The Flash Sheets of Implants

I was looking at a picture that Steve Haworth just posted of his new biohazard symbol implant, and noticing all the people excited about it and saying they’d love to have one — which is great, and I should mention that if you’re in Europe, Steve is going to be working at the BMX conference in October (contact him at [email protected] to make an appointment) — and something struck me. You may have already noticed this yourself, but a very significant percentage of the implant market — easily upwards of two thirds; probably more — is what amounts to “flash”. Even though you’d think that implants would appeal to the most individualistic among us, the majority of implants are selected from a very small handful of designs. Someone gets a skull implant. Then so does someone else. And they’re not just similar — they are exactly the same. There is a very small palette of implants being done — a selection of beads and domes, some ribs, some body jewelry mimics, and a small assortment of symbols.

This is because making new implant designs is difficult and often expensive — especially if you’re not cutting corners and potentially creating contaminated implants with substandard materials or made in a less-than-clean environment. Creating a proper cast implant is a multi-step process that requires expertise, equipment, a laboratory-clean facility, and money — generally far more than a single client is capable of investing, which is why artists like Steve Haworth, who to the best of my knowledge are “doing things right” and not cutting corners, are forced to sell many copies of the same implant to make the product possible. The alternative is hand-carving blocks of silicone to shape, which is surprisingly difficult because of the nature of the material, and when not done perfectly comes with less pros and more cons. Another possibility — often seen on forehead projects — is combining multiple smaller implants into a complex arrangement. This can work nicely on a forehead, but implants are prone to shifting in many locations so this is not always an option, and in any case comes with significant design limitations.

In the tattoo world, there came a point, probably in the mid-1990s, when there evolved a broad general awareness that getting flash tattoos ran contrary to the spirit of rebellion and individual expression that drew people to tattoos in the first place. It wasn’t enough any more just to have “a cool tattoo” — people wanted “their own cool tattoo”. Even in body piercing we’ve seen an exponential increase in jewelry selection in the last decade. I wonder if we will see a paradigm shift in implants where people stop thinking it’s enough to a cool implant. Where people start insisting that their implant is their own — and like with copied tattoos, people start getting upset when they see someone else wearing the exact same implant? Of course the problem is that unlike tattooing where the basic “materials cost” of a custom tattoo is identical to piece of oft-repeated flash, with implants, ensuring uniqueness radically increases the unit cost.

Is it worth having limited design selection and the knowledge that many others wear the same implant as you do if it will get you an implant you’re willing to accept for $500 rather than the implant of your dreams for $5,000? Today it seems to be. But tomorrow? Time will tell whether opinions will change, or whether it is a matter of new materials and new manufacturing methods having to bring the prices down to what the market can support first. But given what people are willing to invest in their tattoos, I suspect it’s more a matter of people even knowing they have a choice that’s keeping this from happening.

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The only person to bend a 4ga Gilson

A lot of people will tell you what you see in this video is not possible, but following up on the photo at the bottom of this recent entry, in this video you’ll see Neil Chakrabarti — already a heavy guy himself — lift two other heavy guys for a total of something around 800 pounds. Off a single 4ga Gilson hook. He didn’t tear out, but the hook did bend slightly. I doubt there is a single other person on the planet who can make that particular claim. I should mention that this video is from a great big YouTube playlist of 122 videos showing Suspension Mecca 2012. Never forget that the human body is stronger than steel.

Fifteen Years of Tongue Splitting!

I was recently reminded that tongue splits are now in their 15th year. Here’s my tongue split, done (according to the time stamp on the photos), August 13th, 1997, which was the 4th known tongue split if memory serves. A guy in Italy was done by his dentist in 1996/1997, and then Erik Sprague/The Lizardman tracked down a doctor in Albany and was the first to get the procedure done by him using an argon Laser. I was (I believe) the third — Tom Brazda took these pictures when he came to visit me in Philly. It is The Lizardman who I credit with having launched this movement, even though he was technically not the “first”. After me I believe the doctor did about ten more people (Erik would know better as he referred many of them) and then stopped when the media attention started and he got worried about losing his license. At about the same time, although not as publicly, Dustin, split her own tongue slowly using the tie-off method. This procedure was slow and painful, and most people who attempted it gave up before finishing. Things moved very slowly over the next year, with a few people quietly attempting different procedures — for example, Tim Cridland (the Torture King) gave himself a short split by scalpelling back bit by bit, as the initial Italian mod enthusiast had done.

