One Helluva Party

Lot’s of our readers know Allen Falkner as THE major innovator in modern suspension. This is an accurate way to think of him, but around Dallas he is known for more than just hanging from hooks. In Dallas, as well as beyond, Allen is also infamous for his ability to throw one hell of a party.

The Freaks and Fetish event is the preparty for The 2010 Dallas Suspension Practitioners Convention and will take place on Friday April 2nd. This year’s event will showcase performers and guests from around the world:

-World champion pole dancer Pantera Blacksmith

-Finland’s Snake Oil Sideshow

-The Return of Pain Solution from Norway

-Of course, returning to the role of MC is everyone’s favorite green darlin’, The Lizardman!

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With all of the freakish thrills and sexy frills, this is a party you won’t want to miss.
For more information and ticket prices please visit The Church.

Everything you ever wanted to know about Penguin Boy

Editor’s Note: Once again it’s been way too long since we’ve heard from The Lizardman himself.
Let’s give Erik a big hearty modblog “Welcome Back”!
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Time moves fast on the internet. It has only been a little over a week since the images of Penguin Boy’s first suspension hit modblog and created a stir but that entry is already more than a couple pages back from the main page. I have been living and working Penguin Boy as part of the Hellzapoppin Sideshow and managed to pin him down for a few questions and photos. Click through to read and see more of Penguin Boy.

Jason “Penguin Boy” Brott was born twenty-four years ago at Walter Reed hospital in Washington, DC. He currently lives in Glen Burnie, Maryland when not working on the road as a sideshow performer. He has two older brothers and an older sister. The condition behind his lack of arms and fused knees is a form of TAR Syndrome which he explains as “short limbs and low platelets”. The name Penguin Boy was chosen not only due to his hands (both left incidentally – one of only five people in the world with that manifestation) but also because he is the same height as the average Emperor Penguin; 3’3″ not counting his mohawk. When it comes to being stared at he has an interesting philosophy, ‘it’s like a hot chick – people are going to stare no matter what, so why not be a stripper and get paid for the stares.’ Of course, people tend to, at least initially, ask questions about how he is able to perform many ordinary tasks. I’m simply going to say that after spending time with Jason he is far more capable and self-sufficient than the majority of so-called ‘able-bodied’ people. I wish that everyone I ever had to share a tour bus with were as self-reliant as him. He can wipe his own ass just fine and he doesn’t have to worry about jerking off because your girl is usually backstage going down on him.

Long time readers of BME and IAM’ers may recall that Penguin was active on the site some time ago but as he put it “something happened with my account” and he never got around to getting it completely sorted out. The pictures that appeared on modblog not only showed his first suspension (a two point suicide pierced and rigged by Allen Falkner) but also revealed his already long term appreciation of body modification in the form of tattoos, piercings, and scarification. I asked him about what drew him into trying suspension and he told me;

“I have always liked body mods and it just felt like something I had to try I think I first discovered it [suspension] when I was 16 or 17 at the first tattoo shop I worked at – mystic piercing and tribal tattoo.”

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Penguin’s current modifications include: One and a half inch stretched ear lobes, two sixteen gauge horizontal surface piercings over the right eyebrow, eight gauge septum, fourteen gauge horizontal nipples, scarification on both wrists, and several tattoos including pieces around his throat and on either side of his head. Penguin doesn’t recall who did his piercings but the scarification was done by John Durante and his tattoos were done by various artists including; White Trash Matt, Mike Stephen at Mystic, Blake at Mystic, Halo at Positive Image, Buffalo Bill, Kylee, Mark Decker, and Aaron at Shiva’s. His future plans include a split tongue and expanding his tattoo collection over his body becoming ‘The Illustrated Penguin Boy’. He also looks forward to doing more suspensions.

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In terms of of sideshow, Penguin Boy is definitely on track to become one of the greats. As he puts it, ‘I’m going to be a triple threat – a born freak, a made freak, and a working act performer’. I asked him what he thought of the word ‘freak’ and this was his response:

“The word freak to me is really when a chick wants to give you a golden shower [laughing] but really everyone is a freak in their own way.”

Penguin got into the sideshow when he was spotted by Bryce ‘the govna’ Graves at Ozzfest. Bryce was managing the Bros Grim Sideshow at the time but has recently created his own show, Hellzapoppin ( http://www.hellzapoppin.com ) that features Penguin Boy doing his versions of the blockhead, pierced lifting, and more. Penguin was at Ozzfest hanging out with friends after having worked “hyping for Wolfpac and sometimes Kottonmouth Kings”. He has his own music project; lowercasej – in addition to working in sideshow. Penguin says that his family is all right with his working in a sideshow but that it did take them a little time to make the adjustment. Fans should check out http://myspace.com/jasonbrott for even more.

Tattoo Hollywood, Day One: Lizards, Leg-Humping, Air Sex and More


Well, the first day of Tattoo Hollywood (yesterday, that is) went off with nary a hitch! A solid Friday turn-out, plenty of great work and very few indications that there will be any sort of East coast/West coast dance-off at any point. After the jump, lots and lots of pictures.

It’s the BME booth! It’s always nice to have friends stop by and work for free.

Here we have Aaron Is out of Bunny Brigade, who was apparently hit in the groin with a football immediately before this picture was taken, going to work on Melanie’s leg.

Bob Roberts and Norm, hanging out in the front of the Spotlight Tattoo booth.

“Oh my God, are you taking my picture? I am so surprised! I was not expecting this at all!”

Meg, making sweet love to the Hollywood skyline.

The entertainment for the weekend consists largely of our old pal The Lizardman and Joel Keith, pictured above. Earlier in the day, we’d overheard a member of the hotel staff say they hoped any comedy or performances would be kept PG-13. Joel, of course, took the stage and immediately launched into an Air Sex exhibition, which is like air guitar, but with slightly more imaginary semen. He was promptly arrested and thrown into the Sunset Boulevard gulag, forever.

The Lizardman worked a little blue (and a lot green! Hi-oooo!) as well, but who can stay mad at a punim like this? We hadn’t seen his act in quite some time, but his transition from straight sideshow into a more comedy-heavy act seems to be working out well. I wish I had a rebuttal to his argument that, when it comes to George W. Bush and Nickelback, Canada currently has more to answer for on account of the latter still being active while the former has been put out to pasture, but I just don’t. Goddamn you, Nickelback.

