Heavy Scars Over Heavy Black

Can’t thank chasethebeard enough for submitting this! I’m always a fan of scars over black but this really looks amazing!

black scarification

Artist Credit Chase Suarez

This seems to be a cover up, and a hell of a way to cover something in my opinion! Solid black over existing tattoos sometimes will leave you with a “ghost” of the covered tattoo where you can see the lines underneath. The scars here really do wonders to break up an outline!

Blackwork Tattoo Mastery

Marc (Little Swastika, little-swastika.com) recently posted this old tattoo he did in Blackie’s Heavy Blackwork group, and emphasized that it was one of his older pieces, during a period where he used much heavier swaths of solid black than he does nowadays. Even though his style has evolved a great deal since then, I wanted to publicly acknowledge it because it’s a beautiful piece of graphic design. The interplay between the heavy “maze” on the left have versus the dance of spirals on the right with a background that’s been tattooed to mimic the splotchy image of block printing, and the two halves separated with a strong scribbled red boundary line, is incredible. For a big bold piece that it is in some ways “simple”, it’s also got some great little nuances — for example, look at the very bottom right how the fine stamp pattern goes over the heavy black bar as negative space.

littleswastika-masterpiece

And in relation to some of the volatile discussion lately about the way tattoos heal, I also love that Marc almost exclusively posts healed tattoos (not that he has much choice on account of the sheer scale). These tattoos will look good forever in my opinion, not just because Marc is technically proficient, but by the very nature of their design being resilient to the natural effects of aging.

Unblacking the Blackest Man

I assume everyone knows who Lucky Diamond Rich is, but if not, let me pop up a picture from one of his very first appearances on ModBlog, back in 2006, when he was already widely recognized as the world’s most tattooed man — and easily history’s most tattooed man as well.

Not only is Rick tattooed black-head-to-toe, but he’s been fully tattooed something like seven or eight times over. The white lines in the picture above are not untattooed areas. They are white ink tattoos done over top of the field of black. As these would fade slightly over time and Rick set his sights on new a body, changes would be made, sometimes with piercing or scarification, but usually with tattoos. I have made some recent posts about tattooing white ink over black and even tattooing full color over solid blackwork, and I think the time has come to update Rick’s latest stage of evolution.

Tattooist Brad Bako has been covering up Rich’s many layers of blackwork (and more) with a new field of biomech, starting with his arm. The progress has been quite remarkable, to such an extent that many people would think it wasn’t even possible. I really want to emphasize that this is not just being done over black, but over a mottled skin filled with many layers of black, some colour, some white, and probably some residual scarring as well. What Brad Bako has achieved is quite remarkable.

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In addition to the bright sleeve work, they are also working on his head, transforming his full-black zen demon sort of appearance into a more traditional biomechanical tattoo icon.

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So when people ask you the question, “what will you do when you run out of skin”, now you know that you’ll never run out of skin because you can recycle your tattoos. On a side note, I have to admit that it’s rather amazing that 10,000+ years into tattooing that we’re still figuring new stuff out every year.

Mycobacterium chelonae infections in tattoos

After reports of long-term rashes from tattoos, a CDC investigation showed it to be Mycobacterium chelonae, a hardy and fast-growing bacteria that can be found in tap water. It can lead not just to rashes (technically this is a “granulomatous inflammation”), but cellulitis, difficult-to-treat infections, and abscesses are possible as well. It is especially dangerous for immunosuppressed people, for example those with HIV/AIDS. In addition, and this must be noted in the age of eye tattoos, ocular keratitis and related conditions can occur, as the eye has specific weaknesses in regards to this bacteria. The rash-type infections are quite common in tattoos, and can come and go in some people as they flare up in certain conditions with itchiness, sometimes painful, and small raised bumps, often with redness, although this may not always be visible in the case of a solid tattoo, especially blackwork. It typically starts two to three weeks after the tattoo is done, but can also take longer. Assorted studies by health departments, the CDC, the FDA, and scientists and medical researchers internationally seem to show that tattoo contamination from this bacterium is happening on a regular basis all over the world.

