Howie: LunaCobra Interview [BME/News]

Howie (iam:Howie, LunaCobra.net) is one of a handful of controversial cutting edge body modification practitioners both pushing the limits of and defining this subculture’s procedural options as he travels around the word reshaping people with pseudo-surgical sculpture in the name of Art… and Love.

* * *

How did you first get interested in body modification?

I always loved tattoos as a young child, but as far as non-tattoo mods, maybe it started when I went to an all boys boarding school in the snow belt of the USA. We had to wear a tie every day, our hair had to be cut in a certain way, and no ear rings or anything like that were allowed — that is when I started to put holes in my body and did a few cuttings. A lot of the other guys wanted cuttings so I began doing scars in the dorms on the down low… It was not easy as we were always under watch and could not have blades or anything, so I used to make my own cutting tools. It was so jail-style — I think I liked that about it back then — to make art and say a big fuck you to the oppressors.

What name do you like for what you do — “cutter”, “body modification artist”, “practitioner”, or something else?

How about “SUPERARTMAN”… yes, that would be best.

But seriously then — it’s primarily about “art”?

Yes, sir, it is.

I think when I first met you (in 2000?) you were just getting started as an artist… How did you learn your skills, and how have you honed them?

I lived with a family member while he was finishing med school and became friends with a few of his classmates. Before I started to do heavy mods I used to show them photos of things and talk about it with them, and they started to teach me. We used to stitch meat in our kitchen all the time — during many of my first procedures one of them would be in the room with me helping. I would video tape lots of my work and go over it with them or even call them right in the middle of what I was doing to ask advice.

And let’s be honest here — what we as body modification artists do is surgery.

Surgery in a way, yes… but at the same time the motivations and so on are quite different so I can see why people find the term difficult, especially since surgery comes with so many connotations and legal hangups.

TRUE…

I’m still honing my skills all the time, and I have changed how I do some mods even in the past two years — take nipple removals for example. At first I would make normal sutures, but every guy has a different chest — some have tighter skin and some are overweight which can put a lot of pressure on the wound — so now I use a long lasting heavy internal suture for that procedure. I never stop trying to make my artwork better, and continue to review my work with surgeons and learn as much as I can.

For those that don’t know what internal sutures are, do you mind describing them?

There are many different kinds of sutures and they are used in all kinds of ways for different parts of the body. Internal stitches provide a longer hold and are always done only on the inside of the body.

What have you found the general attitude of people in the medical profession is toward heavy mods, and to those who perform those modifications? Would they like to do those procedures, or are they happy to see this gray market that they exist in?

The fact that people not in the medical profession do this sort of work worries most doctors.

As far as if they would want to do these kinds of mods, they don’t think much of it — most if not all would not do it because its not worth much money. Why would they set up a clean room for $200 to $800? It’s just not worth it to them.

If that weren’t an issue, would the world be a better place if the medical industry embraced the legality and legitimacy of atypical procedures?

Hell, I think it would be great if it any of that happened — amazing things could be done if they would — but I’m about 99.9% sure it will never happen.

With a family that includes doctors, do you think there’s a similar internal drive in both you and them, just expressed in different ways, that took you to your respective careers?

Yes. Anyone that has seen me and and them together knows we are almost the same people. We look a bit different but are very close and very alike.

What is the range of procedures you do?

I do all kinds of implants — even some that people have not seen yet *wink* — most anything cut-and-stitch, dermal punches, scalpel piercing, and tongue splits. I do a lot of reconstruction like ear lobes, and removals of things like transdermals and put the skin back to normal. I do a lot of cartilage removal, elf ears — pointing — and lots more!

How does extreme modification — moving into “the unhuman” — change a person, versus tattooing or piercing which tends to be make more of a “decorated human”?

I see heavy mods in a lot of cases as looking more like decoration. Sometimes it can be more, and I love it when it goes farther… It’s like I’m living in a fantasy land.

Your tattoo style seems reminiscent of some of the modern tattoo styles I see coming out of France, but without being “French” if that makes sense… What are you trying to express?

I understand what your saying, but I don’t think it’s like the work out of France… as the work I see like mine from those guys is just so clean… It looks like it has laws. I see my work as letting go — freedom, heart, and mind, smashing together to make something more than art. Just PURE LOVE — that is why I put a heart in most every tattoo I do.

Which are your favorite kinds of body modifications to do?

I’m not sure. It’s all rather the same to me, but my favorite is when I work on someone that is happy both before and after the work.

I do almost anything above the belt, but I only do a few things (like transscrotals) below the belt. The only thing that I can say I dislike about mods is that some people make a connection to sex — I never liked that and try to stay away from mods that could relate to that.

I find that a interesting comment, because I think I’m probably one of the people who sees it as being strongly linked to sex, both in obvious ways (genital mods), and in the larger sense that I believe that most modification is motivated by “mating dance” type behavior (like how male animals seeking out a mate will go out of their way to be very flamboyant or do outrageous dances and so on). I think that the shift from heavy mods out of the sexual arena is definitely something new though, and something that artists such as yourself have been very influential in causing.

I can see and agree with the “mating dance” idea — but any other link to sex is something I don’t want to have anything to do with or even know about.

What do you think motivates people to get modifications?

I cant speak for others, so I will just answer for myself: ART and LOVE.

You are often seen as the “he’ll do anything” guy in terms of pushing the limits of procedures… And I think when people say that, they don’t mean it in an entirely flattering way. How would you respond to accusations that you are not “cautious” enough or don’t have the right “limits”?

Honestly, unless they are a surgeon they don’t know what they are talking about. Who are they to say what the limit is? They just like to talk on the Internet because they like to bitch and be part of gossip. Of course I have limits and there are lots of things I turn down.

Like what?

I get asked for some odd things — many are below the belt and I don’t even want to mention them. I was asked to remove an eyeball, and I would never even think of doing something like that.

I’ve heard people say that artists should play it “safe” and not do procedures that are too “shocking” or high risk because it attracts undue attention from legislators — that is, your actions could cause laws to be put in place that restrict others. Do you think there’s truth to that, or that it’s dishonest and makes concessions that shouldn’t be made?

I don’t think anyone should tell a person what they can or can not do to themselves… that’s fucking crazy. Go hard if that is what you want to do. In relation to the law, every country is different but it’s already illegal to do a lot of this in many parts of the USA… There’s not much we can do about that. It’s never going to be truly legal, so whatever.

I guess the official stance is that part of being a government and a doctor is “protecting people from themselves” which is, for example, why anti-drug laws exist, and why a cosmetic surgeon is often legally and ethically obliged to deny the person an atypical procedure.

Well hey, I’m not going to tell an adult what they can and can not do. If they ask me to do something and they understand what they are getting into, and I can see the ART of it, then I will work with them.

There are a number of firsts that I’d credit you with as a practitioner — the eyeball tattooing, the antitragus removal, and I’m sure others…

Oh, there have been more, *wink, wink*

How does the process of coming up with new procedures work and what does it feel like?

Sometimes I’ll be talking with doctors in my family, or another surgeon about something they did or learned that was new, and it gives me an idea, or starts a spark that ends up as this new modification idea. I might look at a face, or be watching a movie, and see something and apply that visual in my work… but any time I do something new I talk to a surgeon about it.

When I’m doing something new I would not say it’s fun, because I want to see it heal before I can jump for joy and be prideful about it. Then it’s fun, but when I’m in doing something for the first time it’s just scary.

For example, when I removed that big strip of transdermals from Jake’s head that you posted photos of, after I made the peel and did some elevation, pulling it together and knowing I only had forty minutes until we had to drive him to the airport so he could fly home… With the time pressure and a much bigger wound then I have ever had to stitch shut and it was on his head — that was a lot of scary! When I got to see his head again in Las Vegas a few months ago, I was proud and excited to see how well it worked out. People went crazy on me for doing that but it worked very well — he now is even growing hair through most of his scar tissue!

As someone that’s worked all over the world, what are some of your favorite places to work?

I have been to many places all over the world and lived in many of them as well, and from that I can tell you — IT IS ALL THE SAME! Sure, you may have some different food or weather, but all in all, people are people, and it’s all planet Earth.

That being said, I love all islands, and for sure the Pacific islands.

Does traveling internationally complicate your work?

