Lesya and Rouslan

Lesya Toumaniantz’s radical facial tattoo has recently gone viral, posted on thousands of Facebook pages with captions like “next level face tattoo” from Russia. So I thought it was time to tell the real story behind this remarkable tattoo.

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About a month ago, Rouslan Toumaniantz, a well known and sometimes notorious Belgium-based tattoo artist (of Tattoo Box in Kortrijk), and Lesya, a designer living at the time in Saransk, a city in central Russia started talking via chat (Rouslan speaks fluent Russian) and realized they had a lot in common, and quickly began falling head over heels in love. About a week ago they met in person in Moscow and decided to get married — their plans for their life together include her learning to tattoo (Rouslan tells me she’s already a talented artist), apprenticing under her husband-to-be, while she also gets the full-body ink that she’s always dreamed of (biomech is the current plan) — and of course a family.

Her new facial tattoo that’s getting all the attention, a huge commitment for both a person with limited experience as a publicly modified person and for a new relationship screams out the intensity of their commitment to their new life, reads “RUSLAN”, the name of her betrothed. At first glance the tattoo echoes Latin American gang tattooing — MS-13 is the first thing that’s come to many people’s minds — and I worry that it could complicate future travel in the Americas, to say nothing of putting her in danger in some cities (of course, these are places where deaf people speaking sign language occasionally are stabbed when foolish gangmembers assume they’re throwing rival gang-signs). But to be clear, the tattoo has nothing about committing to a life in a gang — it’s a commitment to love.

I know that there are people who are terrified that Lesya has made a rash decision that she’ll regret horribly, but sometimes the best decisions are the ones you make in an instant with your heart rather than the ones long-debated in your mind. I know many people whose favorite mods are the ones they got “on a whim”, and who are still happily married to the person they fell for the instant they saw — “love at first sight” is an old truism — and proposed to within the week. I wish them the best of luck and hope that their life plays out as they dream it to be.

Edit/Update: People have asked why it says “RUSLAN” when I’m writing his name as “Rouslan”. It’s simply because one is the French spelling, and the other is the Russian/English spelling of the name — they chose the latter because it fit better on her face.

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Continue after the break for a more explicit photo.

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10 Ridiculous Piercing Patents

The patent offices are overflowing with silly, ill-conceived inventions on all subjects, and the world of body piercing is no exception. It seems like there is a long list of people who are not experienced with piercing personally, but have seen it and decided their great intellect can contribute various creations that would improve the life of a pierced person. Unfortunately, these ideas are the sort of ideas that make sense to the outsider, but are complete nonsense to those who actually know something about piercing firsthand. Below are ten of the more ridiculous piercing patents I’ve come across in my research.


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“Medicated Ear Rods”
Patent 4353370, Filed Nov 17, 1980

The idea behind this invention is an earring where the end is hollow and full of a cleaning solution, with the rod designed to “provide a constant supply of cleaning solution to the earlobe to prevent infection of the ear hole.” As piercers know, one of the most common reasons for complications in healing is overcleaning — can you imagine what would happen to a piercing that was being cleaned non-stop? Best case this patent would keep a piercing in a perpetually unhealed state… worst case is far less pleasant.


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“Method and apparatus for maintenance of pierced orifices”
Patent 6047209, Filed Apr 2, 1999

Many of the patents are obsessed with overcleaning. This one unfortunately I can see easily making its way into stores. It’s basically a tool for injecting cleaning solution into a piercing via either a dull syringe or a ring with holes around its circumference. At first glance this might seem like a good idea, but the problem is that not only does it encourage over-attention to cleaning, but it requires the the person fully remove the healing piercing to clean it. This constant removal, agressive cleaning, and replacement cycle would actually result in slowing down healing far more than speeding it up. The only case in which I can imagine this having any value is in cleaning a severely infected piercing that has been permanently removed.


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“Disposable cleaning apparatus for pierced human body parts”
Patent 6358221, Filed Aug 17, 1999

Another silly cleaning concept that makes the same mistake as the previous one — requiring the jewelry be removed over and over — this one is actually a patent for a portable kit comprised of the container, the solution, and what is best described as “piercing floss”. It’s literally a dull sewing needle and some thread.


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“Method and device for holding a tongue in a forward position”
Patent 6408851, Filed Oct 1, 1999

This one gives me nightmares! It’s a device “for pulling a tongue forward thereby preventing obstruction to the flow of air during sleep or an emergency.” That is, it’s a retainer or mouthguard-type device that hooks onto the teeth, and a variety of attachment designs that let you hook the tongue piercing to it. During sleep, this would be extremely unpleasant and almost certainly damage the piercing. During an emergency, there are better and certainly less complex methods to accomplish the same goal — especially considering that this aparatus blocks the mouth quite effectively in and of itself, potentially complicating the emergency.


