remember where Elizabeth bedded down. It’s possible one of them stayed with a client of Alan’s named Rudy Inhelder. There are some pictures of Alan’s work on Rudy on a German web site.

Not surprisingly Sid was his usual boisterous self, never missing an opportunity to joke around. While we were visiting with Alan, Sid happened to notice some folding chairs with clear plastic seats. It wasn’t long before he had instigated a photo op: getting a picture of his guiche and ass tattoo through the seat of the chair.

Doug Malloy assessing the shot.

Doug assessing the shot.
Elizabeth Weinzirl looks on.

Elizabeth looks on.

Pictures of the photo session remain, but unfortunately the snapshots themselves have disappeared.

Sadly, also missing are most of the photos that were taken at a cocktail party that was given in our honor. A dozen or more of Alan’s clients showed up. Elizabeth was the only woman present and was perfectly at ease as the clothes came off and the cameras began clicking. The few surviving photos I have are mostly closeups taken by myself or Sid or Alan.

Alan Oversby's flatmate Bjarne.

Alan’s flatmate Bjarne.
Alan Oversby, Sailor Sid, and a playmate of Alan's he called Thing.

Alan, Sid, and a playmate of Alan’s he called Thing.

My impression of Alan was of a rather private man who was a bit difficult to get to know. Not that he was particularly shy. He would casually disrobe and allow himself to be photographed, but there was always a reserved quality about his actions. He could converse with intelligence and ease, but to access the man behind the mask was a challenge.

During our stay in London I took advantage of the opportunity to interview Alan for PFIQ. Prior to becoming a tattooist Alan had worked as an art teacher. There’s no doubt his background as an artist was of great benefit when he left teaching to pursue his passions for tattooing and piercing.

Alan Oversby: Mr. Sebastian

Aside from any living canvases who may be alive still, I don’t know how much of his art work survives. One of my little treasures in a ceramic egg which Alan made as a gift for Doug. It is sculpted with male pecs and prominent pierced nipples and finished with a metallic glaze. Doug entrusted it to my care because he didn’t want it around the house where a family member might find it.


Ceramic egg made by Alan Oversby (Mr. Sebastian) and presented by him to Doug Malloy

Ceramic egg made by Alan and presented by him to Doug.

When Alan was in his mid to late 20s working on a sugar plantation in British Guiana, he observed a couple of field hands who were wearing little gold earrings in their nipples. This was the beginning of his fascination with body piercing. He returned to London with his own nipples pierced. Within a few years he had acquired a number of tattoos and additional piercings as well. Over time many of them were stretched to accommodate sizable jewelry.


A younger Alan Oversby (Mr. Sebastian)

A younger Alan.

On one of the days we paid a visit to Alan’s tattoo and piercing studio in Wandsworth. He shared space with a leather business called Leather Unlimited owned by a man named Alan Selby.

Alan Oversby (Mr. Sebastian) in his studio at Leather Unlimited, one of the photso I (Jim Ward) took for his interview in PFIQ.

Alan in his studio at Leather Unlimited, one of the photos I took for his interview in PFIQ.

Alan Oversby's (Mr. Sebastian) genital piercings.

Alan’s genital piercings.

Selby was one of the pioneers of fetish clothing for gay S/M enthusiasts. I recall that while I was living in Denver I had ordered a motorcycle cap from him. In 1979 he immigrated to the US and set up shop in San Francisco as Mr. S Leather. His warmth and easygoing manner endeared him to the local leather community. He worked tirelessly raising money and awareness for AIDS charities up until his death in 2004.

Mr. Sebastian’s space was meticulously clean and well organized. I would have expected no less. While we differed in our viewpoints on a number of issues, he and I shared a commitment to cleanliness and proper hygiene.


Alan Oversby's stretched nipple piercing (Mr. Sebastian).Alan Oversby's stretched nipple piercing (Mr. Sebastian).

Alan’s stretched nipple piercings.

There has been much debate over the years on the subject of using anesthetics for tattoos and piercings. The early days of the piercing movement were no exception. Early on I experimented with topical anesthetics, but found that, with the exception of the Prince Albert and other piercings involving a mucous membrane, they were not very effective and hardly worth the effort. Especially in Gauntlet’s early days there was nothing available without a prescription that was of much use.

I strongly rejected the use of injectable anesthetics. From my perspective they were too risky to be used by anyone who wasn’t a physician or at least a nurse. This sense of danger arose from a couple of concerns. For one they can pose a health risk to some people. That’s bad enough, but a far more immediate concern was that in the US their use is illegal in the hands of an unlicensed individual. Assuming I could even have obtained them, I would have been putting my fledgling business at risk of being closed down and myself at risk of arrest for practicing medicine without a license. From my perspective it simply wasn’t worth taking a chance. I also felt, and still do, that when piercings are done by a skilled piercer, the pain isn’t significantly greater than the anesthetic injection would be.

As the years went by and I observed other piercers at work, I came to the conclusion that oftentimes they used anesthetics to mask their incompetence and lack of skill. It became my firm belief that the best thing a piercer could do to minimize discomfort and pain was to master the necessary skills and be able to perform a piercing quickly and accurately. This, in my opinion, eliminates the need for anesthetics of any kind.

Even though the legality of their use in Britain was not much different than in the US, Alan never seemed to be particularly concerned. He was able to obtain anesthetics through a physician friend and had no qualms about using them.

I must be honest; I had very little opportunity to watch Alan at work. Some years later I saw a video in which he performed a Prince Albert piercing, and I was a bit surprised by his technique. The piercing was done within the context of an S/M scene, and I’ve wondered if the crudeness was for effect and to deliberately prolong the discomfort. It took an inordinate amount of fumbling and time, and seemed to be more bloody than usual for this often bloody piercing. It left me wondering if Alan’s technique could have used some refinement and if it might explain his regular use of anesthetics.


Alan Oversby (Mr. Sebastian) and a friend.

Alan and a friend.

