Amputation and tattoos about amputation

Let’s start with the tattoos though and make it easy on the more sensitive viewers. For those into something more hardcore, consider it forplay.

Beginning on the left is an amputated “pinkie” finger ballerina by Daniella Degtiar from Israel. No_Pants‘ sleeve (middle) has a rather epic wolf-driven hand amputation, and strengthwithinme‘s pitbull is a little bit aggressive and sometimes retrieves a little bit of the mailman along with the mail (by Al Garcia at North Coast Customs in Mentor, OH).

And for those into the real thing, we go to kicute.

Penectomized Cumshot?

Obviously these are very adult photos, so don’t click them if you don’t have curiosity about what it looks like for a man with balls but an amputated penis to blow his load… The photos are real (in that they captured what was there), but my personal take is that you’re not seeing quite what you think you are (think glue + glans modification), although I admit I’m not sure.

Missing Parts [Guest Column – Stepping Back]

Missing Parts

“One sees clearly only with the heart.
Anything essential is invisible to the eyes.”

-Antoine de Saint-Exupéry, Le Petit Prince

When your physical appearance changes against your will, like scarring or losing a limb, is it considered body modification? I’m not just talking about accidentally slicing your finger open while cutting a watermelon, or burning your arm on a stove rack, but rather, severe circumstances like what happened to Ella Earp-Lynch (IAM:ella), who was burned by a pot of boiling water at age four, or to Amina Munster (IAM:Amina Munster) who had her leg amputated and the tips of her fingers fall off as a consequence of nearly drowning before the age of two.

Ella, who has scarring on nearly a third of her entire body, says that she absolutely considers what has happened to her as body modification. And why? “The disingenuous answer would be to say, ‘because my body is modified from the way it originally was, it’s different from the way it was at birth’.



Amina and Ella

But I can also say that I first started thinking of my scars as body modification when I began to see the beauty in them, and to feel that having them made me more, rather than less attractive.”

These women interpret their experiences in very different ways. Ella showcases her modifications, and even highlights them with Dremel and scalpel scarification and branding. This decision was easy for her, and began when her friend, “a scarificationist, mentioned that he thought that the small scar on my left shoulder looked like a bird, specifically, like a Chinese phoenix, and said that he would like to try and “bring it out” with a technique he had been experimenting with using a Dremel tool to
abrade the skin. This started me thinking, and I realized that herein lay the solution to my problem — I had always wanted further mods but had had a hard time figuring out how to incorporate tattoos with my extensive scars.”

“Another part of what I like about my current project (of modifying/outlining my existing scars and eventually mirroring their outlines on the other side of my body with more conventional scarifications) is that I feel it reflects my attitude towards my scars more accurately to the average person, and makes it easier for them to see what I see.”

Amina, on the other hand, hides her “modifications” both in real life and online, where she is an active and popular Suicide Girl.

She debuted on SuicideGirls.com in late December 2002, and she has never shown her missing leg or fingers in any of her photos. She’s fairly heavily tattooed, has a gold tooth and breast implants, all of which she considers mods, but does not consider her “missing parts” body modification. She believes that in order to classify something as body modification, it needs to be an intentional act.

Why the gray area? Intentional amputations happen, accidental amputations certainly happen more often — but when is it considered body modification? Is it simply in the eye of the beholder?

I decided to interview Amina to find out what it is exactly that stops her from classifying the accidental changes to her body as “body modification.”


Amina Munster

BME:
What happened to your leg and your fingers?

AMINA:
When I was seventeen month old I was left home with a babysitter because I had a fever. Instead of the babysitter watching over me and my five year old sister, she decided to call her friends and invite them over for a pool party. Believing that I could swim, I left the playroom, went outside, stacked up laundry baskets to climb over the pool gate and jumped in the spa that the babysitter had been heating up for her friends. The babysitter never found me, my next door neighbor heard my sister screaming at the spa. It was the neighbor who took me out of the water and called the paramedics.

