Baby, Let’s Transverberate


It’s always a joy when supremely talented artists also have the presence of mind (and talent) to send in great photos too, is it not? Needless to say, we were tickled to get this shot of Dani Danger, courtesy of the hot-handed Steve Haworth and featuring custom ear jewelry and an implant by the man himself. Plus, of course, we also get to use our “Hearty Mohawks” tag for the second time in two weeks, and that, well…that’s just swell.

Tattoo Hollywood, BME’s first tattoo convention, is coming to Los Angeles from August 21-23, featuring contests, prizes and some of the best artists from around the world! Click here for more information.

A Hundred Souls and a Hundred To Go


The last time we saw Cookie, we caught a glimpse of some of her 3D implants and scarification work, but, quite frankly, that was just the tip of the iceberg as far as her rather intense and extremely impressive body of modification work goes. The implants are (obviously?) by her husband, the illustrious Steve Haworth, tattoos by Nicole McCord, and the scar work you can see is by our favorite ubiquitous Australian, Wayde Dunn, at the Haworth Mod Spa in Phoenix, Arizona. More pictures, of course, after the jump.

See more in 3D-Art Implants (Implants) (members only)

Spice Our Schedules


I swear, if young master xPUREx keeps it up, visiting his Williamsburg Pure Body Arts studio is going to be a mainstay checklist item for travelers coming to New York, right up there with poking around the Statue of Liberty, eating a slice of pizza from every parlor with “Ray’s” in the name and enduring crippling beat-downs after foolishly asking every woman in Times Square if she’s “working.” (Damn you, Giuliani!) Back to the issue at hand here, though, these implants are a nice fit, aren’t they? I guess that’s what one would expect with implantation by the aforementioned xPUREx and implant pieces carved* by Steve Haworth. Another shot, after the jump.

*Not carved! Says the implanter himself: “These pieces actually were not carved. Steve was nice enough to attach some rods and domes together with silicone in it’s liquid form as a “glue,” so that i wouldn’t have to carve them.” Thanks for the heads-up!

See more in 3D-Art Implants (Implants) (members only)

Thy Will Be Done


We’re gonna have a whole lot more Dallas SusCon photos filtering in shortly, but let’s keep it in-house for now with these lovely shots of Miss Cookie as captured by BME’s own Phil Barbosa. Those are some long since healed branding scars on her chest (as well as 3D implants), and after the jump, check out some scars on her stomach with outlines cut in with scalpels and filled in with electrocautery branding, all by her husband, Steve Haworth.

A Bard Before a Priest


I love this picture of Steve standing ominously over twin resurrection-suspendees Dani Danger and Cari at a recent Life Suspended gig at the Arizona Fetish Ball. I have to say, though, Steve’s outfit looks like it doesn’t breathe at all, especially in a hot nightclub—someone get this man a Snuggie!

See more in Life Suspended Gallery (Suspension Teams and Bonus Galleries)

Full Eyebrow Removal


If there’s one thing you learn by reading BME every day, it’s that the human body is incredibly, impossibly resilient. We feature body rites and experiments with pain that some people find cringe-worthy, but the lesson, more often than not? Our bodies work very hard to take care of us, and even things that, by all accounts, seem dangerous or ill-advised, can heal perfectly well.

This is not to pass judgment on the skin removal we’re seeing here, but it’s an example of a procedure that, probably more than a lot of body modification procedures, would seem unnecessary and dangerous to the average the person. To hear the young man who had it done tell it, even the practitioner, Shawn O’Hare of Fillmore Tattoo and Piercing, was apprehensive at first:

I wanted both of my eyebrows removed for quite a while. Shawn kept refusing. Eventually after talking to Steve Haworth, he decided he would do it. We decided to do one now and one after this one has completely healed. We discussed all of the possible scenarios and risks and then went ahead with the procedure. It was pretty cut and dry. He peeled my eyebrow off and we bandaged it up.

At the very least, it’ll be very interesting to see the healing process on this piece. More shots, after the jump.

See more in Skin Removal Scarification (Scarification)

BME’s Big Queston #4: Training Days


Welcome to BME’s Big Question! In this weekly (hopefully) feature, we’re going to ask a handful of the community’s best and brightest piercers, tattooists, heavy mod practitioners and shop owners for their opinion on one question or issue that’s affecting the body modification community. Many, many thanks to all of the contributors.

If you’d like to be a part of future editions, or if you have an idea for an issue or question you’d like to see addressed, please e-mail me.

This week’s topic:

Particularly when you were breaking into the industry, how did you prepare when you were attempting a new procedure or method with which you were not experienced? Consult with other practitioners? Study images online or peruse anatomy books? Find a trusted client on whom to experiment?

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Joy Rumore
One word: logic.

Meg Barber
Back when I was starting out, yeah, I did all of the above. Now? Well, there really aren’t too many instances where I’m asked to do something I’m not familiar with.

But, if that DOES come up, I generally contact another practitioner, bounce ideas off of them, and then just put it to use on the client. I tend to think of myself as pretty logical when it comes down to it, and if I slow down, think about the dynamics of what I’m doing enough … I can figure out how to do pretty much anything thrown at me. That said, I only do piercing and scarification. If someone came in wanting something more involved, like an implant, I’d send them elsewhere.


