Moonshin Tattoo Client Tests Positive for Hepatitis B


Well, this isn’t good. Last week, we mentioned the predicament in which Moonshin Tattoo and Peel Region find themselves—namely that, after it was discovered Moonshin had neglected its book-keeping for its sterilization practices for four years and that the local government had made no efforts to inspect the premises, both are now the subjects of a $20 million lawsuit by people who had been customers at the shop during the aforementioned period.

CityNews is now reporting, as seen above, that a man who received a tattoo from Moonshin in that time-frame has been diagnosed with hepatitis B.

“A close friend of mine went there before and said they were professional,” revealed the father and husband.

“You should feel comfortable and [be able to] get artwork done without fearing anything happening to you.”

A grain of salt is necessary here: The man has asked to remain anonymous, and his claim alone doesn’t prove anything. But, he also mentions he’d had blood-work done prior to getting the tattoo that recorded him as having a clean bill of health. If this is in fact true, and there’s nothing in his personal life to suggest he was exposed to the disease anywhere but Moonshin, this is a case that could have far-reaching and potentially devastating effects on future legislation.

Once again, there is no excuse at this point for irresponsible record keeping (or worse, sloppy practices not even worthy of record keeping). If you’re in the body modification industry and want to be taken seriously and treated like a professional by the public at large, then the onus is on you. It’s no secret what’s at stake; the fact that your carelessness can wreak havoc on an entire industry should be common knowledge. This isn’t to say there aren’t client-side responsibilities as well, like getting frequent blood tests if you’re getting body modification work done regularly, but nonetheless.

Whether or not the man interviewed above is telling the truth (and hopefully we’ll find out for certain soon, one way or the other), the fact that this is gaining traction at all isn’t doing the industry as a whole any favors. If Moonshin hadn’t dropped the ball, this probably wouldn’t be a story in the first place.

Tattoo Parlour, Peel Sued Over Possible HIV, Hepatitis Exposure [CityNews]

Full Coverage: Links From All Over (March 20, 2009)


[Telegraph.co.uk] So here’s some good old fashioned Finnish ingenuity! Jerry Jalava, a software programmer from Helsinki, lost half a finger in a motorcycle accident almost a year ago, and the doctor, when told what Jalava did for a living, was a bit of a wise-ass and told Jalava he should get a USB drive installed in place of his missing digit. Jalava briefly snapped out of his blissful morphine sleep to slap this chuckling goon in the face, but then it occurred to him that maybe this wasn’t the worst idea!

Using a traditional prosthetic finger Jerry has been able embed a ‘USB key’ – like the ones used in traditional flash drives – giving him the world’s only two gigabyte finger.

The finger is not permanently attached to his hand meaning it can be removed when plugged into a computer.

“It is not attached permanently in to my body, it is a removable prosthetic which has USB memorystick inside it,” said Jerry.

“When I’m using the USB, I just leave my finger inside the slot and pick it up after I’m ready.”

Jerry said he is already thinking about upgrading his faux finger to include more storage and wireless technology.

“I’m planning to use anther prosthetic as a shell for the next version, which will have removable fingertip and an RFID tag,” he added.

Not that losing a segment of a finger is the worst thing in the world, but it’s still nice nonetheless to see people finding creative ways to deal with inconveniences (if not disabilities) beyond their control. The real hero in this story, however, is me, for making it the entire way without making a single “thumb-drive” joke. Oh, damn it.

(Photo: NEWSTREAM)

[Toronto Star] This story has been bubbling up for a little while now, and we’ve been meaning to get an “in the know” guest on the podcast to discuss it (hopefully that’ll happen in the next couple of days), but Moonshin Tattoo in Mississauge, Ontario, has come under fire for poor record-keeping of its sterilization practices over a four-year period. A mandatory alert was sent out to all clients of the shop who visited during the period in question, saying that they may have been exposed to HIV, hepatitis B and hepatitis C.

Now, a $20 million class-action lawsuit has been filed against both the owners of Moonshin and Peel Region itself, with the suit claiming the latter failed to inspect the shop over that period, thereby allowing Moonshin to go on with its irresponsible practices. As the article states, “(p)ublic health authorities are required to inspect at least once a year personal services shops, such as tattoo and piercing studios, barbershops and others where there is a risk of exposure to blood.”

Truth be told, the chances of anyone having contracted anything are slim, but this is a clusterfuck any way you look at it. There’s no excuse for not keeping sterilization paperwork in order at this point, and even though the government is supposed to be monitoring that activity, when it comes to public opinion, situations like these do nothing but reinforce shitty stereotypes about tattoo and piercing shops. Well done, Moonshin.

[First Amendment Center] Oh, great, here’s a situation with literally nary a sympathetic party! Martin Robles and his shit-demon accomplice were indicted for breaking into a home in 2002 and killing two men, crimes for which Robles was sentenced to death in Texas. He lost an appeal, then made a last-ditch effort to file a petition for a writ of habeas corpus, claiming, among other things, that his First Amendment rights were violated during the trial. How so?

[He argued] that his religious-liberty rights were violated when the state placed into evidence his tattoo of a religious figure. As described in trial proceedings, the tattoo depicted “Jesus with a demon devouring his brains.”

Oh. That probably didn’t go over very well in Texas.