And then, of course, there is your editor, who typically ends up being the entertainment for the entertainers. Whether it’s our utilitarian Gap button-down shirt or Young Republican hair cut, The Lizardman seems fairly convinced that we’re a narc, and so Dr. Ho attempted to rattle us by vigorously humping our leg. We just stood there stoically, dying a little on the inside with every passing second.

The refractory period.

And what would a convention be without a little friendly competition? Here, of course, is the judges’ table. It’s good to be a judge.

Among the contestants for Tattoo Of The Day was the aforementioned Melanie, sporting a piece by the also aforementioned Aaron Is from Bunny Brigade.

Here we have Jameson wearing a piece by Grant Cobb out of Spotlight Tattoo.

That’d be Nick with fresh work by Brian at Tattoo Gallery in Huntington.

And finally, Dareo’s brand new piece by Klown at Lifestyle.

We’ve got much more coming, so keep checking back!

All photography by Phil Barbosa, Thaddeus Brown and Jen Savage.

Tattoo Hollywood, BME’s first tattoo convention, is going on right now in Los Angeles from August 21-23, featuring contests, prizes and some of the best artists from around the world! Click here for more information.

BME Presents Tattoo Hollywood!


Whoa hey, so here’s some news! Coming this August is the inaugural Tattoo Hollywood convention, presented by BME. That’s us! Awesome, right? We’ve partnered with Bob Roberts’s World Famous Spotlight Tattoo, rounded up some of the best tattoo artists around and, for three days in August, will be playing host to a back-to-basics tattoo convention that we’re all pretty excited about.

The workhorse here, however, has been BME headmistress Rachel, who has been busting her ass and is far more qualified to speak on the subject than I am. So, on that note, take a look after the jump for a quick interview I did with the boss-lady, which should explain a bit more fully what this is all about.

BME: Whose idea was it to put together Tattoo Hollywood? Who’s been involved in organizing it?

Rachel Larratt: It was actually my idea. I’ve always wondered why there wasn’t a convention right in Los Angeles; there are several in the surrounding areas but nothing downtown and nothing in the Hollywood area ever since InkSlingers stopped hosting their convention. I started scouting out hotels and locations and figuring it out by which convention spaces had the best location, the best hotel associated with it and the right vibe so that the artists and attendees can have a really good time. That’s what a convention is for most artists: First and foremost, it’s a working vacation for them. I wanted to provide a space that allowed artists to be relaxed and comfortable and a safe environment to get an amazing tattoo for attendees.

So, like I said, I’ve been organizing it myself until recently when Norm from Spotlight Tattoo got involved. He’s done a great job helping me put together an impressive line up of some of the world’s best tattooers. We went back to the old school way of putting on a convention. Instead of it being a free for all, it’s an invite only convention for artists so everyone meets a minimum requirement of quality and professionalism with their art.

BME: What are some of your favorite conventions to which you’ve been? Did any inspire you while planning Tattoo Hollywood?

RL: I’ve probably only worked about 15 conventions over the past 11 years. I’ve attended several and have probably been speaking at or hosting a booth at more in the past two years than I have over the past decade. The conventions that I have gone to have been in Chicago, several in Texas, New York, Long Beach, Philadelphia, several in Europe as well as Canada. While I haven’t been able to attend a Hell City convention, I’ve heard they are some of the best out there.

After visiting the Philadelphia convention, I really felt like I wanted something in the town that I live in. Troy puts on a great convention; everyone has a good time and he really knows what he is doing. As far as L.A., it seems like driving an hour to go to a tattoo convention when you live in a major city is out of place. I wanted something right in the heart of L.A., which everyone knows is Hollywood, and I wanted to do it right.

BME: How much larger are you expecting the lineup of artists to get?

RL: We are planning for approximately 120 booths. We currently have the majority of them sold out but there should be about 200-plus artists attending. We wanted to keep it smaller as far as booths are concerned so that everyone is busy. We want the artists to be able to come out here, have a great time and keep occupied, because they can’t attend conventions without being able to work. When you cram too many artists into one space, there sometimes isn’t enough work to go around. As of right now, we have one of the most impressive lineups I have seen in a while, save for the major conventions. For our first year, I’m really happy with where we’re heading. It will only get better!

BME: You’ve mentioned that part of your motivation to put together this convention was to create an event that was focused solely on tattooing—why do you think conventions have become diluted with, as you said, an increasing focus on tangentially related interests (extreme sports, etc.)? Not that a convention necessarily needs a philosophy, but is there a particular one behind Tattoo Hollywood? What makes this convention different?

RL: I don’t feel that this convention is necessarily “different,” I’m just going back to the way things used to be done. While we do have The Lizardman booked to MC the event and handle contests (as well as perform his impressive side shows), I didn’t want to succumb to the ADD mindset where 600 things need to be going on at one time. A tattoo convention doesn’t need to have 45 bands playing to bring people out; half the time you end up seeing people who aren’t even interested in tattooing showing up for the event. I understand that other conventions do that because their convention is a business for them, but I don’t feel that tattooing should be an additional component—it should be the main attraction. Attendees should be coming to see the amazing artists from around the country and the world working. For most people it’s a once-in-a-lifetime opportunity to get work done by an amazing artist who usually isn’t in their area. We’ll still have fun after-parties for the artists and attendees but, during the convention hours, it’s all about tattooing.

BME: That said, is this strictly a tattoo convention, or are you planning on having other activities (piercing, etc.) on the grounds?

RL: This is definitely something I want to address, as the question of, “Is this is a ‘body modification’ convention?” has been asked because it is BME’s convention. Due to restrictions with California Law, the only body modifications that will happen at the convention are tattooing and piercing. Scarification, implants, etc. are forbidden under California Law.

There will be a very select few piercers as well, because I don’t want to put too many piercers in one room and have it end up like a swap meet with people price shopping; that’s not what I want. At the Philadelphia convention, all of the piercers sat down as a group and agreed on a price list, and it made it so everyone was able to work without being undercut.

BME: Anything else we desperately need to know?

