Iestyn Flye, normally of London’s Divine Canvas (divine-canvas.com), has recently been in Italy doing a guest spot at MaxArt in Rome. While there he did this amazing scalp cutting and skin peel, originally designed by Paul Kennerley as a full star (ie. this is only half of the original design), with the small cuts that radiate out from the centre aiming to give it the illusion of 3D form. Over the years Iestyn has built up an incredible portfolio (oft-featured here), so I have no doubt that this piece will look amazing healed. Click to see it even bigger.
Monthly Archives: October 2012
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Keloids Transforming Into A Skull
My friend Tony Snow (of Voodoo Tattoo in Paradise, Nevada), who I first at a taco shop while passing through Nevada about a decade ago, did the scar-half of this superb tattoo/scar combo piece. A lot of the time when tattoo/scar combos are done, the scar can stand on its own, but at some later point the tattooing is added to breathe more life into it. In the case of this piece though, the two artforms dance beautifully, with each half desperately needing the other half. The scars that Tony did keloided beautifully, raising up like flames of tissue hinting at some subcutaneous inferno, hinting at the demonic skull that the tattooing then draws into focus.
Inverse Tattoos
Dave Temby, AKA Bleach Methane (bleachmethane.com), is a Minneapolis, Minnesota-based tattoo artist that did this pair of negative/inverse-level tattoos on Joe Galkin, garnering him constant compliments on their uniqueness. I’m sure if you stare long enough at them and let the image work its way into your rods and cones, and then stare at a blank wall, you’ll see the real image floating in front of you, but I’ve made it easier by animating the process for you. Click the picture to see it bigger (but un-animated).
Supradermal Cross “Implant”
This isn’t really an implant of course — it’s a cross that’s been semi-permanently mounted on the wearer’s chest using three microdermals to hold it in place. Christopher Lee Shelafoe of Marquette, MI’s Rendezvous Tattoo & Body Piercing (I recently featured an anarchy scar he did) is who installed it, said that in an ideal world he would have like to use a lighter cross, but the client specifically needed that exact cross because it had belonged to his child. So they did it as best they could, with the understanding it was an experiment. It was still in place last time he spoke with the wearer, who has since moved away. Christopher and I were talking about how he’d tackle this next time, and he’s working on having microdermals mad with magnetic ends so that the cross (or whatever) can be solidly mounted, but will pop off without injury if it gets snagged.
Wiccan Goddess Pubic Scarification
I want to share with you this alluring scarification done by Italy’s Alicia Lady Mamau (ladymamau.tumblr.com). The cutting is well scarred at ten months into healing. For those that don’t already recognize it, this is the triple moon Wiccan goddess symbol, which refers both to the Goddess and the phases of the moon.
Suspension-Themed Ink Rubbing
About a year ago Misty Forsberg of Southtown Tattoo and Body Piercing (southtowntattoo.com/) in Fort Smith, Arkansas, did a suspension-themed cutting (note the accuracy of the knot) on Kyrsten, which was then rubbed with magenta ink, which you can see here fresh. The right side picture was taken at eleven months, showing the scar successfully mottled with color, the magenta tint giving making it look permanently inflamed.
Neil and Muga’s Mega-Lip Piercings
Even though numerous people outside of indigenous cultures have been wearing lip plates for at least a decade, it’s still a misunderstood and often maligned modification. I had a chance to talk to Neil Thomas about his lip plate, which began its life as a simple and unassuming 14ga labret seven years ago, and a lot of vinyl tape wrapping later, is now about 35mm (1 3/8″), just shy of his end goal of 45mm, where he plans on staying for a while. Because of the weight (and size) of the jewelry, he wears the plate down all the time, other than taking out a few hours a night and oiling the area, and to clean it with unscented anti-bacterial soap.