I don’t recall if this was the video that landed him in serious trouble, but in 1987 or 1989 — depending on which account you read — the Manchester police obtained a video of what they thought were people being tortured before being killed. In fact it was of a group of heavy S/M enthusiasts at a play party. Alan was one of 16 men charged in what became known as the Spanner case, and even though everything that transpired had been consensual, the court ruled that a person doesn’t have the legal right to consent to receiving what they considered bodily harm. Thus the convictions stood. Alan was jailed for 15 months, suspended for two years.


Eddie, a client of Alan's (Oversby; Mr. Sebastian) and a co-defendant in the Spanner Case.

Eddie, a client of Alan’s and a co-defendant in the Spanner Case.

The case was appealed to the European Court of Human Rights, but Alan didn’t live long enough to hear the verdict. He died May 8, 1996. The final judgment in the Spanner case was handed down in February of 1997. In it the ECHR found that the British government had not violated the right to privacy by prosecuting the men involved.

More information on the Spanner case:
Spannerman (on BME)

http://en.wikipedia.org/wiki/Operation_Spanner
http://www.spannertrust.org/documents/spannerhistory.asp
http://vzone.virgin.net/old.whig/sadomaso.htm
http://www.modifiedmind.com/frontpage/extremebrit.html

Mr. Sebastian is considered by many — and justly so — as the father of the modern body piercing movement in Europe. Sad to say living on opposite sides of the world wasn’t conducive to our spending much time together. The Internet was still in its infancy, and with the pressures of our businesses and lives, we weren’t very good correspondents, so communication between us was minimal. Still, I am happy to have known him personally and to have shared the spotlight with him.

Jim Ward
http://www.gauntletenterprises.com/


Jim Ward is is one of the cofounders of body piercing as a public phenomena in his role both as owner of the original piercing studio Gauntlet and the original body modification magazine PFIQ, both long before BME staff had even entered highschool. He currently works as a designer in Calfornia where he lives with his partner.

Copyright © 2005 BMEzine.com LLC. Requests to publish full, edited, or shortened versions must be confirmed in writing. For bibliographical purposes this article was first published July 15th, 2005 by BMEzine.com LLC in Amsterdam, The Netherlands

Who Was Doug Malloy? [Running The Gauntlet – By Jim Ward]


Who Was
Doug Malloy?

part one

Doug Malloy was what an acquaintance of mine called the “nom de kinque” of a wealthy Hollywood businessman named Richard Simonton. I was given to understand that Malloy was his mother’s maiden name. Being an Irish name, I can’t help thinking one of his forebears must have kissed the Blarney stone, for Doug had a remarkable flair for telling a story, and if it wasn’t exactly true, it didn’t particularly matter to him as long as the tale was a good one. Consequently I can’t guarantee the accuracy of everything that Doug told me about himself or about the history of piercing for that matter. But he told wonderful stories, and the fact that many of them persist despite a lack of any supporting evidence says much for his ability to capture our imaginations.



Doug in the Muzak offices in Hollywood.

I know little about his youth. From an early interview it appears he was born in Chicago and his family moved to the Seattle area when he was about three. By the time the Depression hit in 1929, he would have been in his early teens. I gathered the family wasn’t exactly affluent. Eventually he ended up in Southern California and his fortunes began to change. In the early 40s he struck a lucrative deal with Muzak, the ubiquitous background music company, which gave him control over the southwestern quarter of the country. It made him a very rich man.

Doug was quite interested in things metaphysical. He had been a personal friend of Ernest Holmes (1887–1960) author of The Science of Mind and the founder of the Religious Science movement. Thanks in no small part to Holmes’ influence, he was very much a believer in what became known as the “power of positive thinking.”

He also believed in reincarnation. According to Doug it explained not only things like prodigies, but also why some people became passionate about things like body piercing. This, he claimed, was his own case. He remembered a past life during which he had been a highly placed courtier in the entourage of Egyptian pharaoh Akhenaton.

Supposedly navel piercing was common amongst the aristocracy but forbidden to the lower classes. Doug claimed that the piercing could be seen in statuary, but try as I might I was unable to see it in the photos which he showed me. Within the last 50 years scientists have been able to construct an extremely clear and accurate picture of Egyptian life dating back several thousand years. To date I am unaware of any evidence having been discovered that would substantiate Doug’s claim.

Meanwhile back in ancient Egypt, Doug’s ancient self had a jealous rival at court who arranged to have him murdered. This left a karmic debt that the rival was attempting to repay in Doug’s present incarnation. From time to time the “Little Man” as he was called would appear and offer Doug advice and occasionally make predictions. I know of at least one that wasn’t accurate. Doug was told he’d live to the year 2000. Maybe by some antiquated calendar. At least by our calendar he was off by nearly 25 years.



Doug walking in his back yard at the edge of Toluca Lake.

Doug had an incredible home in the San Fernando Valley. Allegedly he had been told psychically to start construction on it even before he’d amassed the fortune necessary to complete it. It was in an area called Toluca Lake, named after the small body of water on the edge of which the house was being built. To the best of my knowledge there is no public access to the lake itself because it is completely surrounded by homes. Warner Brothers studio is a short distance to the East. Doug’s neighbors included Bob Hope, Olivia de Haviland, and Walt Disney’s brother Roy.




Left: Doug’s living room with its church-style organ,
Right: Doug, circa 1950, with a theater organ pipe in his hand.

From the street, the house itself was not particularly impressive. It appeared to be a modest, modern, one-level box. But inside it was a marvel. There was an atrium with a roof that could be retracted. The house had not one, but two pipe organs. One was a church-style organ in the living room. A narrow spiral staircase lead down to a small, 99-seat theater in which there was a fully restored Wurlitzer theater organ dating from the 1920’s. During the silent movie days it had graced a Paramount Studio sound stage. Doug’s interest in theater organs inspired him to found the American Theater Organ Society in 1955.



Doug in his theater projection booth.

The theater was equipped with state of the art projection and recording facilities. On several occasions a few other Tattoo & Piercing group members and I were invited to join some of Doug’s other friends for private showings in the theater.