Yes, at first it was a big pain in the ass, but after a while I had tools in most areas of the world I was working or was able to make them in tool shops I knew of in the other areas. It helps that I know a lot of people that have been very kind with me — I could not have done the travel and work I did without them. Sometimes I knew a bit of the country’s language, but other times I needed someone who could translate and help with aftercare.

Is a lot of what you do through a strong word-of-mouth network? How do most people find out about you?

Yes, for sure. In the past few years it’s all word-of-mouth — over 50% of the people I work on are not even on the web in any way, or have not been on any bodymod sites before.

Do you think the extreme mainstreaming of heavy modification is a good thing or a bad thing?

I don’t think about to be honest… it will be what it will be.

With anesthetics being sort of “gray area” in many regions both in terms of applying them and acquiring them, what is your attitude on anesthetic use?

Yes, that is a spicy tomato! Bottom line is that if you do this work and you don’t use anesthetics, you’re doing it half ass. Without something to slow the flow of blood, you can not see the tissue layers properly, so if you want to do it right you use it — I use it at all times.

Ideally, what laws and regulations — if any — would you like to see governing artists such as yourself, both for the protection of the clients and practitioner?

In my view Johnny Law has no place in my ART.

We should talk a little about complications — you’ve had a few procedures go wrong, most notably a pair of very pointy horn implants that rejected, and a set of nipple removals where the client was unhappy with the scarring.

The pointy implants were on Jim, a friend of mine. I wish I’d only done two — going for five was not a good idea… But I think you’re asking why we did it at all, seeing as they were so pointy?

He had been wearing regular domes in his head for some time and didn’t like how they looked and loved the idea of having horns that were pointy — and I agreed. I think it looks amazing to have something pointy in that area. I had the silicone pointy horns and we talked it over for a day or two when I traveled to see him. I think we both loved the idea of how the pointy horns would look so much that we got carried away with it all and went for putting five of them in. In hindsight, if I had only put in two it would have been a great story.

So… we went with five, and after a week or two it went very bad. Two of the five broke the skin — three worked, but since it would have been off-balance to have two on one side and one on the other, three were removed. We pushed the limits of what kind of shape can be done, and that I feel was a success as he still wears two of them. Putting in too many at once was a very bad idea that I wish I could take back. I also wish I could have stayed around longer to monitor it — it’s very hard to travel and do this sort of work. Ideally I would have stayed for at least ten days, but I only stayed for around three days. This all went down a bit over two years ago I think, and I’ve kept in touch with him since. Jim still loves how the two worked out and doesn’t want to take them out.

On the nipple removal, yes, I also blame myself for not taking into account that he had a heavy chest — this puts a lot of pressure on it. Back then I didn’t do internal stitches, but because of that I’ve switched to using both internal and two kinds of external stitches, even with skinny people.

I think maybe people have unrealistic expectations about what nipple removal will do — it’s rare to be left without a scar or to completely eliminate nipple response since it’s not a mastectomy.

Yes, one will always have a scar when this is done. I told this client it would scar, but I did not expect his to scar as badly as it did, and his scarred much more than the previous four pairs I’d done.

I think the main thing about nipple removal is the size of the person — if you carry a lot of weight and have a large chest, or your skin is tight, your scar will be much bigger than a skinny person. His chest was the largest I had worked on, and this was before I started to use internal stitches on them — I wish I would have used them on him. I know if I had we would both be more happy with his scar.

On another nipple removal I did where the person was unhappy with the scar, I later removed the scar in a second procedure and I used two kinds of external stitches and also internal stitches to repair it and they now have a much smaller mark.

I suppose we’re both getting criticized for the eyeball tattooing — I believe a recent quote from a prominent member of this community was “idiotic and disturbing”…?

We all knew what we were getting into that day so they can’t say shit — fuck em! Why do folks gotta be dicks and talk trash stuff they don’t know anything about?

I’m going to start a solid black eye tomorrow!

I do think that people do like to call you out for some reason, whereas it seems like there are other practitioners who can do no wrong…

YES!!!

Because I’ve been traveling internationally for a many years, it’s a numbers game — the more work you do, the more people you meet in other countries, the more people that might not like you… or even hate you. Not only that, but I’m loud, outspoken, and a shit-stirrer, so it all adds up the current mess… but at least it’s only online and not in person.

Do you mind talking about what procedures tend to cost, like ear pointing and implants for example? How do you determine pricing?

The price does change — ear pointing can be anywhere from $200 to $700 US. It all depends on that person’s body and what country I am in at the time, and how much it costs me to be there — and even how I think it will look on them. I often do work for little to no money if that person is short on funds and I think it will look nice on them.

If someone wants work from you, how do they do that, and how do you determine your touring schedule?

They can go to my website — www.lunacobra.net — and contact me through there or just email me [email protected].

Often I just wait till I have a few people in a country till I come over. Now I’d like to have someone in each country that wants to learn to do what I do so I can make each trip about spreading knowledge — it almost seems like a waste to not do it that way at this point in the mod world.

Thanks for talking to us Howie, and good luck on future adventures and art!

 

Profile: “MAN-JAW”

“I began my surgical facial modifications over a year ago now. It started when I approached Howie on IAM to try some anti-eyebrow domes after being refused by a variety of different international artists.”

“Howie agreed to do the experimental work after a few phone discussions, and we caught up on one of his tours in Australia. From there we have throughly planned out and executed the entire project from start to finish. Now, with over ten facial implants and various other surgical mods I can finally see my conception taking shape.”

“We are living in a new age of mods where we can explore past limitations and into an entirely new level of expression.”

MINI-PORTFOLIO
(Click to Zoom)


Bipedical flap procedure (sort of like a “handle”).


Cheza Marie’s heart-nozed kitten cutting, fresh and about a month into healing.


Silicon outer conch implant.


Ear pointing procedure (featured earlier on ModBlog).


ThEnigma’s “sea monster” ear reshaping project.


Tattooing by Howie.


Howie at work on Manny’s forehead scars.


Triple transdermal forehead implant. This transdermal, like many, later experienced complications and was removed. Note however, that transdermals still experience a much lower complication rate than mainstream procedures such as breast implants!


Transdermal “Horns”.


Heart-shaped outer conch cartilage removal.


Masaai-style anti-tragus removal.


Large scale cartilage removal.


Chris’s “Schlampe” (German for “slut”) skin removal.


The healed results of Jake’s large transdermal strip removal (discussed in the interview and featured on ModBlog here).


Josh’s injection-style eyeball tattoo.


“Fisting Ribs“.


Swirly Wanx Sinatra’s klingon-esque forehead ridges.

Forehead implant removal procedure.


Jim’s pointy horns (see the interview for the story about the problems with these — there were initially five).


Scar reduction on Luka’s nipple removal (which had been done previously).


Before and after of a nipple removal.


Procedural and healing phots of a nipple removal on Chris.

As well as on BME, Howie’s work has been regularly featured on ModBlog.


Shannon Larratt
BME.com

More than one way to skin a cat!

So you may remember that a few days ago I posted a very radical transdermal strip removal that involved a very large amount of tissue being removed, with the motivating factor being dealing with large bald spots that had formed around the transdermals. Anyway, it created quite the furor in the entry, with many people feeling that too much tissue had been removed. Now, personally, I actually didn’t think it was all that bad a method, but in fairness I think it’s also important to post what more conservative practitioners felt a safer removal would be.

Steve Truitt just took out J5th‘s top transdermal (five years old) and he wanted me to show that the removals can be done far less invasively… What’s funny is when he took it out, it was all bent! I guess he took a blow to the head some time ago and didn’t even know it had damaged the transdermal! Apparently he has a hard head.

In terms of relating this to the larger removal posted earlier, this method would not address the baldspots of course and I believe has slightly more potential for scarring (assuming good healing in both cases), but it does involve hugely less risk to the client and practitioner and there’s a lot to be said for not risking seriously injuring your friends. The one above is fresh, and a smaller transdermal design, so let me also share the removal that Steve did on _Stigmata_, since I have a healed shot of that:

Anyway, bring on the yelling about it all. 🙂

The Next Big Thing? Microdermals and Surface Anchors

The Next Big Thing?
Microdermals and Surface Anchors

Microdermals — or “surface anchors”, or simply “anchors” — are a design of body jewelry that allows for a “single point” piercing. That is, a piercing that has only one visible end or bead. So for example, it allows one to place a single gemstone in a third eye position, and because of its design, no invasive procedure is required to implant it — it does not have the complexity of implantation of a transdermal implant (although it may have some of the complexity of removal). In addition, its versatile nature makes it an excellent tool for unusual formations of piercings as of course any number may be placed.