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“Tongue jewelry clip and method of wearing the same”
Patent 6978639, Filed Apr 15, 2003

This ridiculous piece of jewelry exists in two forms — pierced or non pierced. The non-pierced version is held in place by pressure, which would be incredibly uncomfortable, and both versions would unpleasant even without that pressure. The design completely immobilizes the front half of the tonge, making legible speech virtually impossible. Clearly this is yet another patent submitted by a person who has never tried their own invention.


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“Tongue and mouth stud for dispensing a substance”
Patent 8006516, Filed Oct 31, 2003

This is a design for a tongue barbell that’s filled with “a substance such as a chemical, breath freshener, pleasant flavor, or medication”, which it then releases either into the mouth, or into the tongue itself, via holes in the bar and/or bead. Another idea that seems clever at first glance, but that anyone with experience can tell you isn’t going to work. In addition to almost certainly irritating the tongue, the holes would be almost instantly plugged up with plague (and perhaps bacteria) and become quite disgusting. Just have a mint instead.


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“Nonpiercing jewelry that presents pierced effect”
Publication US 2005/0199003 A1, Filed Mar 10, 2004

Yeah, because that’s what piercings look like. Can you imagine how foolish a person would look with this pretend piercing? And more importantly, can you imagine how unpleasant it would be to wear this in your mouth? It’s nuts.


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“Tongue retention device”
Publication US 2007/0163603 A1, Filed Jan 18, 2006

Another extremely unpleasant device intended to combat sleep apnea and snoring by combining a mouth guard with a device that attaches to a tongue piercing. Again, I cannot imagine anything more awful than using this, and I don’t think it would do wonders for the health of your tongue piercing. It would stop snoring though — as a side effect of stopping you from sleeping. Maybe it has applications as some sort of BDSM fetish toy.


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“Self-Expanding Dilation Plug”
Publication US20120324949 A1, Filed Jun 20, 2012

I was split on including this because it’s the sort of thing that looks like a great idea at first glance (and was actually invented by a Colorado tattooist). However, as we learned when people started trying “constant pressure” stretching using silicone jewelry, the body does not respond well to constant pressure. It routinely results in horrific tears in the ear. In addition, the ear when stretching is extremely sensitive to uneven pressure. This design is super-cool on so many levels and many of us with stretched ears have tossed around similar concepts, but in the real world, this concept has proved itself to be a terrible idea.


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“Cleaning device for pierced openings”
Patent D490521, Filed Mar 28, 2003

It’s a stick — the bundle of grapes is the handle, and you’re supposed to stick the rod into a piercing hole to clean it. You can really patent something like this?


Textural Work In Scarification

About two months ago Wayne Fredrickson of Zodiac Tattoo Studio in Moreno Valley, CA did this scar of an ammonite fossil. I like the way the design leaves out the edges of the shell, but instead focuses on the texture of the shell. The resultant effect reminds me of a textural rubbing of a fossil, and seems especially well suited to the scarification artform.

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In terms of building up a tactile texture landscape, I’m also reminded of this scar that Iestyn of London’s Divine Canvas (divine-canvas.com). It’s about four years old in this photo.

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Suspension Daisy Chain

This photo (in which I see Marc of Little Swastika and Roland, Oli, and Ralf of Visavajara) of a circular ring of people doing the suspension hook piercing of the person in front of them by being pierced by the one behind them is totally the suspension version of a daisy chain. And I’m not talking about the innocent sort

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Erl Van Aken, RIP (1939 – Jan 17, 2013)

I’m sorry for waiting longer than I should have to write this; after the recent deaths of other body modification figures like ManWoman and Stalking Cat it’s difficult to have to follow those up with the loss of another significant body modification pioneer. Unfortunately I must write that Erl Douglas Van Aken II (see Erl on the BME wiki and his web page) passed away at his home after a richer life than anyone could ask for.

Erl was born in Brewer, Maine, and then moved to California at age four where he grew up in Orange County, a region he characterized as having “a very narrow band of perception, and being a person of ‘different’ thinking, not subject to peer pressure, I was not well… tolerated.” Always forward thinking, in the early sixties he worked in the space program at NASA, Bell Labs, JPL, and similar institutions where he worked on some of the first satellite programs, as well as Mercury, Gemini, and the Apollo program where he contributed significantly to the rover (moon buggy) — “in that sense I’m on the moon,” he said.