During the trial, the judge forced him to remove his jacket and show the tattoo, located on his shoulder, to jurors.

[…]

During the penalty phase of Robles’ trial, the prosecutor said:

“You have a demon eating the brains of Christ. … Now, I don’t know what that means, but to me it’s a bad thing. That to me is a philosophy. I don’t know if it’s satanic. I don’t know what in the Sam Hill it is, but if it tells you something about him as a person, that ought to tell you where his belief system is. His conduct shows you where his belief system is.”

Robles contended that the references to the religious nature of the tattoo and the “satanic” and “belief systems” comments by the prosecutor infringed on his First Amendment free-exercise-of-religion right.

Thank you, Texas judge, for forcing me to side with a double-murderer on something. I’m no lawyer (though I’m happy to dispense legal advice for a small fee), but offensive tattoos that don’t actually make direct political statements should probably be immaterial when deciding the fate of a man’s life, right? Unless the guy was killing priests—or worse, Jesus—I’m just not sure what role it should have played in the decision. There’s even a precedent set to that effect, which was consciously set in contrast in this case:

[U.S. District Judge Janis Graham Jack] distinguished Robles’ case from the 1992 case Dawson v. Delaware, in which the U.S. Supreme Court ruled that a defendant’s First Amendment associational rights were violated when prosecutors introduced into evidence his membership in a white supremacist group when such association had nothing to do with the underlying crime. […] However, the Court in Dawson pointed out that “elements of racial hatred were … not involved in the killing.”

But in Texas, a demon eating Jesus’s brain is, I guess, worse than being a white supremacist.

Applying Dawson, Jack determined that the question was whether Robles’ tattoo was relevant evidence to his underlying crime and violent nature. She concluded that the “tattoo constitutes evidence relevant to a material issue, i.e., Robles’s violent nature and the likelihood that he would commit future acts of criminal violence.”

What we should be taking away from this, in the end, is that Mike Beer will never get out of jail when he’s arrested.

This Week in BME


On this Friday the 13th, let us reflect on what we’ve learned from horror movies: You cannot kill Jason—you can only make him angrier. You can send him to New York, you can send him to Hell or you can send him to outer goddamn space…doesn’t matter. You’re just pissing him off. Perhaps it’s time to resign yourself to the fate that awaits you: no matter what you try to do, you are going to be killed by a psychotic hell-demon in a hockey mask, and tough shit.

(Tattoo by Billy Toller at Cherry Bomb Tattoos from New Port Richey, Florida, and the 2009 Philadelphia Tattoo Arts Convention.)

Well, quite a whirlwind of a week this time around, no? Let’s refresh our memories:

We spoke with Mike Beer, he of the numerous wholly tasteless tattoos. Reactions, as usual, were mixed at best. Evidently, not everyone is ready for “rape time.”

Atlanta kisses some ass (in the form of a tribute tattoo) to get an apprenticeship with Sean Philips. Mercifully, it worked.

There is a damn eyeball in that guy’s armpit!

We all told some great stories about getting our septums pierced.

The Flying Pink Sausage entered our lives.

We learned a simple lesson: Money talks and bullshit walks.

Alice got naked in the snow, just because.

Nacho’s first suspension was a complete success.

And that’s it for us today, folks. We’ll be around over the weekend though, as per usual. Sorry about no podcast this week—there were some scheduling conflicts with one great guest we had lined up, but we should be getting in touch with him in the next couple of days, so don’t you worry. At any rate, stay safe, have a good weekend, and as always, thank you for your continued support of BME.

BME’s Big Question #7: Microdermals, The Universe and Everything



Welcome to BME’s Big Question! In this feature, we ask a handful of the community’s best and brightest piercers, tattooists, heavy mod practitioners and shop owners for their opinion on one question or issue that’s affecting the body modification community. Many, many thanks to all of the contributors.

If you’d like to be a part of future editions, or if you have an idea for an issue or question you’d like to see addressed, please e-mail me.

This week’s topic comes (and features follow-up questions) from Rachel Larratt:

“How do you guys feel about doing microdermals? Is it the same as a ‘regular’ piercing or different?”

* * *


Meg Barber
I’ll step up to bat with this one.

I hate microdermals with a capital H. I think that while they do offer some possibilities that haven’t been seen before as far as placement and jewelry styles, they are problematic, hard to successfully heal for the long haul, and are just an all-around hassle.

I see a lot of them reject and leave pretty nasty scars, because most of the time the client isn’t looking at it on a regular basis (because of its weird placement) to see if anything is wrong with the piercing. I see a lot of them with massive piles of shmutz built up around them for the very same reasons.

People don’t tend to view them as “permanent” at all. It’s something to get done now, like an earlobe or nostril, and there is no forewarning about the issues that arise with them from most piercers.

When they started to get huge, I admit, we got on the bandwagon, but we have certainly backed off on our enthusiasm with them since watching issues arise. This past month, Vibe magazine had a blurb about microdermals in their fashion issue. It showed a piece on a girl’s side that we did, but what it didn’t show was me resetting that sucker back in there two weeks prior to the shoot because it had been shifting outwards.

I know that there are a lot of people gung-ho about them, and they can be fun, but I think they should be viewed much like surface work with a more permanent edge.