As I said, all it takes for a tattoo to become infected with Mycobacterium chelonae (and I suspect there are many other microbes I could say this of as well) is for the tattoo ink or components of the tattoo equipment to come into contact with tap water — this could happen when cleaning the equipment or when diluting the inks. More disturbingly, it may be completely unavoidable by the artist because a number of the infections have been traced back to the manufacturer, who used tap water at some point in their manufacturing process. There’s no way — other than infected clients after it’s already too late — for the tattoo artist to know whether their ink is contaminated, short of using sealed sterile ink. It’s only recently that tattoo ink companies have started offering single-use sterile packages of ink, and only a fraction of artists use these products at present. In addition, a study by the European Journal of Dermatology analyzed about sixty bottles of tattoo ink from different manufacturers, and found that 10% of them were microbially contaminated by a variety of bacterium (and they weren’t even checking for Mycobacterium chelonae — no definitive study has been done to date on what percentage of tattoo ink is contaminated at the manufacturer level).

Treatment of this bacteria is difficult because it is extremely hardy. At a minimum, local wound care for the lesions is required. In some cases antibiotics can help kill the bacteria — and we’re potentially talking about four to six months of treatment that can have serious side effects, although it’s often faster — and in other cases surgical removal (think of skin removal scarification — excising the affected tissue). If the infection is in an eye, surgical debridement is always required — in my opinion, any ink dilution for eye tattoos (and all tattoos) must be with sterile water, and the ink itself should ideally come from single-use sterile packages. It should also be noted that ophthalmic corticosteroids which are sometimes prescribed to deal with the healing of eye tattoos and to deal with the increased intraoccular pressure can cause this type of infection to get worse. All things considered, M. chelonae may turn out to be the largest risk in eye tattooing. Surgical excision of all the affected tissue is usually curative because the bacterium does not seem to spread significantly (which is why you may even notice flare-ups among only certain colours). Multiple surgeries can be required and will almost certainly result in significant scarring (and not the good kind).

The CDC for once gives some advice on the subject of body modification that I agree with, saying that ink manufacturers need to be held to higher product safety standards including production of sterile inks. They recommend that tattoo artists:

  1. avoid using products not intended for use in tattooing
  2. avoid ink dilution before tattooing, and if dilution is needed, use only sterile water
  3. avoid use of nonsterile water to rinse equipment (e.g., needles) during tattoo placement
  4. follow aseptic techniques during tattooing (e.g., hand hygiene and use of disposable gloves).

I would add that I’d like to see tattoo artists using sterile ink whenever possible, seeing as many of these infections traced back to reputable ink manufacturers, and there would not have been anything the tattoo artist could have done to mitigate the problem. They also recommend that customers do the following to reduce their risk of infection:

  1. use tattoo parlors registered by local jurisdictions
  2. request inks that are manufactured specifically for tattoos
  3. ensure that tattoo artists follow appropriate hygienic practices
  4. be aware of the potential for infection following tattooing, and seek medical advice if persistent skin problems occur
  5. notify the tattoo artist and FDA’s MedWatch program (or other appropriate national program in your country) if they experience an adverse event.

I would also add to this that it might be worth printing out this blog post to share with your artist since they may not have the time to keep up with medical news, and being better informed is the most important first step in being safe. Finally, here is a collection of photos of what such an infection can look like. Click the picture to zoom in.

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For more information, there is a good technical introduction with scientific paper references in the CDC’s frighteningly named Morbidity and Mortality Weekly Report here: http://www.cdc.gov/mmwr/preview/mmwrhtml/mm6133a3.htm. In addition, because of the volume of cases that are being seen now (this is being characterized by health officials as “not common, but not rare either”), you may see it in the news as well. Here are a few links to get you started, and Googling for “mycobacterium chelonae tattoo” will of course find many more: Study: Tattoo infections traced to tainted ink, Mycobacterial Infections: The Link to Ink, Tattoo ink causes health scare, and Tainted Tattoo Ink Led to Skin Infection Outbreak.