My leg was lost due to loss of circulation and oxygen. My right leg was amputated below the knee. My fingers were left to fall off by themselves. When I was sent home, the tips of my fingers were black and dead. The tips gradually fell off by themselves. Resulting from this accident I am missing a quarter of my right leg, the tips of all five fingers on my right hand and half of my right lung.

BME:
Did anything happen to the babysitter? Was she charged with any criminal acts?

AMINA:
My parent’s home owners insurance paid for the hospital bills and a hefty settlement. My parents decided not to sue anyone. When I turned eighteen, I was told by my parents that I had the option to sue anyone I wanted including my parents, the babysitter, the hospital, or the babysitter’s parents considering that she was seventeen at the time of the accident. I decided to not sue anyone; the accident happened so long ago, isn’t the expression let dead dogs lie?



Amina’s black fingertips before they eventually fell off, and her amputated leg.

BME:
Why did you become a Suicide Girl?

AMINA:
Honestly, I have loved models and modeling since I can remember. I grew up looking at the Varga girls and 50’s style pin ups. Suicide Girls was like a breath of fresh air to me. I thought that it was amazing to find a place where girls were considered beautiful and had piercings and tattoos. I became a Suicide Girl just to try something different and I will never regret it.

BME:
Why did you decide not to show your leg or your fingers in your photographs?

AMINA:
When I had originally applied to Suicide Girls years ago I decided to keep the leg, or lack there of, a secret. I felt that SG would not accept me to be a model if they knew I was an amputee. Throughout the years it has gotten difficult to keep coming up with creative ways to cover my prosthetic leg, however, I still have not been able to shoot the mermaid set that I have dreamt about.

BME:
Who takes your photos for SG?

AMINA:
Currently all of the sets that I have up on Suicide Girls were shot by a friend and Missy, the owner of SG. However, recently I was able to shoot two sets with Steve Prue, who I greatly adore.

BME:
Did your photographers try to convince you to show your leg?

AMINA:
I have worked with many photographers and I have never felt pressured to show my leg. I did recently take a series of photos displaying the temporary prosthetic leg, but that was at my request. I love this leg because you can see the insides, it looks bionic.


Her leg and fingers are always hidden in her pictures for Suicide Girls

BME:
Are you planning on showing the online public that you have amputations?

AMINA:
Right now I am wearing a temporary prosthetic leg. My other leg is currently getting airbrushed at the Hart and Huntington Tattoo studio in the Palms Hotel and Casino, they have an A&E show called “Inked” that covers the daily activities of the tattoo shop. My leg and I will be featured on that show. I honestly do not know what the artist is airbrushing on the leg other than a big Virgin Mary on the calf. After I have received the completed leg and have finished filming for ‘Inked’ I will be shooting a set for Suicide Girls exposing the airbrushed prosthesis. It will be the first time that it will be shown on Suicide Girls that I am an amputee. Should be interesting.

BME:
Is the airbrushing just for the photo shoot or will the paint stay on the leg permanently?

AMINA:
The leg is getting airbrushed to look like traditional tattoo work. The paint will permanently stay on the leg and I think I may mount it in a glass box when I am no longer able to wear it. I’ve had plans for many months now to expose the leg on Suicide Girls, I just thought it would be cool to show it looking tattooed. The artist and I both decided on traditional art work, very Sailor Jerry…but with no swallows or flames. I left the majority up to him.

BME:
Do you have any fears about the people’s reactions?

AMINA:
To tell you the truth, the general public on SG may not know about my prosthesis, but it is certainly not a secret. Rumors fly over that website all the time, people like to talk. Even many girls whom I consider to be good friends still feel the need to tell members or anyone interested in SG that I am an amputee. It is truly funny that when peoples own lives stop being interesting that they choose to talk about someone else.

When it is finally shown to the SG community that I am an amputee, I really expect for most people to be shocked. I hope that it will show them that people with missing parts are beautiful too. I really don’t expect outrage, but I’m sure I will get the occasional ‘that’s gross’ comment.