Brian Decker
Like Joy said, I do count on common sense for most of what I do. A lot of procedures are very similar in technique, even if the work is completely different. I’m self-taught with most of what I do, but I definitely make phone calls to work out specifics of new procedures — quite often, honestly. I used to call Tom Brazda pretty often for his input and advice. I don’t think it was ever really anything about how to approach a particular procedure in general, but more so the specifics that could help better the procedure. Things like suture type and size, suturing styles, jewelry designs, etc. He was always very helpful. That man loves to talk.

I remember calling Shane Munce, whom I’d never spoken to previously, about his approach for the Nefertiti piercing before trying it. In the end, I’d already had the work mapped out very similarly to his approach, but I’m all for sharing ideas to make sure there’s nothing I’m overlooking. Hell, I even talked with Todd Bertrang online for a while about scalpelling piercings.

Years ago, I talked with Emilio [Gonzalez] about ear pointing and he threw me one idea that that made things much easier. Even though I don’t use the same technique now, I’ve definitely built from what I learned from him at the time.

When I started making the switch from tools to freehanding piercings, I talked to tons of people. Some ideas I was comfortable and some I wasn’t. Dave Gillstrap showed me the most satisfying holding position for tongue piercings ever.

Since I’m always open to new ideas (and asking for them), I have no problem sharing, either. I encourage it. When I was in Cincinnati, Meg asked for some input regarding skin removal in scarification, which she’d already done, so we set up a piece we could work on together so I could show her exactly what I do. Very rarely do I just shun people away. When someone has absolutely no idea what they’re doing and they just want me to tell them because they’re too lazy to do some homework, then I get frustrated, but otherwise I’m all ears.


Stephen DeToma
Whether the client asks me for something new or I wish to try something different, such as freehand V clamps, it’s important that it’s made perfectly clear that this will be new.

A lot of prep for something new starts with discussion with others and researching listed techniques. Often, it comes down to hands-on application, but that doesn’t always mean with a needle. When I was switching away from forceps for nipples and navels, doing a dry run with a cotton swab in place of a needle helped to give me the feel of the piercing without actually having to poke the skin or follow through.

Learning how others do something, even if you don’t end up applying the same methods in your own work is just as important, and that applies even to piercings that you’ve been doing for years. Traveling and being able to observe artists that I respect and admire goes a long way to help sharpen my own skills. Sometimes it’s as simple as seeing how someone approaches an unrelated procedure to help blossom new ideas for your own work.


Brian Decker
I fully agree. When I first started moving away from forceps, I was piercing everything other than people to get a better feel for different grips. Paper, jeans, cardboard, bookbags … everything.

Steve Truitt
I pretty much agree with everyone else. Common sense can go a long way. When I was learning to do procedures, I thought about them for a while before doing them to map out the technique I thought would work best. Then I’d usually call someone I knew that had done that procedure before. Usually that was Steve Haworth, and he was very helpful.

I also normally started out doing the procedures I hadn’t done before on friends and regular clients that knew I was trying something new and were aware of the risks.


Meg Barber
Brian [Decker] has been really helpful to me with input, and he is who I turn to most often. I think he and I just work well together, and we respect each other enough I know he isn’t gonna call me a chump when I ask about something. I’ve also touched base with Ryan Oullette and John Joyce once or twice …

That’s when knowing artists who aren’t total rock-star douchebags comes in handy.


John Joyce
Whenever I was looking into a new procedure or a new technique, I’ve always researched the hell out of it before jumping in. Talking to more experienced artists, looking at photos, and whenever possible actually watching someone else do it.

A great example of this is when I first started looking into doing the punch and taper method for surface piercings. I had the general idea down, but before I attempted it, I contacted people I trusted that were already doing it. Tom Brazda was very helpful; he and I wrote back and forth many times before I eventually attempted one, and the first few that I performed after that were all done on friends only. I made sure they understood it was something new that I was trying out, and there was a very real possibility that they may end up with just two holes in them and no jewelry. Fortunately, that never happened.

Before punch and taper, I did the same thing when I was learning to freehand surface piercings instead of clamp and pierce. I talked to Luis Garcia, and a few other people about their techniques.

The Learning Forum on IAM is a great place for exchanging information between piercers, experienced or not. Unfortunately, I do think it’s underused by newer piercers. When I was first learning to pierce, there wasn’t a place like that where you could ask questions and get responses from so many great piercers all at once. It really makes getting information much easier.


Stephen DeToma
IAM in general is a great resource. Thank you, Al Gore.

John Joyce
I couldn’t agree more with Stephen when he said that, “Traveling and being able to observe artists that I respect and admire goes a long way to help sharpen my own skills.”

Scar Wars helped me sharpen my skills as a scarification artist tremendously. Even though I was there as a respected practitioner, watching other artists work made me think about the way I did certain things, and made me a better artist. This is another example of the newer artists not taking advantage of something amazing that could better themselves more than anything else. At the last two Scar Wars events I was really disappointed at the lack of the younger/newer “scarification artists” that made the effort to come and learn from the best of the best.