“THIRD EYE” MICRODERMAL PLACEMENTS;
LEFT: IAM:PUREANGEL BY BRIAN DECKER, RIGHT: BY JOHN DURANTE (IAM:JAWN D)

Since their introduction as a prototype by Custom Steel at APP 2006, microdermals have been explosively popular with most users becoming convinced that these could be the next big thing in piercing, and arguably the first “new” idea in some time. That said, the technology has been around in other forms since the mid-nineties — Steve Haworth went through several designs of transdermal implant which heavily influenced their design, as did the single point pocketings first promoted by Jon Cobb, as well as dermal anchors (gallery) and other DIY-anchor techniques. In addition, surface bars, and especially the later punch-and-taper (or punch-and-elevate) procedures, involved related techniques and healing, which influenced the design and development of microdermals.

Since they’ve been growing in popularity now for a solid six months, I feel somewhat tardy waiting this long to talk on the public record with artists performing microdermals, but the good side of that is that now enough time has passed that people can reflect on healing and the ongoing development of microdermals and related procedures. Let me begin by introducing the people I talked to (in no particular order), a small cross-section of the piercers and jewellers performing this procedure and making these devices. Ask around to find more!


BASIC MICRODERMAL DESIGN — A SMALL BONE PLATE WITH HOLES FOR TISSUE INGROWTH, AND A THREADED POST FOR THE ATTACHMENT OF DECORATIVE ENDS.

Oh, and just so there’s no confusion — these interviews were conducted separately, so don’t read anything into any implied interactions between them!

Bryan Thomas
Mojo Studios, Peoria, IL
iam:cellfire
Didier Suarez
Enigma Professional Piercing, San Diego, CA
iam:DidierS
John Joyce
Scarab Body Arts, Syracuse, NY
iam:j_scarab
Steve
“Travelling”
iam:micro-wave
James “Wizzer” Wisniewski
Hollywood, CA
iam:Wizzer
Brian Decker
Pure Body Arts, Brooklyn, NY
iam:xPUREx
Pat Pruitt
Custom Steel Body Jewelry
iam:[email protected]
JLo (John Lopez)
Slave to the Needle, Seattle, WA
iam:JLo
IME
Integrity Body Jewelry
iam:IME
Shannon Larratt
BME
iam:glider

   How would you describe what a microdermal is?

BRIAN
The idea is to give the aesthetic look of a transdermal implant but with the simplicity and safety of a piercing.

DIDIER
A microdermal is a single-point surface piercing with a threaded changeable end.

JLO
I don’t call them “microdermals”. I called them single-point-piercings until Industrial Strength introduced their surface anchors — I like that name.

Eight or nine years ago I tried something like them, using 14g fishtail labret jewelry — which was a horrible disaster. Maybe a year and a half ago I saw somebody on IAM was using nostril screws and having some success. I tried some myself with not so good results — the results were 50/50 at best.


PAT
Sorry to say, but bending up nostril screws to be used as anchors is super-ultra ghetto if you ask me, and being a part of this industry, I hated to see something misused like that. There is enough talent in this industry to have stuff like this professionally made — hence the new microdermal.

JLO
A fellow piercer at Slave to the Needle, David, and I started drawing pictures and debating design ideas to create something similar to the transdermals in David’s scalp but much smaller. We wanted something that required standard piercing tools only — no surgical tools. Something any seasoned professional piercer should be able to do. Strangely enough, I got the call from Pat at Custom Steel that very week.


MICRODERMAL JEWELRY; LEFT: IME’S PROTOTYPES, RIGHT: IS SURFACE ANCHORS (ALMOST IDENTICAL TO CUSTOM STEEL MICRODERMALS), INSET: ANCHOR BY BRIAN DECKER


PAT
I started playing around with the idea about a year ago after seeing the dermal anchors being installed. I thought that piece of jewelry really sucked ass for that particular application (it was more or less a bent up nostril screw). I gave it a lot of thought before sending a CAD drawing to John Lopez to check out (because of his experience with dermal anchoring) and Phish (because of his experience with implants) to get some initial feedback in February of this year.

JOHN
When I first saw the dermal anchors, I knew they were a bad idea… but I thought it had potential. A few practitioners started doing variations of the “dermal anchor” with bent nostril screws, but I still wasn’t sold. The first true microdermals I heard of were Pat from Custom Steel’s pieces at APP 2006, machined out of solid titanium. This new design made far more sense to me. It had borrowed from transdermal design. It had little holes in the base that the skin could anchor in, but was small enough that it could be inserted easily, without the need for a scalpel, sutures, or elevators. JD from Industrial Strength had designed a very similar version, and offered me samples — I was amazed at how small they were. It was mind blowing! They came with a healing nub, very similar to transdermals, but any 14 gauge bead could screw onto them.

JLO
A few months after I talked to Pat, I was invited to visit JD at Industrial Strength. He flew me out to California and took me on a tour of his manufacturing facilities and showed me his version of the very same idea. He was calling them “surface anchors”. This is a great name because it doesn’t sound quite so “medical”. JD gave me a bunch to try out and I instantly knew these things were going to get big… and I still think they will.

PAT
Noah Babcock from Evolution Body Piercing in Albuquerque, who I would consider a master at surface piercing, guided me through potential installation procedures with such a small device, staying in the realm of common piercing instruments. The goal was to produce an implantable fixture, that could have interchangeable ends, that could be installed with no medical tools, but only common tools found in any shop — so no scalpels or punches… just piercing needles and tapers. The first prototype run debuted at APP 2006 and went out to a handful of clients on the down-low… they’re healing very nicely with no issues.


TYPICAL MICRODERMAL INSERTION — 1. ENTRY/EXIT POINT IS MADE USING A NEEDLE OR DERMAL PUNCH; 2. MICRODERMAL JEWELRY IS INSERTED INTO THIS HOLE AND USED TO ELEVATE A POCKET AS NEEDED; 3. JEWELERY IS SETTLED INTO PLACE.


BRYAN
After I saw pictures on Pat’s page I thought they were neat, and I tried one on myself.

STEVE
I started hearing about them this summer when several of my friends began talking about them and I got messages from manufacturers advertising them. At first I had a lot of fears and apprehensions regarding them, but my friends kept telling me of their successes with them. After I kept hearing positive things about microdermals, I did my first in August on a good friend of mine, a ‘third eye’ placement.

BRIAN
I actually began doing something similar about a year ago, but with a different design of jewelry that spiralled into the entrance. The piece had a central base point rather than the more common design which anchors itself mostly only on one side of the base. The idea, for me, came about quite a while ago, when I was searching for a more cost effective way of making transdermal implant pieces. The first one I did was, and still is, in the wrist of iam:Peck.

WIZZER
I also started working with the microdermal concept using hand-bent jewelry. I started using the microdermals produced by Industrial Strength a few months back and I am now working with prototypes made by IME of Integrity Body Jewelry. Overall, I’ve done over a hundred of these, every one being successful in both procedure and healing!

IME
I did a few with nostril screws in 1999, but ever since Pat from Custom Steel came out with them at APP this year I have had a ton of people asking me to come up with a design of my own. I have been prototyping them for a few months in my spare time and started doing them on friends, to make sure the design is stable.


MICRODERMAL PROCEDURE BY KEITH ROMAN (KYKLOP TATTOO, PITTSBURGH PA)

   Does anyone specific deserve credit for developing the microdermal?

PAT
I think I can solidly hold claim to the latest design of the microdermal, hell, I even coined the term “microdermal”.

STEVE
I agree.

BRIAN
Yes, the pieces I make are based on Pat’s design. They’re much easier to insert than my older idea.

JLO
I think Pat and JD both were working on them at the same time, and IME at Integrity has come up with a variation that just might provide some specific solutions. I know that many piercers have been working on the idea for well over ten years.

WIZZER
I’m sure the idea of single-point microdermals or dermal anchors have been used by many people in shops never heard of, so I can’t give credit to anyone specific.