RL: What more could you need! But seriously, I’m thrilled to be working on a project like this, and I’ll do my best to keep everyone in the loop as more information about attending artists and after-parties and whatnot is ready. Here’s hoping we get to see lots of you there!

***

Pertinent Information:

Passes: $20/day, $40/weekend, $100/VIP (includes access to VIP/artist parties, shorter access lines, etc.)

Where: The Grand BallRoom
Renaissance Hollywood Hotel
1755 N. Highland Ave.
Hollywood, CA 90028

Click on the link to book your discounted room rate online: Marriott.com

Rooms are $159/night. Please call 1-800-769-4774 to book your rooms over the phone. Our discount code is “Tattoo Hollywood”. Reservations by attendees must be received on or before Thursday, August 13, 2009 to guarantee your discounted rate. Please remember that it is important to book your rooms at the host hotel so that we may continue to offer great rates for attendees.

For more information, visit TattooHollywood.com!

And Here Is Your Dallas SusCon Photo Update


Hey, it’s SusCon weekend in steamy Dallas, Texas, and while I couldn’t be there, lots of friends were, so let’s look at some photos of the festivities, yes? First of all, as we mentioned previously, Allen Falkner turned 40 yesterday, and what you see up there (in a picture by Angela Poon) is a project coming to fruition after three years in the making: Three years ago, BME’s own Phil Barbosa had that oversized portrait made and orchestrated having it sent all over the world with various travelers, picking up signatures at every stop, with the intention of surprising Allen with it on his fortieth birthday. And hot holy damn, it all worked! I haven’t received an official report about his reaction, but I can only assume that he has not stopped crying, seeing as he is old and infirm now. (Kidding!)

Take a peek after the jump for some more good stuff.

Oh, these photos are courtesy of Brian, who, as you can see, is up to his old tricks, molesting every young man that isn’t nailed down. Thanks Brian!

Earlier in the week, I mentioned that the ihung team would be building an even bigger PVC-pipe suspension dome than this one, and hey, there are Scot and Mikey, testing the structural integrity of the revamped version.

And there it is in all its glory. That is goddamn awesome.

It appears that, left to their own devices, the SusCon attendees quickly formed roving gangs. I believe this crew of outcasts prefer to be called “The Yellow-Jacket Boys.”

You may have noticed little ads on the side of the page over the last little while advertising a freak show/performance/etc. for Allen’s birthday and to kick off the SusCon, and this, of course, comes from that show. Here is Havve, who is one of the greatest performers around, offering a sober discussion on how the Norwegian banking system differs from the failing American model.

And here is a scary dinosaur of some sort, caught in one of Allen’s patented dinosaur traps. He will be thrown on a barbecue later on today, and devoured by everyone in attendance.

Check back soon for more updates!

This Week in BME


Hey, holiday symbolism! And before anyone jumps in to criticize, those hand-web piercings are one day old. If they look fresh or irritated … that’s why.

And just like that, friends, another week is behind us. What kinds of hilarious hi-jinx did we get up to this time?

A brand new interview with The Lizardman! Always nice to hear from our fine, scaly friend.

VOMIT didn’t drink boners, but she did show us a fancy balloon trick.

Your managing editor was enlightened about the existence of long-standing Internet meme, and subsequently deleted the Internet, all of it, forever.

A fine display of piercing-reversal with this stitched-up stretched labret by xPUREx.

Samurai + serpent + swastikas = one hell of a back-piece.

Ryan Ouellette and xPUREx would both like to cut you at the Philadelphia Tattoo Arts convention.

No, really, we had a lot of really tremendous scars this week.

And there you have it. We’ll check back in over the weekend here and there, and then rise from the ashes on Monday morning, good as new. We’ve got some great interviews to look forward to soon, and, what, a complete redesign of BME rolling out any day now? Hell yeah. Be good to each other on this fabricated excuse to sell chocolate, ModBlog, stay safe, and, as always, thank you for your continued support of BME.

BME News and Notes


(Photo of Damien and new-to-the-world Harley Jade by AngelinPayn.)

Three points of interest:

1. BME SHOP. Hey, have you heard? BME Shop is back up and running, with all the apparel, jewelry and other supplies you would expect from BME. But you know what would really lift our spirits? Pictures of you lovely people wearing or using the gear. Just get your hands on a new shirt? Or a kick-ass set of plugs? Send us a picture! It warms our hearts to know that they’re not being used to even out the legs of wonky tables and such.

2. DAVID VIDRA. The original plans for this ran into some delays, but we are now ready to announce a brand new advice column coming to BME, fielded by none other than David Vidra of Health Educators fame! (And also for having been in the body modification community since, well … forever, pretty much.) He’ll be answering your questions about body modification, aseptic technique and all that good stuff, but really, feel free to ask him anything you want. About anything. There’s really not much about which he can’t (and won’t) go off on a tangent (in a good way!), so get your questions in. (Think of him as BME’s own Dan Savage.) For now, send them over to me (and include “David Vidra” in the title), and the sooner we get some in, the sooner you’ll get your first helping of “Big Mama” Vidra.

3. BME NEWS ARTICLE ARCHIVES. You may have noticed some articles aren’t where they used to be on the main BME page, but fear not! We’re slowly but surely transferring things to WordPress, just for the sake of cohesion. This will all be done more neatly soon, but for the time being, here are direct links to some of your old favorite column archives:

  • The BME Book Review
  • Legal Link
  • Running the Gauntlet
  • The Publisher’s Ring
  • Through the Modified Looking Glass
  • And once again, this is a work in progress — it will all be pretty and easily accessible sooner rather than later!

    BME’s Big Question: #1


    Welcome to the very first edition of BME’s Big Question! In this weekly (hopefully) feature, we’re going to ask a handful of the community’s best and brightest piercers, tattooists, heavy mod practitioners and shop owners for their opinion on one question or issue that’s affecting the body modification community. Many, many thanks to all of the contributors.

    If you’d like to be a part of future editions, or if you have an idea for an issue or question you’d like to see addressed, please e-mail me.

    This week’s question:

    Is it possible to be too pierced or tattooed to work in a tattoo/piercing shop?

    * * *

    Meg Barber

    Call me old fashioned, call me “against modification” … whatever. I’ll look at you and laugh, but yes, you can be too modified for this industry.