Doug had been a very close friend of the comedy film star of silent movie fame, Harold Lloyd. When Harold died in 1971, Doug was the executor of his estate. This gave him access to all of Harold’s old films.

Another close friend was an old theater organist named Gaylord Carter. Quite naturally things came together for showings of several Harold Lloyd silent films accompanied live by Carter. These were truly once-in-a-lifetime experiences, and I’ll never forget them.

Doug’s interests were many and varied. In addition to organs, he had a passion for steamboats. In 1957 he and his family took a trip on the Mississippi riverboat the Delta Queen. On learning that the company was about to go under and this was to be its final season, Doug purchased controlling interest in the company in 1958. With his entrepreneurial skills he quickly turned it into a highly profitable enterprise.

I was not fortunate enough to have met Doug at the height of his prowess. A few years previously he had sustained brain damage from an event which nearly killed him. This had effected his ability to express himself. He confided in me that he had once been “an eloquent speaker” and was actually planing to pursue a political career when it all came to an abrupt end. The experience also forced him to take things easier and freed him to indulge his other great passion, body piercing.

During one of our many conversations Doug confided in me that had he been born at a later time he would probably have been gay. But he was born at a time when such a lifestyle could easily make anyone an outcast. He had ambitions, and he also believed that he and the members of his family had been together in a past incarnation. It was important that he provide the means for all of them to incarnate together once again.



Although not common today, Doug preferred to wear a large ring in his frenum piercing, sized to encircle his penis. He claimed that some men liked to sleep with their finger through the ring. Notice his Hafada.

Right: Doug’s Guiche.

Shortly before we met, Doug had written a short autobiography of his piercing exploits entitled The Adventures of a Piercing Freak (click the link to read it). He had subsequently sold the article to a publisher of fetish magazines who issued it in soft cover under the title The Art of Pierced Penises and Decorative Tattoos. Since body piercing was virtually unknown at the time, the publisher was hard pressed to find suitable images to accompany the text. Consequently the photographs used had nothing to do with the story.

Piercing Freak could hardly be described as great literature. It is told in a bold style with a certain hyper-masculine bravado. Although I think it largely failed, it was clearly intended as “one-handed reading” for a primarily gay fetish market. Fantastic as parts of it are, Doug insisted the story was true. It’s difficult to believe it was commonplace for divers to use Prince Albert rings to attach an external catheter or that there was actually a college organization of Jewish men advocating Dydoe piercings to restore sensation for circumcised males.

Doug did author, to some extent, promotional material for Gauntlet and articles for Gauntlet’s magazine Piercing Fans International Quarterly. The truth is I was the ghostwriter for these working from notes that he provided. One of the first promotional pieces we did was a flyer entitled “Body & Genital Piercing in Brief(click the link to read it). It contained short histories and descriptions of a dozen piercings Doug considered “traditional.” I drew the illustrations to accompany them. The piercings included were:

  • Nipple
  • Navel
  • Prince Albert
  • Dydoe
  • Ampallang
  • Apadravya
  • Frenum
  • Hafada
  • Guiche
  • Foreskin
  • Labia
  • Clitoris

Of particular interest is the fact that, with the exception of the navel, all of these piercings have a largely sexual purpose. This reflects Doug’s primary interest in body piercing as a means of enhancing erotic sensation.

The impact the “Piercing Brief” has had is phenomenal. It was widely distributed and reprinted and contained many of the colorful myths that persist and, to some extent have been widely accepted as fact. There has never been any proof to substantiate, among other things that:

  1. Roman Centurians wore nipple rings to which they attached short capes.
  2. Navel piercings were a sign of royalty in ancient Egypt.
  3. Beau Brummell and Prince Albert had their penises pierced.
  4. Arab boys had the side of their scrotums pierced at puberty.
  5. Male South Pacific islanders did the Guiche piercing.

The evidence on which Doug based his Roman Centurians claim was a Baroque statue he’d seen in Versailles. He showed me a photograph. I pointed out to him that Roman military men frequently wore metal breastplates sometimes sculpted to resemble a muscular male chest. The rings with cape attached were in the breastplate, not the man. Doug paused for a moment to ponder my observation, then replied, “Well, it makes a good story anyway.”

There are actually very few body piercings which have a documented history. The most extensively written about is the Ampallang, which at one time was fairly common in the areas surrounding the Indian Ocean. There is one sole reference to the Apadravya that I am aware of and it is in the Kama Sutra. Doug maintained that the Ampallang was horizontal through the head of the penis and the Apadravya vertical. Piercer and researcher Paul King of Cold Steel in San Francisco maintains that the piercings are in fact one and the same and that either one could be oriented in either direction. Whatever the facts, most piercing enthusiasts have accepted Doug’s designation.

Less extensively documented are foreskin piercings. We do know that they were performed as part of a procedure called infibulation. Usually it was done to male slaves as a means of enforcing chastity. Women with pierced labia can also be infibulated though the documentation of the procedure is scarce.

I sometimes wonder if people into piercing today have any deep appreciation of the tremendous impact Doug Malloy has had on their lives. Certainly he had predecessors and contemporaries equally as passionate about piercing as he, but what was it that made him the center from which the whole modern piercing movement sprang?



A happy Doug wearing an airbrushed T-shirt made for him by tattooist Cliff Raven. Over his right nipple are the letters DMMP which stood for “Doug Malloy, Master Piercer.” Over the left nipple is IIPPI. The letters stood for “If it protrudes, pierce it.”

I think there are several reasons. For one, no one before him had ever presented such a broad palette of piercing possibilities complete with history and lore. It didn’t matter that he probably made up a lot of it, if not the piercings themselves. He’d at least done enough experimentation on himself to have some sense of their feasibility. This made it possible for him to speak with a confidence that leant great credibility to what he said. It didn’t hurt that it was a message a lot of people were waiting to hear whether they realized it or not.