Ryan Ouellette
I was leaning towards a negative opinion of them a few months back, but then I started experimenting with longer stem lengths and now things are going a lot smoother. I’ve done about 250 of them over the last 18 months, I’d say the first 200 were 3/32″ rise, no matter the location. I was getting some tilting, and the occasional failure, but still maybe a 60-70 percent flat heal success rate. I think out of that initial 200 I personally removed maybe 15, and a few were cut out by other shops. Now with the 1/8″ and 5/32″ stems I haven’t had a single significant tilt or failure in about five months. The only ones I’ve taken out have been for work reasons, or people just not wanting them.

[Ed. note: Ryan adds, “I just checked my numbers on past microdermal orders and I’m under on my guess for how many I’ve done, but the success rates are still pretty accurate.”]

A big issue about them is removal. I’m the only shop in my area that takes them out without using a scalpel. I just use a needle and micro surgical hook to take them out without enlarging the stem hole at all. A lot of people are terrified of trying them because they think they have to get them cut out if they fail.

Overall I’m a big fan of them and I try to push people towards those over surface piercings for all nontraditional surface placements. With how easy they are for me to remove I don’t even refer to them as permanent. I just call them semi-permanent and offer future removal for free for any I’ve installed.


Rachel Larratt
Does anyone else offer free removal as standard practice with a microdermal?

Microdermal rejection scars look fairly extensive from the photos on BME. Do you suggest to clients the immediate removal at the first signs of rejection or do you generally try to reseat the microdermal?

In what situations have you refused to do a microdermal?


Ryan Ouellette
I’ve tried re-seating once or twice but now I think it’s just pointless. And I usually tell people that if they can see the foot through the surface and there is any redness it’s time to remove it before you get an ugly scar. But if I take them out early I get barely any scar at all.

I only refuse if the skin is too delicate to support the jewelry—areas like the inner wrist or high anti-eyebrows. Or areas where you get a lot of friction, like low hip placements.


John Joyce
I have a pretty high success rate with microdermals as well. In a lot of cases I think they are a much better option than surface piercings. However, I think it is the responsibility of the piercer as a professional to go over the risks and make sure the client understands them. A lot of people make a big deal out of their “permanence,” but honestly, removal isn’t that hard. Like Ryan said, they don’t need to be cut out with a scalpel, and a lot of the time I can remove them without even using a needle. Scarring really isn’t anything major with these and it’s a lot less than you would get with a rejecting surface bar.

The only area I’ve seen consistent problems with these is along the collar bones, especially more towards the shoulder. I won’t even do them in that area anymore. Most of the ones I take out now aren’t because of rejection, it’s because the person didn’t want them anymore, or, in most cases, it’s because they were done with inferior quality jewelry. I always remove them free of charge since it’s something the client can’t do themselves, and I don’t want them trying to.

I’ve done these in a lot of different areas. A lot of my friends, including my girlfriend, have some that are over two years old now. These are in places like the lower back, sternum, anti-eyebrow area and above and below a navel.

I have re-seated some that were not that old, and they healed up fine. I think this really only works if the piercing is still fairly new. Scarring keeps coming up, but honestly I haven’t seen any real scarring from these at all.


Meg Barber
I’ve had a 50/50 success rate with re-seating ones that are tilting; some work, some don’t. The areas I see the biggest problems are the back of the neck and cleavage, and the shoulder is a troublesome area as well, like John said.

We generally remove them for free, unless they were done elsewhere. I don’t cut them out either, just a little massage usually does the trick, although the feet with the big hole…those are a a lot tougher to remove, and sometimes need to be helped out with a needle. As for scarring, the worst I see tends to be on the rejecting nape placements. Lots of buildup with those, not pretty.

Are there any other placements you guys shy away from? We don’t do the thin-skinned areas Ryan mentioned, or hands or feet—too much trouble.


Steve Truitt
I do a lot of microdermals, and I also try to talk people into them instead of surface piercings when they come in for something like a sternum, anti-eyebrow, etc. I rarely take any out because of rejection—mostly I remove them because of issues at work/school, or the person just doesn’t want them anymore. I’d say from what I’ve seen we have about an 80 percent success rate with them.

I offer free removal if they were done at my shops, and sometimes even if they weren’t. There are a lot of shops around here that use the horrible ones made in Thailand/Korea/wherever it is that sell them for $1 or less. When educating people about them and why they aren’t working out for them, most of the time they understand what I’m saying and come back to get them done with the proper jewelry in them, so when it seems like a situation like that, I don’t charge for the removal.

When I remove them, I just massage the tissue until the heel can pop out, then pull them out. Sometimes I have to slide a needle underneath them to cut through the scar tissue that grows through the holes, but that’s only about 50 percent of the time. I’ve seen some scarring, but normally less than from surface piercings or other rejecting piercings.

If someone wants to keep the microdermal when it seems to be rejecting I’ll try re-seating them if there isn’t a lot of scar tissue built up already, or if there is, then I have them wait a few weeks till it goes down and can be re-done. The place I’ve noticed having the most problems with tilting out and needing to be re-seated more often than anywhere else is the lower-center forehead, the “third eye” position, or closer to the eyebrows there as well. I think this is due to all the movement in the area, so I warn people that come in for those before doing them.


Rachel Larratt
There are several variations: solid base, one hole, two holes and three holes. Which design do you generally prefer?

