BME Newsfeed for Nov 23, 2005

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Scarification Videos

Here’s a quick pair of scarification videos for you. The image quality isn’t the greatest on either of them, which is unfortunate because in each case it’s a very nice example of cutting art.

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DivX download link for BME members: Extreme2 or Full members

Whitespace getting his nipple cut by Dave Gillstrap. You can check out our previous post on his Buddhism-themed scarification bodysuit project (which also contains cutting work by other artists).

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Warren gets his geometric arm cutting extended by Tom Brazda in Toronto… While a very qualified and experienced piercer, Tom’s only recently been getting seriously into cutting and I really like this piece a lot — you shoudl take the time to visit Warren’s page to see the photos.

Body piercing videos

Two piercing videos c/o my friend Jonathan Piercing down in Venezuela. The top video is Javier doing a catheter needle-style female nipple piercing , and at the bottom is Jonathan doing a large gauge scalpelled navel piercing. Enjoy, and if you have a video you’d like me to post here, just email it to [email protected] and tell me it’s for Modblog.

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DivX download link for BME members: Extreme2 or Full members

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DivX download link for BME members: Extreme2 or Full members

Oops, the piercing that Javier is doing is with regular piercing needles, not with catheter needles. Sorry!

BME Newsfeed for Nov 1, 2005

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BME Newsfeed for Oct 13, 2005

Please note that links may expire. IAM members, please help out by submitting stories!

Pop culture is a language

I’d assumed everyone realized that Amina’s chestpiece (original article, first follow-up) was based on Pirates of the Caribbean artwork, but since it’s being insisted that I mention it, here’s some of the pictures movie that Tim Kern possibly worked from to create the custom tattoo:

A reader wrote Amina and CC’d me to say,

“Where is the outrage at stealing the [non-tattoo] artwork that someone created? Oh, wait… there is blood added, and the banner was changed because a ‘dead men…’ banner kept that low would have covered your nipples …are you going to continue to persecute this guy because you don’t have the balls to say, ‘Wait, I guess my chestpiece is actually a copy of someone else’s artwork!’ Not only a copy, but an exact duplicate of the swords from Pirates of the… and an exact duplicate of the skull from the other image. I’ll be waiting, probably til eternity, for you to post these two pictures in all of your ranting and raving about the theft of ‘original’ art. If your chestpiece is original because you added a couple things, then this guys is just as original, as he added a mace and the blood is different.”

Tattoos borrow from pop culture. They always have and they always will. For the heavily tattooed Maoris of New Zealand, their mokos — their facial tattoos — contained their family history and told a story of the bearer’s genealogy. For modern individuals, tattoos tell the story of their lives as well, so pop culture references are not only common but required due to the saturation of that imagery in our world. So in order to wear a tattoo that accurately captures a person, often they actually need to borrow from and tell their stories using imagery from movies, advertising, corporate logos, and so on. It’s not theft, it’s truth.

However, there is something fundamentally different between copying a piece of print artwork and copying someone’s tattoo. It’s like the difference between speaking the same language (using the same words) and literally saying the same thing. In terms of the damage done to the wearer, it’s identity theft. The Maoris, when they needed to enter into a contract with a Westerner that required a signature, would draw out a picture of their moko instead of writing their name — and even now, for many heavily tattooed individuals, their tattoos are as linked to their identity as their given name, if not more.

In terms of damage to the original tattoo artist, work has to be done to “translate” the image from something that works well on paper (or whatever the original medium is) to the skin, and an aesthetically pleasing combination for the desired body part has to be designed in order make it a successful tattoo. This is a far more time consuming than one might assume — and there are an infinite number of combinations, variations, and interpretations for any given reference — and it is the quality of this translation that gives the piece unique artistic value as a custom tattoo. Skipping this step and just using someone else’s tattoo takes advantage of the hard work someone else has put into the design, to say nothing of the personal violation.

If Amina’s “fan” had wanted a Pirates of the Caribbean chestpiece rather than Amina’s literal chestpiece, it is true that he would have walked away with a very similar tattoo because both artists would have been working from the same sources. However, it would have been a fundamentally different tattoo, and comparing the two “thefts” is not valid.