White Linework Over Blackwork At Two Years

Following up on the earlier post about tattooing colour over solid black tattoos, Sara Martin, a tattoo artist at Sacred Images in Bozeman, Montana showed me this tattoo, white linework over black. Actually, to be precise, it started as a red tattoo, which was covered up by a solid field of black, over which white linework was done. The black and white photo is the tattoo immediately after the white lines were done back in 2010, and the white lines are of course quite solid and opaque since it sits on the dead surface skin as well as the “mixed ink” living permanent skin layer that all the tattoo ink sits in. The photo on the right, the colour one, was taken today, about two years later. As you can see, the white linework has held up remarkably well and actually looks quite similar to scarification over black. Sara says that in parts of the white you can see the original red, but that it’s difficult to see that in the photo (and it may be something where you can only see it if you know where to look).

Click the picture to see it at higher resolution.

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Tattooing colour over black tattoos

If you are a part of various social networks there’s a good chance that today you saw this crazy coverup by Tim Beck of Freedom Ink Tattoo Co in Peoria, IL as it went viral today. This isn’t surprising, because most people would assume that you couldn’t do a tattoo this bright — and this light — over solid black. There’s been some debate on how this is going to look healed, with some people saying it’s going to disappear completely, even though Tim swears he’s done others and although they do darken a little, overall he feels that he can successfully tattoo new art over solid black.

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Steve Truitt of Ascension in Albuquerquer, who is no stranger to ModBlog had one of those typical “piercer arms” tattooed solid black. However, instead of scarring over it or leaving it all black like many do, he had Roman tattoo a bold biomech piece over the solid black, with no laser removal or other preparation in advance. Here is how it looked right after they tattooed it.

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And here it is healed, a month later. As you can see, it did get a bit darker, but overall it is still bright and bold, and you’d never know that it was over black. Now, I should point out one important thing — tattooing over solid black is very different than tattooing over a tattoo image. When it’s solid black, you have a regular canvas — the way the inks combine across the tattoo is going to be consistent, rather than having to compensate for the variations below it. So the counter-intuitive truth may be that in some cases it’s actually easier to tattoo over solid black, rather than doing a “normal” coverup!

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Matt Black’s nose knows the scalpel

Another person I could have included in my post about Iestyn Flye’s scar work and upcoming seminar with Ron Garza was the brilliant and aptly named blackwork tattoo artist Matt Black who works at London’s Divine Canvas, since he has some eye-catching skin-removal on his nose by Iestyn. Even though you don’t see this type of facial scar that much, it has a strong historical basis and in fact Maori mokos, which are based on their wood carving art, were first done as “skin carving” before they became the more commonly seen “normal” tattoos.

I hope seeing it and similar pieces will encourage more people to explore this artform on their faces. The nose seems to really carry the scar well — although I would urge people to only go to the best for this sort of thing… Your nose is not a piece of anatomy you want someone learning through trial-and-error on!!! Here is a recent picture of Matt’s face showing both the scar and the rest of his amazing facial tattooing.

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But I also wanted to share two recent blackwork tattoos that Matt has done. I’m not sure who the hand work is on, but the chest is on another great body artist, Damien Voodoo, who has an incredible collection of work that I will certainly show more of in the future. You can find Matt at divine-canvas.com along with many other top-notch artists specializing in (but not exclusive to) the modern neo-tribal tattoo style. By the way, look carefully at these tattoos and you’ll see they’re not just a “boring old solid fill” — it’s actually a dense field of dotwork.

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Overdone v2.0: Why do people get wing tattoos? [Guest Column – Stepping Back]


Overdone v2.o:
Why Do People Get Wing Tattoos?

“There shall be wings! If the accomplishment be not for me, ’tis for some other.”