Steve Truitt
I prefer the Anatometal pieces with one large hole. I’ve used the IS and Wildcat pieces as well; IS are my second choice. The bases on the Wildcat pieces are a little too thick for my liking, and the finish isn’t as nice as the Anatometal and IS pieces.
The Anatometal pieces tend to heal much better and more securely in place in my experience, however that does make them slightly harder to remove than the others.

Stephen DeToma
I’ll chime in “thumbs down.”

I was really excited when I first saw them. I had a pair of them put in my forehead by Didier at Enigma a few years back and it didn’t take me long to start changing my mind. I’m also not a huge surface piercing fan to begin with so I guess I should have seen that coming.

The whole issue of removal was a great deal more complicated when people hadn’t removed them a whole lot. I don’t like doing them so generally I pass and book an appointment for the boss, but I’ve gotten very good at taking them out.

The biggest problems I see with healing is people’s inability to remember they have them: catching them, snagging them. I had one guy that had lost the top of an anchor he had in his nape while on vacation. The shop he went to put a 6 mm steel ball on the jewelry and he then spent a week in bed till he came to see me—the thing had grown out completely sideways.

But, curve balls aside, if someone is coming in to take an anchor out, removing the threaded end and attaching a threaded taper, gently enlarging the pocket under the tissue by stirring the jewelry a bit works pretty well for me. It feels a lot like losing a tooth; just kinda wiggle it until those threads let go. As Meg said, the large hole model is a little trickier.


Meg Barber
That’s how I take them out too, Stephen, although remember that one disaster you had to remove when you were guesting here? That thing was so scary!

Stephen DeToma
Yeah, that was one of the authentic “surface anchors” that has one half bent like a closed staple and an arm that holds the gem. It was the first time I had seen one and was a little puzzled. You can’t just wiggle those things out because of the shape; it’s similar to the old bar trick of folding a drinking straw in half and inserting it into the neck of a bottle to pick it up. For that one, I actually used the bevel of a needle to widen to hole enough to take out. That poor girl was completely freaked out.

That’s another thing about anchors: I think there’s just as many people who understate what can happen with anchors as those who get everyone all wound up about scalpel removal. I think it’s important to inform the client of possible risks without downplaying them or scaring the crap out of them, and also, to recognize the capabilities and limitations of anchors—meaning, they open options but they aren’t foolproof.


Meg Barber
As for the base I prefer (back to Rachel’s question), I like the IS ones for ease of removal, but the Anatometal ones for staying power. Those suckers are tough to get out though. I’ve got a client that got a “Madison” placement dermal, and it rejected three times with the IS one. I popped in an Anatometal one, and it’s going strong at about eight months now.

I’m pretty thorough when I explain the hows, whys and removal aspects of them, but not everyone understands, even after a talking-to. People see pictures of all this crazy stuff done with them (like eyelids) and then get irritated when they find out that they can’t just take them out when they want to and put them back in like a standard piercing.

My big question for all of you is how long do you tell your clients they take to “heal”? I tell mine that they will settle in after a few weeks to a month, but can never really be called “healed,” as there is never gonna be a neat little dry pocket around that base.

Also, what is your aftercare suggestion for them? Do you have your clients bandage them initially?


Ryan Ouellette
I tell people the “initial healing period” is about a month, but that it can take a few extra weeks to toughen up. I also tell them to wait at least six weeks to come in for an end-piece change, or to wait three months if they want to do it themselves. I cover all mine with a Nexcare waterproof bandage and tell them to leave it on for anywhere from one to three days depending on the location.

Allen Falkner
Microdermals hit about the time that I started transitioning out of piercing so I’ve only done a handful. So, it’s really hard for me to formulate much of an opinion. [Ed. note: But that’s never stopped you before!]

As for my like or dislike of dermal anchors…personally, I like them. Less invasive than traditional larger transdermals and if well-placed they hold up infinitely better than surface piercings. If anyone has ever read one my rants you’ll know I’m not a big a fan of surface piercings…but I don’t want to get too far off-topic.

As for removal, I’ve helped with a couple, but that’s usually because Allen gets roped in when it requires brute force. I’m definitely not shy about getting out “stuck” jewelry. As for price, well, I’m sure everyone has their own opinion. Me, I think all removal and most general maintenance should be free, no matter who put in the jewelry. It’s been my experience that people normally tip really well for a free service. Plus, it’s good for business and ultimately good for the community. Each crappy piercing that walks down the street or appears in the media is a blow to the entire piercing industry…and you know how it is. There is a certain satisfaction about fixing someone else’s mistakes that really makes doing your job worthwhile.


Meg Barber
Price is a good point. What are you guys charging to do microdermals? Do you include the foot in the price?

Our cost is $75 for the service, which includes the base, then the additional cost is what frontal you want on it—disks or gems or whatnot. And we take them out for free.


Steve Truitt
I charge $80 for one and $60 for each after (in the same session on the same person) with a disc on them. If they want gems, etc., the price goes up depending on the end.

Ryan Ouellette
I charge $70 for one, $130 for a pair, $60 each for three or more. Price includes standard disc ends; gemstone or alternate ends are an additional $10-$15 each. Free removal if I installed it, $20 if it was put in somewhere else.

I charged $80 when I was first doing them, but now with IS lowering their prices I can’t see charging that much. I only charge $65 for a surface piercing with an Anatometal flat surface bar and those cost twice as much as microdermal jewelry.