Update: In regards to telling the story of one’s life with pop culture, Amina talks about this chestpiece in an interview that will appear in the December issue of Skin&Ink magazine:

"Currently my favorite tattoo is my chest piece, which was designed and tattooed by Tim Kern at Last Rites in New York City. Many people believe that the piece was created after a Motorhead song, and even though I am a Motorhead fan, that song was not in mind during the design of the tattoo. The piece was actually designed after the talking pirate skull in the Anaheim Disneyland ride 'Pirates of the Caribbean.' Being an Anaheim native, I owned a Disneyland annual pass since I was a teenager, and many summers were spent making out in 'Pirates of the Caribbean' — "Dead Men Tell No Tales" had just become hauntingly familiar to me."

Pick up the magazine for full coverage.

The Lizardman Q&A Part 10 [The Lizardman]

TLM Q&A X

“Survive and enjoy doing it.”

The Lizardman’s Questions & Answers has reached round number ten. For which I can, of course, only take half credit at best since I only supply the answers — the questions, as always, came from IAM members. The fact that no call for questions has gone without a steady response leads me to, hopefully, believe that these are still fun for everyone. They also helped form part of the basis for the The Lizardman FAQ I put online late last year.

Once again, thank you and enjoy:



Have you ever thought of changing your diet to more resemble that of a lizard?


I am a vegetarian, by taste, and I do eat live insects. So, depending on which one you choose my diet does resemble that of a lizard.

Realistically though, the only things that I take into account when choosing my diet are taste and health (with a heavy emphasis on taste). I am a picky bastard as anyone who has ever gone to eat with me can attest.



If tomorrow it became a federal law that tattoos are illegal and all of the tattooed people had to be rounded up and placed in camps across the nation, would you lead the march against the White House?


Why are these hypothetical scenario questions so often gloomy and pessimistic?

I would not march on the White House in such a situation — what you have described is well past the point of no return. I am nobody’s martyr! When I act and fight for modification rights and respect I do so out of enlightened self interest. What is good for all is often also good for me, but don’t think that I will blindly sacrifice myself or you will be very disappointed.



As we all know, you have traveled the world. I have not been able to do that. My question to you, since you aren’t the “norm”, what country or cities are more welcoming to your lifestyle? Are there certain countries or cities where the majority have frowned upon you if not shunned?

The great thing about being an entertainer is that the world welcomes you. When I travel it is almost always for work — doing a show or an appearance.

I know that other people with public modifications on par with my own have had far different experiences in many of the same places. To answer your question though, I honestly can’t think of anywhere that particularly leaps out as welcoming or hostile to such a point based upon my modifications or lifestyle. My experiences most places are so focused that I kind of doubt I ever get a really good sense of what it is like on a regular basis — that’s part of the downside of touring. I get to go almost everywhere but I don’t really get to experience anywhere very deeply.



Where would your “optimal” place to live in for the rest of your life be? By that I mean somewhere you visited and really enjoyed and would like to, or you can imagine yourself living in for the rest of your life.

The requirements for my happiness are almost completely unrelated to geography. The optimal place for me is one where I have my friends and family and the freedom to live more or less according to my own desires. I am very happy in Austin, TX currently and could easily see staying there. Besides which, I travel so much that I effectively get to live all over in a sense.


What is your favorite species of lizard and reptile?


I really like the various monitors and salt water crocs.


Why are you so lovable?


Loving me is easy cause I’m beautiful. Heh.

What kind of body modification makes you uncomfortable?


No particular kind of modification makes me uncomfortable — but it’s also not like I would watch subincision or flesh removal procedurals just for fun.

If anything about a modification is going to bother me it will most likely be the motivation. When people get procedures as a means of one-upping someone else or seem to be pushed into it by others, that makes me uncomfortable. I also get ‘the willies’ when I see practioners doing things like cross-contaminating.


Have you ever considered more subdermal implants (small flattish ones, on your arms, for example) to make your scales appear more “textured”?


I’m not entirely sure how feasible such a massive implant project like that would even be, but it’s not something I would really want. In terms of texture for the scales I think that further tattooing will provide that adequately through the effect of color shading… I’m not currently considering any further implants with the possible exception of magnetic implants that would be essentially invisible.


What’s your favorite movie, and favorite video game, and why? Or one of, seeing as ‘favorite’ is kind of tricky!


It is very hard to pick a favorite. Besides which, my favorites have changed and likely will change again in the future.

I can say that in terms of movies I have watched the original Highlander and Caddyshack more times than probably any other films. I still really like Highlander on a lot of levels but I am kind of burnt out on it, whereas I still watch Caddyshack at least once a week or more on the tour bus and Full Metal Jacket runs on a loop in our front lounge most days.