It’s very hard to offend me, as I’ve heard it all before.

BME:
So far, what has been the feedback on your presence on SG?

AMINA:
I have met many girls off of SG who are now some of my best friends. I even met one of my tattoo artists off of SG, he agreed to tattoo me in exchange for three of my baby prosthetics. Naturally I am considerably popular on Suicide Girls due to my many tattoos and the fact that I show my boobies. But I am unsure if
that will all change when my amputations are exposed.

BME:
What brought you to
BME?

AMINA:
A friend and fellow Suicide Girl, Twwly told me about BME, I checked it out and fell in love.

BME:
How long have you been tattooed?

AMINA:
My first tattoo, if I remember correctly, would have to be the Winnie the Pooh outline on the inside of my left ankle. This tattoo was done when I was 15 in my bedroom by my first boyfriend. Of course at such a young age we did not have a tattoo machine and instead used a safety pin. This tattoo has been left untouched all these years as a reminder of my first love.

Since then I have been tattooed by many talented artists including Eric Maaske, Tim Kern, Tim Hendricks, Jim Miner and Chummy. I started getting real artwork by established artists when I was seventeen. I walked into Classic Tattoo in Fullerton, CA with my court papers proving that I was an emancipated teen and Eric Maaske agreed to work on me. My first tattoo on my arm was a pirate girl with a peg leg, some think it to be a self portrait.

BME:
Is it actually a self-portrait?

AMINA:
Technically it isn’t, but I did have her peg leg be on the right side to match mine.


Chest Piece by Tim Kern

BME:
Does being an amputee impact your decision to get tattoos? Do you have any tattoos relating to your amputations?

AMINA:
The only tattoo that I currently have directly relating to my amputations is the Pirate girl by Eric Maaske on my right arm. But I do have future plans for more. When I began getting tattoos on my arm I placed all of them on my left arm thinking that it would take attention away from the right side of my body. It would be a sham if I didn’t admit that. It worked, and when I shook hands with someone they would be so preoccupied with the tattoos covering my left arm that they wouldn’t notice the missing fingers on the hand that they were shaking. Since then I have moved on to tattoo my left arm and chest, and I am no longer trying to cover up my disability with tattoos.

I have found that other people with ‘missing parts’ tried to do the same, so it is not uncommon.

BME:
Do you consider your amputations as “body modification” as they weren’t intentional?

AMINA:
Since my missing parts were not intentional I do not consider them ‘body modification.’

I think modification would have to do with the direct and intentional act of modifying something. Ha, I didn’t intentionally modify my leg, it just kind of fell off. I would, however, consider my white gold tooth as a modification. Although I did not intentionally knock it out, I did choose to replace it with white gold and not a replica of the latter, and unlike most people, I do consider my breast implants to be a modification.

BME:
How did you loose your tooth?

AMINA:
I blame losing that fucker on the leg. I have such bad balance. I was very intoxicated in San Francisco back in April of 2004 I drank some liquor that I will refer to as ‘the devil’ at the Budda Bar. As soon as last call hit, I traveled out onto the street and attempted to walk off of a curb. My attempt was ill fated. I fell flat on my face busting my lip and eye, and knocking out my front #10 tooth at the gum line.

BME:
Why did you choose to replace it with white gold?

AMINA:
The second that I was informed by three different dentists that the tooth replacement was going to set me back a whopping $3,000 bucks I knew that I wasn’t going to get a replica of what I had just knocked out. It turns out that if you knock out just one tooth at the gum line that you have no other alternative than to get a single dental implant, so I got the white gold as a treat to myself. Plus I find frontal gold teeth on men very, very sexy; I just don’t know more than one guy who has them. Bring on the men with gold teeth!

BME:
Any specific or unique reason why you wanted breast implants?

AMINA:
Not to be too blunt, but I love boobies and I love breast implants. Add that to the fact that I was as flat as a twelve year old boy. I got them June 4th of 1999, and still no regrets.

Unintentional vs the Intentional

BME:
What kind of feedback have you gotten from IAM members?

