Guess Who?

What a beautiful morning. There definitely isn’t going to be any snow this Christmas here in Los Angeles but that’s one of the main reasons I live here. I’m going to be in and out over the next couple of weeks so please understand that while you’re on vacation from school or work, that we here at BME are putting the final touches on the new BME so that we can launch it around the second week of January. Modblog is going to have to take a back seat for a couple weeks while we plod ahead with that. It’s almost two years in the making and I hope it’s worth the wait.

I wanted to say thank you to everyone who has continued to support BME. The community is really about you guys and it is what makes this place so great. I’d also like to thank the new contributors I’ve had helping me keep up and especially thank Sean and Jen for their help with Modblog. I’ve enjoyed reading their posts and I hope you have too.

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Before you click through, make that guess. Don’t forget that you’ve only got a couple more days to try to catch up to KitanoKaryuudo who has submitted 45,670 images this year. Check out the leaderboards to see where you are at. The top 20 contributors in each section will be getting awards!

See more in Female Torture Play (members only)

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Saddle Ranch Chop House discriminates against customers

We’ve all heard stories of when someone feels like they’ve been given poor service at a store or a restaurant because of being heavily modified. I’ve felt like the scene in Pretty Women before where I’m told the store has nothing for me but last night was the first time in a decade that I have ever been refused entry into a restaurant based solely on the fact that we had tattoos.

Last night around 10:30pm, I headed to CityWalk in Universal City, CA with Norm, Charlie and Vanessa Roberts and our friend Jason. We had tickets to see Avatar at 12:10am and wanted to get dinner first. Everything but Subway and Saddle Ranch Chop House were closed. We walked all the way from the movie theatre to Saddle Ranch where Jason and I went in first and got a table. I noticed that Norm was being held at the door. I went back to see what the problem was and found that they were making him remove his clothing to inspect his tattoos. As I asked what the problem was, I was asked to step aside and Norm and I were escorted out of the line to get in, even though I had already been given a table.

Upon further inspection they told us that we had “gang tattoos” and would not be allowed into the restaurant for the safety of the other patrons. Those of you that know us know that we have no gang affiliations, nor do we have any gang tattoos. I’m covered in Flower and faerie tattoos and that’s it. I guess the “Always” on my hand now stands for some gang that I have no idea about? Norm was a gentleman about it but I wanted to talk to the manager even though we had decided we didn’t want to spend our dollars at a businesss that discriminates against tattooed patrons. We left to go to Subway, which by the time we walked all the way back, was closed.

The lesson that we all need to know is that our dollar effects the decisions that corporations make. I’m asking that you do not visit the Saddle Ranch Chop House or their affiliated restaurants.We should come together and boycott them.

If you want to make a difference, email Alex Chavez (Senior Manager) at [email protected] and let them know that you don’t appreciate rampant discrimination by management against customers who have tattoos and that you and your friends will not be visiting their establishment. You can also call them at 818-760-9680 or send your letter via fax to 818-760-9686. Remember to keep your emails/faxes/phone calls polite and well written otherwise they will just cast us off as they already have.

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Do we look like “gang members” to you? Nope, didn’t think so. Using an excuse like that to discriminate against tattooed individuals is reckless and irresponsible. We all want to be able to visit a restaurant and be safe but using a fake claim that we had “gang tattoos” to discriminant against us using their “anti gang tattoo policy” because we are visibly tattooed is unacceptable. Help me to rectify this situation by making sure organizations like this don’t use their policies to discriminate against everyone who is visibly tattooed.

Surface Anchors, Punches, and Legislation Issues

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(Editor’s note: These articles were first published in The Point, the publication of the Association of Professional Piercers. Since part of BME’s mandate is to create as comprehensive and well rounded an archive of body modification as possible, we feel these are important additions.

Jim Weber and David Vidra, the article’s authors, have given BME permission to publish this article for the continued education of professionals and body art enthusiasts. Enjoy.)


After Luis Garcia’s article, titled Surface Anchor Legislation Issues, was published in the last issue of The Point (#48), many questions have been raised about the information presented, specifically regarding statements about the legality of using punches to install jewelry.


As an organization, the Association of Professional Piercers has historically declined to address the use of punches by piercers. Their use has always been considered outside of the scope of body piercing—much the same way the organization has viewed branding, scarification, and tattooing. But recent legal regulations, interpretations, and determinations about the use of punches with surface anchors have made continuing this position untenable.