For video games, I have a long running obsession with the Mortal Kombat series.


iam:Metalheart is taking a break from IAM

Who’s your favorite comedian alive or dead?


Rodney Dangerfield. I loved his stand-up style and his autobiography It’s Not Easy Bein’ Me: A Lifetime of No Respect but Plenty of Sex and Drugs not only inspired but also influenced me in terms of my own work.


What book or books have you read that have had the most impact on you (or been the most enjoyable reads)?


The Illuminatus Trilogy has profoundly affected me many times. I have read it at least once a year since I first found it in while in high school in the late eighties and I have no plans to stop.

If you could sum up your philosophy of life in a sentence what would it be?


I don’t know if I can do that yet. I definitely don’t think of myself as a role model but in terms of my philosophy, such as it may be, I do think that how I live my life is the best expression possible rather than trying to work language around it. If I have to take a swing at a one-sentence summary I’d currently go with: Survive and enjoy doing it.


Do you feel like there are certain mods you’re missing out on that you couldn’t incorporate into your lizard theme?


There are some designs and ideas I have had and passed on due to my overall theme but I don’t think I am missing out. Ultimately, if I really want something I find a way to make it work for me and my theme. I made the rules for this project and I will bend and break them as I see fit.


What’s your favorite city to perform at and why?


I don’t have a favorite city for the simple reason that the city you are in is a guarantee of nothing. No matter where you are the crowd can be good or bad or indifferent (which is worst of all). Of course, there are general trends that I have talked about before but the closest thing I could say for a favorite is the town I am in any given night because that’s my focus.

Who do you look up to?


I admire a lot of people but I try not to put anyone on a pedestal. The most important thing to remember about anyone you look up to is that they are still human and they have faults just like everyone else — this is especially important for anyone who might look up to me.

A short list off the top of my head would be: Lanny & Cindy Sprague, The Great Omi, Rasmus Nielson, Robert Anton Wilson, Rodney Dangerfield, Penn & Teller, James Randi, Aye Jaye, Houdini, Andre Breton, Heraclitus, & Zeno.

If you could meet anyone dead or alive who would it be?


I always hated this essay question in school. One of my favorite responses was to suggest that I wanted to meet myself under such conditions that I would have answer any question completely and honestly since we lie best to ourselves. I know that’s a cop-out so, I suppose I would like to meet the actual historical figure or figures behind the New Testament (I find the alleged evidence of a historical Jesus to be rather suspect) so that I could try and discern their motives and get a read on how they would feel about the abomination that their efforts have become in the many modern forms of Christianity.


I know that at one point you were a doctoral candidate in philosophy — what was your planned dissertation going to focus on?

It would have been a linguistic theory of art. My undergrad thesis was a treatment of the ancient problem of the one and the many using the latter Wittgensteinian notion of family resemblance. My doctoral thesis would have used family resemblance in a similar fashion to address the question ‘what is art?’.


What special challenges do you face when travelling? Do you have additional issues getting through airport security, due to being “the green guy”? Alternatively, do you get special treatment in a positive light? Extra drinks from stewardesses, for example?


My two main travel challenges are my show gear and other travelers. In terms of gear, you have to think about how airlines tend to view things like swords, traps, and flammable fuels (or their residue). Luckily, over the years I have gotten very good at streamlining my props and packing them for weight and security.

Other people are a challenge because as much as I want to be polite and accessible, people who have layovers in airports don’t seem to understand very well that I may not have the same amount of time and that I need to get to my gate to make my flight. On occasion I do get a little special treatment. I fly enough that I have racked up elite status on some airlines and using the same ones means that in some places their staff tends to recognize and remember me. I have gotten quicker passage through security, upgrades, drinks, and been boarded earlier in the past. I have also been invited up to the cockpit a few times — including post 9/11.



Your stage show does have a lot of sexual innuendo in it. Do women or men hit on you after shows?


It does? Define “a lot”. I thought it was just right or a little low if anything. Anyway, yeah people do hit on me (both men and women) after shows, before shows, anytime really. As much as I am not a fan of wearing jewelry, the wedding ring is nice thing to have at those moments along with the phrase “I’m flattered but…”


What is the one thing you collect that has nothing to do with sideshow memorablia or the “lifestyle”?