It was also fortunate that Doug didn’t pursue his passion completely in private. Although he was extremely secretive about it, particularly with his family and non-kinky friends, he nonetheless reached out to other piercing enthusiasts who would go on to spread his message.

Finally, regardless of how primitive they might have been, Doug had formulated some basic but usable piercing techniques that, for the most part, could be applied by anyone.

If you combine all these elements with his good fortune of being in the right place at the right time, you can begin to see the seed that would grow into the modern piercing movement and appreciate how Doug vastly enriched your life.

Next: Gauntlet’s Jewelry Design Legacy


Jim Ward is is one of the cofounders of body piercing as a public phenomena in his role both as owner of the original piercing studio Gauntlet and the original body modification magazine PFIQ, both long before BME staff had even entered highschool. He currently works as a designer in Calfornia where he lives with his partner.

Copyright © 2004 BMEzine.com LLC. Requests to publish full, edited, or shortened versions must be confirmed in writing. For bibliographical purposes this article was first published March 15th, 2004 by BMEzine.com LLC in Toronto, Ontario, Canada

“In the beginning there was Gauntlet” [Running The Gauntlet – By Jim Ward]

title1

“In the beginning there was Gauntlet”
(quote from a post on rec.arts.bodyart)

Starting any new business can be challenging especially for someone who’s never done it before. The challenge gets multiplied several times when it’s in a new industry. To the best of my knowledge no one before me had ever attempted to do just body piercing as a profession. A handful of tattooists were doing it, but it was strictly a sideline.It’s not that someone else couldn’t have done what I did. The time just happened to be right, and I was the one who seized the moment. Within a few short years the world had seen the hippie movement, women’s liberation, and gay liberation. The sexual revolution was in full swing. I saw no reason to be ashamed because piercings turned me on and no reason why the rest of the world shouldn’t find out what piercing might have to offer them.

I imagine the process of starting a new business is pretty much the same anywhere, but here in California you have to file a fictitious name statement and run a notice in the newspaper to the effect that you’re doing business under that name. Then you need to open a business bank account and do the necessary paperwork with the State Board of Equalization for the privilege of collecting sales tax. Plus there are lots of little odds and ends. It’s pretty much a pain in the ass. But before you can do anything you need a name for your business.

Doug and I went back and forth trying to come up with something. He favored a mythological theme such as the name of a Greek god. I wanted something with a tough, masculine feel that would appeal particularly to the gay leathermen and S/M fetishists I perceived as my most likely customer base.

In the process of accessorizing my leather wardrobe, I had made a wide leather watchband edged with silver-colored pyramid-shaped studs. While watching television one night I removed my watch and set it on the end table. A short time later I glanced over to see what time it was, and in a flash the name came to me. GAUNTLET! It was everything I wanted the name to be. In addition to being rugged and masculine, it also had metaphoric implications. We have two sayings, “run the gauntlet,” and “throw down the gauntlet,” expressions for the ordeal and the challenge. Didn’t that precisely describe this business venture? I did have momentary second thoughts only because there was already a well-known leather bar in LA called The Gauntlet. But that didn’t seem to be a big problem since I’d be calling my business Gauntlet Enterprises.

Doug liked the name as soon as I told him about it. He was, however, of the opinion that I should incorporate. But since he didn’t want to be a stockholder or to have any legal attachments to the business, I opted for a sole proprietorship.

It was November, astrologically the time of year Scorpio babies are born. Scorpios are supposed to be highly sexual, so I thought it would be an ideal time for my business to be born. Since the sign ends around the 21st of the month, I needed to act soon. Thus it was that on the 17th of November 1975, I drove to the closest newspaper office, filled out the necessary forms, and filed the fictitious name statement. Gauntlet Enterprises was on its way.

There was now a flurry of activity. So many things needed to be seen to: the bank account, sales tax issues, setting up a place to make jewelry, developing jewelry designs, designing a logo… the list went on. Everything seemed to be happening at once.

My mental picture of the logo was of a stylized gauntlet forming the letter “G.” It could thus be used alone or combined with the remaining letters of the word.

The personal computer was still about a decade in the future. Artists and designers relied for the most part on traditional media to do their work. One of the newer innovations of the time was rub-on letters. Several companies made them, and though the market for them has largely disappeared, you’ll occasionally see them in art supply stores. At one time there were hundreds of fonts available in a variety of type sizes, with perhaps one or two sizes on a sheet. They consisted of a transparent plastic sheet on which an assortment of letters was printed, mirror image, and then coated with a pressure sensitive adhesive. You would place the sheet, sticky side down, on a surface and one by one rub the letters onto it.

After spending some time browsing through the catalogs at the art supply store, I found a font that seemed to have the character I was looking for and a letter “G” that had a vaguely open fist shape. The font was called Hondo. I purchased a sheet of larger sized letters.

A visit to the public library proved helpful. Browsing through several books with pictures of medieval armor, I found a number of images of gauntlets from which to draw inspiration.

Back home I gathered my art materials together and set out to create the logo. After rubbing a capital “G” onto a suitable piece of paper, I took a sheet of tracing paper and a pencil and began to sketch over it, trying various ways of creating a gauntlet from the letter. In time things came together and I had something that looked like it would work. After carefully tracing the design onto the sheet with the rubbed on letter, I used a draftsman’s pen to ink the details. It took several attempts to get things precisely right, but finally, success.

To be able to make jewelry I needed a jeweler’s workbench. Commercially made ones were very expensive, and I felt the money could be better spent. Using scrap lumber from construction sites and a piece of plywood from a packing crate, I made my own workbench. It might not have been much to look at, but it was functional and adequate for my needs. That bench was in use till Gauntlet’s demise nearly 25 years later, and by some twist of fate, and the generosity of Josh at Good Art, I still have it today.

Here on BME Gauntlet has earned the reputation for being “conservative.” In this forum that is something of a dirty word, usually used with contempt and derision. The same people who are quick to assume that I never took risks often fail to consider what things were like in 1975.