    The way I see it, the average client isn’t coming in to completely transform their body. They are coming in for a cute accessory, a nice little tchotchke to accent their face or body. They aren’t completely immersed in the modification world, nor do they wish to be. They will identify more with a piercer or tattoo artist that is lightly and attractively modified over one that is totally pierced, tattooed, and implanted.

    I work in a very high end piercing spa in Manhattan. At our studio, I am the most heavily modified person on the staff. Clients really need to hear me speak before they will trust me at times, and they never believe me when I say something doesn’t hurt or whatever, because I am obviously a pain freak. Also, my mods can be a distraction — some clients are too busy staring at my earlobes to listen to what I am trying to tell them!

    We carefully screen our employees before we hire them, and if we deem them to be too modified, we pass on them even if they are very skilled. We want our staff to reflect our clientele, and I know Maria really had to do some thinking before bringing me on because of my appearance.

    I know it sounds a little judgmental coming from the standpoint of a heavily modified piercer working in the modification industry, but that’s the way it is with our shop, and I personally like the policy.

    * * *

    Stephen DeToma

    I absolutely think that it’s possible, but that’s not to say that it applies to all businesses. I think a large part of the equation involves the vision the owner of the hiring studio has for the business. It’s unlikely that a tattoo studio supplementing its monthly income through piercing would hire an individual with heavy, visual modifications. The studio I apprenticed in, which was largely a flash-based tattoo studio, fired a tattoo artist for tattooing his chin/lower lip area. I don’t think there’s any denying that there are people who operate tattoo and piercing studios across the country, people who modify people’s bodies on a daily basis, who are themselves uncomfortable with modified individuals.

    It’s certainly putting all of your eggs in one basket to assume that simply because you have these modifications, you’ll be able to get a job piercing (or otherwise).

    Region certainly will play a part. You may be too pierced to work at a mom and pop tattoo shop in Kansas, but the same person may have no problem finding work in Oregon, Austin or elsewhere. I think it’s important to point out that, while it’s each individual’s right to do with their body what they see fit, it’s a business owner’s right to build their business in the same manner, regardless of if anyone else likes it. A studio environment, for as relaxed and open as they typically are, is still a customer service based, retail environment that requires public interaction. Who do you cater to? Who is your client base? And what is their level of comfort?

    Is it a question of approachability? The owner may be concerned with people’s ability or willingness to converse/have work done with someone bearing such strong mods. I think we all know that to judge a book by its cover is foolish, but the general public who do not operate on the same level we do from day to day, tend to shoot first and ask questions later.

    Do the quality of the modifications come into play? Someone with a great deal of crooked, improperly placed piercings in their face for example, does not make a great spokesperson for the business. What about the subject matter? If you have a pentagram tattooed on your face or an upside down cross branded on your forehead, you’re sending a strong message without saying a word to potential employers.

    * * *

    Steve Truitt

    I think it would depend on the place they’re trying to work. Most tattoo artists are a lot more conservative in appearance than a lot of piercers, so I could see it harder for someone to get into tattooing if they look really extreme.

    Many “normal” people are getting tattooed now because of TV shows like Miami and L.A. Ink. I could easily see a lot of those type of people getting scared away if they went to a studio and saw someone with giant horns and a huge plate in their lip, so if that’s the type of client a certain studio caters to, then it definitely wouldn’t work to have someone that looks that crazy working there.

    On the other hand, personality can go a long way. I’ve seen quite a few heavily modified people that are extremely friendly and outgoing and have no problem making conversation and dealing with other people. Then I’ve seen a lot that are distant and withdrawn and they don’t seem to be able to relate to people and that can make people very uncomfortable, which wouldn’t be good for a working environment.

    The quality of the work is also important to note. If someone is covered with very well done professional work, it shows. If they are covered in a bunch of crap they did themselves or at someone’s house or by someone who just sucks, it also shows and makes the person look that much more unprofessional. Also, if the work they have done is aesthetically pleasing to look at and fits the person then that person seems to have fewer problems dealing with people.

    The Lizardman is a great example of this. Everything he has done is obviously professionally done and looks like it should be there. Nothing he has looks out of place or like it doesn’t belong on him. His intelligence and personality also play big roles in how his interactions with people go. Any time I’ve seen people meet him for the first time they go away saying, “Wow, I just met the Lizardman, he’s so cool,” etc. I’ve seen poeple meet other heavily modified people that aren’t as outgoing (I’m not going to name names here and offend anyone in particular) and walk away saying things like “Wow, that guy was crazy looking … what a freak! Why would he do that to himself? What’s wrong with him?”

    So overall, it may not necessarily be that someone is too modified to work in a shop, but that they don’t fit in because of a combination of their mods and personality.

    * * *

    Ryan Ouellette

    I never ever in my life thought I’d get to a place where I could legitimately have a “kids these days” opinion on something, but here it is. Body modification, like all pop fashion, is just getting stupid. The problem is that “kids these days” don’t ease into modification, they jump in face first — pun intended. I don’t think that studios have a problem with modified employees, I think they have a problem with unprofessional-looking employees. In my studio we all have lots of visible mods, mostly tattoo sleeves, but I also have large gauge punched out conches, microdermals on my face, numerous piercings, yada yada. But I still consider myself to be professional-looking. As a studio owner myself, let’s say two people came into my studio with the exact same experience looking for a job. If both are heavily modified, but only one does it in a way that complements a professional look and mentality, then that’s the one I would want.

    A lot of it has to do with clientele. You can look one way to do surface piercings for college kids, but you probably need to have a more subtle appearance to do $200 gemstone nostril piercings for older women. Most young people are just stupid, for lack of a better term, and they can’t imagine a world where they are 30 and need to pay a mortgage. They want to just live in their 17-year-old world and sell T-shirts at Hot Topic for $8/hour dreaming of the day they can be a super cool body piercer — and I would know. Because I did that.

    I’m of the opinion that your hands/neck/face should not be tattooed or heavily modified until you have a steady career. I think that this is a profession where body modification should be embraced by both client and practitioner, but people should still treat it as a profession and try to maintain a respectable image.

    * * *

    John Joyce

    I don’t think it’s being too pierced, too tattooed, or too modified that keeps shop owners from hiring people. I think it’s being too covered in poorly done tattoos and piercings that keeps studio owners from hiring them.