I don’t really collect things. I have tried but I usually get bored or just forget. I have been keeping ‘do not disturb’ signs from hotels for a while but that is lifestyle related. I keep an archive of stuff related to my career and I gather circus, magic, and sideshow materials for research. If I wasn’t my own historian and researcher my possessions would probably be rather spartan or just clutter.

Do you see yourself tattooing your body a second time around in the future to brighten your scales?


I think once will be enough, or at least I hope once will be enough. I won’t rule out touch ups here and there but I don’t envy the prospect of going over my whole body more than once. I’ll leave that sort of thing to Lucky Diamond Rich.


I remember you mentioning a possible procedure to make it so that your navel is gone (only smooth skin, no proof that a navel ever existed). Is such a prodecure possible? Are you still considering it now that you have your stomach tattooed and colored? Ever thought of doing the same thing to your nipples or any other part of your body to add to your theme?


The procedure is possible and was even recently shown on Modblog. I definitely still want to have it done, a touch-up to the tattooing in that area will likely be in order afterwards. My plan was and still is to also have my nipples surgically deconstructed as well.


If there were a way to 100% safley and painlessly remove your ferrets’ fur and tattoo them would you do it? If so, what theme would you give their tattoos?


I don’t see how this would be of any benefit to my ferrets or me; it really strikes me as rather absurd. I love my fuzzy little minions — and besides, they are already tattooed.

My wife, Meghan, who is responsible for introducing me to keeping ferrets had the idea of getting similar dot tattoos but rejected it as not fitting with her urban legend theme. I am still considering getting one dot in the event that I get a vasectomy which is fairly likely (both the operation and the tattoo).



Were you always such a sexy beast?

Without a doubt and only getting sexier. You may also have noticed my legendary humility.



How many times have you been called The Enigma?

How many times have I had to slap the taste out of your mouth? If anyone ever thinks I edit these questions (I don’t), just look at how often I take the ones from Orbax and Shawn Porter.

A lot, but he gets mistaken for me too — apparently all us tattooed folk look alike. In fact, I was once sitting next to him in Jackelope (a bar in Austin) and a person came up to talk to him (he was doing a show there that night) and they went on about seeing him on TV. Eventually they asked, ‘Can I see your forked tongue?’ He simply chuckled, pointed at me, and said ‘I think you want him.’



How about… what’s the modification you’ve received that you enjoy the most?


I love my bifurcated tongue, it is my favorite on pretty much every possible level.

This is a two part question (hope you do not mind), how long is your tongue split? Did it or does it re-grow?


I don’t mind at all. The depth of the split depends on how I hold my tongue but is approximately a little more than an inch. It does not re-grow; the depth has been stable since it finished healing after the second operation in 1997.


I have met you and you seemed a perfectly sane person, by my standards anyway. I was just wondering, why a lizard? Do you or have you ever felt a strong urge to be a lizard? Do you just like something about lizards, their reputation, their aesthetic qualities?

How modded where you by the time you decided to under go a complete transformation? Was it always intended to be part of a show? If you did have some sort of urge to become a lizard, do you feel more complete now? If not, will you ever, or are you just a guy who always had an interest in mods and somehow decided to take it down the path of a lizard?


It has never been about being a lizard for me, it is the transformation idea — I chose a reptilian theme based mainly on aesthetics. At the time I first started thinking about the project my only modification, to most people’s standards, was a pierced ear (done myself with a safety pin).

By the time I truly committed to the project I had pierced and stretched my lobes somewhat and had begun some of the blackwork tattooing on my arms to see how well I would be able to take it. I did not originally intend it to be part of a show but that was a dream that has since come true. I wouldn’t say I feel more complete but it definitely has been and continues to be fulfilling.



So how’d you choose a shade of green?


I had limited options in terms of the greens available in tattoo inks, but I simply picked a bottle out the rack that looked good to me.


What event this last year was the most memorable to you and why?


My Dad’s heart attack and recovery. The reason should be obvious.


I’ve read a couple of times you would like a tail of sorts — ever thought about getting a subdermal implant near your tailbone and slowly stretching it (2nd generation 3rd gen, etc)


I have had it suggested to me before but never seriously considered it. Even if that were a viable method for creating a tail, it would not effectively create the sort of long crocodile-like tail I would want.

Also, when can we expect to see you in Australia?.. I want to see a Brisbane show, I’ll even shout you dinner if you head down this way.