Because there was little precedent, everything I did in those days was a risk. No one had ever attempted what I was doing at least on the scale I intended to do it. There was no Internet providing vast informational resources at the tip of one’s fingers. Every piercing technique, every jewelry design, every material used for the jewelry or in the piercing process had to be subjected to a trial and error process. That meant taking risks. Rather than calling me conservative, a better word would be cautious. It was essential to me that every precaution be taken to assure the well being of every person I pierced or who wore my jewelry. What would the fate of the entire piercing movement been if I hadn’t proceeded cautiously and someone had suffered serious harm? How quickly would the movement have come to an abrupt end?

Fortunately, starting out with such a small customer base I was able to personally keep tabs on the people I did business with. If something went wrong, I had the opportunity to figure out why and immediately try something different. By proceeding with caution I could progress slowly and minimize the risk of serious harm.

Of course, without Doug none of this would have happened. He provided a catalog of “traditional” piercings, along with their often-colorful histories, which leant them credibility and implied that they were all possible. However crude, he had acquired some rudimentary piercing techniques. Over a period of years he also had managed to make contact with about a hundred fellow piercing enthusiasts. Combined these three things provided a foundation on which I could build my infant business.

Doug’s motives for setting me up in business were not entirely altruistic. He was married and had four adult children, but his heterosexual life provided no outlet for his piercing fetish or the expression of suppressed gay yearnings. By helping me start a piercing business he was hoping to have the opportunity to fulfill both these needs.

Primarily by placing classified ads in various gay and fetish publications, Doug had made contact with a couple of dozen gay men in the LA area who shared his fetish for piercing. As a means of helping get Gauntlet launched, Doug proposed that we start a social group for these men. We would get together once a month for a potluck supper. After eating and socializing anyone who was interested could get pierced with what Doug called “the laying on of hands,” his term for the moral support of the rest of the group. This gave me the opportunity to do piercings under his direction and at the same time bring in a little money from the sale of the jewelry. On occasion we’d all meet at a local restaurant and reconvene at someone’s home afterwards for the piercing event.

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Left: The T&P group meeting at a restaurant. Middle: Eric at a T&P get-together. I’d silk-screened the Gauntlet name and logo on the back of his shirt. Right: Cliff Raven at a T&P dinner. On his left are his lover and well-known piercing celebrity Viking Navarro.

Initially Doug proposed calling the group the Society of Saint Sebastian for the saint who was martyred by being shot through with arrows. But that name thankfully never stuck. Instead it ended up just being called the T&P Group, short for tattooing and piercing.

Back in my fine art days I’d made some silk screen prints. The skill came in handy for a bit of advertising and promotion. I silk-screened some T-shirts with the Gauntlet name and logo on the front. I also bought a button making device and produced a series of buttons with drawings of various piercings, the Gauntlet logo, and the slogan, “We’ve got what it takes to fill your hole.” We gave these out to the T&P group and to clients who got pierced.

Designing and making jewelry for body piercing offered a wide range of challenges. Before Gauntlet most piercing enthusiasts had no choice but to make do with earrings or some makeshift contrivance of twisted wire. Frequently the material was a silver or gold plated mystery metal hardly suitable for the purpose.

Earrings were universally too thin. There were some loop style earrings consisting of a fairly thick tube with a thin wire that was intended to go through the piercing. Some hardy individuals managed to work the thicker loop through their piercings, a process that would have been uncomfortable to say the least. There still remained sharp edges which, if the ring rotated, could irritate and cut the tissue.

Bent pieces of wire also posed problems. There was virtually no way to provide a closure that would not snag on clothing or on the edges of the piercing itself.

From the beginning there was interest in stainless steel as a material for piercing jewelry, primarily because it was perceived as inexpensive and because many men preferred its silver color. Unfortunately I had no knowledge or experience with the material; every piece of jewelry I’d ever made was of gold or silver. Consequently the majority of my early jewelry was made from gold. I did design some pieces of silver, but the portion which went through the piercing was always of gold. Those who insisted on silver colored metal had to settle for white gold.

Our knowledge of jewelry materials at the time was quite limited. I had no idea just what effect the unknown components in various gold alloys had on people’s bodies. Even though I was using 14-karat gold, some people still had bad reactions to it. In those cases our only option was to insert monofilament nylon. We had no idea that nickel was a common allergen in alloys. I’m not proud to admit it, but Gauntlet’s first jewelry brochure included a piece of gold plated nickel silver jewelry. Fortunately we quickly realized its incompatibility and discontinued it immediately.

The one piece of jewelry that became Gauntlet’s bread and butter was what I called the Bead Ring. It might more accurately have been called a Fixed Bead Ring since the bead that acted as a closure was soldered to one side of the ring’s opening. In recent years the design has largely be supplanted by the Captive Bead Ring in which the bead simply snaps into a gap in the ring. This design is cheaper to manufacture and allows the wearer to choose a vast variety of bead materials. But since my primary focus was always on piercing as a means of sexual enhancement, I always felt the fixed style was a better choice. One never had to worry about losing the bead in the carpet if the activity got a little rough.

I can’t claim that the bead ring design was my own. Back when I first pierced my nipples, I had purchased a pair of earrings of that design in a department store. What made them a unique Gauntlet design was the fact that they were scaled in a variety of larger diameters and thicknesses suitable for body wear.

Left: Tattoo Samy from Frankfurt. Middle: Some of Samy’s tattoos and piercings. Right: A closeup.

The first barbells I recall came from Germany. Doug had made contact with Tattoo Samy, a tattooist and piercer from Frankfurt. Over the years Samy came to the States a number of times and frequently showed up in LA to visit Doug. On one of his first visits he showed us the barbell studs that he used in some piercings. They were internally threaded, a feature that made so much sense that I immediately set out to recreate them for my own customers.

This was a particularly difficult challenge. The biggest problem was how to do the threading. My gold supplier offered 1/16” gold tubing, the equivalent of 14 gauge. This would work as the post, but how could I tap it? I’d also need the right thickness of wire and a suitable die for the male thread. Fortunately, after consulting some technical person, a company that I had purchased jewelry making equipment from was able to provide the tools that I needed.

