I’m With Stumpy

I absolutely love tattoos with a sense of humor, and it seems like amputees really have what it takes to sell a good joke tattoo. In this case, as featured on the US Marine Corps flikr page, ‘U.S. Navy Petty Officer 3rd Class Redmond Ramos, a corpsman, displays a tattoo that reads “I’m with Stumpy” showing his sense of humor Nov. 14, 2012, during the first Wounded Warrior Pacific Trials at Joint Base Pearl Harbor-Hickam, Honolulu, Hawaii. Ramos deployed with 3rd Battalion, 5th Marine Regiment, to Sangin, Afghanistan in 2011 where he stepped on an IED, resulting in the loss of his leg. (U.S. Air Force photo by Tech. Sgt. Michael R. Holzworth)’

im with stumpy

Previously:

Yellow Ink and White Ink Facial Tattoo

I’ve been posting pictures of Aaron Foster every few years since the start of ModBlog, most recently with a few other friends with white-striped faces. Since then he’s had Jason Maybruck add a burst of yellow to the white ink tattoo work that’s already there, a unique combination that I don’t think I’ve seen before, whether on a face or anywhere else on the body. Definitely very effective in continuing his sort of superhero theme! Watch out this summer by the way for a reality show tentatively titled “Unique Passions”, who filmed the tattoo.

superaaron

Best way to cover scars? MORE SCARS!

I had a bridge piercing for all of, oh a month or two almost twenty years ago, and still have very prominent piercing scars at the entrance and exit points, so I can relate to this. If I’m reading his tags right, Dylan, their new tattoo artist at First Blood had some horrible bridge scars, and, well, add Howie (lunacobra.net) to the equation and what’s the easiest way to cover up a scar? A bigger scar! Knowing the way mods progress, should I worry myself with how this has the potential to snowball? It’s like the old lady who swallowed a fly!

scarnoscar

Opportunity: SEIZED!

The client in this picture walked into Saint Sabrina’s in Minneapolis (saintsabrinas.com) to have Courtney Jane Maxwell do an industrial for her. Courtney, seeing one of those rare ears that’s got enough of a developed helix fold to actually tuck a piercing into, convinced her to skip the industrial and get a set of piercings that very few people could, using two rose gold pave disks and a gold teardrop. This is one of the big arguments for going to a higher end shop with experienced creative piercers — the standard shop would have just given her the industrial, but since she went to Saint Sabrina’s, she’s now got one of those rare and special piercings that looks deceptively normal, but to those familiar with piercings jumps out as something really unique and unusual.

blingflap

Getting Heavily Tattooed at Age 15

There’s debate-inviting interview up on the 2KBT clothing blog that I have quite mixed feelings about — an interview with a 15-year old covered in tattoos. Tattoos that unlike those you’ll find on most 15 year olds, are at least slightly above scratcher level, although still far from the quality level I’d wish on anyone — I was going to ask how he affords this level of tattooing, but I doubt they were costly. I admit I started getting tattooed about that same age, but it’s hard to compare the experience directly since in the 80s it was a different world, one that began with me and a hand-poked needle and was followed by being tattooed out of his apartment by an artistically-minded friend who’d just gotten out of jail and ordered himself a Huck Spaulding kit. As you can imagine, those tattoos have almost all been covered up. Even if I had access to better quality tattooists, I’m not sure that at fifteen I had enough perspective on my life to choose tattoos that I’d be happy with today. Very few of us have the same tastes at fifteen as at thirty or forty. Of course, I wasn’t a whole lot more mature at 18 or 21 either… I don’t think it was until I was maybe 23 that I personally had the maturity to choose appropriate tattoos for myself and my life — which is part of the reason I waited until I was thirty to do my face tattoo. For some people that age is higher and for others it’s lower… But I doubt for many people it’s as low as 15.

Still, I dislike ageism as much as I dislike all forms of prejudice — I don’t like the idea of strangers in some government office telling me or anyone how old they have to be to be able to manage their life. That kind of misguided protectionism has often resulted in kids who are handed responsibility at 18 and rush into it, just as incapable of handling it as they would have been at 15, but with a whole lot more self-righteousness. Well, as I’ve said elsewhere, people get the tattoos they deserve. All we can do is continue publishing information on what good tattoos should look like and how to find a good artist — that information is widely available and any kid with basic internet access and a modicum of self-respect is perfectly capable of doing the research these days… All that said, if I was a tattoo artist, I don’t think I would be ethically comfortable tattooing someone at fifteen that I didn’t know extremely, extremely well. A sleeve to the wrist is starting to cut off some options in life — I wonder what would happen if the kid decided he wanted his face or his neck tattooed? It’s not a big step in today’s world for a kid to think that might be a cool thing to do. Even without worrying about tattoo-bigotry, it’s a very big load to put on someone — if their tastes change, a sleeve and a chest is a lot to steal from them.