AMINA:
I have had nothing but pleasant encounters with fellow BME members. I do get a lot of questions about how I lost my leg and fingers, but that’s just natural curiosity. I guess I should have an explanation somewhere on my page, but I don’t want my missing parts to define who I am. I don’t want someone to visit my page and just see information about my leg, there is much more to me than that.

BME:
Do you find real life people more accepting than online people, or vice versa?

AMINA:
The only place that I have shown my prosthesis online is on BME. Since I usually wear pants and never have my leg exposed in real life, I do not really know what the general public’s reactions would be. Other than some people noticing that I may be limping a little one particular day, it is rare that any one would ever think that I have one leg. I have never had a problem finding lovers, most men just don’t care. Although I do have that ‘Deuce Bigelow’ fear of not telling a man beforehand that my leg is a prosthesis and then watching it fall off in his hands. Now that I think about it, my friends and I have played many jokes similar to that one on unsuspecting targets.

BME:
Why do you keep it a secret?

AMINA:
If you’ve done something for so many years it just becomes routine. I would be delusional if I ever thought that my lack of a right leg could ever be considered a secret. My story seems to be something that people like to tell at cocktail parties. More often than not, when I meet someone that knows anyone that I do, they already know of my amputations. I kept it a secret on Suicide Girls possibility to be accepted or just to be one of the girls. Instead of Amina the amputee, I am just Amina. I wear pants daily because it is simply less of a hassle. Although online I could write a story and paste it on my profile that will hinder repetitive questions, I cannot walk around daily with the story taped to my chest. I will be showing it soon on Suicide Girls because I can no longer remember any reason to keep it hidden. It is what I am and ultimately makes me who I am.

BME:
What do you think of people who intentionally amputate their fingers or other body parts?

AMINA:
I will not ever say that it is disgusting or gross or that I do not understand it. Since I was a child I have wanted to amputate one of my toes, not because I would like how it looks but for more aesthetic purposes. I’ve always hated that my toes touch, as everybody’s toes do. I just always figured that by eliminating that one toe between my middle toe and my pinkie toe that the problem would be resolved. So I myself have considered voluntary amputation. I’m sure most people do it for different reasons, like cutting the bad parts out or eliminating something you prefer to be without. I know someone that voluntarily amputated a body part and to this day I still do not know the reasons that person had. But it was their choice, not a common or accepted choice, but a choice that person is very happy with.

If I had two legs would I prefer to have one amputated? No, never. I would never wish that upon someone who did not wish it upon themselves. Why? Simply because it is a hard existence. Not just because of the jokes, ridicule, stares or innocent questions, as that could not possibly be any less of
a concern for me. But the physical technicalities are so hard and unending.

I’ve had to learn to walk fourteen times in my life, my prosthesis cost up to $20,000, and if I decided to drop some weight for health reasons, I have to get another leg. The shape of the stump changes with every couple pounds I lose. Since May of 2002 I have lost twenty-one pounds. However, I have only had two legs in that time. Some days my leg will be black and blue from walking, some days I can’t walk. Sometimes I wish that I could walk for more than eight minutes without giving my leg a rest. My knee is half the size as my other knee due to atrophy, very similar to the Chinese women who wrap their feet, and my knee never had the chance to grow beyond a juvenile’s size. Sometimes I envision my bone growing through the end of my stump as it did twice when I was younger. Also, because I am currently without health insurance, and if it were not for my Prosthetist being a good friend of mine, I’m sure that right now I would be without a prosthesis.

I have heard the saying “God only gives you what he thinks you can handle” many times. And if I believed in God I think I could find some peace in that.


* * *

Certainly, if I break a fingernail or get a bruise on my leg, I would not consider it body modification nor body art. I guess, ultimately, it’s up to the people who have unintentionally injured their bodies to classify any changes as “body modification” or not. Regardless of whether it’s by choice or accident, these girls’ bodies are different than what they’re supposed to be. Everything after that is left up to interpretation. Who really needs the labels anyway?