John Joyce
I charge $75 for one with a flat disc, more if they want a gem. Each additional one done after that I take a little off the price. Free removal whether I installed it or not.

Stephen DeToma
I believe were running $50 for a basic disc, $75 for gems.

John Joyce
Since we’re talking microdermals, I’ve had two different people come in over the last two days that both had microdermals done on their sternums at a different shop in Syracuse. One girl’s fell out within a day, and the other girl’s was sticking way out and was about to fall out. I’m not sure what method was used to put these in, but there was a huge pocket made. In the one that was still in, there was a gaping hole around the post of it. The rise used on both of them was far too long for these girls as well.

I think most people in this forum are probably getting somewhere in the 85-90 percent success rate with microdermals, but I think it’s really important to remember that we aren’t the majority of piercers out there. There are going to be a lot more piercers only getting 50 percent success rate or maybe 75 percent at best. This could be from any number of things: using poor quality jewelry, poor installation technique, poor aftercare, poor placement, or just not really understanding what a microdermal is.

My point is, with piercing, but especially microdermals it is important for the client to do their own research first. It is also important for the practitioner to make sure they fully understand microdermals, and how they work.

What do you think? Let’s hear it in the comments.

* * *

Please consider buying a membership to BME so we can continue bringing you articles like this one.

New Article Posted! (Mike Beer Interview)


Mike Beer and his offensive tattoos have received their fair share of attention on ModBlog, and the reaction has been … mixed, to say the least. Since the dawn of time, humans have wondered what goes through the mind of a person who devotes his skin to tattoos of jokes about child rape, transsexuals and gay Nazis. Today, we get a little closer to answering these questions. I will mention, however, that almost all of these tattoos have been featured on ModBlog previously, but the interview is brand new.

To read The Man With the World’s Most Tasteless Tattoos, click here.

[Ed. note: Comments on this post have been disabled. Go nuts in the forum attached to the article. Thanks.]

The Man With the World’s Most Tasteless Tattoos


Mike Beer and his offensive tattoos have received their fair share of attention on ModBlog, and the reaction has been … mixed, to say the least. Since the dawn of time, humans have wondered what goes through the mind of a person who devotes his skin to tattoos of jokes about child rape, transsexuals and gay Nazis. Today, we get a little closer to answering these questions.

Note: Most of the tattoos featured in this interview have been featured previously on ModBlog.

BME: First of all, tell us about yourself.

Mike Beer: Well, I lived in Northern Virginia my whole life, but recently moved to Atlantic City, New Jersey, to play in my band, Call The Paramedics, full time, as well as to be surrounded by assholes like myself. I have been getting tattooed since I was about 17 and am now about to turn 23. My first tattoo was a small hand-poked pentagram on my ankle, which I have had fixed so that it no longer looks like garbage, but I’ve had mad love for Satan since the beginning.

Humor is very important to me. However, since I would say I am rather desensitized to almost everything, the things that are hilarious to me are not very amusing to others, which is what brings us to this interview.

BME: Indeed it does. Have you always been an attention whore?

MB: Yes, I’ve been an attention whore for pretty much as long as I can remember — mainly because, when I was real little, my parents would beat me, lock me in the cellar, and occasionally make me put put on sex shows with our German Shepherd for them and all their friends while they would drink moonshine and throw dixie cups of scalding hot water on me. (Throughout my childhood, our dog Roxy was my best friend.)

I guess nowadays I’m just finding my outlet for all the pain and humiliation I endured as a kid … or maybe I just want to have an excuse to take off my clothes in front of strangers and everything I just said was a lie. Who really knows?

BME: Alright, enough of your yarns. How would you describe your sense of humor? What’s funny to you?

MB: I’d have to say my sense of humor is a cross between “modern” and extremely ignorant. I’ll make a joke out of anything: cripples, old people, blacks, Jews, Mexicans, whites … and any other things I may have forgotten. Your dog dies? Funny. You have a death in the family? Funny. A girl and her boyfriend have been trying for a long time to have a child, they finally get pregnant and eight months into the pregnancy she has a miscarriage? Hilarious. But don’t worry folks, whatever I dish out I can take in return.

BME: So it’s less to do with being funny and more to do with being an awful human being. Got it. Anyway, your declaration of love for Satan aside, what was the first “offensive” tattoo you got? Tell us about it.

MB: First “offensive” tattoo I got was the man with a pussy eating himself on my leg, although nobody ever really found it to be offensive. Shortly after getting that, I got the chick with a cock shitting on herself. Both tattoos were done by Eric Doyle at Jinx Proof Tattoo in Washington, D.C. Many people were not happy with chick with the cock, so I’d consider those my first offensive tattoos. I originally just wanted the guy eating himself and at the last minute decided he should have a pussy. The idea for the chick with the cock was merely an attempt at some kind of symmetry on my legs. And again, the poop was added last minute.

BME: Hey, when you’re right, you’re right — the poop certainly adds a certain je ne sais quoi to the piece. What came next?

MB: If I’m not mistaken, the white power unicorn tattoo came next. It was all downhill from there.

BME: The white power unicorn is offensive to pretty much every imaginable group. What was the thought process behind that one? Did you feel like you were crossing a certain threshold once you got a Nazi swastika tattooed on you, the ridiculous context and the fact that it was for the sake of a joke notwithstanding?

