Gabriele at Max Art in Italy (who you know best for the SkinTunnel project) recently performed a rather tricky ear reconstruction. The surgery involved both bridging two piercings into one, as well as repairing the damage from a piercing that tore out some time earlier. Once it’s healed, the client will be able to put in a new tunnel and no one will be the wiser — and hopefully they will have learned a valuable lesson about responsible stretching! Or getting in fights — I don’t actually know how the damage occurred.
Author Archives: Shannon Larratt
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The Kindly Demon
I don’t quite know what it is — maybe he just has one of those friendly faces — but there’s something really welcoming about Martin Kraus’s horn implants, now in their second generation. They were done by Chai Calm Bodymod and are fresh and a bit swollen in this photo, so they almost look like ridges but they’re actually multiple beads. For me this is a good photo to show that heavy mods don’t have to look “freaky”. Of course I do see the world through mod-coloured glasses, so maybe I’m not the best judge?
BRING OUT THE GIMP
There’s something strange about this photo from Enzo and Thiago. I don’t have anything particularly clever to say about it, so just look at it and draw your own conclusions.
Take a bite of my bad girl meat
Joeltron (FirstBlood.com.au, joeltron.com) shows us his teeth — yeah, he’s no Zygzag, but this is how Joeltron looks when he takes out his 13mm (1/2″) cheek piercing. If I was him I would totally wear clear glass plugs all the time or maybe tunnels with corks conspicuously stuck in them, especially if the size continues to increase. And gosh, I really love his eye tattoo — that lime green is one of my all time favorites.
Recent Nazareno Tubaro Creations
I have been a fan of master tattoo artist Nazareno Tubaro since long before I first met him at the Buenos Aires convention way back in 2004, but I realized today that he’s gotten very little coverage here on ModBlog, even though he hugely deserves it. He was an early innovator in the world of neotribal and modern blackwork, and hundreds if not thousands of tattoo artists around the world have drawn inspiration from (and sometimes outright copied) his style. So today I want to share with you just a couple recent pieces that struck me as particularly beautiful, but I encourage you to explore nazareno-tubaro.com — hell, I encourage you to get on an airplane, show up on his doorstep, and beg him to decorate your empty skin!
The first image can be zoomed in.
Say hello to the mechanical faberge elves, ok?
I’m tripping over this great chestpiece by Pinkie Leenders (tattoopink.be). Or at least this tattoo makes me reminisce about tripping — what a gloriously psychedelic body he’s created for Laurent. This is a wonderful example of modern body modification Shamanism.
0ga Tragus Piercings
Tobias, who you may know not just from here on BME, but also if you take part in the tattoo and modification forums on Reddit, said that ever since he saw the 0ga tragus I posted back in 2008 he worked toward it. At that point he was wearing itsy-bitsy 16ga jewelry in each ear, and over time he’s stretched them to that 0ga that first inspired him. Success! He currently wears skin-color Kaos Softwear silicone jewelry in it, which I think is perfect because it makes it look even bigger. He adds, “to this day, it still amazes and wows people, and they’ve become my absolute favorite piercings.”
My old friend David also wears BME a 0ga tragus — two of them as well, one of them in each ear, although he wears matching 0ga Anatometal steel tunnels. That’s David’s “Dumbo ear” (his words, not mine) there on the right, and Tobias is on the left. By the way, if you like this, check out the 1/2″ tragus I posted just a little while later.
Mixed-Mode Play Piercing
Of course we’ve all seen hypodermic needles used to perform play piercing many times, as well as captive bead rings in play piercing sessions (generally in the form of corset piercings), but it’s very unusual to see the two combined, as Aaron Thompson of Black Swan Southside (Lakeland, Florida) has done with this 35-piercing session on his friend Hannah. Also in the photo are a set of 14ga microdermals along the collarbone. I should add that the image has been Photoshopped by me to emphasize the heart. Click the picture to see the original as he posted it.
Healed Tattoos Are What You Live With
There’s been an incredible amount of debate about tattoo healing after my post two days ago — with a disturbing amount of denialism, and an especially deranged argument on Facebook — but the fact is, when you get a tattoo, you have to live with the healed version, not the fresh version. The tattoo artist on the other hand, thanks to their handy camera, may forever live with the fresh version. Photos don’t need to heal.
A fresh tattoo looks different because it’s not covered by an ink-free layer of surface skin — it is, in fact, covered by a layer of tattooed dead skin that may or may not have the same ink in it as the deeper skin — plus the ink particles haven’t had time to settle into their permanent locations. For starters this means that a healed tattoo will almost always have less intense colors and less deep blacks, and there will be some flattening and blending of tones. The degree of these changes depends on factors including the types and colors of ink and, the nature of the wearer’s skin, and the tattooist’s technique — and of course a client can destroy a tattoo with bad aftercare but that’s not what this entry is about. Also, the order the ink was put in won’t matter as much in a healed tattoo — in a fresh tattoo, the visually dominant color will be the last one put in, temporarily hiding what’s beneath it, but in a healed tattoo it will be more of an “average”. In a flat oldschool tattoo this doesn’t make much difference, but in a tattoo with a lot of shading and color nuance it can make a huge difference. And of course all this is assuming a best case scenario — if the tattoo artist has a light hand or otherwise didn’t put in the ink properly, there can also be fading, sometimes dramatic.
A reputable tattoo artist will always aim for the healed tattoo to look as good as possible, not for the fresh tattoo to look as good as possible. In many cases they may even need to create a fresh tattoo that doesn’t look as good as the healed one, and as a result, some unethical artists who are looking to win a convention tattoo award (and often do) that’s being judged that day, make decisions that don’t do the client any favors as discussed to death previously.
I’m very happy to say that the best thing to come about from this discussion is a number of artists vowing to make sure that their portfolios contain as many healed photos as possible. Healed photos are the only way a client can truly know what they are paying for, and are essential. Any tattoo artist that doesn’t have plenty of healed tattoos in their portfolio is one I’d be very nervous about.
On that note — and sorry for taking so long to get here — I’d like to share with you two tattoos, fresh and healed, from Mike Shultz at Altered Image Tattoo & Piercing in Indianapolis (alteredimagetattooindy.com). Compare the tattoos fresh and healed ones. Look at them closely — see how the colors and levels change — and you’ll get some insight into healing, and the decisions that Mike made to give his clients a tattoo that they should be happy with forever, not just something that will win him a Best of Show. Thank you to all the tattoo artists out there who have pledged to give the world an honest impression of what they’re capable of and including plenty of healed and unedited photos (or better yet, both, spreading an understanding to the public of how tattoos heal) in their portfolio.
Be sure you zoom in to really appreciate both my comments and Mike’s artistry.
Injecting hearts with the ol’ love gun
Jakub’s palm tattoo, done by Lukasz Bam Kaczmarek of Poland’s Kult Tattoo Fest (who is actually better known for bright color work than simple black like this) is beautifully healed in this photo, with practically perfect linework, nice and solid, with almost no fading or ink loss, something that is very difficult to achieve on the palm, let alone on the inside of the fingers.