DIDIER
It seems the design was no more than a small bone plate with a 3/32” barbell post placed to one side. After the first prototype was made and we all started testing the prototypes, we’ve had three or four changes in the anchor since the beginning.
   Why use a microdermal instead of a surface piercing, a transdermal, or even an older method like a dermal anchor (or single-point pocketing)?

BRYAN
Movement barely affects microdermals. Time will prove that statement, but I’ve seen microdermals be successful in places where surface bars would fail. The really great thing is the procedure — because they’re so tiny, there’s no need for an incision or sutures — it’s just a 14 gauge needle!

JLO
I’m not sure what the difference is between “microdermals” and “dermal anchors”. I’ll refer to the 14ga single-point jewelry as anchors from this point on. The main advantage of anchors over transdermal implants is they’re frickin’ tiny! The fact that a needle and a pair of hemostats are the only tools needed rocks! Anchors can be used to create odd number patterns that weren’t possible with surface piercings — they can be placed nearly anywhere you want. And of course, we can now “bedazzel” tattoos! Weeee!

JOHN
Microdermals should replace older methods like dermal anchors all together. I think there are some instances where a microdermal can replace a transdermal, but not in every instance.

BRIAN
A microdermal seems to be more stable in areas of movement than a surface bar is because of the reduce pressures, but I believe transdermal implants are a more permanent, sturdy, and stable procedure, mainly due to their size and centred bases, and less likely to tear or reject.

JOHN
I’m far more comfortable offering the microdermal to my clients, since it can be done without the surgical aspects that a transdermal requires, making it safer for myself and the client. A microdermal far easier to remove, with less scarring involved.

PAT
It’s a transdermal on a much smaller scale, but in comparison to the dermal anchor they’re one and the same — just a different base design with the interchangeability of decorative ends.

I’m sure there will still be a place for surface piercings on some individuals, but with the microdermal, it opens up the door for precision placement, less trauma, faster healing time, and almost zero migration issues. Compare that with the issues involved with surface piercings! I do believe this will replace surface piercings.


WIZZER
These microdermals will be giving surface piercings a good run for their money, but won’t replace them. It definitely opens many new placement opportunities, and healing times are drastically shorter, and longevity better, than with surface work from what I’ve seen. I’ve also been using these in replacement of standard navel piercings on clients who have a “true” or “outie” navels! Another use for these are lip or labret piercings, making the concern about tooth damage and gum erosion a thing of the past.

DIDIER
I’ve also done them for labrets, cheeks, and other oral piercings for prevention of gum recession, and they work great.

WIZZER
While working with these for the past six months, their popularity has been increasing rapidly. People who have no interest in piercing whatsoever seem to love the idea of having some “bling” off to the corner of one eye. A new door has definitely been opened.

DIDIER
Because microdermals are independent, it allows the skin to move, pull, and stretch freely. You still have to pay attention to the bodies folds and creases, but the free movement allows the body to heal with less scarring. Coming from the perspective of a service that could be offered to clients in a regular walk-in studio, I think it’s a less invasive modification than transdermals, and can offer some of the same desired looks.

JOHN
I kind of rate these new microdermals right along with surface piercings, but, to be honest, these microdermals in many instances are actually easier to do that some surface piercings. That said, most piercers don’t fully understand how surface piercings work, and most aren’t using the correct jewelry or placing them properly. I’m sure that many piercers won’t get how these new microdermals work. I only wish that practitioners that didn’t understand would ask someone who does, instead of trying to figure it out on their own by using clients as guinea pigs.


“FRANKENSTEIN” MICRODERMALS BY WIZZER

   Do you consider it an implant or a piercing?

BRYAN
It’s easier to get done than a “normal” implant, since it doesn’t require minor surgery, but you are still putting something under the skin that may require some effort to get out. So it’s still an implant.

PAT
You’re using piercing-only techniques to install an implant — so it’s a hybrid.

BRIAN
Once healed into place, for removal the microdermal will need to be cut out. It still won’t be as difficult to remove as a transdermal, but the client most likely will have a very difficult time trying to remove them alone.

DIDIER
The tissue through the holes isn’t as strong as most would believe.

JLO
I think it’s a piercing. Definitely. In fact, I charge the same for an anchor as I do for a nostril piercing!

STEVE
It lies in the middle. Being that they can be inserted via traditional piercing techniques, they’re very accessible to artists who feel comfortable with doing piercings but not doing implants.

JOHN
It’s definitely closer to a piercing. One thing I love about these so much is they can be done with a piercing needle. In areas with strict regulations, where implants, or the use of scalpels, are prohibited, microdermals should be fine since the only thing you need to install them is a piercing needle.

DIDIER
I think it’s a piercing all the way.The anchor is like a one sided flat surface bar.

IME
It’s closer to a piercing in my opinion.
   Do you mind describing the procedure you use to install them?

JLO
I pierce the skin using a 12 gauge needle, in a similar way to how I do surface piercings, but the needle only goes in the depth of the bevel and then comes right back out. Then I use a modified pair of hemostats to hold the anchor (with a mini disk screwed in), and do the insertion.

DIDIER
I’ve done over a hundred with needles. I used a 10 gauge at first, which I suggest for beginners, but I’m going between 12 gauge and 11 gauge right now. Some parts of the body require a small needle because of the thickness of the tissue.

BRIAN
I install microdermal pieces into pockets, fully in the subcutaneous layer of skin, through a 1.5mm punched hole. After punching out the entrance point, I use a small 2mm wide flattened elevating tool to make a pocket for the main, longer part of the microdermal piece. I turn the tool around and make a second, smaller pocket for the “heel” of the piece. With the jewelry threaded onto a 2mm taper, I insert the long section of the base into the larger pocket and push in and downward until the punched hole is stretched enough for the “heel” to snap down into place. Last, I unscrew the taper and thread on the chosen end piece to the base. Generally, the pieces I use have 3mm tall lifts, and are about 5 or 6mm long.

STEVE
My procedure was taught to me by Leo Ziebol of 5 Point Studios (iam:5point). To make the channel, I use a 1.5mm biopsy punch with a small silicon o-ring on it to control depth. I attach the microdermal to a threaded taper and slide the ‘foot’ of it under the tissue, using the ‘foot’ to elevate the skin and find a good area for the base to lie. The ones I’ve used have a smaller end on the other side of the base, and I massage and manipulate the skin to place this end at the same depth as the other side of the base. After making sure it is sitting well, I remove the taper and attach the end [bead] on top, lightly massaging the tissue afterwards to ensure it all sits properly.

IME
I use a needle. The microdermals that I have been making match the crescent shape a needle makes.

JOHN
I tried a couple with a 10 gauge needle. Everything went fine, but I found I like a 1.5mm dermal punch better since it is very similar to how I do surface piercings (using the “punch-and-taper method”). What I do first is clean the area with Technicare, and then mark where it is going to be. I pinch up the skin where the mark is, and insert the 1.5mm dermal punch straight down into the skin. Once that hole is there, there is no need to use a taper to elevate the skin like you would with a surface piercing — you can just use the leg of the microdermal to separate the tissue for itself. Using a pair of hemostats, I hold the microdermal by the healing nub, and place the long leg of the piece into the hole, lean it back, and pop the short leg into place. The whole procedure is very fast; faster than a surface piercing.

WIZZER
I use a 1.5mm dermal punch to create the initial hole for the base to be inserted through. I found that I get a better, more flush seating with the jewelry under the tissue using this method, as opposed to using a larger gauge needle. For easier insertion and better control, I use threaded tapers as a handle which screw into the base. Then it’s a simple pinch and push to seat the jewelry in the hole. The threaded taper then unscrews, and the desired threaded end is put in place. I only finger tighten my ends to prevent the base from rotating under the tissue when the ends are changed.


LEFT: BAT EYES TATTOO DECORATION BY KEYLAN LEVINE (IAM:XKEYX), RIGHT: TWO WEEK OLD CLEAVAGE ANCHOR BY DIDIER

   How is the procedure from the client’s point of view? Is it something people want anaesthetics for, or is it no more traumatic than a piercing?

BRYAN
It’s on the same level as a surface piercing. Anaesthetics aren’t really necessary for doing them.