From the APP’s position as an educational organization, it has become obvious that many piercers in our industry are in need of education on this subject. This is not to imply there is currently a willful ignorance among piercers, but simply that there is not an educated dialogue taking place in our industry on this topic. Recently, several states have prohibited the installation of surface anchors by body art practitioners. These legal prohibitions are, in many ways, a reaction by local medical and health boards to a procedure without a convincing record of safety. But several of these determinations are a direct result of what many medical and health boards consider the indiscriminate use of punches by our industry.


In his article, Luis stated punches are “illegal to use if the practitioner is not a licensed medical professional.” While this is true, this issue is much more complicated than this short statement explains.


Currently, dermal punches are classified, but not regulated by the FDA. They are class 1 devices, for use by medical professionals only. State medical boards determine who can use each classification of products, and what level of certification, education and/or competency testing each user must have. Unless your local health department or medical board specifically allows the use of class 1 devices by body art practitioners, the use of punches by body art practitioners is prohibited.


So what does this mean for those of us who are using punches to install surface anchors and other types of body jewelry? The answer, again, is not so simple.


State medical boards have the authority to decide who can use certain devices based on FDA classification. As of this writing, state medical boards have determined—based on their classification and intended use—to specifically prohibit the use of punches by our industry in Nevada, New Jersey, and Florida. When speaking with several health inspectors and medical board members about the issue, the reason many gave for the prohibition was the concern over the indiscriminate use of dermal punches in installing jewelry—as evidenced by videos of piercers they had seen on YouTube. Currently, the biggest problem with the increased popularization of the use of punches is not their legal status, but that in several states their wanton—and very public—use has contributed to the prohibition of surface anchors and other body art procedures.


In Nevada, not only is dermal punching and performing single-point piercings specifically prohibited, but also suspension, branding, scarification, and implants. In Florida, a determination by the Florida Board of Medicine stated dermal punching constituted the practice of medicine. Suspension is similarly categorized, as is branding, tongue splitting, implantation, and labia reduction. In New Jersey, the same medical board determination that specifically prohibited the use of punches by our industry—and classified surface anchors as implants—also prohibits branding and scarification if performed by a body art practitioner.


Other states that do not currently address their use by our industry will almost undoubtedly be doing so after prohibitions are in place in other states. Anyone who is familiar with legislation knows that, quite often, states adopt other state regulations—often word-for-word—after the first state has done the work writing them. As a piercer and body modification artist, the debate on whether to use punches to install jewelry is not as simple as what will be better for healing. There are legal implications, and these extend far past the relationship between you and your client; all piercers should be fully aware or the ramifications and possible repercussions of their decision to use punches.



In response to this, there are many among us who loudly proclaim, “It’s my right to use punches!” There is not an argument—at least from us—against it being our ethical right. But unfortunately, in most states, it is clearly not our legal right to use them. There is a big difference.



There are also those who argue for the punch as being an “industry standard.” Unfortunately, this argument doesn’t carry much weight, as needles have been the industry standard for the insertion of jewelry since the beginning of modern piercing. Admittedly, there is a history of punches being used, but not as the predominant instrument of choice. (And to many legislators, our industry simply didn’t exist before about twelve years ago—around 1997—which is when the first regulations on body art went into effect in Ohio and Oregon.)


Lastly, few responsible piercers will offer their services to clients without first securing liability insurance to protect themselves and their studio, both legally and financially. While both Professional Program Insurance Brokerage (PPIB) and National Insurance Professionals Corporation (NIPC) offer liability insurance that covers surface piercings and surface anchors, their coverage does not extend to procedures where the jewelry is installed with punches. (Western States Insurance does not specifically exclude coverage of anchors inserted with punches, but the company representative I spoke to stated the coverage is not valid if the instrument used for the procedure—or the procedure itself—is prohibited by local or federal law.) If no other argument affects a practitioner’s personal decision on whether to use punches, this one should.


In closing, we urge all body art practitioners to carefully consider every side of this debate when choosing what tools to use when installing surface anchors on their clients. All of us should be aware of the legal ramifications, for not only yourself and your clients, but for the rest of the industry.


And if you choose to use punches, please—for all our sakes—don’t post the videos on YouTube.


[This article is intended to start a discussion on the use of punches and the implication their use has on legislation. It is not to be considered the definitive argument for or against their use, but simply an effort to educate all industry professionals on some of the possible legal repercussions this use may bring to our industry. A lot of help went into researching this article. We would like to thank Jonny Needles and Luis Garcia for their help with New Jersey legislation, Maria Pinto from Industrial Strength Needles for her help with FDA questions, and the various members of health and medical boards who were able to clarify their state’s position on punches and surface anchors.


