Update:  Didn’t realize the meaning behind the original image that I used.  I’ve since replaced it with the current image.

So I’ve had a few Soundgarden songs stuck in my head ever since I’ve heard the band was getting back together.  It got me wondering how a song can be crafted that gives it a timeless quality, like how their songs from 20 years ago still sound fresh today.  While pondering this, I was browsing the scarification galleries, when I cam across this image by Gabor Zagyvai.

Which brings me back to Soundgarden.  While you may or may not be a fan of theirs, any songwriter will tell you how difficult it can be to craft a song, let alone one that an audience will enjoy.  So for the purpose of this discussion, just replace Soundgarden with your favorite musician/composer/band.  Like the process in creating a scar, time is meticulously spent over every aspect of the scar.  Width of the lines, depth, getting the design perfect, choosing the right blade, and then the placement on the body.  All of those factors are considered well before the first cut is made.  The same can be said about a piece of music.  The right notes, lyrics, tempo, instruments can make the difference between a horrible piece of music and a beautiful one.  Like scars, these pieces of music will live on well past the time they were created.

Of course this can be said about any form of art, which is exactly what Gabor has done here with this piece.  This piece is only one of several that were uploaded in the past day. Gabor’s own gallery has the entire collection, where many of them have healed images alongside the fresh ones.  So while this scar may not be your cup of tea, there are a lot of other beautiful scars you can check out.

“It is very good to recite the mantra Om mani padme hum, but while you are doing it, you should be thinking on its meaning, for the meaning of the six syllables is great and vast… The first, Om […] symbolizes the practitioner’s impure body, speech, and mind; it also symbolizes the pure exalted body, speech, and mind of a Buddha[…]”

“The path is indicated by the next four syllables. Mani, meaning jewel, symbolizes the factors of method: (the) altruistic intention to become enlightened, compassion, and love.[…]”

“The two syllables, padme, meaning lotus, symbolize wisdom[…]”

“Purity must be achieved by an indivisible unity of method and wisdom, symbolized by the final syllable hum, which indicates indivisibility[…]”

“Thus the six syllables, om mani padme hum, mean that in dependence on the practice of a path which is an indivisible union of method and wisdom, you can transform your impure body, speech, and mind into the pure exalted body, speech, and mind of a Buddha[…]”

– H.H. Tenzin Gyatso, 14th Dalai Lama, “Om Mani Padme Hum”

Spirituality and modifications have been linked together since the beginning of documented history.  Be it through rites of passage, or devotional modifications, the concept of altering ones body to attain a higher form of spirituality isn’t new.  As times changed, practices faded into obscurity, to the point where some are no longer even practiced at all.  Thankfully the modification community has arisen to resurrect these forgotten rituals.  Today these modifications are performed all over the world, and many for different reasons other than the original intentions.  The practices are also much safer, as we have learned how to adapt them to the modern equipment that we have available.  That isn’t to say that these rituals aren’t being performed in traditional ways as well, as they are very much alive and well all over.

One of unique abilities we have living when we do now, is that we have access to the knowledge from cultures and civilizations from around the globe.  We can now blend together practices that possibly would never have encountered each other historically.   Go to any Suscon and you’ll see any number of people sporting modifications from multiple cultures, while being suspended from hooks, another ritual that has carried on to modern times.

So where does that leave us now?  Simply put, in a great place.  We have this knowledge that has been amassed for centuries and are able to apply it to ourselves as we see fit.  So while centuries ago a culture would expect its people to all have facial tattoos, and another would incorporate large lip plates, now a person can have both without even being part of the original culture.  We have the freedom to do with our bodies as we see fit, for whatever reason we determine.  Which brings me to the following photo from our cutting gallery.

Johnkid created this image of a lotus with the om mani padme hum mantra.  While this may not be the first such scar featured on ModBlog, it is worthwhile to note that as a form of meditation, Buddhists will spend time carving mantras into stone or other objects.  What the recipient as done is taken two aspects of of their beliefs and merged them into something for themselves.

Do you have any modifications that have a spiritual connection to yourself?  Or is the process of getting modified a way for you to get in touch with some deeper meaning in your life?

“Look at a day when you are supremely satisfied at the end. It’s not a day when you lounge around doing nothing; it’s when you’ve had everything to do, and you’ve done it.”
-Margaret Thatcher

John Joyce uploaded a couple of images from what I can assume to be a recent cutting that he did.  What caught my eye wasn’t the scar itself (although it does look great), but it’s the look on the woman’s face when she’s staring down at the finished product.

I’m sure most of us have been in this situation before, when you’ve sat down for a procedure, be it tattoos, scars, piercings, etc, and after the artist is finished you finally get a look at the culmination of goal.  That feeling of satisfaction that what you had imagined in your head was finally realized on your body.  You can tell in the image that she is very happy with John’s work.  Whatever the story may be behind the piece, you can see in her face the satisfaction.

The last time I felt that way was pretty recently.  I had the final sitting on my most recent piece, just some touchups really, but I got off the table, stood up, and looked at my arm.  There’s the moment you feel where you have a wave of relief wash over you, at the same time a moment of sadness hits as well.  You’re elated the work is done, but also sad that this shared experience you had with the artist is finally at the end.  It may be that feeling that drives so many of us to continue to be modified.  The sense of control over our bodies, and the ability to share something so personal with someone that you may barely know.  A bond that forms that you will never forget.

So while John will move on to his next client, the time spent with this woman will be forever etched into his mind.  As for the recipient, she has something not only etched into her mind, but also her body.

This scarification piece by Ighlif got me thinking that this is a clever reference to a song, or I’m just reading too much into the imagery.

In either case, the fresh cutting combined with the text underneath was really eye-catching.  I’m always curious as to how a scar will turn out, but in this case I am doubly so, as the contrast between the two stands out so well.  Given how well the last scar of Ighlif’s we featured turned out, I think the recipient is in for a beautiful looking scar.

You can find the full sized image here, as well as other works by Ighlif in the scarification galleries.