JLO
In certain parts of the body it can hurt quite a bit, but in other areas it’s just stupid-easy. Thicker skin such as the lower back creates a much more intense sensation, and thinner skin with a lot of elasticity such as the forehead or throat is easier.

DIDIER
I think the procedure is the easier than most piercings, if done right. Sometimes it can take a minute to make sure the anchor is sitting flat, but better then than later.

BRIAN
Anaesthetics are never necessary for installing microdermal pieces. The entrance punching is usually the most painful part of the procedure, and is very minimal. It takes less time to put in than a punch and elevated surface bar, and is even less intense than that. Installing a microdermal piece usually takes under a minute.

STEVE
The friends I’ve installed them on so far say it is a very light procedure — they have been quick, clean, and easy.

JOHN
Anaesthetics aren’t necessary at all. As I said earlier, it’s basically the same technique I’ve been using for surface piercings. The clients that I have done the procedure on have all said it was one of the easier procedures they have been through.
   Have you done many?

BRYAN
Just the one on me.

JLO
Well over forty now I’m sure.

DIDIER
I’ve had the advantage of working with Industrial Strength from the first prototype. So, like I said before, I’ve done over a hundred, and I have a few projects that required multiple anchors.

STEVE
I have only done four — a ‘third eye’, and a set of three on a sternum. So far the third eye has healed without any incident, and the sternums, which at first were bothered by the person’s activities combined with the ends, are now doing well.

JOHN
At this point I’ve done a bit over a dozen of them, and have a few more lined up. All the ones I’ve done so far are still in, and have healed, or are healing fine. I’ve only removed one so far. That wasn’t due to any healing or irritation problems — the person needed it removed for her job.

BRIAN
I’ve done quite a few now, yes. They are growing more known and are a more stable option for a lot of areas than surface bars — but I only suggest them for clients who know they will not be as easy to remove as a surface bar.
   How have they been healing, and what is your recommended aftercare?

BRYAN
Mine is about a month and a half old, and healing has been very, very easy. I’ve gotten a little crust out of it and that’s about it. I used the LITFA method along with H2Ocean five or six times — I’m really lazy when it comes to aftercare. So far, things are going well, and it’s been one of the easiest things to heal ever… much easier than a surface piercing.

JLO
Healing seems to be fairly consistent from person to person, and body part to body part. I’ve noticed that it takes longer than I suspected — about three months. At about six to eight weeks they often become quite “juicy” and a bit angry. Then within a couple weeks they settle back down and finish healing. I only suggest warm, moist compresses when they itch, swell, or otherwise need attention. Otherwise I suggest completely ignoring them.

STEVE
The aftercare I’ve suggested has been the same I suggest for a standard piercing — keeping the piece safe, free from stress, free from irritants, clean, dry, and just generally giving your body a good environment to heal in. The healing processes have been uneventful and comfortable for the wearers.

BRIAN
Thus far I don’t know of anyone that’s had problems with my microdermal pieces. Even in the center of iam:amnesiac’s lip, it appeared healed in only a week or so. The only real problem I had with one was Steve Truitt’s nape — the piece I was using from Industrial Strength only had a 2mm rise, and the tissue in his nape was much thicker. We only had a disk end piece at the time, which made for a much too tight fit.

The aftercare that I suggest is no different than with a surface bar — dry heat compresses and sterile saline washes is all I have my clients do for healing.


DIDIER
I’d have to say 98% success in healed healthy anchors. I’m suggesting cool saline pads for the first day or two, and after that I’m having my clients do warm compresses with saline. I’m asking that they not change the end for two or three months.
   Wow, 98%? You think you’ll really get 98% success in the long run?

DIDIER
Time will tell. I think certain placements will do better long term.

IME
So far complete success. I recommend taping it for the first few days, keeping it dry, and leaving it alone — but I am a “leave it alone” kind of guy.

JOHN
Healing success so far has been great, and no problems have been reported. I’ve basically been telling people to leave them alone — keep all soaps, lotions, and everything else away from them. I do like the Simple Care Spray from Body Art Pro. The client can just spray it on once or twice a day — that way they feel like they are cleaning it, so I don’t have to worry about them trying something else that may irritate it!

WIZZER
My suggested aftercare for these is the same as any piercing I do: an inverted cup of warm saline solution, held to the piercing for five minutes, twice daily, followed by the area either air drying or being pat dried with a disposable, lint-free paper towel product or gauze. I usually dress the microdermals with a Tegaderm bandage after the procedure and provide two extra pieces for the clients to apply before sleep for the following two nights.


PROCEDURE ON IAM:CURSETHISMETALBODY BY IAM:MUTE-ONE

   How robust are they? Do they hold up well to sleeping on them, impacts, bead changes, and stuff like that?

STEVE
Their relatively small size compared to transdermals, and some surface piercings, caused me to worry initially about how they would hold up to impacts and stress. So far, the wearers haven’t encountered any large amounts of stress on them, and I haven’t heard of it being a problem from my friends who install them. The bead changes I’ve done have been very simple and caused no irritation.

BRYAN
I’ve only snagged mine on clothes a few times, and it’s still in there! You need to be really gentle when changing the ends on them — it feels like you are going to pull it out. I’ve seen a few pictures of people who pulled them out while changing the ends on them.

JLO
Obviously, the longer they are healed, the more they can handle. After the body really grabs them they are quite resilient, but since they are so small, a good snag has the potential to rip them right out. One of my customers had to change her bedding completely because of the lace that constantly found a way to wrap around the disk!

The ones I have on my temples get banged and pulled daily by my one year old daughter. I’ve had them for about five months and I don’t even pay attention anymore. No pain, and no problems at all.


BRIAN
I don’t think microdermals, with the most recent jewelry designs, have been around long enough to know. I’ve done end changes with no problems, but as far as impact resistance, I still think a transdermal implant will be more stable — but a surface bar less.

JOHN
For how small the are, they are very robust. I’ve done a couple on wrists, which are notorious for giving surface piercings problems… yet these microdermals seem to be holding up fine. The initial healing nub can get knocked around a bit, especially while sleeping, but it doesn’t seem to cause long term damage like it does for many piercings.


LEFT: LOWER NAVEL BY BRIAN DECKER, RIGHT: CLEAVAGE BY WIZZER

   How did you learn to do them?

DIDIER
I started with myself, and other piercers and counter staff. After a few months I contacted most of my regular clients and offered the service in exchange for information on the anchors.

STEVE
I took the time to think about the procedure, and talked to a couple friends who had done them before attempting one. Leo Ziebol told me his procedure and I adopted it.

JLO
I have great guinea pigs working the counter at Slave to the Needle — these people let me do anything to them if it’s free. LOL.

JOHN
I talked with a few practitioners that had already installed them. I found out what methods they were using, and what drawbacks they had come across from them. I had a lengthy talk with Tom Brazda about them at APP 2006, before I even knew they would be so readily available. After talking to so many practitioners that I respect and getting their input, and since I had been using the punch and taper method for so long, I was confident in my ability installing these pieces.

BRYAN
Just common sense and asking other piercers some questions.

BRIAN
Yes, nothing more than common sense and second nature, I think. I’ve been doing implants and punch and elevate surface style piercing long enough that it just made complete sense right away.
   Are any skills on top of “good piercer” required to install a microdermal?

DIDIER
I think most skills can be applied from piercing. In my experience, the motion of the needle is like a “dip” when doing a surface piercing. The finger position is a little different, but varies depending on how difficult it is to pinch the tissue.

BRIAN
With the method of insertion I use, a good understanding of measuring and feeling for tissue depth is important. Otherwise the piece may not sit fully in the subcutaneous layer, and may pull an end piece down under the skin if placed too deeply, or facilitate rejection if done too shallowly. Anyone who understands punch and elevate surface technique should have no problem with these.

JLO
Being able to read the grain of the skin and visualizing the jewelry in the tissue helps a lot.

STEVE
I think any artist that devotes an appropriate amount time and effort into researching microdermals is capable of doing them. This means someone who knows how to install them with minimal trauma, what qualifies as appropriate placement and use, a good base of knowledge and experience regarding aftercare, a sense of preparation in case something goes wrong during the procedure or during healing, knowledge on their removal, knowledge on sterile procedures and cross-contamination, care for the wearer, and good intentions.