– Gillian Hyde
typealice


Gillian Hyde (iam:typealice) is a vagabond, though her roots run deep into Nova Scotian soil. She’s lived and worked on three continents since 2001, and has never lived anywhere for longer than eight months since the age of 16. She loves fonts, puns, being barefoot, and office supplies. “Calm” to her is the roar of the ocean.

Online presentation copyright © 2005 BMEzine.com LLC. Picture of Ella by Warren Baird. Front page picture of Amina taken by Steve Prue. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published online February 9th, 2005 by BMEzine.com LLC from La Paz, Mexico.

The Arrest of Todd Bertrang [The Publisher’s Ring]

INITIAL NOTE: Please understand that I am unaware of any of the facts surrounding Todd Bertrang’s arrest other than what has been reported in the media. I have not discussed this case with Todd nor am I privy to any knowledge of this alleged crime or any other alleged crimes. I offer this as general commentary only.


The Arrest of Todd Bertrang


The more restrictions and prohibitions in the world, the poorer people get.

– Lao Tzu

  
UPDATE 01/11/04: Authorities have admitted that they have absolutely no evidence that Todd has ever done these procedures on minors, other than his willingness to play along with their ridiculous fabrication (which included paying him a preposterous $8,000 for the imaginary procedure on the imaginary clients).

Additionally, they have admitted that this whole thing is based on complaints filed by “a woman who said she believed that Bertrang had performed a circumcision on a 10 or 11 year old girl”. Given how many times I’ve heard people in the BME chat room that he’s rubbed the wrong way conspire to fabricate false charges against him, why am I not surprised? People said they’d get him busted for things he never did, maybe they succeeded (to put this into time context, it played out in the spring/summer of 2002).

As I write this, Todd Bertrang and his parter Robyn sit in prison for allegedly conspiring to perform female circumcisions on minors. The procedure they were offering is encouraged by the medical community, and, with slight (gender) variation, is even legal for non-doctors to perform. Not only that, but there never actually even were any minors — the whole thing was a cleverly concocted fantasy designed to entrap Bertrang. No matter what your opinion of Todd (he’s never masked his sexual overtones), this arrest is troubling on two levels — first, because it involves a deeply hypocritical law, and second, because it involves a questionable sting on a body modification artist.

To be clear let’s put the procedure in question into context: female circumcision. FGM. Female genital mutilation. It sounds terrible, doesn’t it — but it’s a loaded term chosen by activists (male circumcision is known as MGM, or “male genital mutilation”). The procedure we’re talking about isn’t an infibulation or a clitorectomy — it’s a circumcision (“to cut around”). The purpose of the procedure is to reshape the labia into a more pleasing form and to reduce or split the hood in order to make the clitoris more exposed. The procedure is designed to be a positive and enhancing one, not something oppressive or abusive.


The Hypocrisy

Proponents of female circumcision in the West (it’s a popular elective surgery) will tell you that it enhances the appearance of the genitals, as well as making sex more physically pleasurable. Proponents in Africa and the Middle East will tell you that, on top of its cultural and religious importance, it maintains cleanliness, prevents disease and cancers, keeps a couple together by making the man able to sexually satisfy the woman, and otherwise protects the woman who receives it. Some regions even have circumcision methods designed to make intercourse more physically pleasurable — in countries that it’s done in, it’s the women who have had the procedure that are usually the strongest proponents of continuing the practice.

Now don’t get me wrong — in spite of all these wonderful things about it, I believe it’s fundamentally wrong to force this on a child who can’t decide for themselves, let alone to allow an unqualified practitioner to do it. But we have to take an objective look at this in light of procedures that we do allow.

While most Western countries have phased out the procedure as barbaric, and the AMA has decried it as pointless and dangerous mutilation, in America, the genitals of young boys are still routinely partially amputated. The foreskin, one of the most nerve-heavy parts of the male genitals (and containing glands essential to genital health), is cut off, usually without anesthesia. Significant complications arise annually and numerous men permanently lose sexual function from this procedure. While it is most commonly done by a doctor, non-medical practitioners are also permitted to perform the procedure in private home ceremonies. No health benefits have ever been conclusively shown for this procedure, and the original justification for performing it was to reduce masturbation by “associating pain with the penis”.