Leonardo da Vinci

In late 2004, Shannon (IAM:glider) published an article on why people get star tattoos, allowing each person to explain why they made the decision to get stars. We know that there are a lot of other popular themed tattoos — butterflies, hearts, tribal designs, skulls, kanji, flowers, and cartoon characters are all widespread designs, peppered through different cultures, religions, and locations around the globe.

I wanted to explore why people get wings (most often) on their backs. Are they the type of people who’ve always longed to fly? Do they do it for religious or spiritual reasons — designed after the wings of an angel? Do they love nature and want to have the colours and design of a butterfly? No one will disagree that wings are a popular subject for tattoos, even Nicole Richie has wings… not that she’s the final say on things that are popular… by any means.

***

I spoke with the one of the first people to ever get full-back angel wings — if not the first — Elayne Angel, who got them in 1986 by Bob Roberts. She is renowned as one of the pioneers of professional body piercing in the United States and she founded Rings of Desire Inc. Body Piercing, in New Orleans, Louisiana in 1993. Angel served two terms on the Board of the Association of Professional Piercers (APP) and her wings are the first and only tattoo that’s ever held a registration from the U.S. Patent and Trademark office.

Elayne Angel’s Service Marked tattoo, and one of the first full-back wing tattoos in existence.

 

BME:  A lot of people get tattoos inspired by other people’s work, but I don’t know of anyone getting a full-back wing tattoo before you, so where did the idea come from?
ANGEL:  Actually, from a t-shirt at a restaurant in Los Angeles! They were very abstracted wings though — with just a few lines and they were quite small. But the idea was planted and it grew from there. As soon as the concept occurred to me, I knew someday I would have angel wings even though I hadn’t ever gotten tattooed before.

In the early 80s, I had met a woman who had a beautiful full-back tattoo of a huge dragon. There were no flames, no water, no secondary design — just an enormous dragon. I hadn’t seen many heavily tattooed women, and certainly none with a large image like hers. I was captivated, and I decided I wanted a single-image, full-back piece of my own. I started to think about possible designs and when the idea came to me, I spent a year thinking about it (every day!) before I went ahead with it.

BME:  What do your wings symbolize, and how did you decide on a style?
ANGEL:  I’ve always had flying dreams, which are the always the most fantastic dreams, and the wings tie into that. Also, it was about providing myself with a positive guiding influence. Wearing angel wings is an external manifestation of my desire to be a “good” person and it helped to develop my priorities, ethics, and behavior accordingly as I’ve matured. My wings are also a little bit dark and thorny, too, so they represent both sides of my nature.

What I asked Bob for was, “full size, detailed neo-classical black-work angel wings that cover my whole back.” I wanted them to conform to my body and enhance my curvy, feminine shape. I think Bob really came through for me with both requests.

BME:  How long before you had them did you decide to service mark them?
ANGEL:  I’d had them over ten years by then, and it took about six years and numerous attempts to get the Registration approved. It was my attorney’s idea: he thought it would be a good idea on a business level because he felt that my wings were recognizable enough (in relation to me as a professional piercer) that protection was warranted, and I went along with it. At the time, he wasn’t sure it could be done because no human feature of any sort (including a tattoo) had ever been registered before. So it is a truly historical precedent and a positive step for body art to be recognizable as worthy of registration and legal protection like other forms of art.
BME:  So, legally people are technically “allowed” to get wings like yours (but of course, you’d prefer them not to), but your wings cannot be used in any promotions without your permission — is that correct?

ANGEL:  Specifically, the legal protection afforded by the Registration is that my wings (or any wings that resemble them or could be mistaken for mine) may not be used to promote a piercing business or studio other than Rings of Desire.
BME:  What do you think of people who copy your tattoo?
ANGEL:  I know imitation is supposed to be a form of flattery, but it honestly feels very strange to see my tattoo that I designed, on someone else. I know that other people have gotten their own original wings, too, which is totally cool, but I have tell you, I never thought that the wings tattoo thing would catch on the way it did. I’m pretty shocked really. Especially at the number of people who have brought my photo (of my personal, custom artwork) in to other studios to have “exact replicas” (or as close as the artist could get given their abilities or lack thereof). I never imagined anyone would do that, no less lots of someone’s…. I feel bad they’ve missed out on having a custom artwork of their own.