    For example: If a person has a lot of horribly done piercings or tattoos, or cheap jewelry all over their face, then it definitely doesn’t speak well for that particular person’s interest in the industry. If someone has taken the time to get 15 or 20 piercings, then by that point they should have enough interest in the art of body piercing to do some research. They should know the difference between a well placed piercing and one that looks like it was just smacked on with a dart gun. They should know the difference between a super shiny mirror finished Anatometal barbell and a dull piece from some mall store (*cough* Hot Topic *cough*). If they haven’t picked any of that up, then it shows that they really don’t care that much about this industry, or themselves for that matter, and I wouldn’t even waste my time interviewing the person. Now if someone walks in with 15-20 well placed piercings, all with super nice Anatometal, or Body Vision jewelry in them, I will immediately know that this person cares about their piercings, and put thought into them, because that’s exactly what I’d expect them to do with clients that they will be working with.

    The same goes with someone looking for a tattoo apprenticeship. If you walk in and are covered with absolute shit, then it doesn’t speak very well about yourself.

    The more interested you are in anything, whether it’s body piercing, tattooing or stamp collecting, the more research you should do on the subject. That research and your knowledge on the subject is what’s going to put you ahead of the 15 other people that have asked the studio owner for an apprenticeship that week.

    It’s important for these people to remember that getting 15 piercings in two months, or stretching to two inches in six months, doesn’t impress a good piercer. It shows you are impatient, and not very responsible, and that is about it. The same can be said for kids getting their hands, throats, or even their faces tattooed before they have any other real coverage. It doesn’t impress a quality tattoo artist, and it doesn’t tell us you’re hard core, or more bad ass than your friends. What it does show is that you are impatient, and have put zero thought into the rest of your life.

    There once was a time when tattoo artists wouldn’t do those things, and piercers cared more for their clientele. Unfortunately, this industry is full of rock stars and posting images that might make ModBlog seems to be more important these days.

    * * *

    Joy Rumore

    I do think that one can be “too modified” to work in a typical street shop.

    A large portion of customers coming into street shops are first-timers. Most come in with groups of their friends. All minors come in with their parents if they are planning to get worked on. Before they even get into the shop, they are nervous. Often, extreme modifications or a large amount of modifications can make people more nervous if they aren’t used to being around them. Things that one is unfamiliar with are usually first interpreted as scary. They may project this view onto themselves and worry they will be classified as a “freak” even if they get a small, discrete piercing or tattoo. Some even think these heavily modified people couldn’t possibly be competent enough to perform a clean, safe procedure. Usually this is based on some fear that the practitioner must be mentally unstable or on drugs to think the way they look is acceptable and healthy.

    If a minor or someone there with peers finds the extreme/multiple modifications attractive or interesting, they are often afraid to admit to their parents/peers that they are attracted to that kind of look because they will be be scolded or shunned. On top of that, parents may be more apprehensive about allowing their child to get a small piercing, viewing it as a “gateway drug” into looking like someone on the fringe of society and thus lessening their chances for a successful life. Most parents constantly strive to open doors for their children, not close them over something as “trivial” as a piercing.

    Practitioners at specialty shops or custom/appointment-only shops tend to have better reactions to their heavy modifications because they are frequented by those in search of being heavily modified themselves. If those visiting specialty shops are not into heavy modification, they tend to expect seeing those who are extremely modified because these artists are often seen as “more serious” about their chosen lifestyle/career.

    Day in and day out in every shop I’ve worked in (no matter what state), there are those who gasp and denounce what they see in our portfolios. I’ve always tried to educate those people and show them modifications on me so they can see that they are less scary or painful. I take more of an anthropological approach to these interactions. I explain the history and meaning behind the modifications. I try to compare personal body modification to more mainstream, accepted forms like cosmetic surgery, makeup and even haircuts. I don’t win them all, but I win most.

    * * *

    Ron Garza

    While I know many people will say no, I will answer with a resounding yes.

    While it is true that people do come into a tattoo shop expecting to see the people working there somewhat covered in ink and some piercings, I don’t think having a very visibly modified staff is always needed or warranted. While yes, it is always better to speak from experience on things to clients, I don’t think the demand is that great for clients to know what having a one-inch lip or nostril hole is like to warrant so many people having them now.

    Some cities are much more tattoo friendly than others – Denver, Atlanta, Austin and Seattle and Portland quickly come to mind. But then, traveling through parts of the south, mid west and east, the attitudes can be extremely different — even for just one-inch stretched lobes. In some of these communities where tattooing or piercing aren’t as prevalent as in other urban markets, I have personally witnessed staffs’ outward appearance actually intimidate potential clients and keep them from getting work or coming in. While some of us will all say we don’t do this for the money, we will all agree that no money sucks ass. So for the most part, we are doing it for survival, and are therefore doing it for the cash. Why alienate yourself further by losing all sense of resembling something somewhat human?

    While I readily admit my views on the subject are more than a little biased from being visibly heavily tattooed and pierced for the better part of 15 years — and I do have respect for those that are “lifers” and are able to live life with visible heavy mods — I don’t think that life is for everyone, nor could it be. The thing separating individuals is the mental and emotional strength it takes to deal with public on a daily basis while being heavily modified. Many can’t deal with it mentally and I have personally known a few people that died at their own hands, in my opinion, because of it.

    I used to want to tattoo my face (more), but I had promised my father, who already knew about my extremist nature, I wouldn’t tattoo my face until after he passed. At the time, I didn’t think I was going to make it past 21, much less be alive 16 years later, so I really wasn’t thinking of the future then, nor was my world view quite as encompassing as it is today, which definitely changed my outlook on things. I simply thought my father didn’t know the full depth of my passion for this.

    What I didn’t understand was that he had the benefit of years of wisdom of being alive during very racially sensitive times and he knew first hand that division that exists in society for simply being different. For me to want to oust myself from that mainstream, on my own and on purpose, was something he couldn’t understand. Now that I have the benefit of a few years behind me, I can see the wisdom in his words.