So, with boys, we allow non-medical practitioners to cut off part of their genitals for dubious reasons, but with women we don’t. The fact is that we can’t have it both ways. Either make male genital mutilation illegal, or allow it for both genders.

The Sting

Underground cutters tend to be motivated by two factors. First, they usually enjoy doing the procedures they offer. Second, they care about the people they are working on and perceive themselves as helping — by offering a procedure that’s not available in the mainstream, they fulfill an important need and improve someone’s life (and thus they feel a need to come to the aid of someone in distress). The authorities understand that and in their stings play to the desires and ethics of their victim, dangling the perfect carrot in front of their noses.

It’s no secret from his actions in online chat rooms that Todd wants to believe that there are cultures that accept his views on female genital enhancement procedures. Additionally, talking to him it’s clear not only that he’s “getting off” on doing the procedures, but that he cares about his clients. The FBI appears to have presented Todd with a fabricated situation that seemed to good to be true — the opportunity to help a pro-circumcision family (ie. a culture that accepted his belief structure), and to improve two young girls’ lives.

Maybe you’re saying, “Shannon, are you insane? He was a pervert who was hoping to get off cutting up young girl’s genitals!

That may or may not be true, but the fact is that those girls never actually existed and Todd never sought them out — the FBI presented them to him along with a tailored backstory to make it appear to Todd like he was doing the right thing by allegedly agreeing to perform the operation. Given that it was happening on minors with the full consent of the “parents”, and with the presented goal of helping the minors, can you really say it was even illegal? (Remember, we allow parents to send their children to absolutely brutal, sometimes fatalBoot Camps”). In Todd’s eyes, and in the eyes of millions of people around the world, this procedure is positive and normal (which would make the government the oppressor, and Todd an agent of freedom). The FBI basically tricked him into allowing his beliefs and ethics to get the better of him.

* * *

I’m not trying to defend Todd with this article — if the allegations are true and he offered to work on minors like this, in my opinion he went too far. However, I do feel that it’s fundamentally wrong to charge someone for a crime that only exists as a police fabrication, and I believe it’s even more wrong to charge someone with laws that are by their very nature racist and sexist. These are unjust laws being applied with a heavy hand. Maybe Todd hit on you in a chat room and you’re glad to see him finally go down — but are you really comfortable having it happen like this?

Most body modification happens in a grey area. It’s usually not entirely legal, but it’s also usually not entirely illegal either, depending on how you look at it. Because of this, it’s very easy for almost any body artist to be arrested at any time, based on the whims of local or federal prosecutors. Body modification procedures are safer than everyday activities like driving a car, occur almost exclusively between consenting adults, and usually involve procedures not being medically offered (making underground the only option). To be clear, the laws are fundamentally unjust. Until we either start banning everything, or these procedures start getting medically offered, it is wrong to deny these grass-roots solutions.

The other reason body artists should be wary is if the FBI is setting up stings that seem “too good to be true”, you never know who could be next or how. Most body artists are pretty honest easy-to-read people — it’s very easy to figure out what makes them tick. We’ve accepted as a culture that it is wrong for our authorities to engage in entrapment (entrapment being when the police fabricate an illegal act, encourage the mark to take part in it, and then charge them for it), yet we’ve just watched Todd Bertrang fall victim to it. Because of the seemingly heinous nature of the charges (mutilating the genitals of young girls), most people don’t even consider the fact that this isn’t justice — just like we’re instinctively ready to act outside or beyond the law when it comes to dealing with child molesters and sex criminals.

So objectively, what we have here is an arrest of questionable legality for a fabricated crime, which is only a crime under laws which are hypocritical at best. Ask yourselves — are you willing to allow it to happen just because you don’t like Todd? Then ask yourselves a second question — will it happen again? What do you believe in that the mainstream may not agree with?