MB: The Nazi unicorn was also pretty spontaneous. My buddy Jason wanted to tattoo this piece of unicorn flash and couldn’t find anyone who wanted it, and I was obviously game under certain conditions — that is, I told him it had to be the most hateful unicorn ever. The best reaction I’ve ever gotten was, “How could something so beautiful be so ugly?”

For the record, I am not a Nazi — I just like to make fun of everything. People need to lighten up, and if they don’t like what I’m about? That’s fine with me, join the rest of the crowd. I didn’t really feel like I crossed over some kind of line, but that is pretty much when I decided that damn near every tattoo I got from then on needed to come close or outdo the last one, and I’ve been making good progress, with plans for much more.

BME: Have you gotten any memorably bad reactions to your work?

MB: Nothing that really stands out. I’ve noticed my mom on several occasions looking at the trannies on my legs; she knows that they are there but never really says anything. I’d imagine she is just bottling it up deep down inside and never letting it out. I’ve had trannies actually come up to me after they saw my legs, and they thought it was hilarious. Surprisingly enough I’ve gotten the most negative response on here, which is funny because some of the most horrible things I’ve seen were on BME. It’s kind of ironic.

BME: While I’ve got you here, why don’t you tell me a bit about your band.

MB: Well, I play drums in Call The Paramedics. We’re Atlantic City–based scumbag death rock. I guess our music could be described as Cannibal Corpse raping AC/DC while El Duce narrates. We attack the crowd, our singer cuts his face open, I blow fire, and this is all accompanied with massive amounts of cocaine. I’ve been told the music is pretty good too. You could say we’re for fans of GG Allin, rape, dirty needles, golden showers, cars parked in front of handicapped ramps, elderly shut-ins, and people broke down on the side of the road due to massive car pile ups from wandering stray dogs on the highway.

BME: Well, that sounds … great. Does anything offend you? Do you think it’s possible to go too far? Humor me here.

MB: Eh, not really. There are plenty of things that I think are wrong, but it doesn’t mean I won’t make a joke out of it. For example, I love animals, but I just got a dog in a kennel being put down tattooed on my leg. I would probably never rape a little kid, but I have “It’s rape time” with candy and little kids’ body parts tattooed on me, and so on. I live in an area and am friends with some of the most rotten people on the planet; around here it’s an ongoing battle of who can really lower the bar. I just want to fit in, you know?

BME: Nice of you to mention that you’d “probably” never rape a little kid. Classy. So where do you go from here?

MB: Aside from hell?  There is nowhere to go but down. Oh, for all the ladies on here, holla at me. I’m a great “bring-home-to-the-parents” kind of guy.

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This Week in BME


And finally, to celebrate Toronto’s record-breaking heat today, here’s a shot of the lovely clockorange doing her best impression of a palm tree after doing some light dreadlock maintenance.

Kind of a big week around these parts. In case you missed it:

We were cold killin’ unicorns.

Pretty women wore nightmarish animal heads.

We saw the Fnords. (Or did we?)

BME Shop now features 25 percent more penis owls.

The BME Podcast arrived, featuring very special guest Allen Falkner!

A couple of dudes showed off their pussies, what’s the big deal?

And that is that, friends. We’ll be here over the weekend and should have a new article for you at some point, and if all goes well, another podcast early next week. Until then, enjoy Watchmen, give Rampage your love, be safe and, as always, thank you for your continued support of BME.

Full Coverage: Links From All Over (March 6, 2009)


[Whoa, Momma!] So this slutty sex doll, whatshername, Barbie, took a break from getting abortions and giving herself roofies to get some tattoos, just in time for her 50th birthday! This week’s overblown and self-important tattoo-related outrage comes from various people who are VERY OFFENDED that international drug cartel Mattel has released “Totally Stylin’ Tattoo Barbie,” a children’s toy that comes with 40 different temporary tattoos that will keep this bitch from ever getting a job, as well as a “tattoo gun” for the kids to give themselves their own temporary tattoos, which is completely inappropriate, apparently.

Yes, that’s right, a tattoo gun so instead of applying it with a wet wash cloth, 8 year-olds can simulate that milestone in every minor’s life experience of actual needles pumping permanent dye into their growing bodies.

Again, this has nothing to do with tattoos for consenting adults, but everything to do with age-appropriate toys. And in my humble opinion, the age 5 designated on the box is off by about 20 years and a hepatitis C shot.

This piece was squeezed from the mindgrapes of the Suburban Diva herself, Tracey Henry, who is positively aghast that CHILDREN will be using a FAKE TATTOO GUN, which is really just a stamp, essentially, but righteous indignation over stamps doesn’t get you featured on CNN, I guess.

There will be some who disagree, pointing out that Barbie is just keeping up with what’s in style right now and that this is merely a toy that kids can play make-believe like other adult activities.

I counter that bellbottoms and leg-warmers didn’t need to be removed with laser treatments and Barbie’s Dream Wedding gown didn’t come with bottles of Tequila for a pretend open-bar reception.

In conclusion, Tracey Henry was probably paid to write this.