I don’t think there’s any easy or definitive answer here — I don’t think there’s a universal age where someone is mature enough for tattoos, and personally, the less the government sticks its nose into body modification the better. Responsible artists, a community that strives to educate newcomers, and a general culture of self-respect seems like the right way to tackle this issue.

The tattoos by the way were done by Mike Casale, I believe of Unity Tattoo in Wilkes-Barre, Pennsylvania. I have no idea what their local laws are or if this interview will come back to bite them in the ass — they seem to be part of that grimey lower-echelon of tattoo shops that prey on less discerning customers, at best a stepping stone for learning artists, but unlikely a home to artists whose work is likely to get much press beyond this sort of shocked “can you believe this crap” coverage…

Click the photos to jump to the interview.

tatties15

Strikingly Beautiful Backpiece Scar

For a wide variety of cultural reasons, even though dark skin is the ancestral home of the scarification artform, it’s rare for modern artists to have the opportunity to work on such skin. Iestyn Flye at London’s Divine Canvas (divine-canvas.com) recently had the chance to do a scarification backpiece on his friend Moniasse Sessou, and the result is incredible, easily placing it among the great masterpieces of modern scar art. Some of the design work came from friend and magician Touka Voodoo (whose work you’ve also seen here), the middle portion representing Moniasse’s spiritual path. The design was drawn on freehand, and the main part was done all at once, with the flower being done in a second session. It’s six or seven months old in these amazing photos.

moniasse-backpiece-1

moniasse-backpiece-2

Patience is a Jedi virtue

…but is it a Stormtrooper virtue?

Ever since it was mentioned in September, people ask me regularly what’s going on with the stormtrooper-shaped implant. Unfortunately not much to show yet — the pictures in this entry of Damaris’s hand implant are only three months old, and it’s hard to make out in photos even if you know exactly what you’re looking at. It doesn’t help that right after getting the implant done, Damaris had the bad luck of standing next a women with certain shortcomings of balance, who grabbed her hand to save herself from a fall — “I’ve never felt pain like that before!” — and caused it to shift from it’s originally straight placement. That said, some implants can take a year or more to really show their maximum detail, so it’s not necessarily worrying. I’ll continue to update on the healing of this over time.

stormtrooper1t stormtrooper2t

Graduated Blackwork Lines

For me, often the simplest tattoos are the most powerful… It’s been my observation that when people imagine themselves, their internal self-image often doesn’t include complex or pictorial tattoos, but heavy, simple blackwork like this almost always integrates on a low level with how the person perceives themselves (and how others perceive them as well). This great example of a simple but unique tattoo was done by Stefan Halbwachs of Austria’s Happy Needles (happyneedles.at).

graduated blackwork

Keloiding on a Tlingit-inspired Torso Scar

Kevin (who you last saw on ModBlog with Enigma) had this Tlingit (Pacific Northwest) art-inspired scarification done by Matt Vermillion of Artistic Skin Design in Indianapolis, Indiana, which is now quite well healed. The cutting looks nice and even — although there is intended variability in the line strength — but as you can see, parts of it keloided much, much more than others. Some of it, like the outside circle, is likely due to the initial cutting, but the majority of the variability appears to be from natural body motion and anatomy, and rubbing from clothes. His aftercare was mildly abrasive with sugar and vaseline.

Click on either half to see the scar in full, or click here for an animation that blends between the two (it’s not easy to line up a fresh scar with a healed one because of how much the skin distorts from the keloids, even with photos this similar), or if you’ve been missing NSFW posts, click here to check out the scar, completely overshadowed by Kevin’s transcrotal piercing and meatotomy.

kevin-scar-fresh-t kevin-scar-healed-t

I’ll also mention what I said to Kevin — who is considering adding more Tlingit scars to the sides of this piece — that I think this is a perfect canvas for tattooing over scarification… With the right application of black and red, and maybe white, it would really bring out the design and also give a nice nod to Tlingit art at the same time.