Original ideas and custom artwork are great, and there are lots of different winged creatures out there from which to derive inspiration. I guess as more people have more different styles of tattooed wings it will be harder to created original wings for your self. As long as someone is coming up with their own vision and it’s different from mine, I’m all for it.

***

So why get wings? Are people worried about any uniqueness being lost because of the popularity of wings? I spoke to several different people who allowed me to explore their tattoos with the hopes of teaching others that each person and tattoo is still unique, regardless of their popularity.


Kathryn is a 21 year old welder from Melbourne, Australia. She plays the cello and has been getting modified for the past four years.

I’ve always had a fascination with the human obsession with flying, which seems to have been going on for as long as we’ve kept any kind of written records. Da Vinci designed flying machines, we invent fairies for our children’s bedtime stories, the majority of our gods are considered to live in sky, and Greek myths and legends talk about Icarus and Hermes. Flying is considered the paramount and unobtainable freedom.

I designed my wings myself, and have always described them as “vaguely tribalish fairy-wings.” I think they’re unique, so it doesn’t bother me that other people have the same theme for a tattoo. I chose this specific design because I didn’t want anything particularly complicated that would make me spend hours in the chair, and I wanted a simple design so that when I’m older it doesn’t look awful.

I haven’t gotten any negative feedback from people on my wings, probably because those people who think they’re passé have had the good sense to keep their thoughts to themselves.


Désirée Fawn Kretschmar (IAM:givmewings) is a 19 year old from Peterborough, Ontario where she attends Trent University in their Cultural Studies program. She has a deathly fear of anything medical, like needles, doctors and nurses, and once she punched a nurse who was trying to take blood. That fear, however, does not enter into the body modification spectrum and she is comfortable with piercing and tattoo needles.

I got my wings on August 1st 2004: the end of the summer, my last year of high school and in the next month my life was going to change. I’d be starting university, all my friends were going their separate ways and I was having a really hard time coping. My summer job was stressing me out to the point of tears every morning and night and I was going through relationship problems too. I decided I needed to quit being such a baby about all these problems, face the changes, and change myself. Earlier that year I’d gotten my labret done, and thought about getting another mod of some sort. However, piercings didn’t seem fulfilling enough, so I began thinking about tattoos. At the time, I thought I was going to cure pain with pain, and wings seemed the most appropriate symbol. I thought if someone gave me wings I could fly away and everything would be fine. Call it corny, call it cliché, call it whatever, but I call it freedom, expression. and it’s what I love.

A year or so before, I’d seen lots of pictures and read articles on BME about people with wing tattoos and I’d always found them gorgeous and fascinating. On the evening before my appointment, I sat up the entire night drawing out designs. I knew I didn’t want my tattoo to be picked off a wall, or out of a book, I wanted it to be completely my own creation. I finally came up with a simple design that I fell in love with.

After getting my tattoo, I was happy with the way they’d turned out, but a few months later I realized that they were done terribly, and I was really upset. They were uneven, the red shading was much brighter than I’d anticipated. I knew I needed to have them redone, so a little while later, I went with a friend who was getting a tattooed by a woman named Tammy. I was so impressed with her work that I got her to check out my back to see if she could salvage them. She ended up working on them, and now I have wings that I am truly proud of.

I had such a feeling of euphoria after having them worked on both times. They really helped me get through my year. I feel like my wings are a huge part of who I am right now. To me they are beautiful no matter what other people may think about them. They are also the most feminine thing about me apart from my anatomy. I’m a bit of a tomboy, my friends are 99% male, and I’ve always been considered “one of the guys.” For me, they let me express my femininity without being outwardly “girly’ which I loathe.