Next I had to find suitable balls for the ends. Initially I used those ear studs that are just a gold ball attached to a post. I cut off the ear post and soldered the ball to the barbell post. This was completely unsatisfactory. First there was an unsightly flange left where the post was attached to the ball. Second, the ball had a tendency to explode when it was heated with a torch. That wasn’t much fun. Lastly, the material was so thin that after it was heated it became so soft it could easily be dented with the thumbnail. This wasn’t something I could sell. What to do?

Fortunately fate intervened. On the elevator at the jewelry mart one day I was discussing the problem with a friend. There was another man on the elevator with us who overheard the conversation and gave me the name of a findings company where I’d be able to purchase “no-hole” balls that would meet my needs. The lead proved invaluable, and for many years Gauntlet purchased balls from them for a number of our jewelry designs.

Piercing techniques provided their own unique challenge. Thus far I’d followed Doug’s lead, and aside from the occasional fumble, things were progressing fairly well.

Left: Getting tattooed by Cliff Raven. Right: My first Cliff Raven tattoo in progress. The photo was taken in the jewelry making area I’d set up in my living room.

As role models for issues of sterility and hygiene we turned primarily to some of the more responsible tattooists of the time, especially Cliff Raven who had recently moved from Chicago and opened a shop in West Hollywood. Autoclaving instruments after each use was a given. But the use of latex gloves didn’t occur until the AIDS epidemic hit nearly 10 years hence. Our rationale at the time was that even dentists weren’t using them and doctors only used them for surgery or for probing in a patient’s private orifices.

For some time we continued to use the ear-piercing gun to do nipples. This limited us to using only 16 gauge, pretty thin by today’s standards, but certainly thicker than the earrings everyone was used to. On occasion I encountered nipples that were on the tough side, but with a little extra muscle I always managed to get the piercing point to go through.

Then came the day that forever changed this technique. Doug called me up and told me that some guy who’d answered his classified ad wanted his nipples pierced. We arranged a day and time to go to the guy’s apartment where I would do the piercings. Everything was going smoothly until the actual piercing. The point of the ear piercer scarcely penetrated the skin; it wouldn’t go through. I could feel myself sweating partly from embarrassment, partly because I knew the guy was very uncomfortable. With every bit of strength I could muster, I made one final attempt to get the point to do its work. However, instead of going through, it bent. At this point I realized that the ear piercer was not the best tool for piercing nipples since there was no way to tell how tough they were going to be.

By now I was soaking wet. Though uncomfortable, the client was bearing up incredibly well and was determined to persevere until he had the piercings. Doing my best to save face and keep the client calm, I quietly reassured him everything would be fine, set the ear piercer aside, and had Doug get me a cork and one of the large hypodermic needles from the piercing kit. The nipple was still in the forceps. I placed the cork on one side and, placing the needle in position on the other, thrust it through the nipple into the cork. Though the going was still a bit rough, the nipple yielded.

I now encountered other problems. The forceps couldn’t be completely removed. I was able to open them and free them on the point end of the needle, but the syringe coupling was too large to pass through the remaining opening. I’d just have to work around them. It was also going to be tricky inserting the jewelry because the point of the needle was beveled. Fortunately we were inserting nipple retainers that had a straight post, so they managed to follow through without too much difficulty.

At the time I simply attributed all the fumbling and difficulties to my own lack of experience. This was partly true, but the tools themselves were actually a much more significant factor. This was about to be demonstrated most dramatically as I undertook my first Prince Albert piercing.

The Doug Malloy method of doing a Prince Albert.

Doug’s technique for doing this piercing was incredibly difficult. A small dab of topical anesthetic was placed on the end of a cotton swab (one with a wooden stick) and the swab inserted about an inch into the urethra. After waiting about ten minutes for the anesthetic to penetrate, it was time to do the piercing. The piercer would grip the cotton swab, position its tip just beneath the place where the piercing would go, and, with a hypodermic needle of suitable thickness, pierce into the tip of the swab. In order not to puncture the inside of the urethra, the needle and swab needed to be kept securely together until the needle was outside of it.

Any piercer who hasn’t done this has no idea just how hard it is. Unless their grip is just right, the tissue can move around and the needle miss its mark. In time I mastered this technique and eventually figured out a better method, but at the time it was like trying to hit a moving target behind a curtain.

Somehow I managed to actually do the piercing. It was now time to insert the jewelry, a 14-gauge bead ring. I had to attempt to get a circular object to follow a straight one with a beveled point. This wasn’t working well. Once again I was sweating profusely and beginning to panic. Things were getting bloody. More by shear force than anything else, I managed to get the ring in. Although the piercee was an incredibly good sport about it all, I felt terribly embarrassed. I knew that this method was too crude. Guys who had been around the S/M scene might easily take it in stride, but I couldn’t expect that of others.

Members of the T&P group having fun. Doug enjoyed these photo opps.

It was then that I had one of my “Eureka!” moments. If I simply cut the syringe coupling off the needle, I would then be able to follow it through with the jewelry. In that instant one of the revolutions in piercing technique took place. From then on at least one hurdle in the piercing process had been conquered.

Next: Who Was Doug Malloy? — part 1


Jim Ward is is one of the cofounders of body piercing as a public phenomena in his role both as owner of the original piercing studio Gauntlet and the original body modification magazine PFIQ, both long before BME staff had even entered highschool. He currently works as a designer in Calfornia where he lives with his partner. Copyright © 2004 BMEzine.com LLC. Requests to publish full, edited, or shortened versions must be confirmed in writing. For bibliographical purposes this article was first published January 23rd, 2004 by BMEzine.com LLC in Toronto, Ontario, Canada

Modified Does Not Equal Apathetic [Guest Column]

Modified ≠ Apathetic
 

“Never doubt that a small group of thoughtful, committed citizens can change the world; indeed it is the only thing that ever has.”