    The actual act of piercing is as old as man itself, and one can not deny the fact that for the most part, modification is a very western thing in today’s fashion circles in the USA and western Europe. Don’t get me wrong, there are enthusiasts in every culture and nation, but for the most part, piercing in the modern context that we know today is a very western idea. This was apparent to me while traveling through certain parts of Europe and not even receiving service at certain bars and restaurants because of my appearance.

    I’m also in the process of having tattoos removed from my neck for the same reason. What means something to me can mean something completely different in another land, half way around the world. I was in Frankfurt, Germany, and got mistaken for a Nazi because of a tattoo on my neck that I received years ago. (I have a needle, barbell and captive bead ring in the shape of a Celtic cross on my neck.) What I didn’t know, but found out traveling through Germany (a culture highly aware of the sensitivity of Nazi symbolism that is lost here in the States), is that the Celtic cross has been adopted by some white nationalist, neo-Nazi and neo-fascist groups. Once I had it explained to me that a guy who winked at me and whispered what sounded like “Heil Himmler” in my ear probably actually thought I was part of one of those organizations, it became painfully to clear that what meant one thing to me, meant something completely different halfway around the world. Couple that with the fact that I was already a stranger in a strange land, an intruder into their country, and I didn’t see any reason to make myself stand out anymore than I already do with all my visible tattoo/modification work. I came back to the States and began laser tattoo removal sessions. I go back for my third treatment soon.

    Another story that comes to mind is while traveling through Java and getting on packed trains — standing room only — on our way to see the presidential palace in the capitol of Bogor, we were singled out and had seats open next us, with everyone standing packed like sardines around us. It seemed no one wanted to sit next to the tattooed infidels. Even trying to buy water or bread at a stand was also a bit difficult, as they would just look through you and take the order of the person behind you, completely refusing to do business with someone who was clearly in violation of religious laws of the land with his physical appearance and attire. That doesn’t make you feel too good about the way you come off to others. Of course, being the asshole American and starting to yell or cause a scene would do no good, in addition to portraying me as an American stereotype that I don’t want to perpetuate. So, simply smiling and walking away mildly disgruntled is about all you can do. This was with me looking as normal as I can be, no piercings anywhere, and this was still the treatment I received. I can only imagine these people’s reactions if I had had a two-inch lip piercing or multiple sets of sub- or transdermal horns.

    Of course, it wasn’t like this everywhere, but when it did happen, it only reinforced the fact that I was a visitor in their land. It was their home, not mine. I didn’t want to be overly intrusive or do anything to single me out any more than I already had with my very western way of walking, kneeling, dress and tattoos.

    Because I’ve had these types of experiences that I feel so strongly about, and know what it’s like to be so visibly heavily modified — especially in another country, and since I don’t plan to live out my life here in America, my viewpoints may be a bit different from others’.

    * * *

    Derek Lowe

    Yes, it is possible to be “too modified” to work in a piercing/tattoo shop … at least to work in some piercing and tattoo shops. I don’t think it’s the rule by any means, but it is something I foresee happening more frequently over the next five years.
     
    Just as with hair salons, clothing stores and restaurants (to name a few), there is an increasing diversity with regards to the style and “vibe” that shops are going for. Many new shops, and older shops who decide to remodel or move, are opting for more of a “spa” or “boutique” feel. I personally think this is a smart move, but I won’t bore anyone with my thoughts on that.
     
    A studio with a “high-end” vibe is going to tend to attract a high-end client.  That type of clientele, to put it quite bluntly, may not want to look at, let alone be touched by, people with facial tattoos, stretched nostril piercings and three inch earlobes, while getting their piercing or tattoo. Clearly there are giant doses of hypocrisy, ignorance and short-sightedness in that sort of outlook, but that’s the reality of the world where we live. While those of us in the “community” might not understand how someone could feel that way, many people do feel exactly that way about heavier, or abundant, modifications. As a service-oriented business, piercing and tattoo shops have to give some consideration to the experience and comfort level of their potential customers.  
     
    Gone are the days when a piercing or tattoo studio could treat people however they wanted, because there were so few shops that clients simply didn’t have other choices.
     
    I think it’s more likely to find a “you’re too modified” stance at a studio that is owned by someone who isn’t a piercer or tattoo artist. A non-industry owner is likely going to look at things from more of a pure business perspective, where someone who is a piercer or tattoo artist is more likely to let their passion for their craft, and their personal feelings, influence their decisions, while potentially ignoring the ramifications those decisions might have on their business.
     
    To completely rebuke what I just said, I should point out that I work at a very successful shop with more of a non-traditional atmosphere that is owned by a woman who is neither a piercer or tattoo artist. Over the years we have employed people who only had standard earlobe piercings on one end of the spectrum and people with full facial tattoos and half-inch nostril piercings at the other end of the spectrum.
     
    For us it’s primarily about having the best person for the job, and not about how many modifications they do or don’t have. However, I won’t say that the extent, or the nature, of someone’s modifications will never ever influence a hiring a decision for us.
     
    Anyone thinking that being heavily modified isn’t going to be an issue when it comes to finding a job, even as a piercer or tattoo artist, is potentially being a little naïve and short-sighted, in my opinion.

    * * *

    Allen Falkner

    The answer to this question is not nearly as black and white as you might think. In a perfect world the answer would be no, it is impossible to be too modified to work in tattoo/piercing shop. However, the answer is more complex and has a lot to do with customer relations and other qualities about the potential employee.

    Let me give a quick example. Erik (Lizardman) Sprague, arguably one of the most heavily tattooed people in the world, could walk into almost any tattoo/piercing shop and get a job on the spot. Why? Well other than the fact that he’s highly intelligent and incredibly charismatic, he’s also very famous and would draw people into the shop. He’s a professional freak and this is part of his appeal. Would this work for another person? Maybe, maybe not. Like it or not, it all breaks down to the business’s clientele and how to appeal to people that walk through the door.

    Yes, it’s true. People that seek out tattoos and piercings want the different and unusual. It really is the nature of the business and to a certain extent visible modifications are expected. I would even go so far as to say that, in most cases, it’s a prerequisite to work in a studio. That said, there is still a limit. People like the strange and the bizarre, but they don’t want to stray too far from their comfort zone. Does this mean someone with implanted horns and full facial tattooed can’t be excellent employees? No, far from it. The issue simply breaks down to what customers will accept. Most would agree that the tattoo/piercing community is more open-minded than most. However, even the most liberal aren’t always the most accepting.