Shannon Larratt
BME.com

You can get in touch with Todd via his website at ToddBertrang.com, although you should be aware that all communication is probably being monitored.

AMPUTEE ART – The BME Cultural Corner

Amputee Art


Our masters (the spirits) keep a zealous watch over us, and woe betide us afterwards if we do not satisfy them! We cannot quit it; we cannot cease to practise shamanic rites.

Shaman quoted by Wenceslas Sieroshevksi, 1896

 

Welcome to the BME Cultural Corner.

My name is Blake of The Nomad Precision Body Adornment and Tribal Art Museum. This new section of BME/News will focus exclusively on the historical and cultural aspects of bodymod in a traditional context. Personal narratives, stories, articles, rare photos, and new scientific discoveries relating to the endless human need to alter the body will be found here.

In introduction, I am a piercer of fifteen years, museum curator, and self-educated anthropologist. I have also authored a new book (A Brief History of the Evolution of Body Adornment in Western Culture) which is available here on BME. My interests are purely traditional culture — one might call me a conservative democrat, as far as bodymod goes.

The subject of this first article of the Cultural Corner will be amputation — a subject, I admit, I never thought I would be writing about in a historic context. Only lately associated with the bodymod community, and profiled in a recent one-hour Discovery Channel special as well as Shannon’s book Modcon, deliberate amputation is generally misunderstood. It can be said that amputation is not ornamentation (unless you wear a severed digit in your earlobe), more exactly, it is augmentation.

Randomly ask any amputee today about the nature of their “disfigurement” (ignoring all of the social idiums on couth), and expect one of several primary answers — assuming you haven’t pissed them off or trodden on some painful part of their life better left alone.

Our first hypothetical example: A legless man in a wheelchair — mid 50’s — perhaps he lost them on a mine in Vietnam, his “mobility and vitality” stolen from him in his youth by the “enemy”… non-consentually.

Next, an older man (yes, women can be amputees too) missing a forearm and a hand… his whole life haunted by the feeling that with both hands he is incomplete as a person until that appendage is sacrificed. Consumed with a deep, unnameable need to remove part of the anatomy considered essential — perhaps an “accident” with a Skilsaw — and now he is content… an indescribable inner part of himself somehow satiated.

For our third example we turn back the hands of time (no pun intended)… about 30,000 years! The place is a dark cave in Paleolithic Europe. With the entire clan in attendance — spellbound — an elder shaman severs a digit from his hand. Does he hate himself? No. Does he have issues? No. The primitive mind and developing psyche of humanity is consumed wih offerings of magic, sacrifice, the spirit-world, and the animal kingdom, upon which he depends for survival.


Amputated finger tips. Left: 30,000 years old (© Pawel Valde-Nowak), right: 6 years old (from BME’s collection).

What is transpiring in the cave is one of earliest known forms of “religious rite” or spiritual practice and enactment of ritual. In fact, discoveries at Oblazowa, a Paleolithic site in Poland have sparked a huge controversy in the world of prehistoric art. Known to science, yet rare, are hand-stencils on the walls of Paleolithic European caves with missing digits. This “Amputee Art” was previously regarded as examples of illness, accidents or a strange system of communication — until now.

New evidence has unearthed (in the same caves that housed the amputee art): a thumb phalanx, and other human finger bones found in association with shell pendants, stone beads, the perforated teeth of an Arctic fox, a Mammoth tusk boomerang (the oldest boomerang ever found), and other ritual objects. They date to more than 30,000 years ago.

Pawel Valde-Nowak, the scientist who excavated the site believes that this proves that “fingers were amputated in a ceremonial context” and that amputee art gives “depictions of hands (with missing digits) a very particular symbolic meaning”.

Even with our imaginary time-travel, early language, grammar, and syntax prevent the modern mind (if we could ask) from communication with the shaman in the cave. “Why?” we might inquire, yet the ritual context of this ancient amputation lets the scientific mind extrapolate, respect, and appreciate the ceremonial, even religious rite associated with the ancient amputation.