Margaret Mead

 

(CLICK PHOTOS TO ACCESS IAM PAGE) 


massaarKyle is an eighteen year old male from Barrie, Ontario, Canada. He currently lives at home with his parents and due to him recently relocating he is unemployed. He co-founded Skate-4-Cancer with his friend Rob Dyer in July 2003. He currently has four piercings (tongue, nipples, and his lobes stretched to 00 gauge). He has three tattoos: words on his stomach, Sailor Jerry flash on his back, and stars on his arms. The co-founder of the Skate-4-Cancer charity has stretched lobes, a nipple piercing, and multiple tattoos including a 3/4 sleeve in progress.

TattoodRedHeadLiz is a 35 year old female real estate broker who formerly worked in the music business for Capitol and Virgin Records in NYC. She graduated with a BA in Media studies and currently lives in Boston, Massachusetts, USA with her husband. Liz has approximately 60 hours of tattoo work, she has half sleeves, a nostril piercing, and a vertical hood piercing.

nycnickNick is a 45 year old male and living in New York City, New York, USA. He has a degree in Architecture from New York’s Cornell University and is currently a very successful and sought after architect. Considering Nick only started his journey into modification in 2003 he is heavily modified with 52 tattoos including full sleeves, and multiple piercings including a 0 ga Prince Albert, 0 ga labret (recently retired due to gum recession), and 3/4″ stretched lobes — When asked why he got his mods so late in life he replied, “It just felt right, and of course a lot of iam people inspired me! My parents were dead against it, so I waited till they were dead.

 

This article is not here (only) to showcase these individuals. It’s here to say, “hey, maybe it’s fun to get involved in my comunity” — and more importantly, that it’ normal to be involved!

 

Communities tend to react to “aberration” with distrust and ostracism. This ostracism can result in an individual or group being perceived as responsible for the problems in the community, greedy consumption of charitable services they don’t need, behaving in a manner the majority of the community feels is unacceptable, and having an unacceptable appearance.

We in the body modification community have all experienced this ostracism for being “different”. People think we’re violent, mentally ill, unemployed, and addicted to all sorts of illicit drugs simply because of the modifications we’ve made to our bodies and how we dress. Our appearance seems to give those who don’t understand permission to label us with various negative and undeserved attributes.

Historically, while community service and volunteerism has always been a valued trait, actual practice has lagged in recent years, and organizations in need of volunteers often find themselves short-staffed and under-funded as a result. Since his inauguration, American President George W. Bush has issued repeated challenges to the American people to increase the amount of volunteer work being done in the country. Nothing much happened, although the events of 9/11/01 saw volunteerism rates peak for a few months and then slowly decline to the present.

People in the mainstream tend to expect the modified to be among the least likely people to provide any type of community service or volunteer work. However, a surprising number of people involved in body modification feel the motivation to give back to their communities; communities that to a large extent tend to discriminate against them. The people in this article go above and beyond to provide invaluable volunteer services in a variety of areas to the communities in which they live.

They have not only helped their communities but they have gone well beyond the expectations of others by founding a variety of charities and organizations and continuing to work in the non-profit or volunteer sector while maintaining active participation in the modified community. While non-profit work and volunteering isn’t for everyone it does strike a chord with these individuals. At the foundation of all of these people is a willingness and desire to help others through any means possible.


BME: How did you originally get involved with non-profit volunteer work and what was your role in the groups you were with?

Kyle: I never really did much charity work, just the usual stuff they made me do at school: cleaning up roads, picking up litter, and so on. I went down to Toronto once for three days to help feed homeless people and help out at some shelters as well. Up until when Skate

4Cancer was started, I had never really done anything on my own time.

My friend, Rob Dyer, and I started Skate4Cancer together back in July of this year. He originally had the idea about two years ago, and actually tried to start it up but it never took off because he didn’t really have anyone helping him. He mentioned the idea to me during the summer, and I decided I really liked it and offered to help him out by building a website. From there, it just sort of progressed into what it is now.

Skate4Cancer is a charity that was started to raise youth awareness and fund for cancer research. Starting in March of 2004, we will be skateboarding from Los Angeles to Toronto. The entire trip is roughly 5,000 kilometers (3,000 miles) in length.

My role now is maintaining the website, and I continue to help plan what we will be doing and helping out as much as I can at fundraisers and various publicity events. Once we get started on the trip, I will principally be the bus driver and webmaster of the site.

Liz: In 1999 I co-founded a group called Fanseverywhere as a result of the rapes and sexual assaults that happened at Woodstock ’99. I still, to this day, answer email from young girls and women who have been sexually molested and raped at rock concerts.


“I was so offended by what was happening to the women at Woodstock ’99.”
 

The police weren’t any help and women (some as young as thirteen) were being assaulted while crowd surfing or sleeping in their tents. It was outrageous and these women needed somewhere to go to, someone to speak with. I was the Co-Founder and main contact for these women. I conducted letter writing campaigns to NOW and RAINN to alert them of the issues and to record labels and concert promoters urging them to be aware of what was going on at many shows.

Nick: I serve as a Board Member on the NYC City council, for community Board 9, I serve on the Landmarks committee for Manhattan, NYC District 9. I am completing my Police Officer Training, and will serve in the NYPD auxiliary program, walking a beat as a cop in Manhattan.

“I wanted to give to my community.”

BME: Have you been involved in other non-profit work other than what you described above?

Kyle: Honestly, I have never done anything like this before. I mean, I’ve given to food drives and donated some money before, but nothing really significant to a non-profit organization.

Liz: I started working with the Milarepa Group to help the Tibetans in 1996 working at the Tibetan Freedom Concerts in SanFrancisco, NYC and Washington DC. I moved on to help an agency called the Tibetan Refugee Health Care Project. I was motivated by my desire to help people in need. I know that I am lucky to have the things that I have and some aren’t so fortunate. I felt compelled to help out where I could.

I volunteered my time with the Milarepa Group from 1996-1998 and assisted with the development of the Tibetan Freedom Concerts. I worked with the Tibetan Refugee Health Care Project from 1998-2000.