    What do you think? Let’s hear it in the comments.

    * * *

    Please consider buying a membership to BME so we can continue bringing you articles like this one.



    Toph: BME Publisher’s Ring Interview [BME/News]

     

     

    Toph: Transformational Sacrifice
     

    “Pioneers may be picturesque figures, but they are often rather lonely ones.”

    Nancy Astor

     

    When I was twenty in 1994, my 3/4″ earlobe piercing was shocking enough to the public that I was stopped regularly so people could take photos. Today, with a societal foundation laid where the public is “used” to seeing body modification, I doubt anyone would even notice — it takes something far more radical to turn heads. My friend Toph certainly falls into that category — with roughly an inch plug in each nostril and a nearly two inch lip plate, as well as a myriad of other modifations, he’s tormenting the programmers of facial recognition software by pushing the limits of a modern human face is.

    I’ve split this interview with Toph into two sections, beginning with a discussion of his amazing modifications, and with the second section being about him and his life. As well as via the comment forum at the end of the article, you can contact Toph via his IAM page, toph.

    – Shannon

    Toph's Amazing Stretched Piercings
     

    PART ONE

    How did you do your lip stretching?

    I got my center lip piercing done at a 16ga — I didn’t have a choice in the matter because the shop I went to only had that size, so when I went home I immediately put it to a 12ga. A few days later I put in an 8ga — my body stretches rather easily I think compared to most people. My steps were either every week or every other week until I got to 3/4″, which was done all with a taper up until that point. Once it got to 3/4″ it became loose every other day, and then I took my steps one millimeter at a time, every other day or so. By this time I was just “popping” them in without tapers or tape — I didn’t use tape until about 28mm.

    How long did the lip stretching take in all?

    My lip took a total of six months to go from 16g to 40mm (1 9/16″).

    How do you usually wear your lip?

    I wear it down 24/7, even when I eat, but drinking is always with a straw!

    How about your tongue stretching?

    My tongue was a different situation. I wanted to split my tongue, but I needed a good back brace, so at first I started my tongue off by scalpelling straight to 6mm, then stretching it up to 9mm the next day. I wore that for four days, and then scalpelled it to 16mm and stretched to 19mm the next day. By then I was ready for the split — I first cut it to 20mm, stretched it to 21mm, and used a scalpel and cut from the underneath up until the plug fell out and my tongue was split.

    And your nostrils?

    My nostrils were pierced when I was eighteen at a 10ga and immediately stretched to 8ga. I waited a good four months before going to 6ga, and then every month I went up to the next size until 16mm. Then about every week or so it was 1mm at a time until I took a long break at 22mm — about 5 months. I tapered them the whole way until 5/8″, then slide the next millimeters in by hand. I just recently started stretching them again.

    Toph's Amazing Stretched Piercings
     

    Finally, tell me about your ear stretching? What happened to your ears?

    My ears have been a work in progress since I was sixteen, when they were done with a gun at the mall. I took it slow the most of the time, but I did stretch a few times faster than I should have. Unfortunately both my lobes were cut by a bad pair of eyelets at 19mm, and then thinned out pretty badly, so I had to take it really slow after that. Then last year I had plastic surgery on my left lobe due to a landscaping accident — I was weedwhacking a lawn at work and a rock got kicked up and split the 1 1/2″ lobe!

    What are the differences in stretching the different types of piercing?

    The differences I came across stretching the different types of piercing were that on the ears and lip weight worked really well, whereas the nostrils were all about time — if they didn’t have enough time they just wouldn’t stretch. My tongue was cut the whole time so it was a piece of cake, and I learned that if you really really want a 20mm tongue you can cut it there in a week without a hitch.

    Did you have any problems in your stretching?

    I did get some scar tissue on the front of my lip during my journey, which was cut off each time it happened and healed perfectly fine. I didn’t come across any problems with my nostrils, mostly because I was really careful. The have minor scar tissue but it went away with the pressure of o-rings in under a week. With my tongue I didn’t have one problem — besides blood and drool!

    You managed to upsize all of them incredibly quickly — did you have a secret to doing this or does your body just tolerate stretching really well?

    I think it’s a mixture of the two — on one hand my body handles stretching really well because I keep it on a basic schedule, and I think my body adjusted to it and went with it for the most part. My goal sizes are 28mm nostrils and a 63mm lip plate. My ears are as is and if they go bigger then good, but if not I’m still satisfied.

    Toph's Amazing Stretched Piercings
    Toph in the early stages of his modifications
     

    Are all of your piercings publicly visible, or do you have private mods as well?

    I have had a 00g PA, a 4ga scalped frenum, three ladders and two pubic surface piercings. I do my own genital mods and plan on starting my full subincision soon — I’ve already done the meatotomy.

    Do you have plans for further modifications?

    My future modifications will include more facial ink, full sleeves,scarification, and large conches. It’s a short list but over the years I’ve had a lot of different stuff done and I’m pretty satisfied with the way my image turned out.

    Toph's Amazing Stretched Piercings
    Other facial configurations that Toph has tried
     

    And if you change your mind about all of it and want to go back, do you have a “Plan B”?

    If it ever came to a reversal, I would downsize the same way I went up and hope for the best — but I’ve never once seriously thought about changing my image. I’ve been planning this out and making it a part of my life, and plan on keeping it for life.

    How much do you think you’ve spent on jewelry so far — you must have gone through a lot?

    Over the years I’ve spent about $8000 on jewelry. That was another addiction — I collected jewelry, never thinking I would actually wear it all in multiple piercing over the years. I collected anything from normal stainless steel to one of a kind $200 plugs. Once I met Karl (iam:MobyK), he offered to make me Delrin plugs if I ever needed them. At first I was like “no thanks”, but the more I got into it… like you said, I went through a lot of jewelry.

    Karl became a mentor to me and a godfather — we have been very close friends for about three years now, and have never once met. I met Pauly Unstopable through Karl who showed me how big a nostril can go — he was my inspiration for that single piercing. Jesse (iam:pillpoppinfun, featured in BME’s first article on lip plates) was my original influence for the labret. He wore pins and plugs and it interested me. Throughout the years I’ve had a lot of positive influence through the industry, not to mention the movie ‘MODIFY’ which gave me the idea to scalpel my own frenum.