JOHN
Being a good piercer is a start. Having some experience in elevating the skin for surface piercings would help — that can be from punch and elevate or from pierce and elevate methods. Knowing how the skin elevates and separates makes it easier to grasp installing these. Confidence in yourself is important, but without arrogance — knowing when you’re not ready, and having the morals, ethics, and responsibility to admit it is important, and unfortunately that is something a lot of people in our industry don’t seem to understand.

IME
I found it to be really simple.

PAT
Here’s the scary part — with the finesse of the design, you don’t even have to be a good piercer to install these!


LEFT: TWO WEEKS OLD BY KEYLAN LEVINE (IAM:XKEYX), RIGHT: BY JOHN JOYCE

   What advice would you have to other piercers who would like to start doing this procedure?

BRYAN
After some research, practise on yourself first — or at least on a really trusting friend.

PAT
Like with everything watch, learn, and do research here on BME… or practise on friends and family. These are so simple to install — it’s pretty amazing. But I’m not gonna be offering the jewelry to just anyone. Due to the number of hacks out there that are willing to do anything to make a buck, I’m keeping my clientele to a very short list.

JLO
They’re easy enough. All you need to do is do them in your mind first. The not-so-obvious problems seem to show themselves that way. Then be ready to improvise when you actually attempt them. If they don’t sit right, don’t be afraid to remove them the next day and massage the skin and immediately reinsert them. Play with them a little and you’ll find a technique that works for you. Sky Renfro (from propiercing.com) is working on setting up a class too! That’ll be so awesome to experience other piercers’ techniques as well!

DIDIER
I would suggest video taping what you are doing, and taking your time. Do a dozen in four months — not in four days. Watch your video and learn from your successes, as well as your failures. And if you take your time, your success rate will be higher.

BRIAN
Even if piercers are seasoned and have no problems with getting the pieces into the skin, they should limit them to clients who understand they will be difficult, and most likely painful, to remove.

STEVE
There are lots of very talented and friendly artists doing these procedures — talk to them and make sure you feel comfortable with every step of the procedure before attempting it. Understand everything from the purchasing of the jewelry, proper sterilization and installation, and long-term aftercare, and its possible removal.

JOHN
Ask for help. Ask someone you respect that you know has done these — find out how they did it. If you live near someone doing them, ask to watch them do one. Hell, ask them to do one on you! Then you get a firsthand experience of how they are done, and how they heal. This is all knowledge you can share with your clients.

PAT
The long-term degree of adherence of the microdermal to the underlying tissue is still unknown… Noah has the longest running microdermal of mine to date at six months. I have a feeling with the microdermal being implant grade titanium, these may have to be cut out and away from the tissue that bonds to the titanium. People should consider them permanent as long as healing and removal information on fully healed microdermals — one year plus — remains unknown.

IME
Look around as see what other people are doing. This is a newer item and a lot of people are doing different things — try and check them all out.
   What advice would you have to clients looking to have one of these done that isn’t already a friend or regular of a piercer doing them?

DIDIER
If your regular piercer can’t do the procedure, ask for a referral. Do your homework — like for any other piercing.

STEVE
Make sure you feel safe and informed on the procedure. Also, these particular pieces are new inventions in our industry and we are still learning about them — keep that in mind.

JOHN
While they seem to be working our really well, their success can’t be guaranteed. Along the same lines though, no piercing can really be guaranteed…

JLO
Until anchors have been around for four or five years I think we must think of them as being in a trial phase.

BRYAN
I probably wouldn’t do one on a client — maybe on another piercer who knew the risks and such, but these things are still too new for me to be doing them on customers. Besides, removal will require some cuts…

BRIAN
Clients need to know these pieces are borderline permanent, with respect to ease of removal.

JOHN
Research it, and research the artist doing it — research everything. Make sure you want it and consider it a permanent choice. I know these aren’t as “permanent” as transdermals, but they are more permanent than your standard piercing. Even if the microdermal isn’t permanent, any scars left behind from it (or any piercing) can be.


LEFT: TEMPLE BY KEYLAN LEVINE (IAM:XKEYX), RIGHT: SELF DONE BY BRYAN

   Does the design of the microdermal still need refinement, or do you consider the current design “mature”?

JOHN
It’s still new and in its testing phase as far as I’m concerned.

PAT
My original design had a lot of time and thought into it. Aside from the variables (number of holes and post length) there isn’t much room to improve upon. That said, I am working on some finer points to the microdermal that I’ll discuss and debut at a later date.

DIDIER
I can’t see what I would do different with the design. Anything to make the anchor less likely to reject or pull out would make it more difficult to insert or remove — I’ve been told that Industrial Strength is also working on different variations of the anchors.

STEVE
I’ve only had experience with one model of microdermal, and I thought it was very appropriate for its usage — but I won’t be surprised if we see better models out as the popularity of this jewelry rises.

BRIAN
For ease of insertion, I can’t think of a shape that would work better right now, but perhaps a design that doesn’t have permanent anchoring of skin through the jewelry would be a good idea. If the main section of the base looked more like a tuning fork with two “legs” rather than holes, the piece would still be able to anchor as scar tissue would build up in the gap, but removal would be much simpler.

WIZZER
I feel the Industrial Strength microdermals work really well — the only issue I have is the removal. With the healed microdermals, a small incision is needed to lift the “heel” of the jewelry out of the tissue. I’ve been using #11 scalpel to make this relief cut, but I’ve also heard of some practitioners using the side of a piercing needle. The other problem with the Industrial Strength microdermals is the rise on the base — all of which come in 3/32”, which I found a bit long for facial work.

JOHN
I’d like to be able to get the rise in a slightly longer length. I think in some areas an 1/8” rise is a better choice — being able to choose between the two would be great.

WIZZER
The prototypes I’m using now (made by IME of Integrity Body Jewelry) are available with as small as 3/64” rises, and in sizes ranging from 14 gauge to 10 gauge which work really well. This design also eliminates that “heel” which is found on the Industrial Strength microdermals and provides for a smoother insertion with a less invasive removal if removal is needed.

IME
I personally think that there is very little in the world that couldn’t use some refinement. Microdermals are no exception — just about everything can be improved on.

JLO
I am very happy with the Industrial Strength design — it’s certainly working well. I think Integrity’s design will probably work better in certain areas. IME is prototyping them, so we’ll have to wait and see.


LEFT: FOOT BY DIDIER, RIGHT: FINGERS BY KEYLAN LEVINE (IAM:XKEYX)

   Do you think this has the potential to become a common or popular procedure?

JLO
Oh yes, I foresee them being as popular as nostril piercings at least.

BRYAN
They look awesome — I can see them being very popular! But I don’t feel that piercers should offer them to every customer that walks in the door — I don’t think the average customer is ready for something like this.

DIDIER
We’ve been trying to take our time working with these to assure they will be safe and effective for our industry. Things are just going so well with these that I see them being mainstream — even more than the surface bar. I see it staying as part of our list of standard procedures.

IME
I think so, for sure. It looks good on paper so far, but, it is a new thing — it’s going to take some time to see if they hold up. Personally I am very sceptical-slash-excited — as a piercer I’m just always making sure that what I’m doing is 100%, and a large part of that is the longevity of the end result.

STEVE
Microdermals definitely have the potential to become a popular procedure. I see more and more every day, but as their popularity rises I do fear low quality companies will start manufacturing shoddy representations of them without considerations for their usage. This has happened with virtually every type of jewelry so far, so I cannot imagine microdermals being exempt from it. Hand in hand, as they become more popular there will be a demand for low-cost procedures that might contribute to inexperienced — or uncaring — artists attempting them. Again, this has been true with virtually every new procedure we’ve seen. It seems inevitable, so I would urge everyone to make sure they feel comfortable and informed before allowing an artist to work on them — as you should with any procedure.

PAT
Yes, as you can clearly see, it will be popular. A week and a half from its debut at APP to a handful of people, Industrial Strength knocked off my design purely for the money and profit involved — they made insignificant changes, but, still, it was based on my original design. I was trying to test these out in a controlled fashion, put several out, get feedback, refine the design, do another test, and see if there are any issues with healing… But then Industrial Strength took this and ran straight into production, offering them to the masses, with no research, no development, and no testing. Because of this, several piercers are installing microdermals on a daily basis, making them commonplace, just like navel piercings. I guess time will tell on this.