Anyone who has comments or corrections about information contained in this article, or has information about similar legislation issues in other states, is invited to e-mail us.]


Legislation Links


Florida:

http://www.doh.state.fl.us/environment/community/body-piercing/

http://www.doh.state.fl.us/environment/community/body-piercing/newinfo.htm


On 10-5-2002, a determination by the Florida Board of Medicine stated dermal punching constituted the practice of medicine. The practice of suspension is similarly categorized, as is branding, tongue splitting, implantation, and labia reduction. While the Medical Board has prohibited the use of punches by body artists, the authority to enforce this prohibition has not been granted to the Florida Health Board. As the Health Board oversees inspection and licensing (not the medical board) this leaves the enforcement of this determination in question.

Nevada:

http://www.cchd.org/body-art/tattoo-regs-sec8.php


Dermal punching and single-point piercings are specifically prohibited, as is suspension, branding, scarification, and the implantation of jewelry under the skin.” The Nevada Board of Medical Examiners determined surface anchors are to be categorized as implants, therefore prohibiting their being performed by body art practitioners. The Nevada Health Board then enforces this prohibition.


[I was fortunate to speak to Jamie Hulbert, an Environmental Health Specialist for the Southern Nevada Health District, at the annual American Public Health Association conference in Philadelphia in early November. She stated the concern of the Health Board was about the risk of anaerobic bacteria with surface anchors, and listed this as one of the reasons for classifying them with implants. She said there was currently no discussion about repealing the ban.]


New Jersey:

http://www.state.nj.us/health/eoh/phss/bodyart.pdf


Earlier this year, the Director of the Health Department approached the New Jersey Health Board with questions regarding surface anchors. The Health Board then contacted the Medical Board, and was advised that surface anchors are to be considered implants, and are therefore prohibited under New Jersey Administrative Code 8:27-2.6. As stated in the preceding article, this same determination prohibited the use of punches by body art practitioners, in addition to implants, branding and scarification.


[Jonny Needles, of Dynasty Tattoo and Body Piercing in Newfield NJ, has been in conversation with Tim Smith, New Jersey Public Health Sanitation and Safety Program Manger and Head of the NJ Body Art Department in Trenton. Together with Luis Garcia (former APP Board member), they have been working to repeal the prohibition on surface anchors. According to Jonny, Mr. Smith has stated the intention of the NJ Health Board was to start a pilot program. This program, starting before the year’s end, would give an as-yet-undetermined number of piercers the authority to perform surface anchor piercings. Jewelry quality will be specified, client numbers are to be monitored, and clients will be provided a number to directly contact the Health Board to report complications. If this program is considered a success at its completion, other piercers can apply for the authority to perform this piercing. This program is to be open to all piercers who have 3 or more years of experience.


Both Jonny Needles and Luis Garcia are optimistic that the two groups can come to an agreement on the best way to allow this procedure while still looking out for the public interest.]


Author Bios:

David A. Vidra started in the piercing community in the 1980s. He opened northern Ohio’s first piercing studio, Body Work Productions, in 1993, and it remained in operation for more than 15 years. David founded Health Educators, the first industry-specific health education company for the body modification industry, with its focus on OSHA guidelines and all health and safety issues related to body modification. He has been honored by many organizations including the APP, the Society for Permanent Cosmetic Professionals (SPCP), and BME for his efforts in the educational arena and in legislation. He has worked as a nurse for more than 20 years, has recently completed his certification in wound care, and is celebrating his 15th year teaching Bloodborne Pathogens.

Started in California in 1994, the Association of Professional Piercers is an international non-profit organization that is committed to the dissemination of vital health and safety information about body piercing to the piercing community, health care professionals, legislators, and the general public. The APP holds its annual Conference each year in Vas Vegas, Nevada in the first week in May. More information, including free PDFs of The Point, can be found at safepiercing.org.


The bigger the better

Good Morning Modblog! Today’s posts are pretty good. Our newest contributor but long time member Sean is starting a new feature called “From the Vault” and his first post for that will come up later today. I’ll let him explain it since it’s his idea. First I’m going to tell you a little story.

I once dated an IAM’r who is way too shy to link to but he definitely didn’t need to do any stretching exercises. There are stories of his having to rush previous girlfriends to the hospital. I’ve heard of these stories before but having witnessed what his gear looked like first hand, I can definitely vouch that he was not telling a “fishing trip” story. This fine gentleman below looks like his efforts are paying off. I don’t know what he was originally blessed with but it looks like his modifications are turning out very well.