You may be surprised to hear that in addition to his “Scratch1000″ eBay store, Neil works with the public as a barber-stylist and a musician/promoter. His bosses have been supportive over the years, and the public has a broad range of responses — some people are curious with the typical “does that hurt”, others have no opinion, others think it’s cool, and of course there are those that think it’s gross. He says, “Treat people the way you would want to be treated and I believe people will be more understanding towards you. Most people close to me accept me for who I am and what I do. I’ve always just went for what I wanted to do. I still respect the few that are against it. If that’s the way they are, so be it.”
Neil adds, “I always figured if I could get away with it I would just keep going. I have always been a fan of culture and uniqueness. I’ve always been just me, in the punk scene or the Jamaican music scene. Two things that that keep me going.”
He also tells me that he’s always loved the way it looked on all kinds of different people, so let me also share a picture of the amazing Muga Suástica of Marcolino Moura in Bahia, Brazil. His lip is 50mm (2″) in this photo, but he tells me he doesn’t plan on stopping any time soon.
Suspension in “BleedOut”
As many of you know, I’m a voracious reader of comics and have talked before on ModBlog about creating some sort of database of bodymod and body art in the illustrated world. Today I read last year’s graphic novel BleedOut, which tells the story of a world devolved into a sort of criminal feudal dystopia after worldwide oil supplies mysteriously run out in a matter of weeks — “civilization devolved 200 years in less than one”. The comic actually exists as a vessel to explain the post-apocalyptic 3rd-person-shooter criminal simulation MMO CrimeCraft (crimecraft.com), “believably” letting players know how the world devolved into gang-moderated hell so quickly. I’m actually glad I didn’t find out this was the purpose of the comic until afterwards because videogame tie-in comics are usually so terrible that I might not have read it at all.
Anyway, the comic is broken up chapters, each drawn by a different artist — with some great names like Nathan Fox, Zach Howard, Sanford Greene, David Williams, Gary Erskine, Howard Chaykin, Glenn Fabry, Vince Proce, and Trevor Hairsine. The book as a whole tells a story about this awful world, and most chapters are a sort of vignette on a different crime lord. The chapter that caught my eye for ModBlog was “Youth Bulge”, drawn by Ben Templesmith (you may know him from 30 Days of Night), which is about Arkady Kavchenko, who runs adult entertainment in the city where the story takes place — pornography and porn, with a taste for kink, the farther out the better. He’s also been infected with a genetic virus of sorts that gives him Wolverine-like healing. Before selling people a vice, he always tried it first, and this taste for kink would have killed a normal person “twenty times over”, but somehow he’s survived it. The apex of his dangerous perversion pyramid? I was amused to see that it was suspension!
Click to see the whole page, or better yet, pick up the comic. It’s not in any way body modification themed as a whole — there are a myriad of tattooed characters (they are criminals after all!) but it’s completely incidental — but suspension is rare enough in pop fiction that I thought it was worth a mention.
Sophie noticing Sophie
I gotta wonder what’s going through Sophie’s mind. My theory is something along the lines of “just when I thought I understood mirrors…”, but the peanut gallery at the other end of the couch insists that all dogs ever think about is the current location of their next meal and next leg to hump. I should mention that this was done by Luca Font and is on Erica, who you last saw here on ModBlog suspending with her twin sister.
Large First-Gen Forehead Ridges
Here’s an amazing set of first-generation forehead implants — this is probably about the farthest one would want to push a first gen forehead — looking superb on day seventeen, just past the initial phase of healing. These implants were custom made (if you’re curious, click here to see them pre-implantation) for Jenny by implant artist Max Yampolskiy and then expertly installed by Arnulf Ragnar Schmitz at Stigmata Inc in Cologne, Germany. It’s funny, as I was working on this post, Caitlin looked over at my monitor and said — jokingly, I think — “Why are you always ogling girls with bumpy foreheads? Would you like me better if I got implants?”
I will leave it to you to wonder whether my fingers were crossed when I said, “No, of course I love you just the way you are!”
All kidding aside, Jenny was quite pretty to begin with of course, but I do think this implants are just wonderful and a big “improvement” — although improvement isn’t really the right word… I think that this is something more profound than what you’d get with a nice haircut. It’s not just an improvement — it’s an evolution.