…but, yes, these will be the “next big thing,” if they already aren’t already.


JOHN
Commonplace, yeah, sure… popular, eh, I don’t know… It’s not going to be the next navel or nostril, but it may be the next surface piercing!
   Anything else you’d like to add?

DIDIER
This is the first new anything to come along for piercing in a long while. More information will be available soon. I’ve been ask to sit on a panel on Anchoring for APP 2007, and look for a class through Professional Piercing Systems as well.

JOHN
I just want to thank Pat and JD for pushing boundaries and working on this design.

IME
Pat Pruitt of Custom Steel was the first person to start making these things and I feel that he has received very little credit this year. We as a community of jewelry makers in my opinion come up with all kinds of different things to make, and rarely do we get things like patents, seemingly leaving it to the “goodwill” of the rest of the community to not steal our designs — or start making something that is so similar to the original design that it looks like nothing but theft.

PAT
Aside from my personal soreness with a Custom Steel original being knocked off in record time, I think a word of warning should be sent out. That would be the long term applications of installing microdermals. Let’s not fool ourselves… this is an implant!!! This is not a piece of jewelry. I feel that removal down the road is still an unknown, and with the ease of insertion any Joe Hack piercer can install these… but removal on the other hand will require some skill.


Shannon Larratt
BME.com

Ryan Ouellette: Lord of the Blade [Guest Column]

  

Ryan Ouellette

Lord of the Blade


“I’m tired of all this nonsense about beauty being only skin-deep. That’s deep enough. What do you want — an adorable pancreas?”

- Jean Kerr

There’s something quite profound about scarification that marks it apart from other forms of aesthetic body modification. Whereas tattoos and piercings augment and decorate the body by adding ink or metal, a scar is created merely by interacting with what’s already there, harnessing one of the peculiarities of the skin and channelling it to decorative ends. By using a scalpel, branding iron or cautery pen, it is possible to create intricate patterns in the skin, which, when healed, form distinctive and permanent scars. I really see this as body modification in its purest form — the body itself is producing the artwork, sealing over the inflicted wound and leaving an enduring mark that is actually part of the skin, not an inorganic addition.

Unfortunately, the idiosyncratic nature of an individual’s healing often makes the results of scarification fairly unpredictable, and as such the designs attempted have usually been fairly simplistic. In the West, scarification has tended to be either pieces made up of single line scalpel incisions for fine work or large, heavier scars produced by branding. Over the last few years, however, a number of scarification artists across the globe, feeling artistically constrained by the limited results and narrow range of designs that can be produced by single-line cuttings and the unpredictable and brutal scars left by brands, have begun to experiment with skin removal techniques, using their tools to actually remove areas of the upper layers for skin to produce larger, bolder and more predictable results.

Fresh skin removal scarification Healed skin removal scarification
Fresh and healed skin removal by Ryan Ouellette

Skin-removal really is in its infancy, and this article is in no way intended to be a how-to or instruction manual on the intricacies of this invasive and potentially dangerous procedure. Please do not try this at home. Instead, I hope it will illustrate what it is possible to do with the human body’s largest organ and germinate a few ideas in your head. I’ve been fortunate enough to be able to interview one of this community’s most prominent, prolific and talented scarifiers, and this article is in many ways both a portrait of him and an introduction to his often astonishing work.

Although not the ‘inventor’ of this technique by any means, Ryan Oullette (IAM:The Fog), a twenty-five year old artist working out of Precision Body Arts in Nashua, New Hampshire, is widely regarded by his peers as one of the best scarification artists currently practising skin removal. Photos of his scars were recently showcased in National Geographic magazine, the patterns and motifs he produces are brave and original, and his work — both fresh and healed — is simply stunning. Chatting with other scarification artists, Ryan’s name comes up again and again when they’re asked whose work they particularly admire.

Ryan Ouellette Ryan Ouellette at work
BME:  Where are you from originally, Ryan?
RYAN:  I grew up in a small rural town called Pepperell — it’s just over the border in Massachusetts only about a half hour from the little city I live and work in now, Nashua. BME:  What got you interested in body-modification in the first place?

RYAN:  I have no idea to be honest. It was never a choice, it just felt natural. Like shaving or eating. I ‘play-pierced’ myself a lot when I was younger, with sewing needles and things like that. I used to do crude scarification on myself with needle heads in my bedroom. I never thought it was unusual behaviour and I didn’t see it as ‘self harm’ or anything. It just felt natural. I started getting actual piercings in my mid teens and it just grew from there.

BME:  How long have you been ‘in the business’ as a piercer and practitioner?

RYAN:  I’ve been piercing professionally for about five years. I had hopped around part-time at some shops for another year or so before then but I would say that was more of an amateur thing. I took over my shop about four years ago and I started cutting maybe six months after that.

BME:  Did you apprentice?

RYAN:  I’m completely self-taught as far as technique goes, although I’ve done a lot of formal training for piercing (Association of Professional Piercers anatomy classes, aseptic technique, and so on). I got some little pointers here and there from talking to guys like Lukas Zpira over the internet. I try to soak up all the ideas I can from watching videos and looking at pictures of other artists’ work. But mostly it was just trial and error.

One of the bigger things that sticks out in my head is reading an interview about Blair and his branding. He talked about how a lot of branders were scared to hit the same line multiple times and he said something along the lines of “work it until you’re satisfied”. And that really influenced my cutting style. Instead of trying to get a perfect line in one pass I hit and re-hit the same multiple times until I got it looking exactly how I wanted it. My cuttings are actually influenced most by Blair’s brandings if that makes any sense.

BME:  When did you start doing cuttings, and how did you develop?

RYAN:  Aside from the little chicken scratches I did as a teen I started professional cutting about three-and-a-half years ago, early 2001 I think. Originally I only bought scalpels to do work on myself. I never intended to work on other people at first. I did some small pieces on myself over the course of a few months. After that I did one on a guy I worked with, then my girlfriend. Gradually, it grew to regular customers, and once word got out on the internet I started to get a lot more people coming in asking about it.

BME:  Do you perform other forms of scarification such as branding or electrocautery?

RYAN:  I only do cutting. I’ve never even attempted any form of branding. At first I looked at scarification as the name for any scar procedure and I looked at things like scalpels, cautery pens, hyfrecators, and so on as different brushes used for one kind of art. Now that I’m experienced with a scalpel I see cutting and branding as two completely separate art forms. I might get into branding in the future but right now I feel most comfortable with a blade.

BME:  Why and when would you choose skin removal as a method of scarification as opposed to simple scalpel cutting or any other methods?

RYAN:  It all depends on the design. My earlier work was basic geometric designs — lines and curves. No solid or bold sections. After a while, I got bored and I felt that in order for my designs to evolve I needed to have larger sections, so that’s when I tried out flesh removal. My first one came out terribly. I cut it the way I would a single line piece and it ended up being way too deep and it healed really unevenly and didn’t look good at all. I gave up on flesh removal for about a year and then decided to try it out again, this time on myself. I changed what I thought was wrong with my last one and the piece came out to my satisfaction. After that it just felt as comfortable as anything else, so I incorporate it into most of my designs these days.

BME:  How do the results differ, in your view?

RYAN:  I just like the bold sections more than single line work. There is only so much you can do with single line pieces. After doing single line pieces for a year or two I was getting a lot of requests for designs that just couldn’t be done without flesh removal. Also, it’s easier to get a nice distinctly healed scar with flesh removal. I seem to get more consistency with them. I try to push myself each time. I think I do my best work when it’s something that looks too complicated for me.

Skin removal scarification by Ryan Ouellette Skin removal scarification by Ryan Ouellette Skin removal scarification by Ryan Ouellette
BME:  Can you talk me through the procedure, from start to finish?

RYAN:  Well it’s actually pretty similar to a tattoo for set up. The skin is shaved when needed, cleaned (sometimes with iodine, sometimes with Technicare), and then I put on a stencil. After all the prep stuff I usually make a quick pass over the entire design with a #11 blade scalpel. I basically consider it guide-lining. It’s not very deep, and it looks pretty uneven at first. It’s basically just opening up the skin over the whole piece very shallowly; the depth isn’t evened out until the next step.