After that, “renegade practitioners” started testing the waters, for example Todd Bertrang did the procedure with a scalpel and Patrick Bartholomew doing it with his cautery tool, proving it could be done by a bodmod practitioner outside of a doctor’s office, and then Pandora’s box was open. BME’s tongue splitting gallery, which is dated and the most comprehensive history anywhere on this subject, show only a tiny number of tongue splits in 1998. But then more in 1999, and in 2000 the procedure was spreading quickly with more and more practitioners adding it to their repetoire as experience proved that you weren’t going to kill your clients! By 2001, virtually every single BME update saw new tongue splitting pictures added to the galleries.

As of when I write this post, I believe there are six or seven people who can claim to be in the “15 year club” — that said, you never know what went on behind closed doors, unpublished. By the end of the year that number is at most twenty, and I doubt it’s even that high. But by the end of 2000? The number starting to roll in is HUGE, and tongue splitting has come of age. And maybe most importantly, of all body modifications, tongue splits are one of the only where I don’t think I’ve ever heard a single regret.

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Coming in on the Red Eye

I can’t go to bed without first posting this awesome light red full-sclera eyeball tattoo by Emilio Gonzalez. I can’t say I’m sold on the odd eyebrow tattoos, but the red eye? I’m totally loving it. I’m sure he can’t wait to get the other eye done as well. Nonetheless, welcome to a life of answering the same questions over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and … you get the idea.

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When does it become a “Stupid Human Trick”?

I have a “big question” and I’m not sure if I can even get an honest answer about it, but I will ask it nonetheless. Do highly technical suspensions — like this masterpiece (and there were many) from the recent Suspension MECCA 2012 — veer too far toward performance art or even visual art, and too far away from ritual? At what point do we lose the potential for profound transformative experience, and are left only with “stupid human tricks” that make little more than a cool photo? Or on the other hand, is the flesh hook experience so powerful that nothing could distract from it? Personally I have some strong suspicions about the first option, but my own limited flesh hook experiences make me lean toward the second. I’d very much like to hear more experienced voices.

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I should add — Since I often get more responses on my Facebook links to ModBlog than on ModBlog itself, I will copy the more interesting responses across to ModBlog for permanent archive, since while Facebook excels at volume traffic, it also excels at throwing valuable commentary into the digital crapbasket of forgetfulness.

A Good Afternoon via Implants and Scars

Two days ago I posted a neat set of star-shaped horns (placed impressively precisely underneath preexisting tattoos), but I wanted to follow up with another star implant, this one by Matias at Rata Body Art in Buenos Aires, Argentina. It’s fresh in the photo — as you already know if you noticed the incision tucked away at the hairline. As great as this looks, I don’t think I would personally want a temple implant — even lightly resting my finger on my temples makes me feel like I’ve got a killer headache coming on. I’d hate to find that I’d implanted something on top of a pressure spot that slowly drives me insane! Oh wait, I started that way. No worries then, I shall do it.

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Speaking of Matias, I’ve also been meaning to show you this nice oldschool sailor-art Gypsy girl portrait that he cut over top of a black field of ink. I think it will work especially well due to the stars that sit in the negative space surrounding the canvas of the scarification.

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And while I’m on the subject of scarification, I wanted to also show you this superb collar-piece “art scar” that Azl Kelly of Mtl Tattoo created as part of a “aesthetic beheading performance”. There’s a lot to be said for really pure designs. There’s a school of thought among many writers that the less words you can use to completely and effectively describe something, the better. Now, I’ve never been particularly good at that — I’m so redundantly wordy and repetitive that you could Swiss-cheese a print out of my essays with a machinegun and effectively understand what I was saying from the tatters that are left. Azl on the other hand has figured out how to speak volumes with a single incision.