The Tibetan Refugee Health Care Project is a non-political organization funded entirely by private donations. It was created in response to the dire and growing need for public health care for the Tibetan community-in-exile, living both in resettlement camps in India, and throughout the world, and to be a support for The Tibetan Government-in-exile, His Holiness The Dalai Lama and the Tibetan Department of Health. All projects are reported to them.

Its mission is to facilitate medical treatment of the Tibetan people as well as to educate them about disease prevention. One of the goals of the project is to encourage Tibetans to learn skills that enable them to help other Tibetans. This is done by training qualified Tibetans so that they may become practitioners, skilled laborers, or volunteers who go back to work in their communities. I volunteered my time to help with anything that needed to be done. I sat in protest of the Chinese government. I ran sound and lights for speeches. I coordinated email campaigns. Helped in the offices. Passed out flyers. For Milarepa, I donated my time to help coordinate other volunteers for the Tibetan Freedom Concerts. This came out to about fifteen hours a week.

BME: What originally prompted you to choose the groups you ultimately worked with?

Kyle: I chose to become involved with Skate4Cancer because I felt it was a worthy cause, and I believe that we can make a difference in the world. I decided early in my life that I would not just be one of those people who graduate high school, maybe go to college and then work a desk job for the rest of their lives. I feel that this might be something I could do for the rest of my life, and this will allow to wake up every morning believing that I have a purpose in my life and I ’m making a difference in other peoples lives.

Liz: Passion. Passion to try to make things better for someone other than yourself. Bring issues to the public eye.

Nick: My architectural background enable me to help the landmarks committee, and the community board, I really wanted to prove to myself that I could become a cop, and am just about complete with my training.

BME: Have you ever had any memorable reactions to your modifications during your volunteer work?

Kyle: Besides the, “Oh, cool tattoos!” comments that are fairly usual, I personally haven’t, but I know Rob (the co-founder of Skate4Cancer) has. I know he’s experienced some negative reactions to his tattoos and even the way he dresses.

Liz: Never anything negative. I would say it has been pretty neutral territory as far as my charity work has been concerned.

Nick: Well, the NYPD did ask me to remove a lot of the metal, but I was more than willing to do that! For my police training I keep the tatts generally covered as much as possible.

BME: Have you found that your modifications have helped or hindered you in this work?

Kyle: I think that they help more than they hinder, because we’ve found what’s key to making Skate4Cancer work is getting the kids to notice it, and then they tell their parents about it. Tattoos are noticed alot of the youth of today because they are ‘in’, most of the youth think they are cool, so they may notice us for our mods, then hear about what we are doing and really like the idea, then helping us spread the word. But on the other side, they have hindered us at times because for the most part, the older generation isn’t too keen on body modification, and thus they don’t think we are serious about it, making them reluctant to donate or preach to others about us.

Liz: Definitely helped for Fanseverywhere. The girls would see the tattoos and would feel comfortable because I was “one of them”

Nick: Neither really. I like trying to break though peoples perceptions of what a tattooed person should or shouldn’t do. But actually no, no problems at all. Everyone remembers me, and that might not be bad!

BME: Why do you donate your time, energy, and resources? What is the primary reason?

Kyle: The main reason I do this is to help myself feel good. As I mentioned before, I want to make a difference to people in my life, and I think this could be something that really changes people and makes them examine themselves.

Secondary to that, I believe that cancer is an epidemic that has to be stopped. SARS was made into such a big deal by the media, but it wasn’t as bad as they made it seem. I don’t want to make it seem like I’m belittling SARS, but on average 185 Canadians die of cancer each day. That’s just in Canada, just think of how many die worldwide. I don’t think many people realize how bad cancer really is.

Liz: I am fortunate in my life, and sometimes someone just has to show you the way up and out of a bad situation. I hope that I have offered that kind of assistance to just one person. Life is what you make of it.

Nick: I love to help others!

BME: What is one thing that stands out that you have learned from your volunteer work that has helped you in other aspects of your life?

Kyle: I’ve learned that no matter how bad my life seems, there is always someone who is worse off then me. I shouldn’t complain about the little things that don’t matter, when my little things are a life-or-death matter to someone else.

Liz: Compassion to others. You never know when your situation is going to become bad and you will need the help of kind strangers. Everyone deserves a chance.

Nick: That I’m a really fortunate guy!

BME: If you could create your own charitable organization what would it be?

Kyle: I haven’t thought about creating other charities at this point, one is enough work right now! but we have a couple ideas on how to expand Skate4Cancer after this initial run, and that should keep me and everyone else busy enough for a little while at least haha.

Liz: To provide inner city school children with all the resources they need to learn music and art. Those programs are being taken away and need to be given back to those who could benefit from them the most.

Nick: I would like to create a foundation to help people to decide to do the right thing, so they can have productive lives.


The people we’ve talked to above are only a brief mentioning of the many volunteers we know that are also BME members. It seems despite the undeservedly grim and often outright bigoted opinions in many articles published in the mainstream media it seems that the modified are doing more than just volunteering in their communities; they are starting organizations to help others, extending their own resources to give others a chance.

They are most definitely not apathetic or “not playing the game of life” as has been suggested, but are instead giving back in ways the “average person” seems either unwilling or unable to do. The communities to which these individuals belong would do well to respect, admire, recognize and aspire to the shining example these people represent not only to their communities, not only to the modified, but to humanity in general.

[Ed note: This is an abridged version of this column; click here for the “director’s cut”]

 

 


Danielle (iam: Vanilla) and Chris (iam:serpents) Clark

Copyright © 2004 BMEzine.com LLC. Permission is granted to reprint this article in its entirety as long as credit is retained and usage is non-commercial. Requests to publish edited or shortened versions must be confirmed in writing. For bibliographical purposes this article was first published January 9th, 2004 by BMEzine.com LLC in Toronto, Ontario, Canada.

Chris and Danielle Clark