Keloid to Phoenix

Normally a phoenix is born from ashes, but on Dan Golan’s arm, with a little help from Mika Lazar, the phoenix was born from keloids that he’d had on his arm most of his life. Dan, who lives in Haifa, Israel, has always been interested in tattoos, and like many young people, as a twelve year old had acne on his arms, which ended up leaving him with large keloid scars on his arm that made him quite uncomfortable.

When Dan turned eighteen he got his first tattoo, a small lizard that healed well and he’s still happy with today. While doing his three years of regular service in the Israeli military, four more tattoos followed that first one. Nonetheless, his old keloids from childhood still bothered him quite a bit, and when his military service was finished he started going to doctors to see if they could help get rid of them. They tried some creams and other treatments, but nothing helped, so he started poking around online to see if he could use his love of tattoos to solve the problem. His whole family approved of the idea, thinking a big tattoo — “a medical tattoo!” — would be great.

For his earlier tattoos Dan had gone to lower-end mall studios (“and you know this is not the BEST idea,” he admits), but for this project he knew he’d need someone with a bit more experience and began seeking a qualified tattoo artist in the North of Israel where he lived. Most of those that he contacted were unwilling to tattoo over keloids, but after some repeated recommendations from friends he found himself talking to Mika Lazar (mika-tattoo.appspot.com). Mika had never tattooed over heavy scars like Dan’s before, so she began by tattooing a small line across one of them to make sure the ink held and there was no adverse response. Since there wasn’t and the ink held perfectly, she began the process, which you can see here:

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The choice to do a phoenix came about as they were sitting at the studio tossing ideas back and forth until a phoenix that Mika had drawn up earlier caught Dan’s eye. The tattooing and subsequent healing was no different than any of Dan’s earlier tattoos without keloids in the mix, and the tattoo was completed over three sessions (not including the test line) — the outline, the bird, and then the final touches and background.

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Here’s how it turned out in the end. You can still see the keloids if you know they’re there, but most people won’t notice. Dan’s considering a little more tattooing to mask them entirely, and has not yet decided whether this tattoo is going to stay largely as is, or if it’s the beginning of a sleeve.

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Keloiding on a Tlingit-inspired Torso Scar

Kevin (who you last saw on ModBlog with Enigma) had this Tlingit (Pacific Northwest) art-inspired scarification done by Matt Vermillion of Artistic Skin Design in Indianapolis, Indiana, which is now quite well healed. The cutting looks nice and even — although there is intended variability in the line strength — but as you can see, parts of it keloided much, much more than others. Some of it, like the outside circle, is likely due to the initial cutting, but the majority of the variability appears to be from natural body motion and anatomy, and rubbing from clothes. His aftercare was mildly abrasive with sugar and vaseline.

Click on either half to see the scar in full, or click here for an animation that blends between the two (it’s not easy to line up a fresh scar with a healed one because of how much the skin distorts from the keloids, even with photos this similar), or if you’ve been missing NSFW posts, click here to check out the scar, completely overshadowed by Kevin’s transcrotal piercing and meatotomy.

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I’ll also mention what I said to Kevin — who is considering adding more Tlingit scars to the sides of this piece — that I think this is a perfect canvas for tattooing over scarification… With the right application of black and red, and maybe white, it would really bring out the design and also give a nice nod to Tlingit art at the same time.

When life gives you keloids, make eyeballs

I think that’s how the old expression goes, right?

Ighlif Rendina, owner and piercer at H.F. Body Art in Turin, Italy, had a customer who’d previously gotten a transdermal implant. The transdermal itself did alright, but in time, a large unsightly scar built up over the insertion incision. The microdermal was removed, and the scar reworked using a combination of cutting and cautery branding. The insertion scar became the pupil of the eye, and the scar that formed in the transdermal scar was covered up by the bottom line of the eye. In the picture where you can see the entire eye, it’s quite fresh, about two months after being done, and the picture where it’s partially covered by clothing is current, showing the piece at almost two years old.

Keloids Transforming Into A Skull

My friend Tony Snow (of Voodoo Tattoo in Paradise, Nevada), who I first at a taco shop while passing through Nevada about a decade ago, did the scar-half of this superb tattoo/scar combo piece. A lot of the time when tattoo/scar combos are done, the scar can stand on its own, but at some later point the tattooing is added to breathe more life into it. In the case of this piece though, the two artforms dance beautifully, with each half desperately needing the other half. The scars that Tony did keloided beautifully, raising up like flames of tissue hinting at some subcutaneous inferno, hinting at the demonic skull that the tattooing then draws into focus.

Partial ear reconstruction with keloid removal

Since I seem to be in the mood for posting stuff about ears being chopped up today, let me share another. My friend Gabriele from Max Art Body Piercing in Rome had a client come in that had a large open lobe that had been previously scalpeled (Ludovico’s ears were 2″ last time I remember them) — as you can tell from the distinctive shape, a “U”-loop of flesh hanging down from the ear — and also had a keloid covering a solid area of it’s upper-outside edge that the client wanted excised, complicating the procedure. To make the procedure even more tricky, they wanted to keep the piercing, but alter its shape and reduce its size. To accomplish all of this, Gabriele cut out the body of the keloid and closed the wound, as well as removing part of the lobe “worm” to tighten the ear to the new size. The jewelry used for the healing is glass with silicone o-rings. Glass is an ideal material, but for some people the o-rings can cause irritation (and must be kept clean to avoid a build up of waste — and becoming a home for bacteria), so the client will have to keep an eye on that. The bruising in the third photo went away quickly, the tissue relaxed, and healing is going well so far.

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Lobe Keloid Treatment

Speaking of both keloids and John Joyce, he had a customer come in with extremely deformed lobes from keloids erupting out of blowout from ear piercings. He cut off and cauterized one of the keloids for the customer (I assume the remainder will follow), and cauterized it. Six weeks later, the keloid is gone (depending on the person they can grow back no matter what treatment is used) and healing has been exceptional.

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Giant Keloid Removal

My friend Emilio Gonzalez of Mithos Tattoo in Caracas, Venezuela sends in this just massive keloid removal he did. I’m quite certain that person is very happy they walked into his studio!

Anyway, I’m not really posting right now, I just wanted to quickly make sure that the main banner works (it will automatically change now on a daily basis). If you didn’t see, I also added a “most commented on” section for those that want to quickly jump to ModBlog‘s most debated entries. More tomorrow morning!