[The Live Feed] Because there aren’t quite enough tattoo-related television shows, it was just announced that A&E will be airing Tattoo Highway, a reality program in which Thomas Pendleton, formerly of A&E’s Inked, will continue to tattoo people on camera, but there’s an important twist:

In “Tattoo Highway,” Pendelton and his wife and business partner, Monica (who also appeared on “Inked”), have transformed a 1970s tour bus into a mobile tattoo parlor. They will travel to cities including Las Vegas, Los Angeles, Phoenix and Salt Lake City, inking customers.

Boom. Nailed it. The bus angle worked wonders for Bret Michaels and his skank-banging, so it should really come as no surprise that others are picking up on this as the next big thing. I see big, big things for the future of reality television—big, bus-related things. The network is clearly thrilled about the prospect:

Executive producer Bob Horowitz said the traveling element will differentiate the show from previous tattoo docusoaps.

“All the other series have been based in tattoo parlors,” he said. “Here the premise is this is the first tattoo parlor on wheels, and he goes where the stories are. Imagine all the things that can happen when you take something like this on the road and all the things that can happen.”

Never mind that Horowitz is shamelessly hyping what is by far the worst part of these tattoos shows—namely, that great tattoos must have some big and important story behind them—but man, how exciting does he think a husband and wife going on a road trip is going to be, vocation notwithstanding? Are they going to be chased by land pirates? Did Dennis Hopper plant a bomb on the bottom of the bus that’ll explode if the speed falls below 50 mph?

“From the creation of the art to the environment that I tattooed in, it has always been about my customers’ experience,” Pendelton said. “In a street shop, it was easy to forget just how personal that experience should be. Rolling up and parking the shop right in the middle of someone’s life, well, there is nothing more personal than that.”

AND THEN THE BUS EXPLODES! No? OK, fine, whatever.

(Hat-tip to Warming Glow, a new teevee blog venture by man’s man Matt Ufford. Go read it.)

[Needles and Sins] Speaking of new blog ventures, fiery redhead and friend of BME, Marisa Kakoulas DiMattia, has escaped the evil (not so evil?) clutches of Needled and has struck out on her own with Needles and Sins, which promises the same lurid, untamed filth we’ve come to expect from her. Today, she offers a thorough review of the iPhone’s new “Tattoo Shop” application, which lets users ruin their perfectly good photos with the demon’s ink. Some of her findings included:

– [T]he biggest problem: the choice of artwork or lack thereof — and I use “artwork” almost facetiously. SonicBoom partnered with flash peddlers TattooJohnny.com but instead of loading up on, say, the cool Bob Tyrrell and Tim Creed commercial designs, the app finds itself heavy on the old Cherry Creek-styled jammies — aka tribal armbands abound and pin-ups with big 80s hair.

[…]

– [T]he leafy panties on the female belly skin is just disturbing. It looks like lettuce is growing from her vulva to her waist. It did make me hungry for a nice Greek salad though. [Ed. note: Gotta say … that description had the opposite effect on me. Thanks, though.]

[…]

– The coolest thing about the app: using your own photos or being able to take one on the spot. I shot my non-tattooed sis to let her see what she’s look like with a Tyson tribal on her face. As the kids say, “Hawt!”

Listen lady, I know you think you’re all hip now that you’re back in New York, but the kids aren’t saying “Hawt!” The kids are riding buses, everywhere, into each others’ lives, and raping each other, with Barbies. Nice blog, though.

New Article Posted! (BME’s Big Question)


In a mini-edition of the vaunted BME roundtable, our esteemed panel (with newcomer Tracy Baer!) discusses the benefits and pitfalls of dealing with the media as a body modification practitioner.

We should have another article coming up this week, and, if all goes well, a brand new feature that we’re pretty excited about. Stay tuned!

To read BME’s Big Question #6: Fameballin’, click here.

[Ed. note: Comments on this post have been disabled. Have at it in the forum attached to the article. Thanks.]

BME’s Big Question #6: Fameballin’


Welcome to BME’s Big Question! In this feature, we’re going to ask a handful of the community’s best and brightest piercers, tattooists, heavy mod practitioners and shop owners for their opinion on one question or issue that’s affecting the body modification community. Many, many thanks to all of the contributors.

If you’d like to be a part of future editions, or if you have an idea for an issue or question you’d like to see addressed, please e-mail me.

This week’s topic comes from Allen Falkner:

“The media. We’ve all dealt them. How do you feel about the media? Have you had good or bad experiences? How do you decide who to talk to and who to avoid? Maybe name one of your most memorable media experiences.”

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Meg Barber
I’ve had good experiences overall with it. In previous shops I’ve worked in, there have been the usual newspaper interviews, appearances on the news and radio, etc. I’ve done scarification for one local paper for their “Beat the Winter Blahs” issue; the cover was me cutting, so that was fun and pretty cool.

Here at Venus, media is our best friend. We love the media. We have had high level celebs in the store, with paparazzi lined up outside shooting in, and we use that footage to our advantage with our Press Kit that we use as a display piece in our lobby. Instead of having portfolios and stuff sitting around, we have our Press Kit, and it really gets people talking and excited to be pierced by the same studio and piercers who have worked on their favorite celebs, and we have the media to thank for that for sure! I mean, without the media, those people aren’t really all that special.