Wanting to explore a wider range of expression and not really fitting in to an increasingly “professional” environment, Erl left to become a multi-media artist, working in nearly every medium — as well as doing a lot of “motorcycle riding and hell raising during this period as well — you know, sex, drugs and rock’n’roll”, a dangerous lifestyle that would nearly cost him his life “on more than one occasion”. In the mid-90s (by which point he was a well-established body modification icon already) he began modelling for fine art, which lead to him joining the Screen Actors Guild (usually credited as Erl Van Douglas, although many of his non-speaking roles are uncredited, such as his 1996 appearance in The Cable Guy, the first movie I remember seeing him in — and my favorite thing about that movie). Lance Richlin, an artist who recently painted a series of portraits of Erl wrote me saying,

“Erl was no ordinary man. He was a Mystic. He had deep insight. The body modification was literally only the surface of the man. I didn’t even notice it after the first few encounters. When he was younger, he was a dangerous fellow. But he became a very gentle and compassionate man in old age.”

Although body modification was only a small part of a much more complex personality, Erl’s role in the world of body modification was significant. While the name has fallen out of fashion in favor of the anatomical moniker “bridge piercing”, for a long time “Erl” was what the piercing was called (as in “I’d like to get an Erl piercing”), as Erl was the first person known to wear it (done for him by The Gauntlet). Erl wasn’t only an early piercing and tattoo fan and innovator — he was also one of the first heavy body modification enthusiasts whose focus was significantly aesthetic. There have always been heavy mod practitioners, but the vast majority until the mid-nineties were doing it in private, almost exclusively in a sexual realm. Erl on the other hand was not only one of the first people in the West to explore surgical body mods on an artistic level, but also to do it “out”, sharing his love for it with those around him — for example, his radical and way, way, ahead of its time bipedical flap procedure was documented in Body Art magazine. Thereby he influenced many of the early body modification artists, as well as inspiring other serious enthusiasts, and changed culture more than he probably realized.

On the left, a recent painting of Erl by artist Lance Richlin (visit him at lancerichlin.com), and on the right, a pre-firing sculpture of Erl by Nicholas Mestanas (visit him on Facebook) — note that the piece includes Erl’s chest implants and bipedical flap (the artist was planning on adding the piercings post-firing).

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Finally a few photoshoot images from Erl’s webpage — visit justerl.com to explore more.

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Whether the name “Erl piercing” returns or falls out of our language, Erl’s pioneering exploration of body modification and the impact it had on popular culture lives on in hundreds of thousands of people’s lives — to say nothing of the myriad of other positive ways he touched those around him.

Trident Trondustrial

I’ve posted about Joeltron’s (of Australia’s FirstBlood at joeltron.com and firstblood.com.au) “trondustrials”, ear projects that tend to be on the… how do I put it… chaotic end of the spectrum (for example). This one though, built up using components from industrial strength, is a little more structured, with the three spikes of the trident coming out the back of the inner conch, and the handle curving around to grab hold of the inner curve of the helix, making for a very unique and well-done placement.

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Update on Grace Neutral’s Facial Scars

Speaking of Grace Neutral (I just posted a great set of breast/nipple tattoos she did), I also wanted to update everyone on the amazing skin peel that Howie (lunacobra.net) did on her a while back. It’s healed now, and remains one of my all-time favorite facial scars, not just because of how technically well executed it is, but the unique design. It came about naturally over a few days of Grace and Howie talking about it, followed by drawing it up one night at the shop, tweaking it into perfection. With the ideal design on her face in marker, this is what they created. Her ear points are also Howie’s work by the way.

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Handpoked Breast and Nipple Tattoos

Grace Neutral, a tattoo artist who specializes in handpoked work and is based in South London (although she travels regularly so don’t let that limit you — find her on Facebook or Tumblr) just did this incredible set of breast/nipple tattoos on Rebecka. Painwise, she tells me that the nipples hurt like crazy, but that it’s likely that doing them handpoked rather than grinding the ink in with a machine probably reduced the pain significantly. Click either picture for a bigger version.

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Cutting through the air

As you know, I like seeing pieces that combine multiple body art disciplines, and I thought this was an elegant example of scarification used alongside tattooing, each artform contributing to the part of the design they’re best able to execute. Unlike many tattoo/scar combos, where the tattoos (or sometimes the scars) are added as an afterthought or “upgrade” long after the initial mod is well healed, this example was designed as such from the beginning. The scarification portion was performed by Binho Barduzzi of Familia Amorim Tattoo Shop in Lisbon, and the tattoo by was done by his friend Rafa. The piece is well healed now as it was cut back in 2009, so I wish I could show you a healed picture of it but unfortunately their client lives in Brazil, practically on the other side of the planet from them in Portugal.

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