I am still working on getting to Australia, I want to my show there as well — any promoters down there reading this? I’m ready to go.


How did you train your snake to be comfortable and perform on stage? And by snake I mean your little green friend, not your happy green friend!


Snakes are not particularly trainable (snake charmers and similar performers are often actually just choreographing their behavior around the snakes reflexive, instinctual reactions) but they do seem to ‘condition’ based on repetition.

When I start working with a new snake I handle it a lot till it settles down and then I just go for it. The first few times through can be difficult but over time they seem to take to it as a matter of routine. Some recent experiments with snakes and mazes seem to indicate that they have more mental capacity than previously thought and perhaps this is similar to the ‘learning’ exhibited in those studies.


Erik Sprague

A visit to London and Remembering Mr. Sebastian [Running The Gauntlet – By Jim Ward]

X. A visit to London and Remembering Mr. Sebastian

In March of 1978 the ITAA put on another tattoo convention, this time in Amsterdam. Doug and I decided we would attend. While vending was not an option, it was, nonetheless, and opportunity to meet people and proselytize for our favorite form of body art. Somehow our plans evolved into a month long vacation with Sailor Sid and Elizabeth Weinzirl joining us through most of it.


Doug Malloy and Elizabeth Weinzirl at the ITAA tattoo convention in Reno, 1977

Doug Malloy and Elizabeth Weinzirl at the ITAA tattoo convention in Reno, 1977.

My lover Eric wasn’t included in the plans and wasn’t very happy about it. The fact was I didn’t have the financial resources to take him along, and he wasn’t bringing in any income of his own with which to pay his own way. By this time our relationship was already beginning to crumble.

Elizabeth Weinzirl had a reputation as the grandmother of the tattoo community. At the time of this trip she was in her mid 70s though she could easily have passed for 60. She was a widow, her husband having been dead for a number of years.

  

Gauntlet shirts are now available!
Click above to get one at BMEshop.

She was a delightful, friendly woman, very much at ease in a wide variety of surroundings. Being around gay men didn’t phase her. Truth be told I think she was a bit of a fag hag. She seemed to bask in their presence, and on this trip she had ample opportunity.

Elizabeth’s husband had been a health inspector. I probably wouldn’t even remember the fact except she told the story of his going to inspect a Chinese restaurant. When he pointed out a mass of garbage that needed to be disposed of, the chef replied indignantly, “Not garbage. Soup stock.”

When asked why she got tattooed, she said that her husband wanted a tattooed wife. She considered the options and decided to get tattooed. Some feminists might find this offensive, but it was said tongue in cheek and with a twinkle in her eye. There was never any hint that she felt coerced, and my feeling was that she shared her husband’s interest in and enthusiasm for body art. She even confessed that she had had her nipples pierced at one time, but for some reason had taken the jewelry out.

We arrived at Heathrow on Tuesday, March 7th for a week in London prior to moving on to the Continent. Our main reason for this lengthy stay was in order to spend some quality time with Alan Oversby, better know in piercing and tattoo circles as Mr. Sebastian. We also wanted to meet as many other British piercing enthusiasts as possible.

Accommodating the four of us wasn’t possible in Alan’s small apartment — or flat as he would have called it — so he had made arrangements for us to stay with different friends.


Around Alan's dinner table, left to right, Sailor Sid Diller, Alan Oversby (Mr. Sebastian), Doug Malloy, Elizabeth Weinzirl, and myself (Jim Ward).

Around Alan’s dinner table, left to right, Sid, Alan, Doug, Elizabeth, and myself.

Regardless of where we stayed, we were all treated as honored guests. Doug and I stayed with a delightful gay couple who lived in Clapham. Their names were Mike and Robin. I believe Sid stayed with Alan, but I can’t remember where Elizabeth bedded down. It’s possible one of them stayed with a client of Alan’s named Rudy Inhelder. There are some pictures of Alan’s work on Rudy on a German web site.

Not surprisingly Sid was his usual boisterous self, never missing an opportunity to joke around. While we were visiting with Alan, Sid happened to notice some folding chairs with clear plastic seats. It wasn’t long before he had instigated a photo op: getting a picture of his guiche and ass tattoo through the seat of the chair.

Doug Malloy assessing the shot.

Doug assessing the shot.
Elizabeth Weinzirl looks on.

Elizabeth looks on.

Pictures of the photo session remain, but unfortunately the snapshots themselves have disappeared.