    * * *
     

    PART TWO

    How old are you, what do you do for a living, and what “life plans” do you have?

    I am twenty years old, and currently unemployed. I worked restaurants for five years and landscaping for two before I moved to Oklahoma. Now I’m back at the challenge of finding a new occupation. My life plans are to find someone to apprentice me so I can take what I love and make it into a living. This is my life and it’s what I think about day in and day out. I’m just hoping for the opportunity to get into the modification industry to fulfill my life goal.

    Tell me a little about yourself in terms of interests?

    I am a big fan of extreme sports — skateboarding, aggressive inline, four wheeling, motor cycles, and jet skis. I’m big into nature and photography and consider myself a decent artist.

    Toph's Amazing Stretched Piercings
     

    What’s your peer group like?

    I don’t have a big group friends outside the Internet and I like to keep my life limited to family and close friends for the most part. When I go out in public I like to inform anyone who has questions about myself and what and why I do this, to my best ability, to try to help the public understand that we’re not freaks or assholes. I do this mostly to help the next generation of modders so people don’t get the wrong idea about us — this is very important to me.

    How do people respond when they see you?

    When I’m out in public people freak out… when they talk to me, it’s very funny. Once they see I’m willing to talk to them they just let go and ask me a million questions. People jump up and down, spin and laugh, saying “oh my god, that shit is crazy!” I’ve found that I get more attention from middle aged and older African Americans than I do from white teens and young adults… I don’t know why but I like it.

    What got you interested in body modification originally?

    I was around fifteen years old and I was a troubled kid, and I met a body piercer named Paul Kriner. He changed my life. I had already had a major interest in body modification, and so when I met him I tried to spend all my free time up at the shop that he worked at. He taught me a lot about the industry, proper aftercare and stretching, and became my mentor and someone I could look up to no matter what. I learned a lot from a young and very talented artist (he was only twenty at the time), and since the day I met him I knew what direction my life was going.

    I know the why question is hard, but “why?”, and can you think of earlier influences?

    This is my passion. It makes me very happy doing this, and it satisfies an empty spot in my life. I believe in concentrating and self-inflicting pain — it’s putting myself through more challenges in life… As if life wasn’t hard enough! I don’t think life should be easy, and if you’re doing something you love and it makes your life harder, and you have the ability to work through it, it only makes you stronger. This is the love of my life — more than family and friends even. If I wasn’t able to mod myself I’d feel as if I was walking around as a fake. I also find the way I look attractive — I’m absolutely amazed at what one can do to one’s body to make it completely change form.

    Really, why should everyone look the same?

    Like I said, my piercer was a big influence on me in my teens, but as a kid my uncle was in a state prison and all I could see were endless tattoos. He was a great guy — he just screwed up. I had a very positive image of body modification at a young age, although it went against everything my parents ever told me. As a kid I pierced my ears with safety pins and my labret with a sewing needle, as well as numerous surface temporary piercings. The more my parents said no the more I got into it… Then I discovered BME — oh my god, BME — once I was shown that site it was over. It was a candy store for me. I started hanging out at tattoo shops all summer long and every day after school for around five years until I went off on my own.

    All of this added to my obsession… The interest was already there, but when my eyes were opened to how far it can be taken I never looked back. I dedicated my life to it, and to this day still do and plan on doing it until I die. It’s a part of my life that’s too good to let go.

    What made you decide to start to push your modifications in a direction that’s far more extreme than most people can relate to?

    My interest got so deep into it I didn’t see a reason to stop at a certain size just because it was more accepted to stop there — being accepted by the community is something I can do myself no matter how I look. After seeing some of the famous modders like The Lizardman, Pauly Unstoppable, and the movie ‘MODIFY’, I knew I could put up the fight, and so far have succeeded. I take this part of my life so seriously, and I believe you can change the way people think with the right attitude and perspective. It’s all about being nice no matter what, and fully informing them no matter how unbelievable what they see is.

    Given that you’ve made these changes in such a short time, I’m sure you’ve got some remarkable insight into how people who look different are treated?

    My immediate family does not accept my body modifications at all, and still don’t completely understand me. I’ve done my best but they don’t want to believe this is who I am. My friends love it — they refer to me as a rock star when we go out in pubic because I have five to twenty confrontations each time I go to a store… nothing but tons of questions, excitement, and disgust. The public is very interested but not everyone can gather the courage to confront someone to ask questions and to fulfill their curiously. You’re always going to get bad attention, but there is a lot more good attention than most people would think.

    What advice would you have for people who are considering doing something radical like this?

    I would seriously encourage people to take a long hard thought before doing something like this. You receive so much criticism, and it’s a lot to deal with on a daily basis. It is very difficult to handle and you have to be emotionally strong to get through it all. But if it is a decision the new generation is willing to take, it is only going to get easier as time goes on.

    Since Valentine’s Day is coming up, would you like to meet and date someone as radically modified as yourself?

    I believe it would be so much easier to date someone that looked like Duff or Miss Kayteek Etemine because it would be easier to deal with the constant modifications and the public response as well because they would have already been use to it in their own lives, instead of having to adjust to an extreme amount of constant attention.

    It can be a lot for someone to handle who has never experienced it before. I recently lost my marriage over my body modifications — she told me it was her or the modifications…. I couldn’t believe my ears. I basically laughed, then cried, then said good bye. This path wasn’t meant for everyone and it takes extreme dedication to do what I have accomplished.

    Not to mention sacrifice…

    Toph's Amazing Stretched Piercings
     

    Thank you to Toph for taking the time to talk to us! Please visit him at iam:Toph.


    Shannon Larratt
    BME.com

     

    WASD: The Holy Keys

    For those that don’t know, the wearer explains,

    It is of the “WASD” part of a keyboard, which are the keys that control movement in first person shooter games… it’s the “home” part of the keyboard. I got the tat in commemoration of ten years of fps, off and on.

    The tattoo was done by James at Artatorture here in Toronto. By the way, The Lizardman has a similar set of tattoos on his fingertips — they were written about in this article on nerdy tattoos and he also wrote about it separately.