Some people have commented that they’re common and trendy, but c’mon guys! What mod is there that doesn’t go through some kind of “trendy’ stage? Everything is popular at one time or another, and I don’t think I was following any fads by getting my wings.


Mike Johnson is a 45 year old self-described Aries/Rat who lives in Charlottesville, Virginia. By day he does layout and design work for a local newspaper, picking up freelance work when he can, from business cards to CD designs for local bands. By night he’s a drummer who plays in alternative, hard rock, punk, or gothic groups, depending on where his head is at the time.

As an artist, the idea of using the body as a personal “canvas” had appealed to me for a while before getting my tattoo. It seemed that the problem I had was actually coming up with an image that I’d watn to keep for the rest of my life. Two things came together that make me decide I wanted a wing tattoo: I tend to be a “guardian angel” to the people around me, as I’m a very loyal friend — always there for people to talk to and rely on, and I saw an advertisement which featured a great photograph of tattooed wings (of the feathered variety). With that, I finally had the basis for a design. Plus, wings look better than a wearing a superhero cape! I worked with my tattoo artist, and we came up with the idea of “flaming wings.” I went with this idea because, to me, it signifies the image of a fallen angel (after all, I’m not a perfect angel, by any means). Even though wings are popular, I took a different approach than most, and we also went with bold as opposed to detailed to give the art more impact.


Nicole is a preschool teacher from Orlando, Florida who’s been modified for the past five years. She says that road rage is her worst habit, and she strongly dislikes it when people watch her being tattooed.

Originally, I thought wings were just a representation of something beautiful, but the longer I waited to get them done, the more they ended up meaning to me. I waited two years to get them, going from artist to artist, looking for someone who I could trust to do such a large piece. After the passing of both of my grandmothers, the tattoo turned into a tribute piece. It gave me peace of mind knowing they’d always have my back. As for the style I chose, I wanted something light and flowy. Harsh lines were out of the question from the beginning. My wings are similar to those of an angel — as style I liked because angels are delicate.

Knowing people are getting wings more and more, I can get frustrated. I think I hold my tattoo on such a high pedestal that seeing them get popular almost demeans their worth.


Jenn (IAM:osiri) is a 23 year old from Surrey, British Columbia. She works in a customer relations job, and is pagan.

In October of 2003, I had a full spinal surgery to correct a 67 degree curve in my back. Before the surgery I had been told that there was only a 24% chance I would ever walk again, so when I woke up in the recovery room, the first thing I did was ask the doctor how I’d done. He looked down at me and said, “Well, let’s put it this way — you certainly earned your wings.

Strangely enough, even though my doctor’s words had stuck with me, I’d never seriously considered getting wings tattooed on myself. It was only when I was sketching aimlessly one day and came up with a design that I decided that I wanted to have as a tattoo. My drawing style is chiefly influenced by anime and manga designs, but the main reason why I chose my design was because I wanted something simplistic and almost childlike. My tattoo has a cartoon feel, which, to me at least, makes it fun and youthful. That was also the reason I chose to have it done in a teal-blue color rather than something darker — it was my way of making them a little more uplifting (pardon the pun).

I’ve always had a fascination with things with wings, and to me, having a pair was a way to sort of “fly away” from all the hardships and headaches caused by four years of abuse at the hands of an inept medical system. I’m pretty sure my doctor never thought he would plant the idea in my head, much less think it would stick while I was in a morphine induced vegetable-like state, but somehow it did — and as a result, I have the wings that I feel I rightfully earned.


Marisa Terres is from Lompoc, California and is a 21 year old student. She’s interested in contortionism and wants to be able to sit on her own head someday.

I got my wings as a symbol of a new stage of life, where before I felt like I was a caterpillar hidden and held back. My parents had gotten divorced and I got to live with my father, which was something I was very happy about. My mother had always made all my decisions for me, and treated me like and inferior, but my father was opposite: he always has allowed me figure things out for myself. I ultimately went from a person who did everything that everyone else told me to do, to a person that thinks for herself and has self worth. It felt like I was set free and I could do anything I wanted to, even fly. When I had this opportunity to change and set my real self free, it was as though I had become a butterfly and changed into a more beautiful person.