    Number 11 scalpel blade
11
Number 15 scalpel blade
15

Next I’ll usually change blades to keep it sharp, and then I’ll go back over the design and slowly even out the depth and width. The depth and width varies depending on the design. If it’s single line I tend to go a bit deeper and wider. If I was doing removal I would go a bit shallower because I’ve learned that if you do flesh removal too deep it tends to blob out and heal unevenly. For removal sections I get my outlining done and then I use some haemostats to basically just pull up a corner. Then I use a #15 blade and slowly separate the tissue up and away while I lift with the clamps. I try to go as even as possible because you obviously want a uniform removed section for good healing. I try to make my removed sections as small as possible because I’ve noticed that if you try to remove too large of an area the center of it tends to be excessively deep. I’ll often split a removed area into smaller sections or strips and remove them individually instead of just on one large hunk.

As far as the depth goes I’ve talked to a lot of very good scarification artists and their techniques all vary. Depth is really just whatever works for the individual. Generally you’re going into the tissue below the cutaneous layer but not through the fascia. And I’d say that good flesh removal is typically slightly shallower than single line scarification. You really want to keep it uniform. You don’t want to see pits and valleys because that means different tissue layers, hence different scar production.

Ryan Ouellette at work

In terms of blood control, basically I just pat my field with paper towels as I work, again similar to tattooing. I really like to keep my lines clean and as dry as possible. Some people bleed more than others, obviously, so sometimes it’s hard to keep things as clean as I like but I generally don’t like blood to leave my immediate field. I don’t just let it drip all over the place like some people tend to do. It’s partially for contamination control but it’s mostly just so I can clearly see the cut depth and width clearly. The bleeding tends to stop within five minutes of finishing a line. So by the time I move on to a new line my previous ones are usually dry.

I’ll occasionally clean the field during the procedure, typically between steps. So maybe once after all the outlining is done, and then again when the piece is completed. I typically clean the field with green soap solution, again like a tattoo. After I’m done I’ll bandage the area with a sterile non-stick dressing. I usually tell the person to keep it bandaged for at least four to six hours. Sometimes, particularly for flesh removal, I’ll just have them keep it bandaged overnight. As for removed skin it’s basically nothing by the time I’m cleaning everything up post-cutting. Without blood supply it shrivels up within just a few minutes.

BME:  What are the benefits of skin removal — what can be done, and what are the limitations — what can’t be done?

RYAN:  I think the main benefit with flesh removal is additional control. With a single line cut you make a cut and basically just widen it out and change the depth. So if you make a slight error all the cuts from that point on are going to have to work around that one mistake or even it out. With flesh removal you can control both the outline and center of all lines and sections. If I want to do a grouping of small tight lines, especially with angles or curves I’ll almost always do it with removal. If you do single line you are basically splitting the skin open so that can sometimes limit what you can do right next to a line. With flesh removal you are going shallower so the skin tends to open less. So I can do tightly compacted lines and feel confident that they’ll heal where I put them. If I tried to do lots of small lines within an eighth of an inch they would tend to scar outward and probably blend together during the healing process. The lines are more straight down and tend to heal in their original location unless they keloid a significant amount.

As far as what can’t be done I guess I would push people away from very large sections of removal. If someone wanted a removed section bigger than maybe two inches wide I would probably try to change their design or flat out turn them down. As far as complexity I’ve never had to turn something down because it’s too complex. I’ve had to rework designs to simplify them slightly in order to be able to cut it into someone. Obviously you can’t do shading, so I have to redraw things to make them bolder, kind of like a solid black tattoo.

There are some areas I would prefer to not work on like hands, wrists, necks, and so on. But I’m sure if someone really wanted a piece there I could figure out a way to do it safely. I’d just have to do it a little shallower than average. I did some flesh removal stars on the side of my girlfriend’s hand and it was very difficult. Two little coin-sized sections took me about two hours because I had to be so careful with my depth and remove the tissue at the exact same shallow level.

Skin removal scarification by iam:The Fog Skin removal scarification by iam:The Fog
BME:  What are the risks?

RYAN:  Risks are similar to any comparable procedure like tattooing or branding. The biggest risk would be infection but I’ve never had a problem with that. I give very clear aftercare instructions so it hasn’t been an issue. That’s the only thing I would call a risk. There are more complications that could come up like uneven healing and scarring mostly. Occasionally a person can get kind of a rash around the piece, depending on aftercare. It’s usually from wrapping it the wrong way or not cleaning it often enough.

BME:  What aftercare do you generally recommend?

RYAN:  My basic aftercare is that they keep it covered with plastic wrap and Vaseline for about seven to ten days. It keeps the body from forming a scab which makes it heal more from the bottom up instead of from the sides inward. It’s just important with wrapping that you keep the piece clean and somewhat dry. So I tell the person to unwrap and clean it throughout the day. I usually just have them use an antimicrobial soap like Satin or Provon. If they don’t clean it often enough the fluid under the wrap can cause irritation or a rash. The rashes are more frequent if I have to shave the person before the cutting.

I basically just worked out my aftercare with trial and error. I also talk to a lot of other artists about technique so I steal a lot of ideas from them. Sometimes I’ll suggest using a mild irritant like lemon juice mixed with the Vaseline. It can tend to make the body heal with either a darker hypertrophic scar or, with a little luck, raised keloid tissue.

BME:  How long is the healing period, generally, and what are the stages of healing?

RYAN:  Complete healing varies on how they take care of it. With the wrap I’d say that the body will form a new layer of skin over the whole design within around two weeks. If they keep it unwrapped the body will scab slowing the healing process to maybe three weeks. If you add in agitation, picking, or scrubbing it could lengthen it out to a month or more.


healing skin removal scarification
2 days old

healing skin removal scarification
5 weeks old

healing skin removal scarification
3.5 months old
BME:  What kind of results does skin removal produce — what do the resulting scars look like compared to other forms of scarification?

RYAN:  With my removal it’s not really making the body heal in a specific way. It’s really just emphasizing the way an individual’s body will heal a cut. I’d say on a whole removals tend to give a better more distinct scar. But it’s very difficult to force the body to heal one way or another. Keloid tissue is more of a raised pinkish tissue. It’s basically what most people hope for with healing but it’s actually not that forthcoming in a lot of pieces. I’ve notice that the body heals more commonly with hypertrophic tissue. This tends to be more of a darker granulated, less raised tissue. What I shoot for with aftercare is either a very dark distinct hypertrophic scar or an evenly raised keloid scar. I never guarantee a certain look though, that would just be impossible.

As for how it looks compared to other scars I’d say flesh removals don’t scar outward as much as some other techniques. Brandings tend to heal outward a lot more due to the heat damaging surrounding tissue. A lot of single line scarification tends to be deeper than removal so the line can heal a little wider due to it having a tendency to heal in more of a V-shape then wide U like some removals.

BME:  Is there anything else you’d like to add?

RYAN: 

Yes! It’s really important that people remember that these procedures can be extremely dangerous if not done by a skilled professional with a decent amount of anatomical knowledge and experience working with skin. If not, people could end up in hospital! The difference between single line and removal can be compared to the difference between punch-and-taper piercing and transdermal implants. They might be similar but the latter is a lot more advanced and dangerous.


If you’re interested in getting work done by Ryan, his shop Precision Body Arts is located at 109 West Pearl Street, Nashua, New Hampshire (or call 603-889-5788). You can also see more of his work in his gallery on BME (and of course you can view other artists working in similar styles in the general scarification galleries as well).

As scarification techniques evolve, designs which previously would not have produced good, clear, dramatic looking scars become possible. The only limits are those of your imagination and of your artist’s skill. Choose wisely.

– Matt Lodder   (iam:volatile)



Matt Lodder is a 24 year old native of London England. He wrote his Masters dissertation for the University of Reading on “The Post-Modified Body: Invasive corporeal transformation and its effects on subjective identity”.

Thanks so much to Ryan for agreeing to be interviewed, and for being so eloquent and forthcoming with information. Thanks also to Quentin (iam:kalima) and Vampy (iam:vampy) for their help in answering my questions, and also to Shell (iam:stunt_girl) for her last-minute assistance!

Online presentation copyright © 2005 BMEzine.com LLC. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published online January 7th, 2005 by BMEzine.com LLC from La Paz, Mexico.