Sadly, also missing are most of the photos that were taken at a cocktail party that was given in our honor. A dozen or more of Alan’s clients showed up. Elizabeth was the only woman present and was perfectly at ease as the clothes came off and the cameras began clicking. The few surviving photos I have are mostly closeups taken by myself or Sid or Alan.

Alan Oversby's flatmate Bjarne.

Alan’s flatmate Bjarne.
Alan Oversby, Sailor Sid, and a playmate of Alan's he called Thing.

Alan, Sid, and a playmate of Alan’s he called Thing.

My impression of Alan was of a rather private man who was a bit difficult to get to know. Not that he was particularly shy. He would casually disrobe and allow himself to be photographed, but there was always a reserved quality about his actions. He could converse with intelligence and ease, but to access the man behind the mask was a challenge.

During our stay in London I took advantage of the opportunity to interview Alan for PFIQ. Prior to becoming a tattooist Alan had worked as an art teacher. There’s no doubt his background as an artist was of great benefit when he left teaching to pursue his passions for tattooing and piercing.

Alan Oversby: Mr. Sebastian

Aside from any living canvases who may be alive still, I don’t know how much of his art work survives. One of my little treasures in a ceramic egg which Alan made as a gift for Doug. It is sculpted with male pecs and prominent pierced nipples and finished with a metallic glaze. Doug entrusted it to my care because he didn’t want it around the house where a family member might find it.


Ceramic egg made by Alan Oversby (Mr. Sebastian) and presented by him to Doug Malloy

Ceramic egg made by Alan and presented by him to Doug.

When Alan was in his mid to late 20s working on a sugar plantation in British Guiana, he observed a couple of field hands who were wearing little gold earrings in their nipples. This was the beginning of his fascination with body piercing. He returned to London with his own nipples pierced. Within a few years he had acquired a number of tattoos and additional piercings as well. Over time many of them were stretched to accommodate sizable jewelry.


A younger Alan Oversby (Mr. Sebastian)

A younger Alan.

On one of the days we paid a visit to Alan’s tattoo and piercing studio in Wandsworth. He shared space with a leather business called Leather Unlimited owned by a man named Alan Selby.

Alan Oversby (Mr. Sebastian) in his studio at Leather Unlimited, one of the photso I (Jim Ward) took for his interview in PFIQ.

Alan in his studio at Leather Unlimited, one of the photos I took for his interview in PFIQ.

Alan Oversby's (Mr. Sebastian) genital piercings.

Alan’s genital piercings.

Selby was one of the pioneers of fetish clothing for gay S/M enthusiasts. I recall that while I was living in Denver I had ordered a motorcycle cap from him. In 1979 he immigrated to the US and set up shop in San Francisco as Mr. S Leather. His warmth and easygoing manner endeared him to the local leather community. He worked tirelessly raising money and awareness for AIDS charities up until his death in 2004.

Mr. Sebastian’s space was meticulously clean and well organized. I would have expected no less. While we differed in our viewpoints on a number of issues, he and I shared a commitment to cleanliness and proper hygiene.


Alan Oversby's stretched nipple piercing (Mr. Sebastian).Alan Oversby's stretched nipple piercing (Mr. Sebastian).

Alan’s stretched nipple piercings.

There has been much debate over the years on the subject of using anesthetics for tattoos and piercings. The early days of the piercing movement were no exception. Early on I experimented with topical anesthetics, but found that, with the exception of the Prince Albert and other piercings involving a mucous membrane, they were not very effective and hardly worth the effort. Especially in Gauntlet’s early days there was nothing available without a prescription that was of much use.

I strongly rejected the use of injectable anesthetics. From my perspective they were too risky to be used by anyone who wasn’t a physician or at least a nurse. This sense of danger arose from a couple of concerns. For one they can pose a health risk to some people. That’s bad enough, but a far more immediate concern was that in the US their use is illegal in the hands of an unlicensed individual. Assuming I could even have obtained them, I would have been putting my fledgling business at risk of being closed down and myself at risk of arrest for practicing medicine without a license. From my perspective it simply wasn’t worth taking a chance. I also felt, and still do, that when piercings are done by a skilled piercer, the pain isn’t significantly greater than the anesthetic injection would be.