Amputations. Left to right: Performance artist Roger Kaufman who has changed the length of nearly all his fingers and toes (photo: Efrain Gonzalez), healed amputation with original finger tip (photo and model: Jerome Abramovitch), and an “amputation party” in Russia (both photos: BME archives).

With scientific evidence substantiating this new theory, further conjecture will be limited only by lack of further archaeological evidence… in the art world, the controversy will likely continue for decades to come. Now science has established ritual amputation to the earliest days of modern man and dated the practice to Paleolithic times, paralleling the emergence of humanity’s oldest forms of ritualized ornamentation and adornment; piercing and tattooing.

Amputation, drugs, religion, meditation or ritualized body adornment are means by which we may glimpse the divine, or, that which is greater than the sum of our “parts”. These vehicles of transcendental experience are doorways to an ancient state of mind. To borrow a quote from my book, “the ways by which we find release and transcendence as a species are varied, indeed.


Blake


Blake Perlingieri is a body piercer of fifteen years, a museum curator, and a self-educated anthropologist. He is the author of A Brief History of the Evolution of Body Adornment in Western Culture and can be found online (and offline) at nomadmuseum.com.

Copyright © 2003 BMEzine.com LLC. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published December 17th, 2003 by BMEzine.com LLC in Tweed, Ontario, Canada.




Jerome Abramovitch at the Montreal Tattoo Convention [Guest Column]

Jerome Abramovitch
at the Montreal Tattoo Convention

"Good art can not be immoral. By good art I mean art that bears true witness, I mean the art that is most precise."

– Ezra Pound

Those of you — especially the women reading this — that have been to tattoo conventions know how aggressive the photographers from tattoo magazines can be. Some of them, including some “big name” ones have a reputation for aggressive hounding of women for photos, bordering on both sexual harassment and simply insulting. Those that do agree to go to their room for photos find themselves pressured to take their top off to “better show the tattoo on their wrist”, and when they refuse, find themselves the brunt of insults and sometimes even threats from the photographer’s biker associates.

Clearly BME has an interest in photographing at tattoo conventions, but we didn’t want to become part of a process that in my opinion engenders unhappiness in this community and produces at best snap-shots of tattoos that people could just as easily take at home with their digital camera. Enter Jerome Abramovitch.

(As Jean Cocteau said, “an artist cannot talk about his art any more than a plant can discuss horticulture”, so that’s why I’m writing this introduction, not Jerome.)

I first met Jerome in 1999 when he approached me not as a photographer, but as a performance artist who’d amputated his own finger as art, and held numerous official and unofficial world records for everything from the most play piercings in a session to being perhaps the most heavily voluntarily branded man in the world — some of you may have also seen him on the cover of the ModCon book, or doing his saline performances on various television shows. It was only later that I discovered what a talented photographer he was as well.

At the 2003 Montreal Tattoo Convention in Quebec, Canada, we set Jerome up with a photo booth and he went at the convention as a true artist, with the aim of taking beautiful portraits of the people he encountered, not some cheap thinly-veiled pornography to run in discount magazines advertising “home tattoo kits”. I am very proud to present to you the results of his work — as you can see, his background is first and foremost in portraiture, so more so than snapshots of tattoos, you’ll notice that the focus is on the people. As he told me, “people who happen to have tattoos, but it’s about them, not about the ink on their skin.”

Watch out for Jerome at future tattoo conventions and events shooting for BME. Until then, you can visit his website at chapter9photography.com where you can contact him about prints, portraiture, or just congratulate him on giving a much needed kick in the ass to the others out there shooting tattoo conventions by showing them a better way to do it. You can also find him on IAM as Jerome.

Shannon Larratt
September 11th, 2003



Text copyright © 2003 BMEzine.com LLC, photos copyright © 2003 Jerome Abromovitch. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published online September 11th, 2003 by BMEzine.com LLC in Tweed, Ontario, Canada.