Of course, there is always the downside of overzealous reporters trying to trace a hepatitis outbreak to the rise of tattoos and piercings in the nation, who come snooping around and spreading bad press. But in my experience, that’s few and far between these days, and not really too much of a concern, really. When something like that pops up, you write your little letter to the editor, throw some facts at them, and forget about them.

I think, to an extent, this question ties in with the Internet question as well, and Internet media is becoming more prevalent. With sites like Digg occasionally putting up tattoo- or piercing-related stories or photos, there is more exposure to our work than ever, and as long as it looks good, that’s never really a bad thing.

Oh, here’s a story. I really should let Maria Tash tell this, but it’s too funny to pass up …

Years ago, she was interviewed over the phone by CBN. She didn’t realize at the time what it was — she was thinking in her head CBS or CNN. A few weeks later, a client comes in to tell her he saw her picture on TV … on The 700 Club. She was being referred to as one of the most evil women in America, and her quotes about the beauty of piercing were all turned into pro-satanic remarks, essentially. You can never be too careful.


Steve Truitt
I’ve had good and bad experiences with the media. I’ve worked with the Discovery Channel and National Geographic Channel several times, and they’ve always been really easy to deal with. They didn’t try to portray us in any particular way, more like, “This is what’s going on and you should make your own opinion about it,” which is nice for a change since a lot of the stuff we do is usually portrayed in a negative, or shock value type of way.

I’ve also worked with several big budget feature films and had fairly good experiences. Most recently we did suspensions in a scene in the movie Game, which should be released this summer or fall. The people making this movie were really interested in what we were doing, they did everything they could to provide us with anything we could possibly need and make sure we were safe and comfortable, and weren’t trying to portray us as freaks or negatively in anyway in the scene.

The only time I’ve had bad experiences have been when dealing with local media, like news stations. We were interviewed about suspension for a news segment several years back. They asked questions about the popularity of suspension, the safety issues, possible complications, why people did it, etc. When the piece aired on the news a few days later they had changed all the questions being asked to be about tongue splitting and surgical modifications, and chopped up our answers and rearranged things we said to fit their new questions that they never asked us. They did that to make it more shocking and to make us look really bad. After this and hearing similar stories from quite a few other people who have done interviews for the news (not just body modification related either), I stopped talking to news reporters at all and won’t deal with them again.


Tracy Baer
I’m not a tattoo artist, but I play one on TV …

Does that count as media experience?


Meg Barber
Oh whatever, you’ve been in the paper about a million times!

Tracy Baer
I have, and it’s been a double-edged sword for sure.

The news story that was filmed on Halloween, while I was dressed as a vampire, and then didn’t air until after Thanksgiving was probably the worst thing. I looked like a goth kid, and they took bits and pieces of what i said to make a paragraph that was to the editor’s liking.

It was horrible. The one thing that sticks in my mind is the question of why people get tattooed. My answer was long and drawn out — that, I believe, was my mistake. It was edited, and the only answer they played was, “People get tattoos for vanity’s sake.”

Seriously. I gave them at least 10 other reasons that I could think of. So, there I was, dressed up as a vampire on the evening news, talking about how people only get tattooed for vanity’s sake. I was mortified.

I think I’ve learned from my mistake on that one, though.

In more recent media coverage, I’ve had better luck. The last few were positive. The interviews have been upbeat, educational, and well rounded, as well as beneficial to my amount of business and new clients. I’m not sure if it’s the fact that body modification is more widely accepted, or that the person interviewing was more open to the idea of tattooing as a legitimate career.

Either way, I feel like the horror stories in the news are being overshadowed by the positive ones. That being said, there’s definitely a place for the horror stories. Individuals who take this industry for a place to make a quick buck need to be brought to everyone’s attention.


Meg Barber
I agree. The bad side is that the shows that go over the dangers never point the finger at the troublemakers directly. No investigative reporting happenin’, you know? And it should happen: send the undercover person in the shady shops with the bad reps to see what’s really up. It could really shed some light on those places, encouraging people to make smarter choices.

Allen Falkner
I think everyone agrees on the most important point. Depending on how the media wants to spin the story you can be presented as an articulate professional or you can be edited to sound like a fool and a hack.

It’s been my experience that the media that focuses on documentation pieces, National Geographic, The Learning Channel, Discovery Channel, etc. tend to tell the story in such a way that the subjects are shown in a positive light. Granted, there is normally some added sensationalism infused into the story, but that’s what sells, right? However, even if the story is given a commercial flair, these production companies know better than to make people look bad. These kinds of pieces are built on mutual respect and trust. If they violate that, then their chances of working with that culture might be virtually impossible in the future.

Now when it comes to other types of media that are simply doing a one-off piece, the person being interviewed must be more careful. I’ve been burned more than once by agreeing to something without having all the facts. Once I had a live debate on TV and it was obvious, about 30 seconds in, that the topic wasn’t about piercing. It was a witch-hunt and yours truly was the witch. Oh well, you win some, you lose some.

I guess my advice would be to do your research. Find out as much as possible about the person and/or company doing the interview. In general, writers and production companies stick to a specific style. If you can get your hands on some of their previous work, you should be able to get a sense of what direction they might take it, and ultimately how they could portray you.

The old saying is, “Any publicity is good publicity.” But, when you’ve had little to no exposure, bad publicity can really hurt you in the long run.

What do you think? Let’s hear it in the comments.

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