I designed the tattoo myself, and wanted to keep the colour scheme as realistic as possible, so I looked for four months before deciding on butterfly wings. I had initially wanted a full, but small, butterfly, but the more I thought about it, I decided I wanted a set of wings for myself.


Pops (IAM:y2k_Pops) is a 22 year old man from London, England. He has given up a possible career in media production because he wants to get into piercing and tattooing. He says that because of his bands, body modifications and character, he’s drawn a following in his area.

I had wanted a tattoo which would cover most of my back and I went through a few ideas, making sure that what I chose would be meaningful. One of the ideas was the Colossi of Rameses, because I really like ancient Egyptian history and it would have looked really good, but in the end, the idea of wings won out.

I suppose on some level wings could signify the presence of escapism in someone’s psyche, but in my case I see wings as a symbol of beauty and the beast. Wingscarry a certain amount of poetic beauty, but there is also raw power and something otherworldly about a physical appendage that can defy gravity. To me, it’s a combination of a gentle (angelic) beauty and unnatural (demonic) physical power which defies natural law.

The shape and form of my wings a traditional style: they look like the wings of a large bird or angel. They’re not completed yet, but when they are finished, they will have tribal style tattoos on each feather and smoky shading around them, to compliment the vampire mouth I have on the top of my spine. All of my tattoos follow a kind of demonic or vampirism style. I have a few designs that I did for my legs that are a bit different from demons and vampires, but they are all a bit “dark” and somewhat gothic. It’s not that I am a massive vampire fan, but I do like the ethos of so called “demonic” beliefs like sex, sensuality, darkness of character and so forth.

Most of the responses from people upon seeing my tattoo have been about the pain I must have endured while getting it. I haven’t actually had a negative comment yet. As for the popularity of the theme, I don’t really care about it. I hadn’t even thought about other people’s wing tattoos until I booked the appointment with my tattoo artist. After that, I went through the BME and a few tattoo magazines to find other wing tattoos and it was at that point that I truly realized how popular wings are.

I just hope these wings will carry the memory of me becoming a piercer and tattooist: spreading my metaphorical wings and committing my life to a career I have always wanted.


Emily (IAM:XxdoodlexX) is from DeKalb, Illinois where she works at a Podiatry center as a doctor’s assistant and secretary. She gets her modifications because she likes to be noticed.

Although I’m not a very religious person, I’ve always wanted a spiritual tattoo. After looking around BME for tattoo ideas, I went to my tattoo artist and we worked together on the idea of wings. I was dismayed at first, because all of the drawings I had showed unrealistic looking wings, and I knew I didn’t want a butterfly or fairy design. When he came up with an angel wing concept, I was really excited because they were so different than anything I’d seen before. I have never seen another pair of wings that look like mine, and that’s what I wanted. My tattoo symbolizes my belief that there is always an angel with me, and in some ways, I am even an angel.

When people see my tattoo, they say the expected stuff like, “What are you going to do when you are older?” “Why would you want something like that permanently on your body?” I tell them that if thought I’d end up being ashamed of them I wouldn’t have gotten them in the first place. I have no regrets, and they have significant meaning to me.

On the other hand, sometimes the popularity of wing tattoos bothers me. I think some people are just getting them just because they think it looks cool. Angel wings are very spiritual and symbolic, and should have a meaning or purpose behind them.


Sandra O’Conner (IAM:Sandron) is a 19 year old who comes from Irish and Malaysian roots. She’s been all over the world because her father works for a large oil company. She has lived in The Netherlands, Malaysia, Singapore, and the Philippians, and she’s currently studying in Sydney, Australia.