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And, well, since I’m doing the “this things reminds me of this thing” game with this long entry, let me add two more implants, both swastika implants under a black tattoo, which visually makes them “pop” even more because of the way the light hits it. The one on the left, in the forearm, is the work of Samppa Von Cyborg, who you know well of course. The one on the right, the implant on the top of a hand, is by an artist you may not know quite as well, Hugo Ferreira of Biotek Toulouse in France. The arm is fresh in the photo, and the hand is about a month old.

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PS. I apologize for the crap image quality in this entry — I accidentally overcompressed. I’m really having “one of those days” as the old saying goes.

A Mask of Diamond Lines

What a knock-out piece this is, just boom, stamped on with such strong impact — interesting change from Freak Garcia’s (of Ink Karma Nation, inkarma.wordpress.com) normal undulating and flowing style that almost looks like the patterns on an oil slick turned into blackwork. Anyway, I especially like the treatment of the ear, both front and back — second time today I’m posting a facial tattoo that pulls onto the ears, to say nothing of how closely the linework style echoes Kike’s illusion skull from earlier today as well. I also like the way that it fades behind the preexisting tattoos, not just abruptly ending, but dithering to a lighter level. I’d love to see this piece extended in time, so that it wraps all the way around his head and is mirrored on the other side.

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Facial Linework Radiation

I really like the new linework that George Karakioulafis of Dildo Studio (dildostudio.gr) in Greece (who just sent me a super-cool package of swag from his shop, including some obscene shirts that I can just barely get away with wearing in public) just had done on his cheek, radiating out from his ear, as well as the lines that mark out across the geography of his ear itself.

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PS. You may remember a while back there was a case of facial tattoo copying in which Morgan Dubois got his facial linework cloned almost exactly. I just wanted to point out that in George’s case, even though the tattoo is similar (and perhaps even inspired), it’s obviously a distinct design and sufficiently different that he can truly call it his own.

Tattooed Starfish Implant

A while back (in February) Kayla VanFleet had Shawn O’Hare implant one of Steve Haworth’s starfish-shaped implants in the top of her hand. Now that it’s well healed, she had it tattooed by Kenny Morris last week, and wow, that really tops it off beautifully. Of course some implants stand nicely on their own, but in a great many cases implants — and hands are a good example — can look like out-of-place lumps. Interesting and unique, certainly, but not particularly connected to the person’s overall anatomy. Kayla’s tattooed implant is a great example of using tattoo augmentation to make an implant so much more of a contributing part of the whole — compare the difference between how it looks now to how it looked before getting tattooed and I think you’ll agree what a good decision this was.

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A Good Deed Never Goes Unpunished

Tam Mayer (of Bells Ink Tattooing & Body Piercing in Victoria, Australia) has managed to get herself in some hot water, all because she tried to do the right thing. As a part of a fundraiser for a local boy — in which they raised $3,000 to help him (the whole event raised $15,000) — she tattooed her friend Luke Coleman with this image of Buddha. At first everyone was happy, and thought they’d done something really special, and I’m sure they were even happier when some of the big tattoo rebloggers picked it up, featuring it because it’s unusual to see a tattoo like this on the sole of a foot (and I have to admit I have some doubts about how it will heal). Anyway, the problems began when Thai Buddhists saw the tattoo and took offense at the tattoo’s location — that someone was walking on the face of Buddha, which they thought was deeply disrespectful. Immediately the comments changed from congratulating Tam for a unique tattoo and more importantly, raising $3,000 for a child in need, to threatening to murder her if she ever showed her face in Thailand. Comment after comment insulted and berated her. Did Tam make a tactless mistake? Perhaps, by some interpretations of Buddhism. But by other interpretations of Buddhism, she did something wonderful. To my way of looking at it, this is just another example of extremist interpretation of religion poisoning everything. As far as I’m concerned, Tam’s got nothing to apologize for. If Buddha and Jesus existed, I’m sure they’d give her a high five for helping others, and then punch the religious radicals in the nuts for spreading hatred in their name.

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Edit: I wanted to add one other thing — as soon as Tam found out that what she’d done was potentially offensive, she apologized profusely to anyone she might have offended (as did Luke), and said they wished they’d known in advance so they could have avoided the situation. It was very clear that they’d acted only with the best of intentions — and I want to be clear that the above comments are mine, not hers.