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See more in Penis Stretching (Genital Stretching) (members only)

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You got any love for me

This is going to be super quick because I am going back to bed, for the next year or so until I feel better.  karina pires did the “love play piercing” at Jander Tattoos Studio in Goiania, Brasil. Seriously, if I only posted photos from Brasil I would have photos to post for days! Go Brasil!

That reminds me, don’t forget to get all of your submissions in for the year end awards. The cut off date is coming up soon! We’re doing tshirts again this year and they’re probably going to be drawn by a super top secret guest from our very own community! How predictable but still enjoyable! Yay! Seriously though, send in your photos, write up your experiences and get them submit before the 20th so that the BME staff can actually have the holidays off!

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See more in Ritual and Play Piercing (Ritual)

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Coming Straight Outta Compton

I LOVE this tattoo. It was done at Golden Lotus Tattoo in  Little Rock, AR, although I don’t know the artist name responsible. If anyone does, please let us know in the comments section.

This Eazy-E Portrait is well laid out , has clean line work, great contrasting colors and it sends a message that continues to ring true even almost 15 years after Eazy-E  passed on to that great ghetto in the sky.

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Editor’s Note:  The artist’s name is Chris Thomas.

Its begining to look a lot like Christmas!

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Good day ladies and gents. I bring you a little holiday cheer featuring Brianna, her friend a jolly old Saint Nick.

Briana writes:

“We were wandering around manhattan and randomly saw the Macy’s and went to find Santa where we then stood in a crazy long line. The Santa was super creepy and touchy and had AWFUL breath. But it was still awesome since it was my first picture with Santa ever!”

What a trooper!

Happy Chanukah ModBlog!

Greetings Modblog, I’m Jen. I’ve been managing BME’s customer support for over 5 years now but this is my first ModBlog post. I hear you can be a tough crowd but I’m going to try my best to keep you happy. For my inaugural post, I thought I’d shine the spotlight on a member of our community with a little Q&A. We often feature practitioners (and they certainly deserve it) but I thought it would be nice to see what other folks are up to. That said, allow me to introduce you to Rachel.

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If this beautiful woman looks familiar, that’s because she’s graced ModBlog before, way back in 2007, this time the focus is on the woman and not just her gorgeous mods.  Rachel is a metalsmith. She makes what she describes as, ” small, mutated objects out of non-ferous metals (ie: sterling silver, copper, brass and gold) and fiber (mostly merino wool). I also make wearable (yet not practical) jewelry out of those materials.”

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Jen: How did you get started?

Rachel: I came to Buffalo State College as an art education major… Then I looked in the mirror and realized that no one would hire me. I was taking a introduction to jewelry course as one of my art education requirements and was really enjoying myself. Things skyrocketed from there. This December, I’ll have obtained my BFA in Metals/Jewelry Design from Buffalo State College and in January my husband (iam: Mr Matt) and I will be heading off to the Baltimore area for me to get my MFA from Towson University.

Jen: What do you most enjoy making?

Rachel: I love making hinges. There’s something about the accuracy and concentration required that is centering and peaceful for me.

I also enjoy centrifugal casting (essentially, you carve something out of wax, invest in it a plaster-like substance, burn the wax out in a kiln and then cast in sterling silver, brass, bronze or gold by using centrifugal force to fling the molten metal into the mold). Centrifugal casting totally makes my day. I’ve only been hit by molten metal twice.

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Jen: What do you enjoy most about your work?

Rachel: The idea that I can take wax or sheet metal and make something that questions beauty, our society and makes someone laugh is infinitely rewarding. I can take my ideas about body modification and how I choose to adorn my own body and put it into a context that someone can understand and something that I can focus on. For example, my mother’s mother hadn’t really spoken to me in years because she despised what I was doing to my body… I sent her my artist statement with a hand-made portfolio of some new work that she hadn’t seen yet and all of a sudden everything clicked for her. She understood why I chose to modify my body and how it relates to the pieces I make. We still don’t speak as often as we used to but our conversations are more frequent and genuine.

When looking a photos of Rachel at work, it’s not hard to see what might have prompted that change of heart.

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Check out  some of the great work Rachel does.  The last photo is my favourite.

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You can find more out about Rachel and see more of work on her blog and at Craft Haus. If you’re looking for a unique gift for that hard-to-buy-for person in your life, check out Rachel’s Etsy shop, Oddly Wearable Designs.

Stay tuned for more write-ups on the incredible folks who make up our community.