The initial reason for getting this specific tattoo was the result of being expelled from boarding school in Singapore. I’d gotten in trouble at school many times, and when they did a drug test on me, the results proved positive for MDMA. I was then told that it’d be best if I left the school, so I packed up all of my stuff, and the next day I was on a plane to the Philippines where my family was living.

I worked really hard at school in the Philippines, graduated high school with an IB degree, and was then accepted into a university in Australia. The wings stem from my life as a traveler — I hope someday I’ll be able to make a permanent home somewhere, and the wings are there as a memo that I’m looking for the place I’ll be able to call home. They’re also reminiscent of the places I’ve lived, the countless cultures that have influenced me (being in international schools my whole life, I’ve been exposed to a myriad of cultures and nationalities), and at the same time they represent my urge to continue travelling.

My wings are designed with Celtic knots in them, so as to match one of my previous tattoos. Being half Irish and never having lived there, it was one of those desperate attempts to grasp onto whatever culture I thought I was entitled to. I don’t mind that my tattoo is a popular theme, because they’re versatile to so many different emotions and inclinations — each set of wings on each person is going to mean something different to each person wearing them.


Each one of these people has a different motivation for getting their wings, so if you see them, or anyone bearing this type of tattoo, don’t automatically regard them as trendy; they chose that design because it’s a symbol for an important belief or event in their lives, and wings are a beautiful way to express these things. If you don’t like their tattoo, look past the it and into the reason behind getting it. If you’re considering getting your own set of wings, I ask one thing of you: make your design unique. No one likes to spend time, energy and money working on a one-of-a-kind tattoo for it to be ultimately copied and lose that quality. Imitation is not a form of flattery when it comes to tattoos — it’s an insult.

– Gillian Hyde (IAM:typealice)


Gillian Hyde (IAM:typealice) is a vagabond, though her roots run deep into Nova Scotian soil. She’s lived and worked on three continents since 2001, and has never lived anywhere for longer than eight months since the age of 16. She loves fonts, puns, being barefoot, and office supplies. Calm to her is the roar of the ocean.

Online presentation copyright © 2005 BMEzine.com LLC. Photo of Elyane Angel by Buck Angel. Requests to republish must be confirmed in writing. For bibliographical purposes this article was first published online May 27th, 2005 by BMEzine.com LLC from La Paz, BCS, Mexico.

Blue Eyes Update

Because Howie (lunacobra.net) did my eyes in a hazy style, with a lot of marbling and transparency, you can see the way the tattoos change over time in my eyes more than in some of the ultra-solid eyes. It’s amazing to me how different my eyes look from day to day because of the way the ink moves around, and also on how slowly the entire eye has become more and more blue (in the early days parts were still only white)… I guess that subtle variations in the way I hold my head over the previous day, or perhaps absent-minded eye rubbing, and other factors cause the ink to move around. Sometimes the coverage is quite even, and sometimes it’s high contrast, almost blue-black in spots. One of my favorite bits that illustrates this well is the top of the iris, where you can see the ink pools, since gravity and pressure pushes it down, but then it hits the limbus barrier and stops. You can see that clearly in the top two pictures.

This modification has a good shot in the running to by my favorite modification of all time, both on myself and on others.

Speaking of blue eyes, Johnny Villonius just posted a picture of his blue eye, which he’s had for quite a long time (below), and you’ll note that he has a similar cloudiness in his. This should be expected (although it’s far from guarantee’d) in any eye that’s done lightly. Personally it’s my favorite look, and is the most subtle as well (to say nothing of being safer). I’d recommend doing this sort of look to most people as a “first step” which may or may not remain final. It’s quite possible to darken it with a second session. Anyway, I find that while I get constant compliments on my eyes, very few people realize it’s a tattoo. Most believe it’s natural, or even just say “you have the most amazing eyes”, but seem to not know why, as if their brain is seeing the blue, but their conscious mind refuses to acknowledge it. I find that when people give me compliments on it, when I mention that it’s a tattoo, that they often switch from loving it to being disturbed.