As the years went by and I observed other piercers at work, I came to the conclusion that oftentimes they used anesthetics to mask their incompetence and lack of skill. It became my firm belief that the best thing a piercer could do to minimize discomfort and pain was to master the necessary skills and be able to perform a piercing quickly and accurately. This, in my opinion, eliminates the need for anesthetics of any kind.

Even though the legality of their use in Britain was not much different than in the US, Alan never seemed to be particularly concerned. He was able to obtain anesthetics through a physician friend and had no qualms about using them.

I must be honest; I had very little opportunity to watch Alan at work. Some years later I saw a video in which he performed a Prince Albert piercing, and I was a bit surprised by his technique. The piercing was done within the context of an S/M scene, and I’ve wondered if the crudeness was for effect and to deliberately prolong the discomfort. It took an inordinate amount of fumbling and time, and seemed to be more bloody than usual for this often bloody piercing. It left me wondering if Alan’s technique could have used some refinement and if it might explain his regular use of anesthetics.


Alan Oversby (Mr. Sebastian) and a friend.

Alan and a friend.

I don’t recall if this was the video that landed him in serious trouble, but in 1987 or 1989 — depending on which account you read — the Manchester police obtained a video of what they thought were people being tortured before being killed. In fact it was of a group of heavy S/M enthusiasts at a play party. Alan was one of 16 men charged in what became known as the Spanner case, and even though everything that transpired had been consensual, the court ruled that a person doesn’t have the legal right to consent to receiving what they considered bodily harm. Thus the convictions stood. Alan was jailed for 15 months, suspended for two years.


Eddie, a client of Alan's (Oversby; Mr. Sebastian) and a co-defendant in the Spanner Case.

Eddie, a client of Alan’s and a co-defendant in the Spanner Case.

The case was appealed to the European Court of Human Rights, but Alan didn’t live long enough to hear the verdict. He died May 8, 1996. The final judgment in the Spanner case was handed down in February of 1997. In it the ECHR found that the British government had not violated the right to privacy by prosecuting the men involved.

More information on the Spanner case:
Spannerman (on BME)

http://en.wikipedia.org/wiki/Operation_Spanner
http://www.spannertrust.org/documents/spannerhistory.asp
http://vzone.virgin.net/old.whig/sadomaso.htm
http://www.modifiedmind.com/frontpage/extremebrit.html

Mr. Sebastian is considered by many — and justly so — as the father of the modern body piercing movement in Europe. Sad to say living on opposite sides of the world wasn’t conducive to our spending much time together. The Internet was still in its infancy, and with the pressures of our businesses and lives, we weren’t very good correspondents, so communication between us was minimal. Still, I am happy to have known him personally and to have shared the spotlight with him.

Jim Ward
http://www.gauntletenterprises.com/


Jim Ward is is one of the cofounders of body piercing as a public phenomena in his role both as owner of the original piercing studio Gauntlet and the original body modification magazine PFIQ, both long before BME staff had even entered highschool. He currently works as a designer in Calfornia where he lives with his partner.

Copyright © 2005 BMEzine.com LLC. Requests to publish full, edited, or shortened versions must be confirmed in writing. For bibliographical purposes this article was first published July 15th, 2005 by BMEzine.com LLC in Amsterdam, The Netherlands

Dr. David Graham: Abuse of Power by Deceit, or by Ignorance? [The Publisher’s Ring]



Dr. David Graham:


Abuse of Power by Deceit, or by Ignorance?

Under the rule of Director of Health Dr. David Graham, Suffolk County (which makes up most of Long Island) in New York State is seeking to institute wide ranging bans on what they call the “extremes” of body modification. Claiming that research has shown these acts to be dangerous, they seek to outlaw a broad range of procedures including implants, nose piercing, tongue piercing and splitting, piercings near the eye, forms of cosmetic tattooing, genital and nipple piercing, and scarification including cutting, branding, and skin braiding.

 

“Toward no crimes have men shown themselves so cold-bloodedly cruel as in punishing differences of opinion.”

– James Russell Lowell

“I believe there are more instances of the abridgment of freedoms of the people by gradual and silent encroachment of those in power than by violent and sudden usurpations.”

– James Madison

“There’s no way to rule innocent men. The only power government has is the power to crack down on criminals. Well, when there aren’t enough criminals, one makes them. One declares so many things to be a crime that it becomes impossible for men to live without breaking laws.”

– Ayn Rand

“There is one, and only one, thing in modern society more hideous than crime — namely, repressive justice.”

– Simone Weil