Stephen DeToma
I don’t even cut and Scar Wars was a great learning experience.

Steve Truitt
Yeah, I learned a lot at Scar Wars from watching people cut as well.

Meg Barber
I think that Scar Wars is easily one of the best learning environments that there has been for scarification, hands down. The ability to schmooze with and watch all of these skilled artists for a period of three days?! Yes please!

Ryan Ouellette
I think preparation is the best kind of research — does that make any sense? Whenever I’m around other professionals I’ll make sure to keep my ears open and ask a lot of questions. Sometimes it’s just that one small piece of the puzzle that brings everything together. I’ve learned so many little tricks (from a lot of people here on IAM) that has really advanced my work. If someone comes in and asks for something I’ve never done before I’ll typically refer them to someone else. If it’s just a different variation on a familiar procedure then I’ll inform them of my experience and it’s their choice to have me perform it. A good example would be when I tried a punch and taper microdermal on someone when I had only done freehand microdermals and punch and taper piercings. You can try new things on clients at certain skill levels, but if it is something outside of your field of experience it’s best to research and train, or refer to a trusted colleague.

But I don’t mean to make it sound like I’ve never rolled the dice on a procedure. Luckily my experiments have usually been on myself, or at least my friends. There’s always a first time for everything you’ve done. Experimentation is really important to advance the industry. I’m not a heavy mod practitioner, just piercing and cutting really. But my first flesh removal was on a regular client/coworker/friend … and it came out horrible. But I never would have been able to nail down a solid technique without getting my mistakes out of the way first. I think part of knowing how to do something right is seeing how to do it wrong.


Allen Falkner
I think everyone agrees that research is important and that clients should be fully informed prior to attempting a new procedure. So, I’m going to try and give an answer coming from a different angle.

When I first made the jump into suspension I knew zilch, zero, nada. The only person I knew that had hung from hooks was Fakir. He was helpful to a certain extent, but in general I stumbled into it blindly. For those that haven’t heard the story, my first suspension was an utter disaster. I understood the basic physics. Knew it was possible. However, the information, equipment and materials just weren’t out there. Well, at least not like they are now.

Looking back on it I see the first years of TSD as reckless. Granted, I tried to convey to people that my experience was limited, but ego and pride can really be one’s undoing. Yes, I learned a lot from working with other people and communicating with others online. But really my first two to three years of suspension were riddled with comments like, “Well that didn’t work,” and, “Yeah I guess that won’t hold.” Nowadays it’s easy to dismiss it all by saying things like, “There really wasn’t anyone else to ask” and “I was young and stupid.” These statements might be true, but it’s still no excuse.

Basically, in the beginning I was very headstrong and often attempted things that in retrospect I really wasn’t qualified to do. Do I regret these experiences? No. However, I was lucky. No one was ever seriously hurt and the lessons I learned really shaped who I am today. The main thing that came from this behavior is that I am much more cautious now. Do I still do stupid things without adequate research? Sure, but whenever possible I’m the first guinea pig.

Personally I think experimentation is a good thing, and yes reinventing the wheel should be avoided whenever possible. However, there is definitely something to be said for learning things the hard way.


Stephen DeToma
Absolutely, sir. Learning something the hard way can often times be the greatest teaching tool. If someone tells you the stove is hot, you may forget; but you touch a hot stove, you’ll never forget again.

What do you think? Let’s hear it in the comments.

* * *

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I want to be the bad guy.

I spoke with Emilio about his most recent facial sculpting endeavor. It’s reminiscent of the work Steve Haworth performed on The Stalking Cat in 2001. While Cat’s procedure was more of a septum relocation/removal, Cain’s procedure includes significant removal of his nostrils and his septum. Look for more photos in the next BME update and hopefully I’ll post some healed photos once they’re submitted.

Says Emilio (edited for clarity):

My friend Cain from Bogota, Colombia, was waiting a long time to modify his physical appearance. So last year, I took a trip to Bogota and saw, when I met Cain, he had a very hard, rough appearance; even with no modifications, he impressed me. He told me he wanted to look more evil, you know, like the devil itself, and to pay tribute to the name Cain.

I started by giving him silicone horns, and had to take a few trips there for make them bigger — our goal is 2-inch horns, and to eventually add another set of 1.5-inch horns, manufactured by Steve Haworth. Cain was really happy with the work I did and wanted to go to the next step: making his nose like the bad guy from Harry Potter and the Order of the Phoenix, Lord Voldemort, but with a very personal touch.

When I came home to Caracas, my big friend Cesar Gonzalez (a plastic surgeon, specialized in nose reconstruction) and I had a very long conversation about Cain’s situation. When I went back to Colombia for a tattoo convention, I did the procedure on him — he was more than pleased, and very soon you will see the result. I want to give thanks to BME, and a special thanks to Lukas Zpira for helping me a long time ago to make my first step into the modification world.

See more in Facial Restructuring (Facial Sculpting)

As indicated by Emilio, only a trained professional should attempt this procedure and even then, there are serious risks to consider as it is definitely an advanced body modification! Don’t try this at home!